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iTunes DRM Hole Closed

FrYGuY101 writes "As recently covered on Slashdot, there was a hole in iTunes which allowed music to be acquired from the iTunes Music Store without Apple's DRM applied. Well, Apple has just released an update which closes this exploit."

62 of 594 comments (clear)

  1. Impressive by Quasar1999 · · Score: 5, Insightful

    I like how they handled that... no horrible punishments, no wagging their finger at the community... just fix the hole, force the update (for obvious legal reasons), and carry on loving your customers... I like...

    Too bad napster to go couldn't be so accomodating... :P

    --

    ---
    Programming is like sex... Make one mistake and support it the rest of your life.
    1. Re:Impressive by Anonymous Coward · · Score: 5, Insightful

      Only because it was pretty damn embarrassing and very difficult to pursue legally.

    2. Re:Impressive by GigsVT · · Score: 5, Insightful

      loving your customers

      By forcing DRM onto them?

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    3. Re:Impressive by 0x461FAB0BD7D2 · · Score: 5, Insightful

      I think they've realized that DVD Jon is pretty much untouchable. He walks a fine line, but hasn't yet crossed it.

      It's not out of the goodness of their heart, but more because lawsuits are pretty damn expensive.

    4. Re:Impressive by cyngus · · Score: 4, Insightful

      Yet it remains the most consumer-friendly DRM around. Let's also remember that Apple itself could probably care less what you do with your music, but it has to reach some common ground with the record companies.

    5. Re:Impressive by 2starr · · Score: 4, Insightful

      If you allow anyone to do anything with the music, the record industry won't allow songs to be sold digitally or would require higher fees to make up for the losses. I love getting my music digitally, so I would prefer that a few bad DVD John-like people not ruin it for me. So, yes... they were looking out for me when they made that move.

      --

      "Let your heart soar as high as it will. Refuse to be average." - A. W. Tozer

    6. Re:Impressive by swv3752 · · Score: 3, Insightful

      No compromises are acceptable. It is people like you that accept the encroachment that will mean we rent everything.

      And, yes I do not use Itunes, not just because it is not available on my chosen OS.

      --
      Just a Tuna in the Sea of Life
    7. Re:Impressive by jbarr · · Score: 4, Insightful
      loving your customers

      By forcing DRM onto them?
      They are simply "enforcing" a standing policy, not "forcing" DRM. And it is a policy that their customers have already agreed to. Plain and simple, if you don't want DRM, don't use their service.
      --
      My mom always said, "Jim, you're 1 in a million." Given the current population, there are 7000 of me. God help us all!
    8. Re:Impressive by Satan+Gave+Me+a+Taco · · Score: 4, Insightful

      That's what he is you know, a fucking asshole ...The very simple and easy to live with rules that Apple laid out are just too much for some people ...All the crying people do about the big bad evil DRM screwing up the world and the "1984" type predictions are going to come true but it'll end up happening because the assholes among us will turn their noses up at every reasonable compromise along the way ...it will be in a sense our own fault.

      It's wrong to assert that "assholes among us" are the source of the problem. The labels are the ones imposing restrictive DRM. When a person or a entity acts in a reactionary manner, it is their own fault, not the fault of the thing they are reacting to.

      If you don't like the rules at iTMS then go buy your music elsewhere and quit screwing with the way the rest of us buy it)

      I don't buy at ITMS. I buy CDs, so I can rip to whatever format I want, with no DRM. But I support people like DVD John who are proving that DRM doesn't work. The record labels will have to change their business model to work with human behavior. What you propose is us changing our behavior to work with their business model. I couldn't disagree more.

    9. Re:Impressive by ElleyKitten · · Score: 5, Insightful

      Except, everyone already can do anything with music. Almost every song you could want you can find through pirating, and when you pirate you don't have to deal with DRM, you can get the music in any format you want and it will play in any player you want. The goal when selling music digitally is not to attempt to make sure your customers don't pirate, but to make sure that what they're paying for is better than what they don't pay for.

      --
      "What is Internet Explorer 7? Are you saying we can't access the normal internet?" - I love tech support. Really.
    10. Re:Impressive by Darren+Winsper · · Score: 3, Insightful

      Define "reasonable compromise." Strangely enough, what may be reasonable to you is not reasonable to me. I have enough computers that I would actually hit the limit of the number of computers I could have my music on under the iTunes limits.

      Tell me, what's the reason for restricting iTunes' streaming capabilities? It used to be five simultaneous users, now it's 5 per day. w00t.

      The reason people won't accept these so-called "reasonable compromises" is because there is no such thing as a reasonable compromise with DRM. By accepting DRM you're saying it's OK for the RIAA to re-define how you listen to your music on a whim. It's not reasonable at all.

    11. Re:Impressive by Jah-Wren+Ryel · · Score: 5, Insightful

      You sir, are a very reasonable fellow.
      "The reasonable man adapts himself to the world;
      the unreasonable one persists in trying to adapt the world to himself.
      Therefore all progress depends on the unreasonable man."

      -- George Bernard Shaw
      --
      When information is power, privacy is freedom.
    12. Re:Impressive by Sanity · · Score: 5, Insightful
      I love getting my music digitally, so I would prefer that a few bad DVD John-like people not ruin it for me.
      Yeah, those evil programmers hurting those poor multinational record labels by writing software that allows us to exercise our fair use rights under copyright law.

      Your bend over and take it attitude makes me sick.

    13. Re:Impressive by Hamhock · · Score: 4, Insightful

      His point isn't that he loves DRM, it's that the record companies can pull support for online downloads altogether if they want, thus removing the very conveinent resource that iTMS is. Everytime DVD-John (or someone like him) releases something like this it makes the record companies nervous, and presumably less willing to deal with an online service as open as Apples is (if you think it's not that open, you're wrong, it could be a lot more locked down then it is, and it may get to that point if these 'hacks' keep coming). Record companies ARE evil, but that's irrellevant in the context of iTMS. iTMS is beholden to the record companies. Messing up iTMS as some sort of philisophical 'fuck you' to the record companies only hurts the end user and Apple, not the record companies.

      --
      Two Minus Three Equals Negative Fun -Troy McClure
    14. Re:Impressive by slapout · · Score: 2, Insightful

      You know, if places like Slashdot would stop posting things like this to the front page, Apple might not have heard about it. Then you could have continued to use it....

      --
      Coder's Stone: The programming language quick ref for iPad
    15. Re:Impressive by Frank+T.+Lofaro+Jr. · · Score: 2, Insightful

      I would prefer that a few bad DVD John-like people not ruin it for me

      DVD John and other people who write software that allows people fair use are bad people? Are you nuts or just a fascist?

      --
      Just because it CAN be done, doesn't mean it should!
    16. Re:Impressive by Frank+T.+Lofaro+Jr. · · Score: 2, Insightful

      We turn up our noses at every reasonable compromise along the way?

      Such as a 14 year + possible 14 year extension term of copyright, fair use, no DRM and no DMCA?

      Oh wait, WE were fine with that, it was the content industries and their lackeys which turned up THEIR noses at that "reasonable" (*) compromise between private rights and the public good.

      (*) Now that the marginal cost of copying is almost nil, and people can produce and distribute content very cheaply (or in the case of P2P, one's content can spread at NO cost to one's self), copyright has outlived much of its usefulness. Back in the day where production and distribution cost huge amounts, not providing the content owners and distributors with monopoly rights means others could undercut them, and perhaps people would stop investing what it takes to produce and distribute content. Open source books and art didn't make much sense than. Open source software succeeds wildly now.

      Today's economy could run quite well without copyright. People would still produce content, because it is cheap enough to do as a hobby, or because it is needed for practical reasons (much software is made by someone because they or their company needs it - much, much, much more that that made by Independent Software Vendors).

      And why is it wrong to not play by Apple's rules? The car companies don't set their own speed limits you have to obey or make you pay an extra fee to travel over 55 bmp, or sue you for modding your car to make it faster, more powerful, etc.

      Why is the computer industry allowed to place restrictions on products after you buy, unlike other industries, and yet is allowed to produce crap (buggy, defective, etc) ithout liability, unlike other industries?

      --
      Just because it CAN be done, doesn't mean it should!
    17. Re:Impressive by tofucubes · · Score: 2, Insightful

      IMO when the the common person can copy the format they try to switch the format
      cassette > CD > music formats with drm
      the common person doesn't crack drm in thier sleep...though people give away cracks the common person hasn't caught on fast enough...yet

      --
      Some people believe 1-1=3 and for the sake of being politically correct, we should respect their differences
    18. Re:Impressive by Sanity · · Score: 3, Insightful
      Its the "bend over and take it" approach, no matter how you look at it. The record companies can't pull support for online downloads, those will happen with or without their say-so. All they can do is pull support for legal online downloads, and this can only hurt them in the end.

      iTMS is one of a small number of ways that people can conveniently obtain music and pay for it. If the record companies refuse to support it, then all they will do is drive people back to sources of music where they aren't compensated at all.

      In short, Apple is in a strong enough negociating position to distribute music that respects their customer's fair use rights. They deserve criticism for not fighting harder on behalf of their customers.

  2. No surprise by NerdHead · · Score: 3, Insightful

    When holes like this one open, it's only a matter of time before they close.

    Rant:
    This is no big surprise. Our favorite music is owned and operated by an industry
    who cares more about money than music. The artists who write and play this music
    have sold their souls to this industry. Until the artists wise up and use the
    Internet to distribute their music on their own terms, this cat and mouse game will continue. It's not going away soon since many artists do it for the money anyway.

    1. Re:No surprise by Golias · · Score: 4, Insightful

      Our favorite music is owned and operated by an industry who cares more about money than music.

      I write software for a living, and guess what? I care about money more than software.

      You are welcome to work at whatever craft you do for free all you like, but professional musicians (and yes, professional music sales executives) have a right to charge for their work by whatever means they consider to best suit them.

      The artists who write and play this music have sold their souls to this industry.

      As the leader of a small-time garage band, I would LOVE to have a label come along and "exploit" us with a five-year, multi-million dollar record contract, even if it meant seeing every (crappy) song I ever wrote locked down by eeeeeevil DRM layers. There's no way schmucks like you are ever going to hear my music unless I "sell my soul" to the record industry, because I don't have hundreds of thousands of dollars to spend on marketing and promotion.

      g/marketing and promotion/s//payola/

      --

      Information wants to be anthropomorphized.

    2. Re:No surprise by Zeneris · · Score: 5, Insightful

      Only trouble is the label is only giving an advance (i.e. a loan) so in reality you will probably only see a tiny return or even be in debt, even after any nominal royalies, because so much gets sucked up as "expenses"! Wise up, even top 10 artists can be poor!

    3. Re:No surprise by Short+Circuit · · Score: 4, Insightful

      The best music and software tends to be funded by culture, not money.

    4. Re:No surprise by Phu5ion · · Score: 2, Insightful

      One major problem is that once an "artist" signs that music contract, they loss all rights to anything they create while under the contract. So even if the majority of them did wise up, they still couldn't do anything about it as far as distributing the music goes. I mean they can hold out on the company by not making anymore music, but that usually doesn't work well either. Remember Prince... er, "The Artist Formerly Known as Prince"... er, . All his legal problems go to show how little freedom and rights "artists" have to what they create.

      --
      Slashdot is kind of like Playboy; we aren't here to read the articles.
    5. Re:No surprise by pixelpusher220 · · Score: 2, Insightful

      As a fellow Software Developer here's some thoughts for you:

      Once upon a time before music could be recorded at all, musicians made a pretty decent living *performing*. Now that the internet is taking away the bastions of distribution of *recorded* music, maybe artists will go back to what worked before, playing LIVE!

      I work in gov't contracting, we write specialized code for a specific use. In that sense it's *LIVE* programming, I'm not building something to resell to other people, I get paid for my time and work and even if it was open source I'd still be paid for my time and work.

      The notion of record once, make money for a long time just isn't going to work in the digital age unfortunately.

      The best quote on this subject to me is:
      "Trying to make digital bits not copyable is like trying to make water not wet".


      --
      People in cars cause accidents....accidents in cars cause people :-D
    6. Re:No surprise by Registered+Coward+v2 · · Score: 3, Insightful

      The best music and software tends to be funded by culture, not money.

      So I guess that leaves Mozart and Handel out of the best category.

      Sure, there're artists who never make money and produce great art, but there's alot that's driven by money and recognition that's great as well.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    7. Re:No surprise by RaisinBread · · Score: 2, Insightful

      There's no way schmucks like you are ever going to hear my music unless I "sell my soul" to the record industry, because I don't have hundreds of thousands of dollars to spend on marketing and promotion.

      Give me five bucks and I'll post some of your tunes on a web site. I think there is a market full of people who are tired of CD block-buying and DRM dodging, who take music for face value.

      If you build it they will come

      Laugh if you want, but little independent bands can go far, especially if they already have fans in the community. Word of mouth can get your tunes cross-community, and may give you the break you want.

      Sure, we're all practical, but it would be nice if someone with a little passion could find a different way to make this happen.

    8. Re:No surprise by Golias · · Score: 3, Insightful

      Wise up, even top 10 artists can be poor!

      iTunes current top 10 downloads:

      1. Cry Baby / Piece of My Heart
      Melissa Etheridge & Joss Stone
      2. Switch
      Will Smith
      3. Since U Been Gone
      Kelly Clarkson
      4. Boulevard of Broken Dreams
      Green Day
      5. Rich Girl
      Gwen Stefani & Eve
      6. Mr. Brightside
      The Killers
      7. Candy Shop
      50 Cent
      8. One, Two Step
      Ciara featuring Missy Elliot
      9. Obsession (No Es Amor)
      Frankie J & Baby Bash
      10. Caught Up
      Usher

      Which of these "artists" are poor? Will Smith? Gwen Stefani? Usher?

      Won't somebody do something to help these poor starving artists out of their current plight!?

      --

      Information wants to be anthropomorphized.

    9. Re:No surprise by tkw954 · · Score: 2, Insightful
      "Music is spiritual. The music business is not."

      -Van Morrison

  3. Believe it or not, Apple's DRM doesn't bother me by Anita+Coney · · Score: 5, Insightful

    Considering you can burn Apple's song on CD and get rid of the DRM, who cares.

    What I'd love is a way to download songs from Apple in a non-lossy format! If DVD Jon could do that, I'd give him a lifetime of gratitude!

    --
    If someone says he and his monkey have nothing to hide, they almost certainly do.
  4. So then.. by TheVampire · · Score: 5, Insightful

    ..someone just releases a patch to PyMusique so that it looks like version 4.7 of ITunes to Apple's servers...
    and the endless game continues....

  5. Not really closed by Anonymous Coward · · Score: 5, Insightful

    Of course the only change that Apple has made is to require iTunes 4.7 as the client. How long before someone figures out how to make PyMusique look like iTunes 4.7?

    And as long as they are sending un-DRMd songs down to the client they are suceptible to man in the middle attacks (a proxy server which watches for iTMS traffic and saves the song streams to another file), or to someone directly pulling data out of the iTunes app (though the second would arguably violate the DMCA).

    1. Re:Not really closed by biglig2 · · Score: 2, Insightful

      Perhaps Apple only transmit un-DRMed material when they detect an old client version?

      Or perhaps the 4.7 client is able to sign the connection in some way so ITMS know it is a real copy of iTunes

      --
      ~~~~~ BigLig2? You mean there's another one of me?
    2. Re:Not really closed by Anonymous Coward · · Score: 1, Insightful

      >Or perhaps the 4.7 client is able to sign the >connection in some way so ITMS know it is a >real copy of iTunes
      In which case it's pointless. It'll stop PyMusique from working, but people can
      just use the 4.7 client to connect through a proxy that know how to extract the not-yet-DRM'd
      file. There is no proper fix as long as the DRM is added client-side.

  6. Exploit? by Anonymous Coward · · Score: 3, Insightful

    How was being able to PURCHASE something in a form that the user actually wanted an exploit? A bug that would allow someone to gain access to Apple's servers, or to steal information, or - for that matter - to steal songs without paying - all of those would be exploits.

  7. Re:Forces upgrade by danbond_98 · · Score: 2, Insightful

    Yes, but ITMS will accept version 4.7 upwards. The problem was that previously earlier clients had been able to connect, however it was with them that the loophole existed. I suspect it won't be too long before someone modifies PyMusique to trick ITMS into believing it's itunes, but still.

  8. You'd be screwed too by jocknerd · · Score: 4, Insightful

    If you think that you would be signing a big fat contract with the music label, you're just as dumb as most of the artists out there. What you would be signing is a loan. You would be at the record labels mercy. Believe me, you are better off now. At least you don't owe the music labels anything.

  9. Imagine.. by khrtt · · Score: 2, Insightful

    ..how ass-like they would look suing DVD Jon... again!

    Besides, I really don't think there was anything illegal in his hack this time. Even with the U.S. DMCA included into consideration.

    1. Re:Imagine.. by sh00z · · Score: 5, Insightful

      Sort of. He could only have violated the TOS if he had agreed to them through the iTunes EULA. Since this program wasn't using iTunes, the Terms of Service weren't invoked.

    2. Re:Imagine.. by Marran+Gray · · Score: 3, Insightful

      I'm not speaking strictly from firsthand analysis, but it doesn't look like the hymn developers are violating the ToS. hymn is a tool that performs certain operations on standard data objects (mp4 atoms). Actually using it on music files you bought from iTMS is a ToS violation... by the user. You can maybe make arguments about the "intended purpose" of hymn, but that's a much more complicated issue.

      Incidentally, as much as I dislike DRM and will probably never buy any DRM'd music (it just feels unclean), I have to second Quasar's post: Apple could have gotten their legal action on, and they deserve credit for instead doing what they did. You can't even really fault them for trying to "pull the rug" via undocumented software changes; aside from the fact that such is really standard industry practice (laugh), iTunes and iTMS belong to Apple and can be changed at their will. (This lock-in is the cause of my first objection to DRM in general, but that's a separate argument.)

      --
      "There are hundreds of game theorists at the gates, sir, and they want to hold an election!"
  10. Re:Wouldn't that be crossing the line? by Anonymous Coward · · Score: 5, Insightful

    Misrepresenting software to get around the DRM could be interesting legally. (Yes, I know browsers can do this -- but not to avoid DRM.)

  11. Re:Apple bias. by coder.keitaro · · Score: 2, Insightful

    RTFA!

    "iTunes 4.7 was released late last year"

    It is actually PyMusique that was eploiting ITMS's backward compatability.

    All Apple did is require ITMS users to use the most up-to-date version of the "free" software.

    They did not release a new version, or patch, to iTunes to knobble PyMusic.

    --
    watashi wa bengoshi dewa arimasen!
  12. Comment removed by account_deleted · · Score: 5, Insightful

    Comment removed based on user account deletion

  13. Re:Do we own what we pay for? by BackInIraq · · Score: 2, Insightful

    So how long before I'm not permitted by law to modify data which I have paid for...

    Unless something's changed in the last 18 months or so, I thought the DMCA already did that (in the US). It prohibited the breaking of encryption schemes that are used to enforce copyright, and I don't believe it had any provisions for fair-use based exceptions. So while you may have bought a song from iTunes, and you paid for and own the data (in this case, the file), you are not legally allowed to remove the original compressed 128k audio data from it's DRM wrapper. You ARE allowed to burn it to a CD of coruse, as per the license...but at that point to get a compressed file usable in a non-iPod player, you'd have to recompress it, and double lossy compression is no fun.

    Has this changed?

    And on a side note, in most cases you no longer pay for data, but rather you pay for a license to use said data, and the data is included in the bargain. So, for instance, you don't pay for a copy of Microsoft Office...you pay for the priveledge of using MS Office, and Microsoft provides you with a disc containing it. Same with iTunes...you don't really pay for the file, you pay for the license to download and (within the limits of the agreement) play the song, and the file is provided to you.

    And before you think I don't agree with you, I feel that, especially in the cases of entertainment-related data (music and movies) that this is bullshit, and that we need to bring back the idea of fair use.

  14. Doh! by silid · · Score: 0, Insightful

    I was just compiling the list of tracks i actually wanted to buy - I hadn't registered for iTunes before this but when PyMusique came out I had decided that I was going to buy all my tunes this way.

    Seems that it will be a little while before I start giving apple any of my money. I believe that apple would have sold bucket loads of music if they had been a little slower off the mark. I was stood in line with cash in my hand.

    Maybe they did it for the record labels or was it for the iPod?

  15. so hymn no longer works then... by mzs · · Score: 3, Insightful

    I wonder how happy all the Hymn and J-Hymn users out there are about what DVD Jon did. By releasing PyMusique, he got Apple to force everyone to use 4.7 iTunes if they want to use the iTMS. I believe that 4.7 broke Hymn and unless that has been addressed, now people will no longer be able to remove the DRM from music that they purchased from the iTMS.

    What happened was fine, nothing to get your knickers into a knot about. When you buy music with DRM you are agreeing to use it according to the terms set forth. One of those terms is that you agree to how the terms may change in the future. That is why I do not buy music with DRM, the fact that what I can do with that music can change at any time.

    It is too bad that the Apple DRM happens to be one of the least onerous and DVD Jon gave Apple a reason to make people move to slightly more restrictive terms with 4.7, but still just the fact that Apple can modify what you can and cannot do with the music from the iTMS is an immediate turn-off for me.

  16. Re:Selling Out by Golias · · Score: 1, Insightful

    In an art, this is called "selling out."

    When the Grateful Dead released the album "Touch of Gray" in the late 1980s, they had a couple big radio hits off it.

    Some of their old fans accused them of "selling out," to which Jerry Garcia replied, "hey, we've been trying to sell out for years, it's just that nobody was buying."

    Performance artists has always been about getting paid, not about creating something which will hang on a church ceiling forever. Shakespeare wrote his plays to make a quick buck, not to give you something to study in Middle School English classes. The fact that the stuff he wrote was good enough to be worth forcing on bored 12-year olds is strictly the gravy. Wealthy royalty paid him cash money to parade around in tights on a stage and show off his skills, so he wrote plays which the royalty would like. Hippies like you can call that "selling out" if you like, but I won't.

    --

    Information wants to be anthropomorphized.

  17. So this is what we come to by CastrTroy · · Score: 3, Insightful

    So, the music executives have forced DRM on Apple and so they have to provide it in their files. But they aren't really doing anything. Basically the DRM is to prevent files from being just put on Kazaa and spread around the world. Yet, the DRM doesn't really stop this. There's still the burn and re-rip strategy which is quite effective, as well as the "buy a CD method" which is also effective for getting files onto the internet. The only thing this does stop is file which the person has purchased being accidentally leaked on the internet by some hard-drive scanning P2P program. Anybody who still wants to distribute their purchased music can still do so. All it stops is people who don't want to share their purchased music from sharing it unintentionally.

    --

    Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
  18. Good for them by CheeseTroll · · Score: 3, Insightful

    For so long, one of the more legit arguments for downloading music via p2p was that music publishers gave customers no other options other than to purchase an entire, overpriced CD when all a person wanted was one or two songs. Now we have a multitude of options for buying music pretty damn inexpensively online with a very reasonable implementation of DRM, and some people still want to jump through hoops to cheat the system? For god's sakes, write your own music if you're that cheap!

    --
    A post a day keeps productivity at bay.
  19. Re:Believe it or not, Apple's DRM doesn't bother m by salimma · · Score: 2, Insightful

    If you re-encode to the same format using the same encoder, the loss is probably minimal. If you re-encode to, say, MP3 or Ogg Vorbis, which quite probably have different ideas about which data should be thrown out, you're more than likely to start hearing defects much sooner.

    --
    Michel
    Fedora Project Contribut
  20. Re:rename /. to appledot by phoxix · · Score: 2, Insightful

    It is rapidly turning into a biased Apple fan site.

    Bravo, well said.

    For the first time ever, I'm finally seeing "This DRM is good!" posts on slashdot. And that my friends, is the end of slashdot.

    Why? Because slashdot was known for their absurd pro-free software anti-DRM stance. Would you give a rat's ass if slashdot was like every other news site out there ? No.

    Sunny Dubey

  21. Re:Record-to-CD format hole? by Sleepy · · Score: 2, Insightful

    When you re-rip, you recompress (unless you rip only to WAV and never create MP3's).

    The method you outline will inject some distortion into the file, much as you would get if you tooka JPEG file and re-compressed it again.

  22. Re:Is it a fix or a patch? by siriuskase · · Score: 4, Insightful

    It appears that they ask the application to identify itself and if it isn't iTunes 4.7, it won't download. Sort of reminds me of those websites that checked to make sure you were running IE. That led to other browsers acquiring the ability to misidentify themselves. If that's so, it'll only take a week.

    Now what we need is for Slashdot to verify that the user isn't someone who's going to run off and tell Apple.

    --
    If you must moderate, please moderate as irrelevent, not something bad, because I'm sure someone will find this interest
  23. I just don't get it by Fahrvergnuugen · · Score: 3, Insightful

    Walking into a brick and mortar building and purchasing a good old fashioned CD is still a method for getting music. And it doesn't have a DRM attached to it. So why does everyone insist on attaching a DRM to purchased music files? How are they different than the physical CD? A physical CD takes me less than 3 minutes to either rip into AAC or make a physical copy and pass around to whomever I please. Putting a DRM on things is just like saying, PLEASE, TRY AND HACK ME. Its no different than telling kids that they can't drink until they're 21. If you don't make a big deal out of it, neither will they (look at countries that don't have a drinking age for example). On top of that, we all know that DRM is a useless technology. You give the person an encrypted file AND the keys to open it. Wheres the security? And now for the honer system theory.... If it were made blatantly clear when you purchased a song from the iTMS that YOUR NAME and ACCOUNT NUMBER were embedded into the file (just like a license plate on a car), I would certainly think twice about sharing that file on a P2P network. At the same time I would have an unlocked unrestricted file to do as I please with.

    --
    Kiteboarding Gear Mention slashdot and get 10% off!
  24. Parent is insightful? The mods are on crack! by Frodo+Crockett · · Score: 5, Insightful
    I would prefer that a few bad DVD John-like people not ruin it for me.

    WTF? Last time I checked, all Jon (there's no 'h' in his name) wants to do is watch dvds and listen to music purchased via iTunes on his Linux box. What Jon has done is indeed illegal in some countries (more extreme /. members would call them corporate states), but I don't think that any honest person can say it's unethical.

    It's really quite simple. If you buy something, you can do whatever the hell you want with it, so long as your actions don't harm anyone. Don't give me that "indirect harm" bullshit, either. I'd give you ground if we were talking about releasing the plans for building an antimatter bomb, but not for something so inconsequential as circumventing DRM and copy protection.

    --
    "The newly born animals are then whisked off for a quick run through a giant baking oven." --heard on Food Network
  25. "Forcing" DRM? by bonch · · Score: 1, Insightful

    So, you're saying Apple is standing there with a gun to your head, "forcing" DRM on you?

    Oh, you mean you're choosing to purchase the music from iTunes and THEN complaining about the DRM after the fact? For a second, I thought you had something legitimate to say...

  26. Re:DVD Jon is useless by Anonymous Coward · · Score: 2, Insightful

    " With iTunes 4.7.1, there are restrictions placed on how many computers you can transfer the songs to. Now I'm forced to upgrade the damn thing on 3 of my computers."

    Oh come on, its apple that ultimatly causes these restrictions not Jon. Don't get mad at him, its you who decided to sign up to a service that can renegotiate its terms at any later stage.

  27. Is DVD Jon ruining it for the rest of us? by razmaspaz · · Score: 3, Insightful

    I'm wondering what the reactionary response to this will be.

    In high school (a long long time ago) a friend of mine got a -3 on a question on a test. The girl sitting next to him got a -1 on the same question with a near identical response. He complained and the situation was resolved by giving the girl a -3 instead of a -1.

    My point, instead of raising awareness of the stupidity of the law and making it better for the rest of us...will DVD Jon just ruin it for us? Will his escapade just serve to make DMCA laws worse? Will the RIAA use this to show that DMCA laws are not tough enough?

    --
    I tried for 5 years to come up with a clever sig...only to realize that I am not clever.
  28. Re:Apple bias. by Anonymous Coward · · Score: 1, Insightful

    And if Linux fixes a local root exploit, do you pop up and say that it's a Linux bias and what they actually did was break compatibility with a convenient password recovery tool?

    If someone has a service and there is a way to subvert the intended use, that is a hole. Just because you like it doesn't make it less of a hole.

  29. Re:This was "insightful"? by geoffspear · · Score: 2, Insightful
    Look, if you want to listen to indy crap I won't judge your taste in music, but only as long as you don't judge the 99% of the population who likes some music owned by the major labels.

    If your beloved indy artists were any good, most of them would sell out to the major labels in a second.

    --
    Don't blame me; I'm never given mod points.
  30. Re:iTunes better than CD by alexwt · · Score: 2, Insightful

    > Do you have any documantation of the "mediocre quality" claim?

    Well, the fact that Apple provides the option to rip/encode your cd's with their lossless codec implies (to me) that the AAC codec is not as good in quality of sound. I could live with their current DRM if I were able to purchase songs and download them in their lossless codec, as it would allow me to burn a CD in actual CD quality, but I don't think that option is currently available.

    Just out of curiosity, if someone provided you with some "documantation", would iTunes music suddenly sound not-as good as CD?

  31. I have to ask.... (*WARNING* - Rant!) by kiddcreole · · Score: 2, Insightful

    Why is everyone so passionate about listening to music or watching movies? Where is the focus of the human being today that postings on /. about DRM, piracy, RIAA, and other media-related topics tend to draw more postings than any other subject?

    I understand being passionate about something, but seems to me that how and where you listen to music should not even be on your top 10.

    The advent of digital media is contributing to the decline of free thought. All people posting pro- and anti- multimedia copyright issues should redirect their passions to things that make a difference in their communities. All of these postings are just reiterations of previous postings with a different subject line. "There is nothing new under the sun."

    It is this type of behavior and response to "The Man" that gives them knowledge of the power they possess. A power, by the way, they do not rightfully deserve! The music and movie industry is geared towards our entertainment. How is it that entertainment has this kind of impact on us? They should not be able to draw these levels of emotions from people, unless it is through the content of the media, not the cost or format.

    If you want to send messages to the powers that be, quit buying music, quit pirating music, quit paying $60 for a ticket to a concert for a washed-up 80s hair band. Read a book. Write a book. Paint something. Take your kids to the park, sans iPod. Learn to play an instrument. Write YOUR OWN music. Put the power of entertainment back in it's rightful place: in YOUR hands.

    Flame me if you like. Call me a dumbass. Fact of the matter is, regardless of what my opinions are on this topic, who I think is right, or who I think is wrong, I am the one who has the ultimate decision and control over what entertains me and the impact it has on my life. You should reclaim the same.

    ~kiddcreole

    --
    There are 10 kinds of people in this world: Those who know binary, and those who don't.