Sky Captain and the World of Tomorrow

serutan writes "Tuesday night I attended a sneak preview of Kerry Conran's groundbreaking film, Sky Captain and the World of Tomorrow , courtesy of the Science Fiction Museum in Seattle. I was completely blown away. Below is my brief review of the movie and the event. No spoilers, if you have seen any of the clips available on the web." Read on for the rest.

Set in a mythic version of the late 1930s, this movie is a stunning tribute to classic sci-fi serials, comics and pulp magazines of that era. Starting with a reporter investigating the disappearances of top scientists, the story quickly becomes a nearly constant barrage of giant robots, aeroships, submarine planes, ray guns and retro technology on a grand scale. The plot, which hurtles across maps of the world Indiana Jones style, definitely take a back seat to the effects. The character interactions are all predictable. But all of that is consistent with the genre, and for me it didn't get in the way of enjoying the hell out of this movie.

What sets this film apart from others is that every scene was shot against a blue screen. Except for some hand props and the actors themselves, the whole thing was computer generated. We've certainly seen plenty of CG, going all the way back to "The Last Starfighter" in the 80s, but I've never seen anything done so stylishly or so well. Perhaps the hazy, murky look is perfectly suited to both the 1930s atmosphere and the current state of the art of CG. It works.

The packed screening was followed by a Q&A with director Conran, who turned out to be an impressively low-key, likable guy. He started working on the film about 10 years ago with a blue screen in his living room, wondering whether he could create an entire movie in his Mac. The first 6 minutes took him 2 years. Initially he made an animated version, which actors later used as a guide as they mimed their way through the live version. When Paramount got involved they insisted on big-name actors, so the theatrical release is actually version 3. Hopefully all three will make it onto the eventual DVD. Conran mentioned that for his next project he wants to tackle Edgar Rice Burroughs' epic John Carter series.

The presenter, a filmmaking friend of Conran's, closed the screening with a joke about Pete Townshend meeting Eric Clapton in a London bar and commiserating about some new kid named Hendrix, "who's gonna kick our asses." He imagined that Spielberg and Lucas might soon be having a similar conversation somewhere in California. I have to agree that it seems like a distinct possibility.

Thanks to serutan for this review!

Comments

First intirely blue screen movie was..

[MrPrefect]

called The Immortal you can find it on the net, pretty wierd but shot intirely infront of a blue screen

Re:Can't wait to see this!

[bpland]

The clip has been up on apple.com for almost 3 months. Have a look if you want

http://www.apple.com/trailers/paramount/skycaptain andtheworldoftomorrow/

Wired Magazine Article

[Standmic]

Wired ran an article about Sky Captain and the World of Tomorrow several months ago.

Re:How about a plot too?

[dinsdale3]

The Matrix and Spiderman were the the only two decent movies in recent times that have had good CG and a decent plot.

Lord of the Rings?

Re:Quick Question

[cpt kangarooski]

Yes, that's how Jules Verne wrote him.

At one point in Twenty Thousand Leagues Under the Sea, Nemo declares himself to be a native of India, who has lost his family and his homeland.

He shows up again in The Mysterious Island, and although there are inconsistancies between the two books, we get a lot more information about him:

Captain Nemo was an Indian, the Prince Dakkar, son of a rajah of the then independent territory of Bundelkund. His father sent him, when ten years of age, to Europe, in order that he might receive an education in all respects complete, and in the hopes that by his talents and knowledge he might one day take a leading part in raising his long degraded and heathen country to a level with the nations of Europe.

From the age of ten years to that of thirty Prince Dakkar, endowed by Nature with her richest gifts of intellect, accumulated knowledge of every kind, and in science, literature, and art his researches were extensive and profound.

He traveled over the whole of Europe. His rank and fortune caused him to be everywhere sought after; but the pleasures of the world had for him no attractions. Though young and possessed of every personal advantage, he was ever grave--somber even--devoured by an unquenchable thirst for knowledge, and cherishing in the recesses of his heart the hope that he might become a great and powerful ruler of a free and enlightened people.

Still, for long the love of science triumphed over all other feelings. He became an artist deeply impressed by the marvels of art, a philosopher to whom no one of the higher sciences was unknown, a statesman versed in the policy of European courts. To the eyes of those who observed him superficially he might have passed for one of those cosmopolitans, curious of knowledge, but disdaining action; one of those opulent travelers, haughty and cynical, who move incessantly from place to place, and are of no country.

The history of Captain Nemo has, in fact, been published under the title of "Twenty Thousand Leagues Under the Sea." Here, therefore, will apply the observation already made as to the adventures of Ayrton with regard to the discrepancy of dates. Readers should therefore refer to the note already published on this point.

This artist, this philosopher, this man was, however, still cherishing the hope instilled into him from his earliest days.

Prince Dakkar returned to Bundelkund in the year 1849. He married a noble Indian lady, who was imbued with an ambition not less ardent than that by which he was inspired. Two children were born to them, whom they tenderly loved. But domestic happiness did not prevent him from seeking to carry out the object at which he aimed. He waited an opportunity. At length, as he vainly fancied, it presented itself.

Instigated by princes equally ambitious and less sagacious and more unscrupulous than he was, the people of India were persuaded that they might successfully rise against their English rulers, who had brought them out of a state of anarchy and constant warfare and misery, and had established peace and prosperity in their country. Their ignorance and gross superstition made them the facile tools of their designing chiefs.

In 1857 the great sepoy revolt broke out. Prince Dakkar, under the belief that he should thereby have the opportunity of attaining the object of his long-cherished ambition, was easily drawn into it. He forthwith devoted his talents and wealth to the service of this cause. He aided it in person; he fought in the front ranks; he risked his life equally with the humblest of the wretched and misguided fanatics; he was ten times wounded in twenty engagements, seeking death but finding it not, but at length the sanguinary rebels were utterly defeated, and the atrocious mutiny was brought to an end.

Never before had the British power in India been exposed to such danger, and if, as they had hoped, the sepoys had received assistance from without, the influence and su

Re:THEFT!

[objekt]

It's not true that this is now the main theme.
From the FAQ on imdb http://imdb.com/title/tt0346156/board/nest/1150995 3?d=11510088#11510088
1) Why is the STARGATE theme in the teaser trailer? Why did they steal the music from Stargate? Will this movie have an original soundtrack?

Because the trailer editor thought it envoked the right mood, and the Paramount marketing people didn't say, no and it wasn't too expensive to license. Its been used in other trailers, and there are Star Gate Freaks all over the internet freaking out on this for some reason.

The score is one of the last parts of a film to be developed. A teaser trailer usually has to be released well before the composer has been able to do much work, if any.

Music from Stargate has been used in the following trailers:

Dragonheart (1995) - Theatrical Trailer
Independence Day (1996) - Theatrical Trailer
Jumanji (1995) - Theatrical Trailer
Lost in Space (1998) - Theatrical Trailer
The Man in the Iron Mask (1998) - Theatrical Trailer
Mighty Joe Young (1998) - Theatrical Trailer
The Mummy (1999) - Theatrical Trailer
Volcano (1997) - Theatrical Trailer
Warriors of Virtue (1997) - Theatrical Trailer
Waterworld (1995) - Theatrical Trailer
Mission to Mars (2000) - TV Trailer
Titan A.E. (2000) - TV Trailer
Dungeons & Dragons (2000) - Theatrical Trailer
Deep Rising (1998) - TV Trailer
The Time Machine (2002) - Theatrical Trailer
Spirit: Stallion of the Cimarron (2002) - TV Trailer
Sky Captain and the World of Tomorrow (2004) - Teaser Trailer

The music is from the original Stargate movie, and was adapted for Stargate SG-1.
It also features music from "Final Fantasy: The Spirits Within". (It's the music from Aki's dream sequence)

They did not "steal" this music. It's called "licensing"
The second trailer doesn't use the Stargate music.

Yes, the movie will use original music composed by Ed Shearmur.
It's getting rave reviews, and will be released Sept 7, 2004.
You can listen to it here
RealPlayer format: http://demand1.stream.aol.com/ramgen/aol/us/aolmus ic/artists/sony/various/skycaptainsoundtrack/vario us_skycaptainsoundtrack_lp.rm
or
http://mp.aol.c om/audio.main.adp?mxid=1153566

----

It may interest you to know that the Stargate movie "stole" the music for its own trailer :)

from http://www.soundtrack.net/trailers/?cid=S&id=5 91

Stargate (1994)
"Rhythm of the Heat" - Peter Gabriel
Bram Stoker's Dracula (1992) - Wojciech Kilar