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Teaser Trailer for 'Cars'; Info on 'Polar Express'
Michael Wyszomierski writes "The teaser trailer for the final Disney/Pixar film, Cars, is now available on Apple's Movie Trailers page. The film will open in theaters on November 4, 2005." And reader BoredStiff writes "The movie Polar Express will open Wednesday and could create a film genre somewhere between animation and live action. Made almost exclusively with a method called performance capture, which drops digitized human actors into a computer-animated world. The technique has been used in some video games and, to a limited extent, in earlier movies. Warner Bros. says The Polar Express is the first feature made solely with the process."
If the trailers are any indication, then this "performance capture" technology has a long way to go. The background animation is fantastic, but the characters look wooden, stiff, and completely lacking emotion. I find the animation style they've created to be very uninvolving and distracting (if those two things can coexist).
Great idea. Lousy execution.
-S
--- What parts of "shall make no law", "shall not be infringed", and "shall not be violated" don't you understand?
And on bittorrent November 5th.
First, I can't think of a more mundane and generic title. Continung this trend, the next Pixar film should be called Shoes - or maybe Toothbrushes. It's a moving story about a friendship between a floss dispenser and a tube of whitening toothpaste, and it also promotes dental hygiene!
Second - this is going to be hard - I love Pixar, and find their films to be great entertainment. But their schtick is starting to wear a little thin. We've done bugs, toys, monsters, and fish, and they've talked about doing robots. Now we're moving into consumer products. I'm curious how much longer this trend can continue, and whether or not they'll start slipping into that most humdrum of habits - the serial. Is it time for Toy Story 3 yet?
Pixar is brimming with incredible talent. That's why it will be such a shame if the public tires of seeing it applied to rather cliche genres. This is fantasy - we need new fantasy environments. Really alternate-reality stuff that veers between comic and wondrous. In the end, that's the highest calling of uber-powerful CGI art: to allow us to envision a previously unimaginable world. I think Pixar is, oddly enough, missing the boat in that regard.
- David Stein
Computer over. Virus = very yes.
Sure. The original Toy Story was under a different deal. Then came Bug's Life, Monsters Inc, Finding Nemo, and now The Incredibles and Cars to finish off a 5-picture deal signed after Toy Story. Through some contractual madness, Disney discovered that they didn't have to count Toy Story 2 towards the count, since apparently some clause said that in effect sequels don't count.
The Polar Express was made almost exclusively with a method called performance capture, which drops digitized human actors into a computer-animated world.
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Sometimes I doubt your commitment to Sparkle Motion.
I was the soundman/video engineer on an GSTA (giant screen theatre of america) event about 1-2 month ago where they were presenting, to giant screen theatre owners from around the world, various work in devellopement and work in progress. Several flick caught my attention (the 70mm IMAX version of Ghost In The Shell: Innocence being one! :) ) and Polar Express was part of those.
Polar Express is not only the first to be entirely made with digitized actors it is also the first feature lenght IMAX animation movie, the first feature lenght movie in IMAX 3D and the first movie funded by Tom Hanks himself. Tom Hanks was described as an avid Imax 3D supporter, he wants to push the technology and was actually the one who suggested Polar Express as a project, he was deeply involved in the process. The result does not look like a tech showdown at all, it looks like an incredibly good animation that plays with and use the 3D technology to enhance messages, emotion and aprehensions, not to showcase it. Nowhere in the extract they showed to the crowd did I had the impression they were just showing tech, actually as soon as the extract started I kinda forgot I was watching 3D, it just felt natural.
I'm really looking forward to the full release.
What might ruin that great story for you, aside from special effects and profit-maximizing changes, is the nature of books themselves... your experience is unique. Translating one person's experience or interpretation of a book into a film is a dangerous act; you run the risk of alienating fans that didn't have the same experience. You also influence the experience of future readers by giving them a glimpse into your own vision of the story.
When I read Stephen King's The Stand a few years ago, there was a foreword where he said that he wasn't sure he'd ever make a movie version of the story. He cited "One Flew Over the Cuckoo's Nest" as evidence of the damage a movie can do to a book. As fantastic as the movie is, it isn't the same (and does not hold the same kind of value) as the original text. If you see the movie and then read the book (as I did) you will never be able to get Jack Nicholson's performance out of your head as you read the character. Unfortunately for me, I also saw the movie adaptation of The Stand before reading the book.
I felt this way about LOTR, but was happy to see that it matched up with my expectations pretty well. Plus, it depicted what I had failed to visualize - Ents. I just couldn't figure out what they would look like.