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Business Models: Napster to Go vs. iPod

CNet offers an interesting comparison between Napster to Go and iTunes. For $15 a month, Napster to Go offers over 1 million songs (access to which lasts as long as subscription is valid), while songs for iPod must be purchased and last 'forever' (but it takes about $10,000 to fill an iPod). Is Napster to Go the future of digital music distribution? Would moving to an all-you-can-eat model hurt iPod business and balance the power among authors, studios, hardware makers and consumers?" It might take $10,000 to fill an iPod with songs downloaded from iTunes or with music converted to MP3 from newly purchased CDs, but there's a lot of downloadable and legit free music out there, not to mention Griffin's RadioShark.

43 of 517 comments (clear)

  1. You can fill it for free. by aichpvee · · Score: 4, Insightful

    Just get on the Napster 14 day free trial and convert their stuff to mp3.

    --
    The Farewell Tour II
    1. Re:You can fill it for free. by Holi · · Score: 1, Insightful

      So just get a sub for a month and fill 'er up.

      --
      Sorry, teleporters just kill you and then make a copy. A perfect, soul-less copy.
    2. Re:You can fill it for free. by ornil · · Score: 4, Insightful

      If you are OK with breaking the law, you might just download whatever you want from P2P and skip the whole rigmarole.

    3. Re:You can fill it for free. by garcia · · Score: 1, Insightful

      If you're so partial to MP3s of crappy conglomorate controlled music use a site that doesn't DRM their music and also distributes it cheap (allofmp3.com).

      If you're interested in ending the stranglehold on your music that the conglomorates have on you I suggest finding alternative ways to get your music legally and for free. Support the bands that support the free distribution of their music (bt.etree.org, easytree.org, FurthurNET, etc).

      Stop worrying about how you are going to be able to listen to your crappy quality music forever and switch to allofmp3's non-DRM, high quality downloads, or switch to free music that's encoded typically in FLAC.

    4. Re:You can fill it for free. by Skynyrd · · Score: 5, Insightful

      I tried their 14 trial. What a turd.
      The interface is clunky, everything is slow, many songs (usually one from each album) isn't available unless you pay extra and the downloading is slow.

      I stopped using my 14 day trial about day 5.

      I might consider using a similar service, but it would have to be put together better and it would have to have a wider selection of music. For example, there's a band called X that I really like. They put out 6 or 7 albums, and only one of them is available on Napster. Sure, they aren't super current and they were never huge, but they were a big enough band that their catalog should be available.

    5. Re:You can fill it for free. by jimbolaya · · Score: 4, Insightful

      Another Slashdotism: Any business model that can't somehow make a profit from thieving "customers" is "stupid" or "obsolete". Could it be, just maybe, that you people really should just stop stealing?

      --

      There ain't no rules here; we're trying to accomplish something.

    6. Re:You can fill it for free. by jimbolaya · · Score: 2, Insightful
      Those up-and-coming bands that are giving music away for free are doing so because they are hoping to build buzz and a fan base, so they can one day make a living. They aren't catering to leeches.

      Why is is to friggin' hard to just pay for music? There's a lot of people working hard to deliver an album, and they deserve to make a honest buck off it. If you don't like the major labels, fine; neither buy nor listen to music they produce. But whether you listen to independents or majors, at least do your part to see the artists, distributers, producers, and retailers are compensated.

      --

      There ain't no rules here; we're trying to accomplish something.

    7. Re:You can fill it for free. by tricops · · Score: 1, Insightful

      No. A business model where "customers" are treated like thieves from the get-go is "stupid" or "obsolete". The AC you replied to didn't say anything about stealing, though I can't read their mind so who knows. Regardless, I think wholesale theft of songs is crap, but I will never buy a DRM encrypted file. I'm not one of those people with thousands of albums, but I do buy a few CDs here and there... but no DRM music.

      --
      (\(\
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      (")")
      This is the cute vorpal bunny virus, copy to your sig or runaway, runaway in fear!
    8. Re:You can fill it for free. by jimbolaya · · Score: 2, Insightful
      What legitimate activities can you do with DRM-free music that you can't do with a song purchased from iTunes Music Store? (I can think of a few: playing the song on Linux or a non-iPod portable music player, and streaming to Roku Soundbridge, but these are used by only a minority of potential customers).

      Those may be your concerns, or you may have others, but I still believe that the majority of people who complain about DRM do so mainly as a knee-jerk, Slashdot-groupthink reaction.

      --

      There ain't no rules here; we're trying to accomplish something.

    9. Re:You can fill it for free. by Reene · · Score: 2, Insightful

      Laws or no, it's still morally or ethically questionable conduct depending on your given set of morals or ethics. Though if you don't consider ripping off someone else's brainchild morally or ethically questionable, do the rest of us a favour and don't bitch if/when it happens to you.

      --
      "He does look a bit Oompa like, even if his Loompa is a bit off-kilter."
    10. Re:You can fill it for free. by jrockway · · Score: 2, Insightful

      > What legitimate activities can you do with DRM-free music that you can't do with a song purchased from iTunes Music Store?

      How about playing it through filters? Maybe Apple's EQ isn't good enough? Maybe you want real crossfeed or spacialization? Maybe you want speed up/slow down/vocal removal? It annoys the hell out of me that I can't do these things in iTunes.

      --
      My other car is first.
    11. Re:You can fill it for free. by Matthew+Weigel · · Score: 2, Insightful

      "Many, many CDs"? Hahahahahahano.

      You're just feeling doomed and gloomy, bud.

      --
      --Matthew
    12. Re:You can fill it for free. by Znork · · Score: 4, Insightful

      "Why is is to friggin' hard to just pay for music?"

      It isnt. However, I dont want to pay for the marketing, the videos, the lawyers, the exec payscale, the parties, the execs coke habit, the payola, the execs cousins nephews marketing, videos, birthday party and coke habit and the execs cousins newphews floozies new wardrobe.

      How can a music company refuse to release a finished recorded album from an artist selling platium on the grounds that it wont make a profit? How can it fail to make a profit? Where is the hard work and what is the honest buck? Pretty much anyone who can afford a car can afford to pay for a complete professional recording, and could make a profit from a few thousand sales at todays prices. How exactly does copyright benefit the artist and public in such a case?

      I'd love to just pay for the music. But it appears that choice usually aint on the menu. Paying for everything _but_ the music appears to be the dish of the day. But that's monopolies for you.

    13. Re:You can fill it for free. by R.Caley · · Score: 2, Insightful
      You can still choose where and when you play your recording of the song. You just cant prevent anyone else from playing their recording of it where and when they want.

      It's not about my recording of the song, it's about my song.

      it's about limiting peoples rights to do what they wish with their creativity, memory, abilities and property [...]

      If you are using your creativity and abilities non trivially, copyright can't touch you (traditionally, lets not get into recent evils given the name `copyright' to try and make them sound more legitimate).

      Which is why, when it comes down to it, copyright, even when abused, can't be too much of a problem. If I try and charge you a ridiculous amount to make a copy of my song, you can always go get a copy of another song from someone less greedy, or sit down and write your own. I have monopoly control on only one from an infinite space of potential artifacts, so my scope for abuse is infinitesimal. Even if, say, Sony ends up owning all of the back catalogue of all the major record labels, there will still be people creating new music.

      Compare that with patents, where I am granted control of your creativity.

      --
      _O_
      .|<
      The named which can be named is not the true named
    14. Re:You can fill it for free. by rollthelosindice · · Score: 2, Insightful
      So you are saying that you don't feel the need to pay for a business' expenses? You just think all you need to pay for is the cost of the CD and jewel case? Or is even that too much for you?



      If they didn't have the marketing, and the videos, then you would never even hear about the bands that you probably listen to. Unless you only listen to classical music.


      Need proof? Here are links to successful independent record labels, but you tell me if you've heard of any of their bands?


      And there are dozens of dozens of more successful indepedent labels that can't afford the type of marketing and advertising that major labels provide, but would love to if they could.


      But with sentiment like yours, the bands will never get the attention or rewards that they deserve.

    15. Re:You can fill it for free. by GeckoX · · Score: 1, Insightful

      Another Moronism: Any business model that lets you buy a substandard version of a standard product is "smart" and "in".

      I'm sick of the black/white argument. I'm sick of being accused of being a thief by pricks like you. I have 20g of 100% legitimately owned and acquired DRM FREE music files that I can use however the fuck I want. I am not a thief....and yet I am VERY much against DRM.

      Its sad that people are so stupid as to pay companies to take their long held legitimate uses away.

      Clue people: It used to be that if you purchased a song, then you had the right to do whatever the fuck you wanted with it for personal use. QUIT ARGUING MY FUCKING RIGHTS AWAY YOU PRICKS!

      --
      No Comment.
  2. DRM quality by jamminpotato · · Score: 2, Insightful

    how hard is it to ocnvert a file from napster to a cd or to mp3 where it is free of DRM?

    1. Re:DRM quality by mike518 · · Score: 4, Insightful

      hmmm... so let me get this straight...from what ive heard you cant keep the music only if you pay $15 a month, you cant even download all the songs from many albums (and many more albums are not available at all), you can only use the songs on certain players like from creative and dell (*cough* junk *cough*) and finally the songs are 128 bitrate WMA (mmm gotta love M$ style sub-tape quality encording). Not to mention that the program is clunky, slow and doesnt work with ipods (which has like 70%+ combined mp3 player market share)

      and they claim Itunes is bad?

      yeah... they are sure to win this fight, esspecially with their informative (aka stupid) commercials and trendy brightly ipod mini colored website (very original). "napster to go" is sure to sweep itunes and free p2p -- and then maybe it will cure cancer. /sarcasm

      Mike

      --
      Mike
      I heart the RIAA & MPAA, im sure its mutual...
  3. Until your subscription expires... by datafr0g · · Score: 2, Insightful

    ...Or until they go bankrupt.

    It all sounds impressive to begin with but there are too many catches.

    --
    "Who says nothing is impossible? Some people do it every day!" - Alfred E. Neuman
    1. Re:Until your subscription expires... by Leo+McGarry · · Score: 3, Insightful

      What happens if Apple goes bankrupt is that you still have the CDs you made sitting on your shelf.

      The whole "what happens if they go bankrupt" argument is a giant waste of breath, because nobody in his right mind relies on encoded files. That's just dumb. The first thing everybody who buys music on line does is burn that music to CD. With iTunes, that's free. With Napster, it's an extra per-song fee on top of your $15 monthly charge.

      So all this talk about DRM is just a huge waste of energy. The real issue is cost. Napster costs more, period.

  4. Because "fees" never go up by acomj · · Score: 5, Insightful

    Judging from cable and satellite radio subscription fees just keep rising and rising.
    I would expect nothing less from the music rental services..

    I have a feeling that renting your music will be harder and harder to get stuff you want. (like some bands charging more than 9.99$ for an itunes album..)

    itunes "playlist" which users post there mixes is very clever. When you select a song, you can search for playlists with that song on it (more songs you might like..)

    However the napster "try" part is a way to discover new music I might or might not shell out cash for. Then again alot of bands have sites with free downloadable mp3s..

    If my free 3 month trial of XM radio has taught me anything (I bought a car), there is a lot of music out there I don't care for.

  5. The thing no one ever seems to mention by daveschroeder · · Score: 5, Insightful

    ...about Napster. Explicitly, anyway.

    Once you stop paying your $15/month or $180/year, which will likely become $17, and $20, and so on, in the future, you no longer have access to your music.

    If you want to keep it forever - or burn it to CD or use it on something other than an approved device - you have to buy it for a dollar. Just like with iTunes.

    Also, that money you're spending on Napster is 180 songs, or 18 albums per year, on the iTunes music store, that you get to keep forever. I suppose it just all depends on your usage style.

    That, and whether you want to use the hard-drive based music player with 92% market share.

    To say nothing of the fact that Apple will introduce a subscription plan if they need to, anyway.

    1. Re:The thing no one ever seems to mention by CastrTroy · · Score: 2, Insightful

      That, and whether you want to use the hard-drive based music player with 92% market share.

      The ipod only had 92% of the hard-drive based mp3 player market. That's still a very small market. Maybe i'm out of touch living in Ottawa Canada, but I have seen very few people with ipods. walk down the street, and look at people who have portable music players. They are 90% they are CD players. Because this is the easiest and cheapest way for them to listen to their music. You can get them for about $40 now with mp3 support. When a product such as this exists, it's very hard for most people to justify spending $400 on an ipod.

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    2. Re:The thing no one ever seems to mention by Dashing+Leech · · Score: 2, Insightful
      "Yes, clown, iPods cost $400 dollar."

      Um, he did say he was in Ottawa, Canada. iPods start (20 GB) at about $380 Canadian, which with taxes is $437.

    3. Re:The thing no one ever seems to mention by daveschroeder · · Score: 4, Insightful

      People argue that it's better to listen to music on Windows because it has a higher marketshare?

      No. I assume you're trolling here - or mind-shatteringly stupid, one of the two - but I'll bite. Where did I say anything about listening to music on Windows? I said "the same fundamental argument that has been buoying the entire Windows platform for a nigh on a couple decades now". To even presume that has *anything* to do with listening to music assumes that my initial statement about iPod's 92% share of the hard-drive based music player market has ANYTHING to do with the sound quality of the music coming out of it. Since my initial statement didn't say that, and since my subsequent explanation made no reference to it - and since you continue to feebly derail the perfectly factual claim that iPod's marketshare stunningly outshines any competitor, and has done so in a comparatively small amount of time - I can only assume you're the idiot you seem to be.

      Still, I have to assume that you agree with it since you seem to be using it as the basis for your own argument that the iPod's marketshare affects one's listening experience.

      I never made any argument that the iPod necessarily "sounded better". Though AAC at a given data rate may indeed sound better than various other codecs at the same given data rate, that was not, and never was, the argument that was made. But the user experience of the iPod, and its tight integration with iTunes and the iTunes Music Store is so tremendously better than any other combination of player, platform, or music store that it's quite laughable. This, of course, has been confirmed by numerous reviews by anything from traditional IT press to the New York Times.

      And, to anyone who even stumbled on the doorstep of a business school in a drunken stupor, by iPod's 92% share of its market.

      Napster's model, whether implemented by Napster themselves or another company, will pressure Apple, there's no "if" about it.

      Now I know I'm dealing with a real mental giant here. I alluded to that, quite specifically, in my first post when I said:

      To say nothing of the fact that Apple will introduce a subscription plan if they need to, anyway.

      Perhaps me repeating that for a third time now will drill it into your mind, eh?

      Then, I said:

      But, as I said, if the subscription model of a competitor pressures Apple, they'll release their own. And then it's goodbye Napster for the second time again, since Apple's model is invariably guaranteed to work infinitely better from a user's perspective, as has been shown time and again.

      So far, your argument has been based on complete fallacy:

      - That I'm arguing that an iPod somehow makes the music sound different, when I did no such thing (though the iPod makes it easier for the vast, vast majority of people to actually *listen* to their music), and

      - That I failed to acknowledge a possibility that Apple might release its own subscription model. It indeed may, as I've said in the first post, the second post responding to you, and this post.

      But it's not as clear cut as you think. Napster's business model - as shocking as this may be to you - may fail. And then what happens to your precious model? Oops, the last couple of years worth of downloads and $360 down the drain. So long, and thanks for all the fish. If - and that's a big if - Napster's model survives the oversight of the content owners (or, indeed if it even becomes profitable itself, another big if) - Apple may see fit to introduce its own subscription model, as I've said for, again, a third time now.

      And then you drones can drool over the MacWorld videos of it when Steve Jobs announces that Apple will also offer a subscription plan. You'll think it's the best thing since sliced bread, but lots of us will remember how horrible you thought it was before it got the Steve Jobs Reality

  6. Forget monthly payments by Daniel_Staal · · Score: 4, Insightful

    Do we really want to pay for everything monthly for as long as we live?

    I don't mind a monthly fee for something I'll use within that month, or that has a time-based cost component, but you try to bill me monthly for something where I can pay once (even a higher up-front fee) and you'll lose my business. It's not worth it, long term.

    --
    'Sensible' is a curse word.
    1. Re:Forget monthly payments by Daniel_Staal · · Score: 4, Insightful

      But, if you look at the economics of it, really my descendants (should I ever have any) would be likely to get both cash money and iTunes files, rather than neither.

      Monthly subscription do several things, in this setting: they limit the life of your music, they limit your financial flexibility, and they lock you into a particular vendor. I'm actually less worried about the first and last than the middle choice, from an economic standpoint. (Though they are something I like to avoid as well.)

      Under a subscription model I can't decide that this month I'm just a little short, so I should skip buying any music. Or that there is a great investment, for only $20, which I have to have. Or that, this month, I'd rather watch another movie. Sure, $15 sounds like nothing. They add up though, especially over time. And when you are tight on cash anyway...

      Look at it this way: With Napster to Go, I have to spend (at least) $15 a month on music. With iTunes/CDs, I can spend $15 a month. Or more. Or less. Or none. It depends on my situation that month. And that is good financial planning.

      --
      'Sensible' is a curse word.
  7. All-you-can-eat model by Krankheit · · Score: 3, Insightful

    I think this could go over quite well. An all-you-can-download plan where you can get as much as you want and only pay per month. Even if the general public won't download 14,000 songs in a month, they like the idea of being able to do something they probably never will do. This is why SUV's and all-you-can-eat buffet menus sell so well.

    --
    Powered by caffeine and sugar; BSD
  8. re by computerme · · Score: 2, Insightful

    Apple is using Napster like a fisherman uses chum.

    Let Napster burn thru their millions trying to convince people that subscription is the way to go.

    The moment... and I do mean the _moment_ apple sees this catching on and taking root, they will come out with iTunes subscriptions and blow napster out of the water...

  9. Existing collection... by seadd · · Score: 3, Insightful

    This 10000$ to fill an iPod is a bit exaggerated - keep in mind that a typical iPod owner has managed to accumulate a considerable CD collection over time. I have been collecting music ever since CD's became widely available in my area, which means that I've had roughly 10 years to acquire more than 100 disks by the time iPod appeared. And that equals the capacity of iPod mini, even without breaking the law:)

  10. Napster is... by HaveBlue34 · · Score: 5, Insightful

    ...not iPod compatible. Thats a show-stopper for the 20 MILLION iPod users out there.

  11. 2 can play this game by Skraut · · Score: 4, Insightful
    Ok lets say I'm the average Music Junkie, and oh 20 years old.

    I can buy a song on iTunes for $1 and keep it for the rest of my life, lets just say thats 80 years.

    Since the Napster songs go away as soon as you stop subscribing I need to pay $15 a month for the next 80 years. That folks, is $14,400.

    Considering I still listen to my grandfather's 78's that price just keeps going up and up.

    --
    Introducing Microsoft Vacuum 1.0 The first Microsoft product that doesn't suck.
  12. Re:Buy vs. Lease by Nik13 · · Score: 2, Insightful

    Even then, there would have to be a LOT of popular songs on there for me to take that route.

    How many good CDs worth buying get out per year? Not too many if you ask me, and too many of those only got 1 or 2 songs worth listening to.

    Take that 15$ a month * 12 months, that's 180 songs off ITMS, even with an average of say, 3 good songs per CD, that's 60 CDs worth of "good tunes", which is more than what's put out yearly in the first place imho.

    Of course YMMV, mainly depending on what you listen to (what genre).

    And paying every month for the next 10 years or so, then cancelling (or they go bankrupt, you get fed up of issues with their service or whatever happens), then you have absolutely NOTHING left for all that money you paid over all that time. Not to mention that price will most likely increase too.

    And even if you listened to so much stuff that it would cost more to buy them than renting, the music you want to listen to has to be available on napster as well and it just may not be (not like I really looked closely at their selection).

    I'm not sure what bitrate ITMS uses (using AAC is still an advantage over napter no matter what), but napster being 128kbps (correct me if I'm wrong) rules it out as far as I'm concerned, and I'm not really picky or anything (I'm not an audiophile but I'm not deaf either).

    --
    ///<sig />
  13. What about the artists? by tobias.sargeant · · Score: 2, Insightful

    Disregarding for a moment, the fact that this will work for precisely as long as it takes for someone to work out how to remove the DRM, has anyone commented on how artists get compensated under this model?

    It seems to me that the best that could be hoped for is some (small) percentage of the revenue subscription is divided up by the proportion of downloads per artist.

    Because a subscription service will encourage more indiscriminate listening behaviour, this may have some strange consequences. On a positive note, it may spread the money paid to artists out more widely.

    On the other hand, it may also mean that less popular releases are swamped by the monthly traffic in the latest manufactured pop album, and make even less than they do these days.

    It would be interesting if a subscription service tracked what you actually kept/listened to, rather than downloaded, listened to once, and deleted. It might even encourage the production of less rubbish.

    Of course, the main point, from the perspective of publishers, is that they get a guaranteed income stream regardless of the quality of the music they produce, which may just remove the last tiny bit of incentive they have to try and produce music that people actually want to listen to.

  14. sure they do ... by Heisenbug · · Score: 4, Insightful

    ... that's the same comment that gets posted on here every time a subscription music service comes up.

    The point could be equally well made about every other subscription service, though -- why rent city water that keeps getting more expensive and goes away when you stop paying, when, with a larger initial investment, you could dig your own well and have water forever?

    The answer is, gee, they both make sense in different situations. It depends *how much* more expensive the initial investment is than the subscription, and whether the specific resource you are buying will always be sufficient, or it would be better to have a provider committed to keeping new sources available.

    You acknowledged that it depends on your usage style, but I just wanted to drive this point home: pointing out that a subscription service stops when you stop paying for the subscription, and therefore is different from a one-time purchase, is no longer insightful. They're both different; they both make sense sometimes.

    Personally, I pay $100 per year for Rhapsody. For me it makes sense -- there's no way I could purchase enough music for $100 to satisfy my needs, and downloading music for free would cost me literally thousands of dollars in terms of time spent. If it doesn't make sense for you, fair enough -- but don't act like it's a blinding insight to point out that I'm renting rather than buying.

  15. Let's do the math by Antony-Kyre · · Score: 2, Insightful

    iTunes is like $1 per song, meaning it would cost $10,000 to fill an iPod.

    Napster charges $15/month for unlimited downloads, right?

    Do the math. Find out if you really download more than 15 songs per month, and that will indicate which one is the better deal. Cause who would pay $15/month for a service when you only download perhaps once a week?

  16. Who wants 10,000 songs? by FunWithHeadlines · · Score: 4, Insightful
    OK, I'm sure I'm going to get lots of replies along the lines of "Dude! I have 12,137!" Fine, you are the exception. I'm sure the vast majority of iPod users have fewer than 10,000 songs. Me? About 550. That's all I want. I have no use for another 9,500 songs. My collection grows slowly but surely, but it will take decades to reach the thousands at this rate.

    Maybe I'm not typical either, but I'll bet the typical user is closer to 550 than 10,000. And how did I get my 550? Mostly ripped from CDs in my existing collection, plus about 90-100 bought from iTunes over the last year. That's $90-$100 for me instead of $15x12 or $180. And I get to burn them to CD if I want (and I do want), and keep them for as long as I want. My monthly bill? Whatever I happened to buy that month. Maybe $2 or $3 or even zero. The Napster math makes absolutely no sense to someone like me. I don't want to rent my music, I want to own it. It's cheaper this way too.

    1. Re:Who wants 10,000 songs? by lezerno · · Score: 2, Insightful

      I agree. I have been collecting music on and off for 25 years. Most is on Albums gathering dust. I rebought some of it on cd and have bought some on itunes. I just looked at how many songs I have on my computer and was surprised that I only have 800. I would guess that about half of that could disappear and I would not even miss it.

  17. Re:Problem with both of them: Changing your hardwa by michaeldot · · Score: 4, Insightful
    This is beyond true.
    I know that apple's iTMS works only with the iPod as a digital media player.

    Not true at all. When you buy from the iTMS, the music goes into iTunes, not to an iPod.

    From iTunes, you can either play it as is or route the music to other places such as burning a CD, which lets you play it in a portable CD player, car player, etc. You can also rip that CD in both iTunes OR ANY OTHER MUSIC PROGRAM, to put on ANY OTHER MUSIC DEVICE.

    It's really the convenience and hyperfast synching that confuses people that iTMS is ONLY for iPods, but it's more true to say that iTMS is a way of getting music into iTunes. Where it goes from there is still largely up to you. It's not forever locked onto an iPod when you buy the track.

  18. When you "rent" and when you "buy" by amichalo · · Score: 3, Insightful

    It all comes down to simple "buy" vs. "rent".

    These decisiojns happen all the time - think of major purchases like a home or a car, there are both choices - 36 mo. car lease vs. buying the car - rent an appartment vs locking in that 30 yr. mortgage.

    On the surface, looks like the answer is simple - offer both because there is choice and then you let the people decide - and that is a simple answer and I think that it is a good one.

    But consider the flipside for a moment - these major purchases I just mentioned offer both models from a financial model too - not everyone can afford the downpayment and 30 yr mortgage, some people like a new car every three years and would rather rent. Point is, these comparisons aren't that comparable.

    The original slashdot article was comparing business models and the problem with the $15/mo napster model is that there is no "rent-to-own" scenario. There is NO ONE in their right mind who would rather rent music for 20 yrs. versus buy the albumns they like for a lifetime - especailyl the way that music sort of picks you - we listen to the same 80's trackes over and over - country music, old hip-hop, whatever.

    So perhaps the better model is a "rent-to-own" where you pay a lower monthly amount ($10) and you get X songs per month to download and Y ( X) to 'register' as your forever and they don't count against your X downloads next month and don't expire when you stop paying.

    Vioa! You get to 'try' new music and 'keep' the stuff you like - all for one low price per month. And just like a cell phone, if you want more songs to get registered forever, just pay an additional fee - just liek a per minute fee over your air minutes.

    Now right now the $0.99/track, $9.99/albumn model is WAY easier payment plan thatn my cell phone bill, but perhaps there is something to the convolated system AT&T, Cingular, SPrint, and others have created.

    --
    I only came here to do two things; kick some ass, and drink some beer...looks like we're almost out of beer.
  19. Re:Buy vs. Lease by Queer+Boy · · Score: 2, Insightful
    At the end of the day, when the payments stop, I want to have something to show for my money, er, lack of bank account.

    This is one of the most compelling reasons behind buying a home over renting. I was telling a friend that I prefer to rent because it is cheaper and I don't need the extra space. My friend told me that for just a little more a month you could be spending that money on a house payment.

    When you rent, you get a place to live but that money is gone. When you buy (or mortgage) you get a place to live and all that money is still yours in equity.

    When all is said and done, my iTunes will always be mine. They have no expiration date.

    --
    Not since Marie-Antoinette played milkmaid has looking simple and honest been so fake and complicated.
  20. $10,000 to fill up an iPod... by eclectic4 · · Score: 4, Insightful

    ...but it's always been that way, hasn't it? If an iPod was around 10 years ago, it still would have cost you about $9000. It's just the price of OWNING music, always has been.

    Napster is different. It LOANS the music to you. So comparing them is like comparing *insert obligatory Apple dichotomy here*.

    The price difference is still a choice for consumers. Do I want to be able to listen to that music after I stop paying Napster? If yes, then iTunes, if no, the Napster. Done.

    --

    "The greatest obstacle to discovery is not ignorance - it is the illusion of knowledge." - Daniel Boorstin
  21. Re:Rutger Hauer Power by daeley · · Score: 2, Insightful

    Just the best quote ever.

    Just the best movie ever. :)

    --
    I watched C-beams glitter in the dark near the Tannhauser gate.