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Kahle v Ashcroft Appeal Filed

An anonymous reader writes "Brewster Kahle of the Internet Archive has announced that the appeal of Kahle vs. Ashcroft has been filed. Here is the appeal. Kahle vs. Ashcroft concerns the constitutionality of changing from an opt-in copyright system (which existed for almost 200 years in the US) to the current opt-out system, where every doodle on a piece of paper is copyrighted for 95 years. Yes, they used the word doodle in their appeal. Previous stories here, here, and here."

29 of 359 comments (clear)

  1. Doodle? by Ghoser777 · · Score: 4, Funny

    Sounds like what the judges will be doing while they hear the case :(

    --
    James Tiberius Kirk: "Spock, the women on your planet are logical. No other planet in the galaxy can make that claim."
  2. Correct me if I'm wrong... by physicsphairy · · Score: 3, Informative

    But I thought it was 70 years after the death of the author (as opposed to the cited 95) or is that just for literature?

    1. Re:Correct me if I'm wrong... by Kiryat+Malachi · · Score: 5, Informative

      Individuals: Life of the author + 70 years ( 302(a))

      Joint Works: Life of the last surviving author + 70 years ( 302(b))

      Anonymous Works, Pseudonymous Works (where identity is not revealed) and Works Made for Hire: 95 years from publication or 120 years from creation, whichever expires first ( 302(c))

      Anonymous or Pseudonymous Works (where identity is revealed by filing): Life of the author + 70 years or life of the last surviving author +70 years ( 302(c))

      Taken from here.

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    2. Re:Correct me if I'm wrong... by Anonymous Coward · · Score: 4, Informative

      Taken from a 1999 page, good idea.

      Laura's always been the go to gal on this one...

      WHEN U.S. WORKS PASS INTO THE PUBLIC DOMAIN

      anon cause i think i've whored this link b4..

    3. Re:Correct me if I'm wrong... by AstroDrabb · · Score: 4, Insightful
      While I know what you say is true, _every_ time I read it I can't help but want to vomit. I personally cannot belive that the "representitives" of the US population has been totaly bought off that every copyright is not life+70. I never new that a copyright owner could benefit from a copyright for 70 years after his/her death. How can anyone benefit from something for 70 years after their death? Copyright wasn't create to give copyright owners the power to give their children and their grand-children such benefits. The only person that should benefit from a copyright is the original copyright owner, and IMO, that benefit should not last more than 10 years.

      Since when can the dead benefit from finacial gain? Heck, since when should someone have exlusive rights to work they release to the _public_ for their entire life? We live in sad, sad times. I would love to see copyright and patents drop down to 10 years or so. While I don't agree with software patents, I would have a _lot_ less to complain about if software patents dropped to 5 years or so.

      Sadly, we will never see these days since our _whole_ government (both republican and democrat) are pretty much paid for by big business or special interest goups.

      --
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      it will be in the guise of fighting a foreign enemy. -James Madison
    4. Re:Correct me if I'm wrong... by Kiryat+Malachi · · Score: 5, Informative

      A 1999 page is completely accurate when it comes to copyright *duration*, as terms have not been altered since 1998.

      In fact, mine has significantly more (correct, for the record) detail regarding anonymously created works. In addition, Lolly is incorrect - works published between 1951 and 1977 all receive the 28+67 extension, not 64-77 as she claims.

      It's all in here. Which, if you had read it recently, you would know has not been amended since the Bono Act in 1998.

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    5. Re:Correct me if I'm wrong... by PyroMosh · · Score: 5, Interesting

      It could be lowered back down again to life of the author + 50 years, but would be inpractical to lower it further.

      The reason for this is the Berne Convention, which states that all signed parties had to provide at least a minimum of lifetime + 50. Any nation can provide more but not less.

      The U.S. would not only have to pass legislation to change it. But they would have to back out of the Berne convention. Backing out of the Berne convention would (I think) have the side effect of getting the plantifs what they want, and returning the U.S. to an opt-in copyright system.

      IANAL, so I very well may be wrong about that, but even if I am, it would at least remove one major hurdle to getting the U.S. back to an opt-in system.

    6. Re:Correct me if I'm wrong... by iamwahoo2 · · Score: 4, Insightful
      You do not have to hand them over to anyone when copyright expires, but others who have your photos are now allowed to make copies as well.

      Clearly copyright need to expire at sometime, having them extend to infinity is simply unrealistic. The Grandparent post merely feels that the current copyright term is too long and frankly I agree.

      Clearly from your post you are one of those that thinks that copyright really is a right. You are wrong in this. It is not a natural right and it is not the same as owning real property. It is like owning air, a thought, or energy. It is not even possible. It is possible for the government to force society to restrict the ability to distribute works, and that is what happens. The goal of this is to give incentives to inventors/creators/writers so that these creations will lead to the progress of all of society. If there is too much protectionism, it can stifle creation. If there is too little protectionism then a market is created in which nobody wants to invest in works of creation. The key is to find the terms of protection which lead to the most progress for each type of intellectual property. I agree with the grandparent in that the current copyright term is far too long. However, I agree with you that 10 years is probably too short for copyrights on photographs.

    7. Re:Correct me if I'm wrong... by iamwahoo2 · · Score: 4, Insightful
      Only someone who is not creative and wants to leech off the works of others would make this argument.

      Actually, I am a fairly creative person, and yes, I want to leech off the works of others. Trying to create something great without relying on the works of others makes absolutely no sense at all. There is nothing wrong with leeching off of anothers work whether that means paying for use of it or if it has passed into public domain. And yes, protectionism can stifle innovation. Lack of protection can discourage the appeal of investing in innovation because it may lower the returns you get on that investment. Too much protectionism can also discourage investment because it can create a barrier to entry in the market. If competitors are holding defensive patents whether applicable or not, you now have to budget for things like legal expenses and you may also have to purchase rights to use certain technologies.

      If complete protection is what is best for society than we should just extend all intellectual property to last forever. Luckily, even the talking heads in Washington realize that complete protectionism would be bad and limit the terms of protection. I merely advocate adjusting those terms of protection to ones that I feel would benefit society as a whole. Those who want to make protectionism vertially limitless are the extremists.

  3. You mean... by Frogbert · · Score: 5, Funny

    You mean this comment is my own property for 95 years just because I wrote it...

    Stay back fools and don't quote me. You'd better believe I'll protect my rights!

    1. Re:You mean... by Leo+McGarry · · Score: 4, Informative

      Your comment was fucking hilarious. Mind if I use it as a springboard to make a point?

      Copyright --which, just so we're all on the same page, is the legal recognition of natural property rights --does not prohibit quotation. To the contrary, the law specifically states that quoting a work for the purposes of commenting on it is not a violation of the work's creator's property rights.

      That seems to be a point on which ever so many people have been misled. I figure it couldn't hurt to be explicitly clear about it.

    2. Re:You mean... by DeepHurtn! · · Score: 3, Interesting

      The problem usually comes from vague definitions -- what exactly constitutes a significant portion of a work, for example? This ambiguity has real repurcussions. For example, scholarly articles and research in popular music are often unable to quote the lyrics of the songs under examination, even though one would think that would fall under comment and criticism.

    3. Re:You mean... by xenocide2 · · Score: 4, Informative

      I think what he means is that copyright is not nessecarily a natural right, and not exactly a property right either. Some fringe legal scholars and armchair theorists say that property rights give owners the right to "exclude people," and that the theft of property denies the owner use of his property while an infringer of copyright need not diminsh the intrinsic value of the work. One such thinker includes Jefferson, while describing the majesty of knowledge, drawing an analogy to fire and candles; that by lighting the candle of anothers with your own flame, your own is not diminished.

      Furthermore, one might suppose that copyright isn't a natural right at all! Man lived for several hundred years (likely much more) without a notion of copyright. In fact, in the past people were often given entirely to the profession of copying another's works verbatim. They were not called "pirates" but rather "scribes," who's efforts protected what they saw as valuable knowledge. You could also recall that copyright was originally a device to silence critics of the British throne, now perverted by the bookmakers for their profits and embraced by their contemporaries for the same.

      Does an author have exclusive domain over his own works, and the right to make derivative works? If so, this flies in the face of hundreds of years of human endevors building upon one another. Musicians will tell you that it is quite rare to create a truly original piece. We say that it is frequent that we quote one another, without attribution. We steal ideas and concepts and bring in new ones. Certainly, Beowulf was not the work of a single man (in fact it is widely speculated that one of the aforementioned scribes did a quite a number on it), yet there is no wide damnation in any field concerning permission of these people. Furthermore, if copyright is a natural law of property, why do they expire? Certainly you must admit that eventual copyright expiration is in the public's interest!

      Copyright isn't a "legal fiction" but it does make a bargin with the creators in the world; give temporary control over your work in exchange for sharing it with the world. When so many (napster-heads, fan fiction authors, warez distributers, cover bands, photoshoppers, etc) refuse implicitly recognize the legal authority of a law, one has to question its status as "natural law."

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    4. Re:You mean... by mrchaotica · · Score: 4, Informative
      Now just hold on a second there! If you're talking about copyright in the United States, you're way off base and the grandparent was completely correct. It's explicitly stated in the Constitution itself: "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries" (Article 1, Section 8, Clause 8).

      Copyright is a law of property. Creators of works --writings, paintings, whatever --have natural property rights over their creations. Copyright law is the legal recognition and protection of those rights by the government.

      Bullshit. Copyright law is the legal creation of monopoly rights for ideas. It is entirely an artificial construct. Under copyright law, ideas indeed are property -- but that doesn't make them natural property. And how could they be? With real property, only one person can possess it at any given time. The idea that I can say "this is mine" stems from the fact that if I'm holding it, you physically can't be. Ideas aren't like that -- it's not possible for me to give you an idea without keeping it for myself at the same time, and I don't lose anything by doing so. How can something be called "property" if you can give it away without losing it?! Here's further justification of that, in the form of a quote:

      If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of everyone, and the receiver cannot dispossess himself of it. Its peculiar character, too, is that no one possesses the less, because every other possesses the whole of it. He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me. That ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density at any point, and like the air in which we breathe, move, and have our physical being, incapable of confinement or exclusive appropriation. Inventions then cannot, in nature, be a subject of property.

      "He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me." Wow, what a great line! Wanna guess who said that? It was Thomas Jefferson! And who better to define copyright than the guy who wrote the Constitution in the first place?

      Speaking of Jefferson, he didn't want legal monopolies (i.e., "intellectual property") in the Constitution at all:

      The saying there shall be no monopolies lessens the incitements to ingenuity, which is spurred on by the hope of a monopoly for a limited time, as of 14 years; but the benefit even of limited monopolies is too doubtful to be opposed to that of their general suppression.

      James Madison had to persuade him to put them in:

      With regard to monopolies they are justly classed among the greatest nuisances in government. But is it clear that as encouragements to literary works and ingenious discoveries, they are not too valuable to be wholly renounced? Would it not suffice to reserve in all cases a right to the public to abolish the privilege at a price to be specified in the gra

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  4. 95 Years seems about right by svvampy · · Score: 4, Funny

    I'm sure that's how long it will take this case to get through the court system. If it manages to survive it's conception.

  5. If it ain't broke... by LewsTherinKinslayer · · Score: 5, Insightful

    I personally fail to see any reason to change mid-stride like this anyways. Was the old opt-in copyright law in some way broken?

    If you want something copyrighted, you should be responsibile to take care of it. I don't give a shit about your Intellectual Property or otherwise if you can't be bothered to copyrighted.

  6. A Lil OT by Klar · · Score: 3, Informative

    Not to troll, but I noticed that this link had something to do with http://www.archive.org.. If you haven't been to this page before, you must go! It has been around for several years, and has some pretty kick ass archives of the internet.. yes.. the internet. You can get a look at snapshots of sites differet points in time. A must see.. I like looking at tech sales sites and lookin at the crazy prices :)

  7. Different question by cubicledrone · · Score: 3, Insightful

    This isn't a Constitutional issue. It's a Congressional issue. Congress has the Constitutional power to establish copyrights. In order to change that system, Congress simply needs to pass a new copyright act.

    --
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    1. Re:Different question by Seumas · · Score: 5, Insightful

      Judges shouldn't legislate from the bench.

      They don't. They make judgements based on their interpretation of the law. That's what they're hired for. The phrase "legislate from the bench" is just NewSpeak thrown about to gather support from various groups when they don't agree with a ruling.

    2. Re:Different question by Anonymous Coward · · Score: 3, Insightful
      There are plenty of constitutional issues at stake. For example, if I decide to use the following statement in my book: "This isn't a Constitutional issue. It's a Congressional issue. Congress has the Constitutional power to establish copyrights. In order to change that system, Congress simply needs to pass a new copyright act." ...even if I cite you, is that legal? Can Congress extend copyright to require me to get permission from you to even cite you here in my response to your silly question? Because I have some first ammendment rights, don't I? To what degree can they deny me the right to say what I like?

      Copyright has always been a tenuous balancing act between the (imaginary but thought necessary) rights of the copyright owner and the first ammendment rights of a speaker to use that material in his protected speech. There's an important safe harbor for copyright users called "fair use". It's a longstanding collection of doctrines which more or less say that copyright can only go so far, and though Congress has the right to establish copyright law, it can't push it too far into the realm of first ammendment violation.

      The recent changes in copyright largely shrunk the fair use region. Congress may not have had the right to do that. This is very much a constitutional issue.

    3. Re:Different question by shystershep · · Score: 4, Informative

      Close, but no cigar. Art. 1, section 8: "The Congress shall have Power . . . To promote the Progress of Science and Useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."

      That clause gives Congress the power to legislate patents and copyrights, but it is limited by the phrases "to promote the progess of science and useful arts" and "for limited times." Therefore a copyright act that does more than that is unconstitutional, and congress does not have power to act unconstitutionally.

      As I understand it, their argument on appeal are that the continuous extensions of the period of copyright protection violate the limited times clause, and - separately - that the current system impinges on First Amendment free speech.

      --
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    4. Re:Different question by k98sven · · Score: 4, Interesting
      This isn't a Constitutional issue. It's a Congressional issue. Congress has the Constitutional power to establish copyrights. In order to change that system, Congress simply needs to pass a new copyright act.

      Well, changing the system isn't the issue here (although it's undoubtedly the goal). The issue here is whether the change from opt-in to opt-out was constitutional.

      Looking at the constitution, you'd hardly think it's an issue:
      The Congress shall have Power [...] To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries


      But there's of course more to the constitution than just the text itself. It's how the Supreme Court interprets that text which is important.

      In Eldred vs. Ashcroft, which is very much the predecessor to this case (Larry Lessig being involved with both), the Supreme Court basically said that the Sonny Bono copyright extension act was OK, since it didn't alter "the traditional contours of copyright protection".

      So, what they're arguing here is basically a follow-up on that: "Well, what about the opt-in system? Didn't that change the contours of traditional copyright?"

      I'd say it's a long shot. But I'm thankful for them trying.
  8. Copyright (c) by Makecash · · Score: 4, Insightful

    I believe the current copyright law is
    A work that is created (fixed in tangible form for the first time) on or after January 1, 1978, is automatically protected from the moment of its creation and is ordinarily given a term enduring for the author's life plus an additional 70 years after the author's death. In the case of "a joint work prepared by two or more authors who did not work for hire," the term lasts for 70 years after the last surviving author's death. For works made for hire, and for anonymous and pseudonymous works (unless the author's identity is revealed in Copyright Office records), the duration of copyright will be 95 years from publication or 120 years from creation, whichever is shorter

  9. Let's get grounded here by PCM2 · · Score: 3, Insightful

    Before you all start freaking out about evil corporations, corrupt governments, and everything else (too late)...

    Understand that this is not some change that happened overnight while you were asleep. We have not had an "opt-in" copyright law in the United States since January 1, 1978. And the law was changed even before that -- Congress actually elected to amend the old copyright law in 1976. So I'd be willing to bet that this is the way copyrights have worked since before many of you were born.

    --
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  10. Most other country's in the world have opt-out (c) by wemgadge · · Score: 3, Insightful

    I won't argue that life +70 is too long etc, but the point that I wanted to make about opt-out verses opt-in copyright is that under the old system, a creative work was unprotected from plagiarism until the work was officially registered with the copyright office. Here in Canada, I mail myself a copy of my work to prove date of creation (left unopened) and I'm done. Maybe the current US copyright law went too far, but opt-out copyright as a system ain't all bad.

    --
    -- Cheers!
  11. Geez, didn't Eldred v Ashcroft do enough damage? by phr1 · · Score: 3, Informative
    There has to have been a better way, or maybe a better time, to have pursued that case. We're much worse off under the Eldred ruling than if sleeping dogs had been left to lie.

    The traditional contours of copyright have been warped in a much worse way than the opt-in/opt-out division. Until the 20th century, the only way to infringe copyright was by unauthorized publication of a copyrighted work. Making a private, personal copy of something only became an infringement under the 1909 copyright act revision. If we went back to the traditional contours, all the MPAA bullshit lawsuits would have to go away at once.

    However, there is no way that Kahle could seriously litigate the above. He instead goes after opt-in/opt-out, but will get nowhere, because the same media conglomerates who stopped Eldred will stop this. They do not want a public domain to exist. They opposed the Eldred bill which tried to get abandoned works back for the public domain, by requiring a copyright renewal with a fee of one dollar after 56 years! Lessig explains:

    The opposition to the Eldred Act reveals how extreme the other side is. The most powerful and sexy and well loved of lobbies really has as its aim not the protection of "property" but the rejection of a tradition.Their aim is not simply to protect what is theirs. Their aim is to assure that all there is is what is theirs.

    It is not hard to understand why the warriors take this view. It is not hard to see why it would benefit them if the competition of the public domain tied to the Internet could somehow be quashed. Just as RCA feared the competition of FM, they fear the competition of a public domain connected to a public that now has the means to create with it and to share its own creation.
    ...
    There is a history of just such a property system that is well known in the Anglo-American tradition. It is called "feudalism." Under feudalism, not only was property held by a relatively small number of individuals and entities. And not only were the rights that ran with that property powerful and extensive. But the feudal system had a strong interest in assuring that property holders within that system not weaken feudalism by liberating people or property within their control to the free market. Feudalism depended upon maximum control and concentration. It fought any freedom that might interfere with that control. As Peter Drahos and John Braithwaite relate, this is precisely the choice we are now making about intellectual property. We will have an information society. That much is certain. Our only choice now is whether that information society will be free or feudal. The trend is toward the feudal.

    The Kahle lawsuit is an interesting intellectual exercise, but we need to treat this as a war, not a parlor game. We need better tactics to raise real political awareness, rather than filing these silly lawsuits without having the awareness wide enough.
  12. Wrong approach to copyright reform. by LtOcelot · · Score: 3, Insightful

    Opt-out copyright has the very important benefit of providing coverage to all individual creators without requiring registration or meaningless copyright notices. Contrast this to the patent system, where only corporate entities can regularly handle the legal hassle and expense of registration. If we go back to an opt-in system, expect to see corporations claiming ownership of every scrap of paper they produce on the one hand while on the other ripping off any material they can find that isn't legally nailed down.

    If you want fair use exemptions for archiving, fight for that. If you want shorter copyright terms, fight for that. Don't push for a change toward a system that pollutes the world with even more useless copyright filings and notices than we have already while punishing those who don't have a legal department to handle the issue.

  13. Re:True! What a horrible broken system! by spitzak · · Score: 3, Insightful

    I'm suprised more people have not pointed this out.

    However the solution is to have a fairly short default copyright that you have to opt-out of. Not just for GPL but to get rid of the legal loophole that *anything* somebody writes is apparenty free for the taking until they manage to get the paperwork done. In a practical sense a short default copyright would stop a lot of unnecessary paperwork because the contributors could think about whether it is worth copyrighting or not, rather than being forced to submit it as fast as possible.

    I'm not sure but a length of perhaps 5 years or so would be good. Even a five-year old copy of Linux is not much use so it may not matter for GPL code if nobody filed for the copyright. After that you have to opt-in, and you have to renew the opt-in every 10 years or so after that.

    It may also help that the threat that your stuff will go into the public domain if you don't change it and you don't do the paperwork will get some of the authors to work a little more on their stuff and keep it up to date.

  14. Re:Thanks Europe by vidarh · · Score: 3, Interesting
    It is the Berne convention, not the Paris convention.

    Opt-out has its good sides - it avoids the problem of mistakenly releasing something or having to clutter everything with copyright notices. Opt-in in itself isn't the problem. The problem is the form it has taken, where protection has gotten longer and longer.

    I'd have no problem with opt-out if it was structured differently. Say, copyright on a work that doesn't either have a copyright notice, OR have been registered expires after a short amount of time after publication - say 5 years - unless copyright is registered in the meantime. It would mean that even if you couldn't prove the publication date, if you receive a work and it is not registered, you KNOW it will be out of copyright in 5 years unless there is registration at the end of that period. That's not much of a burden.

    If you then further requires all work to be registered to get longer protection than, say, 20 years from publication, and be renewed every 20 years after that up to a maximum, then works that have commercial value can remain protected, while work where the owner loses interest or "disappears" will still enter the public domain relatively quickly.

    It would give you automatic protection, the ability to easily prevent "mistakes" where you released something without a notice, and the ability to get protection up to 20 years without a registration by placing a notice on your work, or significantly longer if you bother with the paperwork.

    There are many ways of making both opt-in and opt-out work. The problem is that the people with significant investments in copyrighted works aren't interested, and they spend fortunes on lobbying.