Slashdot Mirror


When Would You Accept DRM?

twigles asks: "Following on the heels of Apple closing DVD Jon's end run around its DRM and a British TV station offering DRM'd downloads it seems fair to ask, what DRM would you accept as a consumer? Personally, I take the view that if a song, movie, book, etc. is DRM'd then it isn't truly mine. On the other hand, if a particular piece of digital media is priced correctly (a la' rental fee) would that be satisfactory, or do you feel that DRM in any form is ridiculous?"

17 of 1,288 comments (clear)

  1. Re:I'll answer for slashdot by mmkkbb · · Score: 2, Informative

    (though they may dream of it, in the end, most of them only end up doing it for the passion)

    You think it's easy to do music full time while keeping a day job? There IS a life outside Slashbot-land. I think you need a change of perspective.

    --
    -mkb
  2. Re:Never by mirko · · Score: 4, Informative

    Yes, which is the reason why it has to be reflected upon before it reaches the commercial level.
    BEcause of the Internet, we don't need a comemrcial circuit, we need communication aver what is being made.
    That's why I created GNUArt: To give creators a possibility to get their stuff circulating with no restrictions other than ensuring their contribution would remain known as theirs.
    Now, if the gallery gained popularity it would help benevolents distributing their creations.

    --
    Trolling using another account since 2005.
  3. Re:I'll answer for slashdot by govtcheez · · Score: 2, Informative

    Well hey, you feel free to live life on some hippy commune where you barter for everything, but I've got bills to pay, and if my company started charging ludicrously small amounts for consulting, I wouldn't be able to pay them. Your "free everything" idea is nice, but totally unrealistic.

  4. Re:I'll answer for slashdot by Bender0x7D1 · · Score: 3, Informative

    To answer your points:

    First, you need to be careful defining what you "own". If I rent/lease a car I can't do anything I want with it. Even if I own the car, I can't use it in a reckless manner or give it to someone to use in a crime. If I rent a DVD from a store I can't do anything I want with it. For example, I am not allowed to melt the DVD itself or scratch it so it is unusable.

    As to your second point, there is a lot of software that is hideously complex and expensive to create and cannot just be made "free". How many companies can create controller software for a cellular base station (I used to work at Motorola) and then give it away free? It doesn't work well as an open source project since there is no way to test the software without purchasing specific hardware that costs US$100k or more. So how does a cellular provider get this software? Develop it themselves? Oh wait, then their competitors get it for free (according to your premise) and they can undercut your price because you had the cost to develop it in the first place.

    Third point - so if I have a world changing idea then I should just give it away? Unfortunately, I have to eat and prefer to live in a house instead of a tent (winter can be harsh in my part of the world) so I need some money for those things. Sorry, but that is just the way it is. If you will guarantee to give me food and shelter then I might give it my ideas for free. Communism tried this and it didn't work out (at least in the USSR).

    DRM is flawed, but since people prefer free to costing something it is required if you want any compensation for what you do. Imagine making music and only being able to sell 1 copy of your music and everyone on Earth then gets a copy. Who is going to pay US$10k for a song to cover the cost of the recording equipment when everyone else gets it for free? If I wait for a few days I can be the one who gets it for free.

    Final point - spoken like someone who never had their roommate "borrow" some of their software/movies/pictures/etc. My wedding pictures are my property and I don't want someone else to have/look at/post them without my approval.

    Personally I think DRM is hideously broken in our current state of law/society. However, I think it is required since most people prefer to get something free instead of paying for it.

    --
    Reading code is like reading the dictionary - you have to read half of it before you can go back and understand it.
  5. Re:Yes by iainl · · Score: 2, Informative

    You can have iTMS tunes registered on up to 5 machines at once. If like me (and most people here) your "upgrading OS" involves a full uninstall/reinstall, just remember to deregister the old installation before you start, so you don't waste one of those 5 times.

    --
    "I Know You Are But What Am I?"
  6. "I understand the need..." by MacDork · · Score: 2, Informative
    I understand the need for DRM I just think they need to rethink their methodology.

    I think that expecting the record companies to stop their price fixing is unrealistic. They've already settled one case out of court for peanuts, so of course they're going to do it again.

  7. Re:Not mine? by Electroly · · Score: 3, Informative

    It's up to five computers now, not three.

  8. Re:Yes by soupdevil · · Score: 3, Informative

    As an artist who has wrestled with many corporate members of the *AA, I can assure you that the companies exist to make sure that the artists do NOT get paid, or if they do, at least they get paid poorly, and late. That is their business model.

  9. Re:Never by ndtechnologies · · Score: 2, Informative

    Agreed. There are alternatives out there. It does suck that we have to search for them, but they are there. Not to spam the forum here, but that was the whole reason for creating my Music Store. I wanted an Alternative, and couldn't find one, so we made it happen. We are trying to help bands, and consumers alike by doing things differently (or trying to anyway). See my sig for more info...

    --
    I have nothing clever to put here...
  10. Re:Never by ratell · · Score: 2, Informative

    You don't have any alternative.

    There's a deli here in Portland where the owner has a big stack of cd's with a sign taped to them saying that he's no longer allowed to play them without paying royalties.

    Even with a cd there are limits on what you can do with it. It's not a question of whether or not your rights are being managed. It's just a question of where the line is drawn.

  11. Re:Yes by optimus2861 · · Score: 5, Informative
    If you're claiming you own the intangible music encoded on that CD or DVD, you're a hypocrite. You just claimed that it can't be owned.

    He's not a hyprocrite; he's exactly right. You can't own music. You can't own the words in a book. You can't own a movie. You can own copies of all those things, and/or you can own the copyright on all those things. When I buy a DVD, I own the DVD, and I own the copy of the content on that DVD. What I do not own is the copyright on that content. The ownership of the two is distinct, and an interest in one does not in any way affect an interest in the other. Just read section 202 of US copyright law:

    202. Ownership of copyright as distinct from ownership of material object

    Ownership of a copyright, or of any of the exclusive rights under a copyright, is distinct from ownership of any material object in which the work is embodied. Transfer of ownership of any material object, including the copy or phonorecord in which the work is first fixed, does not of itself convey any rights in the copyrighted work embodied in the object; nor, in the absence of an agreement, does transfer of ownership of a copyright or of any exclusive rights under a copyright convey property rights in any material object.

  12. Re:Never by hairyfeet · · Score: 5, Informative

    You know why there is piracy?Because the big labels screw their customers out of $20+ for a piece of plastic while they screw the artist and through them less than a dollar of it,if anything. I've been their.I watched as a buddies band got screwed and the band members bankrupted because after the label got done with "creative bookkeeping" they handed them a bill for $5000!They paid for the album themselves,Got NO promotion from the label,stayed in fleabag hotels,And sold out every club they played.I watched the local record shops have to restock THREE times because they couldn't keep their albums on the shelves and i know they were doing just as good elsewhere because i toured with the with my former band. The bill had things like "misc promo fees" and "creative artist devlopment" WTF?They fought for three years and never saw a dime!I will care about the poor theiving record and movie companies when it's a cold day in hell!How can you care about a business that whole goal in life is to screw everyone they come in contact with?You sir,Are a dumb@ss.

    --
    ACs don't waste your time replying, your posts are never seen by me.
  13. Re:Never by Zork+the+Almighty · · Score: 2, Informative

    This is a great point. Unfortunately few media companies are interested in giving the consumer something, they are mostly focused on taking away.

    --

    In Soviet America the banks rob you!
  14. Re:Yes by Ender_Stonebender · · Score: 2, Informative

    I was gonna stay out this one, but my head will explode if I don't comment on this.

    * you don't OWN all rights on the content on that disc, only those rights copyright holder grants to you.

    WRONG!!! I have all rights that the copyright system of my country allows me, as well as any additional rights that the copyright holder may grant me. That's what "fair use" is, and, here in the U.S.A. at least, it specifically states that I can make copies for personal use or my personal "archive" of music (which happens to sitting on the floor beside me at the moment, I bring it with me on long trips so as not to risk losing/breaking the originals).

    --Ender

    --
    Loose things are easy to lose. You're getting your hair cut. They're going there to see their aunt.
  15. If it were reasonable & similar to current use by dascandy · · Score: 2, Informative

    That means: - I can lend it to a friend, not listen to it in the meantime and when I get it back listen to it again - I can copy it onto all sorts of music carriers that don't need adjusting for it, such as mp3, cd, cassette tape and so on, so I can enjoy it in any form and at any place I like to - I can modify the song to my own request - I can reacquire it without payment since I already paid for it - I can choose which songs (not albums, songs) I get - It wouldn't be overly expensive (say, 0.60 per song or something around that) Since this is all pretty impossible to do, I go for the company that sells them without copyright protection software. If they make it possible for me to do these, I will not go around these things. If they make it impossible to do any of these, I'm not going to care much about their copyright (since they don't care about my use right).

  16. Re:Never by redheaded_stepchild · · Score: 4, Informative

    Technically, the license of use on the older style of media was exactly the same as what they're trying to do with DRM. They simply didn't have any useful way of stopping you from doing what you wanted. Don't get me wrong, I'm against DRM, but don't try to kid yourself that you ever truly 'owned' the content on your older stuff, either. You were buying licensed content, with all the crap TOU we're dealing with now. If they wanted to, they could have gone after you for every cassette or VHS tape you ever copied. What stopped them was cost/benefit. The only ones who ever got busted were people doing it as large operations. So, it really comes down to more of a misunderstanding about what you had then and what you're getting now. Again, I hate DRM, but you're not helping anyone with this rhetoric.

    --
    Don't use the Troll mod just because you disagree with me.
  17. Re:Never by defile · · Score: 4, Informative

    Don't be so sure of that.

    From DNA Lounge blog:

    In case you were looking for more reasons to hate ASCAP, there's this article about Skip's Tavern here in San Francisco. It's a bar that has live music, with bands who play only original songs. ASCAP came to them and said, "you have bands, and so they must be playing songs on which ASCAP controls the copyright! Pay us $800/year." The bar owner asked for evidence that there was any copyright infringement; in response, ASCAP sued him. They were unwilling to negotiate, so in response, he's no longer doing live music at all.