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Kahle v Ashcroft Appeal Filed

An anonymous reader writes "Brewster Kahle of the Internet Archive has announced that the appeal of Kahle vs. Ashcroft has been filed. Here is the appeal. Kahle vs. Ashcroft concerns the constitutionality of changing from an opt-in copyright system (which existed for almost 200 years in the US) to the current opt-out system, where every doodle on a piece of paper is copyrighted for 95 years. Yes, they used the word doodle in their appeal. Previous stories here, here, and here."

10 of 359 comments (clear)

  1. Correct me if I'm wrong... by physicsphairy · · Score: 3, Informative

    But I thought it was 70 years after the death of the author (as opposed to the cited 95) or is that just for literature?

    1. Re:Correct me if I'm wrong... by Kiryat+Malachi · · Score: 5, Informative

      Individuals: Life of the author + 70 years ( 302(a))

      Joint Works: Life of the last surviving author + 70 years ( 302(b))

      Anonymous Works, Pseudonymous Works (where identity is not revealed) and Works Made for Hire: 95 years from publication or 120 years from creation, whichever expires first ( 302(c))

      Anonymous or Pseudonymous Works (where identity is revealed by filing): Life of the author + 70 years or life of the last surviving author +70 years ( 302(c))

      Taken from here.

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    2. Re:Correct me if I'm wrong... by Anonymous Coward · · Score: 4, Informative

      Taken from a 1999 page, good idea.

      Laura's always been the go to gal on this one...

      WHEN U.S. WORKS PASS INTO THE PUBLIC DOMAIN

      anon cause i think i've whored this link b4..

    3. Re:Correct me if I'm wrong... by Kiryat+Malachi · · Score: 5, Informative

      A 1999 page is completely accurate when it comes to copyright *duration*, as terms have not been altered since 1998.

      In fact, mine has significantly more (correct, for the record) detail regarding anonymously created works. In addition, Lolly is incorrect - works published between 1951 and 1977 all receive the 28+67 extension, not 64-77 as she claims.

      It's all in here. Which, if you had read it recently, you would know has not been amended since the Bono Act in 1998.

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  2. A Lil OT by Klar · · Score: 3, Informative

    Not to troll, but I noticed that this link had something to do with http://www.archive.org.. If you haven't been to this page before, you must go! It has been around for several years, and has some pretty kick ass archives of the internet.. yes.. the internet. You can get a look at snapshots of sites differet points in time. A must see.. I like looking at tech sales sites and lookin at the crazy prices :)

  3. Re:You mean... by Leo+McGarry · · Score: 4, Informative

    Your comment was fucking hilarious. Mind if I use it as a springboard to make a point?

    Copyright --which, just so we're all on the same page, is the legal recognition of natural property rights --does not prohibit quotation. To the contrary, the law specifically states that quoting a work for the purposes of commenting on it is not a violation of the work's creator's property rights.

    That seems to be a point on which ever so many people have been misled. I figure it couldn't hurt to be explicitly clear about it.

  4. Re:Different question by shystershep · · Score: 4, Informative

    Close, but no cigar. Art. 1, section 8: "The Congress shall have Power . . . To promote the Progress of Science and Useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."

    That clause gives Congress the power to legislate patents and copyrights, but it is limited by the phrases "to promote the progess of science and useful arts" and "for limited times." Therefore a copyright act that does more than that is unconstitutional, and congress does not have power to act unconstitutionally.

    As I understand it, their argument on appeal are that the continuous extensions of the period of copyright protection violate the limited times clause, and - separately - that the current system impinges on First Amendment free speech.

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  5. Re:You mean... by xenocide2 · · Score: 4, Informative

    I think what he means is that copyright is not nessecarily a natural right, and not exactly a property right either. Some fringe legal scholars and armchair theorists say that property rights give owners the right to "exclude people," and that the theft of property denies the owner use of his property while an infringer of copyright need not diminsh the intrinsic value of the work. One such thinker includes Jefferson, while describing the majesty of knowledge, drawing an analogy to fire and candles; that by lighting the candle of anothers with your own flame, your own is not diminished.

    Furthermore, one might suppose that copyright isn't a natural right at all! Man lived for several hundred years (likely much more) without a notion of copyright. In fact, in the past people were often given entirely to the profession of copying another's works verbatim. They were not called "pirates" but rather "scribes," who's efforts protected what they saw as valuable knowledge. You could also recall that copyright was originally a device to silence critics of the British throne, now perverted by the bookmakers for their profits and embraced by their contemporaries for the same.

    Does an author have exclusive domain over his own works, and the right to make derivative works? If so, this flies in the face of hundreds of years of human endevors building upon one another. Musicians will tell you that it is quite rare to create a truly original piece. We say that it is frequent that we quote one another, without attribution. We steal ideas and concepts and bring in new ones. Certainly, Beowulf was not the work of a single man (in fact it is widely speculated that one of the aforementioned scribes did a quite a number on it), yet there is no wide damnation in any field concerning permission of these people. Furthermore, if copyright is a natural law of property, why do they expire? Certainly you must admit that eventual copyright expiration is in the public's interest!

    Copyright isn't a "legal fiction" but it does make a bargin with the creators in the world; give temporary control over your work in exchange for sharing it with the world. When so many (napster-heads, fan fiction authors, warez distributers, cover bands, photoshoppers, etc) refuse implicitly recognize the legal authority of a law, one has to question its status as "natural law."

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  6. Geez, didn't Eldred v Ashcroft do enough damage? by phr1 · · Score: 3, Informative
    There has to have been a better way, or maybe a better time, to have pursued that case. We're much worse off under the Eldred ruling than if sleeping dogs had been left to lie.

    The traditional contours of copyright have been warped in a much worse way than the opt-in/opt-out division. Until the 20th century, the only way to infringe copyright was by unauthorized publication of a copyrighted work. Making a private, personal copy of something only became an infringement under the 1909 copyright act revision. If we went back to the traditional contours, all the MPAA bullshit lawsuits would have to go away at once.

    However, there is no way that Kahle could seriously litigate the above. He instead goes after opt-in/opt-out, but will get nowhere, because the same media conglomerates who stopped Eldred will stop this. They do not want a public domain to exist. They opposed the Eldred bill which tried to get abandoned works back for the public domain, by requiring a copyright renewal with a fee of one dollar after 56 years! Lessig explains:

    The opposition to the Eldred Act reveals how extreme the other side is. The most powerful and sexy and well loved of lobbies really has as its aim not the protection of "property" but the rejection of a tradition.Their aim is not simply to protect what is theirs. Their aim is to assure that all there is is what is theirs.

    It is not hard to understand why the warriors take this view. It is not hard to see why it would benefit them if the competition of the public domain tied to the Internet could somehow be quashed. Just as RCA feared the competition of FM, they fear the competition of a public domain connected to a public that now has the means to create with it and to share its own creation.
    ...
    There is a history of just such a property system that is well known in the Anglo-American tradition. It is called "feudalism." Under feudalism, not only was property held by a relatively small number of individuals and entities. And not only were the rights that ran with that property powerful and extensive. But the feudal system had a strong interest in assuring that property holders within that system not weaken feudalism by liberating people or property within their control to the free market. Feudalism depended upon maximum control and concentration. It fought any freedom that might interfere with that control. As Peter Drahos and John Braithwaite relate, this is precisely the choice we are now making about intellectual property. We will have an information society. That much is certain. Our only choice now is whether that information society will be free or feudal. The trend is toward the feudal.

    The Kahle lawsuit is an interesting intellectual exercise, but we need to treat this as a war, not a parlor game. We need better tactics to raise real political awareness, rather than filing these silly lawsuits without having the awareness wide enough.
  7. Re:You mean... by mrchaotica · · Score: 4, Informative
    Now just hold on a second there! If you're talking about copyright in the United States, you're way off base and the grandparent was completely correct. It's explicitly stated in the Constitution itself: "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries" (Article 1, Section 8, Clause 8).

    Copyright is a law of property. Creators of works --writings, paintings, whatever --have natural property rights over their creations. Copyright law is the legal recognition and protection of those rights by the government.

    Bullshit. Copyright law is the legal creation of monopoly rights for ideas. It is entirely an artificial construct. Under copyright law, ideas indeed are property -- but that doesn't make them natural property. And how could they be? With real property, only one person can possess it at any given time. The idea that I can say "this is mine" stems from the fact that if I'm holding it, you physically can't be. Ideas aren't like that -- it's not possible for me to give you an idea without keeping it for myself at the same time, and I don't lose anything by doing so. How can something be called "property" if you can give it away without losing it?! Here's further justification of that, in the form of a quote:

    If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of everyone, and the receiver cannot dispossess himself of it. Its peculiar character, too, is that no one possesses the less, because every other possesses the whole of it. He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me. That ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density at any point, and like the air in which we breathe, move, and have our physical being, incapable of confinement or exclusive appropriation. Inventions then cannot, in nature, be a subject of property.

    "He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me." Wow, what a great line! Wanna guess who said that? It was Thomas Jefferson! And who better to define copyright than the guy who wrote the Constitution in the first place?

    Speaking of Jefferson, he didn't want legal monopolies (i.e., "intellectual property") in the Constitution at all:

    The saying there shall be no monopolies lessens the incitements to ingenuity, which is spurred on by the hope of a monopoly for a limited time, as of 14 years; but the benefit even of limited monopolies is too doubtful to be opposed to that of their general suppression.

    James Madison had to persuade him to put them in:

    With regard to monopolies they are justly classed among the greatest nuisances in government. But is it clear that as encouragements to literary works and ingenious discoveries, they are not too valuable to be wholly renounced? Would it not suffice to reserve in all cases a right to the public to abolish the privilege at a price to be specified in the gra

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