MGM Concedes Some Fair-Use Rights Exist
jambarama writes "MGM seems to have given a little in the Grokster case. After getting
nailed on the possible implications of banning P2P software, they've now admitted
it is perfectly legal to rip one's own CD and store it. Is this a return to the stripped down 'fair use' rights or a temporary court concession?"
for giving me my rights back.[/sarcasm]
--- Asking inconvenient questions for over 30 years...
This is the first step in P2P being declared legal. Although it may seem like an obvious decision to the people here, remember that not everyone understands the issues so well- i.e. Politicians who make these decisions.
A movie company saying that it is legal to rip audio CDs isn't really big news.
Now if MGM said that ripping video DVDs is legal, then we would have something to talk about.
So, basically Hell has frozen over, or is it just experiencing a temporary ice age?
A Fatal OE Exception has occurred, Sig will now reboot.
When you start thinking like that, you've already admitted defeat. Things are legal until otherwise shown/declared. P2P is legal and does not need to be declared legal at this point.
Uhm, I know that most Slashdotters like to think otherwise, but Fair Use doesnt actually cover most of the things that are commented on on this site. Yes, its may be Fair Use to rip your own CDs, but this is an 'if possible' right, nowhere in copyright law is fair use actually a requirement of distribution - copyright owners dont have to make any considerations for it when implementing copyright protection.
AFAIK, all of the lawsuits thus far were from people sharing large volumes of MP3s on P2P networks. Have the record companies have ever even threatened to prosecute people who rip music from CDs and put it on their portable MP3 players? I highly doubt that this really the big concession that the ZDNet blog says it is.
Simpli - Your source for San Jose dedicated servers and colocation!
Writers and artists survived for a long time before copyright laws existed and will continue to survive for a long time after copyright laws are abandoned as unenforceable because of modern technology.
http://humorix.org/articles/2005/04/slashdot-edito rs/
Nah. I don't think they're supposed to edit.
http://unelite.freelinuxhost.com - Rock/Scissors/Paper and RPGs shouldn't mix.
As technically-inclined people, we need to make sure society as a whole understands that there is a difference between technology and the use of technology. P2P is just a technology. Banning P2P because there are people who use it illegally is ludicrous. We have to make sure the fair and legal uses for P2P are known.
Naturally, this opens up other discussions about technologies and their uses. Some might argue that based on the above argument, everyone should have the right to own a gun, since it's not the technology that's bad but the use of it by certain people. But these are debates that need to be had to mature the discussion about the difference between a simple object or technology and the way human beings use it for their own gains or against others.
Basically, confronting the issue with education and discussion, instead of reacting with lawsuits, is the way to find a position the majority of society can agree on.
There is no such thing as "judicial estoppel". If he meant collateral estoppel or res judicata, those only apply to rulings by the court, not statements made in court.
"What about using DeCSS to watch DVDs on Linux or other platforms? It should be interesting to see MGM try to wriggle out of this, since I doubt that the company is going to champion any expansion of fair use."
Although it should be legal to rip a DVD to make a backup, there are IP issues with using DeCSS. DVD player manufacturers must pay a licensing fee to use the DVD format. By using DeCSS to play your own movies on your computer, you are not violating fair use, but you are using the technology without paying the licensing fee. Therefore, it seems DeCSS should be legal as a copying tool, but not as a playback tool, although IANAL.
Vote for Pedro
Come on, you could, at least, make sure that your own criticism is spelled correctly.
The real "Libtards" are the Libertarians!
I haven't heard of a law regarding the freedom of media playback (has this issue ever come up before standardized digital media were invented?), but as it is now, the CDDA patent holders will forbid the label from placing the "Compact Disc Digital Audio" logo on the CD or case. This has happened before with Cactus Data Shield, Macrovision, etc., and it didn't stop consumers from buying the CDs without checking for the seal. After consumers discovered that their multi-speed drives couldn't play the "CDs" they were buying, they started complaining to the labels and started spreading the word, and the cat was out of the bag as far as the redbook-violating protection schemes were concerned.
I once read that dance music label Kontor was going to use copy protection on CD single releases, as well as albums. Many DJs use expensive CD players such as the Pioneer CDJ-1000 and Denon 5000 that are all multi-speed, have large buffers, and do real-time pitch adjustment, which REQUIRES multi-speed drives. These players only work with redbook CDs; the faux-error copy protection schemes that won't run in many car CD players will also make these >$600 CD players choke. Hopefully music labels have thought more of this when mastering CDs now.
"Ancillary does not mean you get to rule the world." --U.S. Circuit Judge Harry Edwards, speaking to the FCC's lawyer
In addition to what parent said, one could potentially sue a CD manufacturer that makes copy protected CDs with one'o'em little "CD-Audio" labels on them. In that case, they'd have been advertising under false pretences, as copy-protected CDs do not fall within the Red Book standard (this is why they do not work on certain CD players, car CD players in particular*). However, since consumers don't look for these labels and don't understand that, these days, thanks to copy protection mechanisms, the abscence of one really DOES mean that your disc could quite well refuse to play in the car stereo*, manufacturers are quite safe to leave these labels off without repercussions, leaving them free to sell "copy-protected" (read: broken) crap with consumers almost never noticing.
This seems like a good time to ask a question that's been bugging me since I bought a new release DVD a few days ago - as well as some copy propaganda video that came up, I also got a FACT (the UK copy protection "federation") warning which in very bold letters told me "It is illegal to copy this DVD".
It didn't say anything about distribution - merely "It is illegal to copy this DVD". But I thought under UK (and US) law I was allowed to copy physical media for my own personal use, or if not that for my use as a backup copy.
If I'm right, does that mean someone could actually have some sort of legal case against FACT, seeing as they are wrongly informing consumers of their legal rights?
I'm obviously not a lawyer, and I only ask this out of curiousity...
Lots of issues here; let's walk through them all
1) File sharing and "ripping and sharing" in general expand the market and drive up sales and possible, disintermediation of the record labels.
2) MPIA has been wrong about this issue; they would have killed the VCR rental market, for example; instead a multi-billion dollar business was created.
3) For a song, there is the copyright on the words (Lyrics; song writer) and the (Music; composer) and is their copyright for the performance as well (e.g., the artists). I believe the record companies also assert a copyright on the finished album (CD) as well; which maybe legal and all, but well isn't really for something all that creative and artistic that it would worth copyrighting (and the some day releasing it into the public domain.
4) You certainly have the right to make archive copies and/or to use that copy and keep the "master/original" safely stored for safe keeping.
5) If you also have the right to lend your CD to a friend or have a library and lend out CDs/DVDs.
6) Do you really however, have the right make copies of your archive and lend/give those?
6a) While it's good for business to do so (my belief), I think it is illegal.
6b) I've driven through south central LA and seen crack being sold in 20 sec. transactions and at the time said, when you can sell 1 Terabyte of music that way, legal or NOT, copyright becomes some you can not enforce. That doesn't make it legal, but makes it so you would want to change the law...
7) Economist and Hover Inst. Fellow, Thomas Sowell called P2P sharing akin to fencing stolen goods, but for that to fly you'd have to "selling" the copies... It's not fencing, if anything its accessory to theft, but it's possible (AND THIS IS BIG THING) that accepting that it is THEFT, that there is NO Damage and NO Loss; again it actually has inverse damages; it enriches the copyright holders (see points 2 and 6a.
http://www.hawknest.com/
For the thousandth time: Copyright regulates *distribution*. It simply doesn't apply to making a copy for my own use. I can make as many copies as I want for myself and the copyright holder has no right to any control over this, provided I don't distribute the copies. I don't need a "fair use" exemption--the law simply doesn't apply.
"Fair use" is an exception to the law. This is what permits me to reprint verbatim part of a copyrighted work in, say, a book review, and publish that review without violating copyright.
This is what is so evil about the DMCA. It enables copyright holders to invent new rights for themselves--such as the right to prevent me from making copies for personal use--with DRM technology, then enforce that new right by making it illegal for me to circumvent the DRM.
If I can rip a Song off of my compact disk, what makes it so wrong to rip one I have paid for and my kid scratched, broke, etc.
I wonder if the major players in litigation realize that by taking these cases to court, they are hurting their cause. The more people become educated though soundbytes alone, the less power over our rights the MGM's of the world will have.
I highly doubt that this really the big concession that the ZDNet blog says it is.
Ah, but it is. Admitting that people have _any_ rights to their purchase (other than listening to it in its original form) is a big step. After all, you can't argue that you have the right to share something legally until you have crossed the very basic step of establishing that you have the right to do something with it besides listen to it on the original medium.
What comes first, finding a teacher or becoming a student?
What I didn't say, is I'd like to see some type of legal challenge to the record companies copyright claiming that the finished song, music and performance is no different from the Album so that they can't claim the rights that have already been award to the creative arists.
U.S. copyright law grants copyright in the sound recordings on a CD to the recording artists, but by standard industry contract, the artists have assigned (i.e. given in exchange for money or other consideration) their copyright interests to a label. By "some type of legal challenge", are you asking for an antitrust-like challenge claiming that no major label allows recording artists to retain copyright?
As for the underlying song, the system of compensation is in general more fair to the songwriter, with the songwriter and music publisher splitting the royalties (which average about 8.5 cents per track in the United States) 50/50. However, songwriters who aren't with a major music publisher are still rawther vulnerable to nuisance lawsuits alleging similarity to an existing copyrighted work controlled by a major publisher.
One side of this court case does IMHO not know what they are doing.
The recording industry tried the courts to stop radio airplay of recordings. Now radio is both a revenue source and a major free (except for payola) advertising channel.
The movie industry tried the courts to make the video recorder illegal. Now video rentals and sales are one of their largest revenue streams.
And now they try the courts to make new technology illegal - again. I bet that p2p will end up generating more revenue for these companies. (In France and several other european countries they already are generating revenue from p2p.)
Don't these companies want to earn money?
they were put out of business by the movie industry and now they concede it's perfectly fine to make copies. With that revelation, 321 studios should be allowed to sell dvdxcopy again.
Without copyright law, people would have no incentive at all to write music since anyone could play it without paying them.
no incentive... how about being creative?... the money earned afterwards is just a bonus.
Btw, getting rid of copyrights will also destroy every open source project as some greedy company would be able to easily rip off the hard work of the developers.
If you eliminate IP then selling ideas would be against the law. All ideas would be free and without copyrights any idea is public domain. I mean of course you wouldn't be able to provide yourself a means to live if you were in the trade of ideas.
However maybe there is a business model or economic system that can provide a means to live for those who do work in the trade of ideas. Just because there doesn't seem to exist one currently doesn't mean there will never exist one.
The best education consists in immunizing people against systematic attempts at education. - Paul Feyerabend
What does this mean for copy protected CDs?
Legally, absolutely nothing. MGM can tell us we have a moon made of green cheese, God wants us to kill gay baby whales, and that we can copy CDs, and none of it means anything at all in court.
Also, we need to skip over the fact that Phillips has denounced these broken CDs as not actually CDs. So let's reduce the question to referring to more-or-less CD-like audio discs.
So... Ignoring all of the above... The answer still depends. CD copy protection refers to quite a few different technologies, ranging from the "copyright" bit, to broken TOCs, to unrecoverable C2 errors, to trying to install what amounts to a virus on your computer, to (haven't seen these come out yet, but I fully expect it eventually) data-only discs that will never ever play on a normal audio CD player.
In the first case (copyright bit), this does nothing more than the "Copyright 2005" already on the outside of the CD packaging. Fair use wins.
In the second and third cases, if your player can still read the disc, you probably don't even know the disc has any form of structural damage, so you don't need to circumvent any protections. Fair use wins.
In the fifth case, this would pretty much match the current internally-inconsistant legal situation with DVDs... You have the "right" to copy it, but you would have to break the law (DMCA) to do so, by breaking whatever access control mechanisms (however weak) the disc has.
The fourth case gets really interesting, though... These discs usually have two sections, an audio section and a data section containing something like WMA files. Once you get infected with the "driver" for these discs, you cannot access the audio tracks, only the digital ones. So post-infection, the situation reduces to #5 (thus my elaboration on that one out-of-order). Before infection, we get into a whole world of nasty tangled legal problems that I do not have the qualifications (IANAL, obviously) to comment on beyond mere speculation. For example, do you have the "right" to not install unwanted software on your computer? If so, press the shift key and have a ball. And what if you run Linux? Does the non-availability of a virus/driver for the protected content exempt you from having to worry about its existance (in that case, you would simply access the otherwise-unprotected audio tracks, you couldn't access the data track)? What if you have autoplay disabled by default, for security reasons (as EVERYONE should!)? Could that still count as circumvention, even though it doesn't require you to "do" anything? Tricky.
Overall, it will take either a new law like the DMCA, or a massive shift in public opinion on this matter, before you'll see any media companies try to take someone to court simply for ripping their own CDs or even DVDs. They would have an exceedingly difficult time proving you broke the law, they would risk the courts declaring sections of laws such as the DMCA invalid, and the cost of losing would set a precedent that, in their current mindset, would completely destroy their current business model. Not to mention, if they win, they would risk enormous public backlash, along with the possibility of huge lawsuits in some cases (Sony, for example, producing CDs, CD copy protection, and MP3 players, can only get away with that level of corporate psychosis because the law remains somewhat unclear on the entire issue).
I like the last question in the article. Basically it poses the question that since MGM admitted its legal, vis a vis fair use, to rip CDs to put on an iPod, shouldn't fair use cover ripping DVDs to another device (like a PSP, or some portable media jukebox).
The answer involves the DMCA and encryption and how the DMCA is worded to excerpt fair use, even though you broke the encryption. I'm quite interested to see what legal geeks say about this (since IANAL).
The Doormat
If you're not outraged, then you're not paying attention.
They haven't gone after the rippers and ipodders because of the Diamond Rio case (Recording Industry Association of America v. Diamond Multimedia Systems, Inc., 180 F.3d 1072 [9th Cir. 1999]). The specific facts elude me, but the main gist is that ripping for the purpose of playing the music on a computer or using the music on an mp3 player was found to fit within the purpose of the AHRA (Audio Home Recording Act).
So, this is probably the primary reason they people haven't gotten drilled.
"Every sale of goods is a contract..."
At least in the US, the sale of goods is governed by the Uniform Commercial Code (UCC). When you buy something in a retail transaction, you've bought it, period. Moreover, you bought it from the retailer and not the publisher.
Bill Clinton: Pimp we can believe in. - The Shirt!!!
However, that would only apply if those terms were available at time of purchase, and signed by the purchaser prior to handing over money to the retailer.
Adding additional restrictions after a sale is effectively prevented in the UK by the concept of 'doctrine of first sale' - specifically, the copyright holder cannot add additional restrictions than those granted by copyright, such as preventing resale, after the first sale is completed.
However, this isn't necessary in this case. Making a complete copy of a work you own is not allowed under fair dealing rights under UK copyright law, except for such transient copies or backups you need for installation or operation, or for reverse engineering. Ripping a DVD (or CD) you own to your hardrive does not technically fall under the stated exemptions, though it would likely be judged legal from precedent if it ever came before a court.
Remember kids, it's all fun and games until someone commits wholesale galactic genocide.
No they can't, according to this article:
This is a very important point. They cannot have it both ways--whether they like it or not. They have let the proverbial cat out of the bag.
Good. Hopefully it'll be too dark to witness our destruction...
or, in the words of the Father of the Constitution, James Madison, to "protect the opulent minority from the majority."
Most Americans at the time of the Revolution were firmly AGAINST the Constitution, but the rich bastards like Jefferson, Washington and Madison pushed it through secretly (the final details were not even widely publicized for decades afterwards).
The Founding Fathers were slaveowners, slave rapers, beaters of white servants (most of the house servants were much more white than black (e.g., Sally hemmings, Jefferson's slave, who was 7/8ths white)), and if they could hear all these modern day idiots prattling on about how the Constitution was written to how noble the constitution was supposed to be.
THe constitution was written to make sure that the rich could continue to do as they pleased, and that the poor could not do a damn thing about it.
eat shiat and bark at the moon
[...] it is easy to understand that part of the intent of the 4th was to insure privacy.
It may not be quite as easy to see, but the third amendment is also about both privacy, not just a form of taxation.
Part of the reason for quartering troops with the locals is so the troops can act as spys, observing, for the government, the activity of each family and its neighbors, and reporting anything suspicious to the officers of the army.
It's an old tradition, and one of the things that the founders wanted to end.
Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
For the last time, you are wrong.
The right to copy belongs solely to the copyright holder. There is no caveat on that right except fair use. The right to make one copy, for you, for someone else, for throwing in the garbage, for anything, is a right solely vested in the copyright holder.
There is no law against distribution. If there were, there would be no First Sale doctrine, because only the copyright holder would be able to sell or give away a copyrighted work. Anyone who possesses a copyrighted work can sell it or give it away (in general). If copyright was distroright, then you would never be able to sell your books or your cds to anyone, or even give them away. But that would be stupid. You simply cannot make a duplicate of a copyrighted work, for any purpose.
Unless it falls under fair use.
I'm not saying it does -- although I hope the court will say so -- but it should. The copyright owner should have no ability to determine or limit how you view the work.
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
Hmm, if you think they strip you of your rights then... ...dont buy their goods!
Do you need that MGM film anyway. Why dont you spend the money on some new book, a girl or some great toy that will make your child think and not be an idiot!
Fschk the media corporations!
sex is better than war!
However, in the case of medicine, it's not quite that simple. You can't just cure herpes or cancer. Here's why: Any disease is the presence of malfunctioning cells inside of an organism which, hopefully, is composed mostly of properly functioning cells. Nature has given us an immune system which, over many millions of years, has developed into a specialized system of cells which roam throughout the healthy system and attempt to identify cells which are malfunctioning or entities (such as viruses) which are alien to the body. If nature hasn't been able to figure out how to recognize exogenous from endogenous entities then how can a simple chemical compound change that?
One must address the problem. The problem is one of two possibilities: the immune system is malfunctioning or the exogenous entity has managed to mask itself. It's always a case by case basis. You may have persistent herpes because your T-cells lack the mechanism to properly recognize the herpes virus and other infected cells. Why are those T-cells incompetent? Well, there are hundreds of possible cellular inadequacies: malformed proteins, internal systems out of sync, inaccurate response to cytokine levels surrounding the functioning cells, to name a few. Your partner, on the other hand, may have herpes because their particular strain happens to express surface markers which are so close to endogenous cell surfaces that it's impossible to distinguish.
How is a pharmaceutical company supposed to know, seven years in advance (the timeline for even a quick development) which target to pursue? Even if they concentrated just on you, and fixing your immune system, your T-cell inadequacy may be a completely different situation from the someone else's immune system where, hypothetically, the T-cells are properly tagging infected cells but the NK cells are unable to overcome the proliferation rate of infected cells.
I could go on but I hope that you begin to see that pharmaceutical companies are being held to unrealistic standards and have a nearly impossible task attempting to develop a medicine for an infected population majority. Even if they manage to successfully diagnose a majority they'll get lambasted by the ignorant for not concentrating on a population minority.
They do what everyone else does. They throw up their hands in disgust and concentrate on the only thing which matters: make the most money in the least amount of time.
The only real travesty is that, given the government's support of obviously unconstitutional intellectual property law and employee agreements, the individual scientists actually working in the lab make a pittance to live on while the CEOs, executives, and primary stock investors (who know nothing of science or medicine), spew out ignorant media reports on the state of science and walk off with the lion's share (and then some) of any profits which are made.
fast as fast can be. you'll never catch me.
http://www.copyright.gov/title17/92chap1.html#107
Read sections 107 and 108 -
"Fair Use" refers to reproducing works in part or in whole for comment, criticism, or scholarship. It doesn't work for your private DVD collection
Archival copies are permitted for public libraries or research archives. Again (and unfortunately), this doesn't apply to your private DVD collection.
Did I say overlords? I meant protectors.
Copyright should expire within a human lifetime to bring the law in line with both the Constitution and physical fact.
Originally, people had a natural right to copy. In the Constitution, part of that natural right gets tranferred back to the originator of the work to encourage the artist to make works. It's somewhat like saying a person has a natural right to swing their arms, but part of that right is taken away, when someone's nose would lie at the end of the swing.
When you die, the natural right to copy stops. No one ever made a copy even one second after they died. So where can copyright lasting longer than a human life come from? If the extra isn't transferred from the people, it must be manufactured by the goverment out of nothing, or taken from some other source. While its possible the courts could decide there was a transfer from some other source, like stacking comeing generations rights on top of ours, the court hasn't proposed such a theory, so for now, 'made from nothing' is still something the government can claim as it sees fit.
Great - the same government that gave life plus 70 copyright therefore has the right to take that right away without it counting as unlawful siezure, they don't have to pay for it, and the results don't have to revert to the people, but could now revert to the government instead. Hey all you artists who think life +70 is a great thing, did you realize that the government now has an incentive to take it away and can keep it for themselves? How many generations do you think your life+70 will actually stay in your hands?
Who is John Cabal?
After all, you can't argue that you have the right to share something legally until you have crossed the very basic step of establishing that you have the right to do something with it besides listen to it on the original medium.
I'd like to know how someone can reasonably think they have the legal right to "share" works they don't own over the Internet? The difference between personal use of a legitimately paid-for product and letting anyone and everyone have a copy is pretty large.
I think both the *AAs and the "sharing" communities are in the wrong, both are trying to claim powers that they shouldn't have. There are no rights to redistribution of user-made copies, and I don't think the *AAs should be permitted to have the laws they have managed to get passed.
Keep the part of the law that states that any work is immediately copyrighted by its creator, even if a notice is not present, but you only get so many years, and then, that's it. It goes into the public domain.
And here's something cool: Offer an additional "extra bonus" copyright protection term, say, ten years extra, for full release of "source"... If it's music, all notation, lyrics, recordings, and other matter used in production. If it's a movie, all the original film, etc. If it's software, the source code and building scripts. Whatever it is, it must be submitted to a government agency created for the purpose a year or so before the copyright expires, and that agency will make sure that all the required materials are there. If they are, the additional "extra bonus" time will be awarded, with the materials released to the public domain when that additional term expires.
You'll find a lot of software companies running up against the copyright limit for versions they released so many years ago, and they'll be desperate for the additional time. Say it's version 9 right now, but version 1 is nearing the copyright limit... Ten years from now, when it's version 12, the complete source code for version 1 will come out. May seem like a huge lag of so many years, but UNIX was created how many years ago? Ten years ago they were saying that BSD is dying. And what the heck am I using to type this up? A Mac. Running BSD. Some of the code running in this thing, I'd bet you, is at least 20 years old. Probably crap they wrote, perfected, and never touched again. How often do you look at the code for tail?
So, yes, you could get additional time in exchange for all the source, or simply let the release go into the public domain and keep the source secret.
In order to understand 17 USC 107, you have to read the interpretations given by the Supreme Court in the Sony-Betamax case. Basically, it comes down to interpreting 107 in light of the four factors laid out by Congress:
(Thanks for the link, btw.) Sony won because the Court found that: (1) time-shifting was a noncommercial use, (2) broadcast TV programs could already be seen free of charge, (3) copying the entire program didn't matter (see (2) above), and (4) incentive arguments don't apply to timeshifting because they were giving it away for free already. Sony-Betamax pp. 448-50. This part of the analysis is directly analogous to the use of P2P software for legitimate, noncommercial, nonprofit purposes (distributing Linux ISOs, etc).In the dissent, Justice Blackmun points out that Congress did not make an explicit exemption for private use, when they easily could have. p 474. He claims that the majority ignored "the potential market for or the value of the copyrighted work." p 484. He claims that VCRs take control away from the copyright holder, so time-shifting can't be fair use. p 486.
VCRs, recording broadcast TV, have the primary purpose of time-shifting. p 423. The 5-4 majority found that time-shifting was fair use, so VCRs are OK. The problem is that the Court didn't consider tape-to-tape copies, or technology whose primary use is copyright infringement. The Grokster decision said that the primary use of the software was infringement. The question for the Supreme Court to resolve is whether software which is dual-use (legitimate and illegitimate) should be legal. The answer will probably involve some fancy line-drawing, creating factors for consideration from policy arguments including: the ratio of legit to illegit use; providing incentives to innovate; protecting the rights of the copyright holders; the rights of people to freely communicate using the Internet; the potential or actual economic harm to copyright owners; the harm to other businesses which rely on P2P software to distribute their wares; and to what extent the Court itself shoud be deciding these issues, in the absence of Congressional action. In other words, it's a big, fuzzy hairball.
The point about Congress shouldn't be overlooked. Answering questions like "how many people bought a CD only after downloading a song" and "how much money is the recording industry really losing over this" are best answered by experts hired by a third party (Congress), not by courts who have limited fact-finding resources, and who can't take such independent action on their own. Courts have to respond to what the lawyers put in front of them, and nothing else. And it's much cheaper for the RIAA to go to Washington and have taxpayer money spent on such studies than for them to fund it themselves. Consider writing your Senators and Representative and asking them to audit the RIAA's books.
This post expresses my opinion, not that of my employer. And yes, IAAL.
To put it even simpler, sharing files directly between peers was one of the oldest functions of the Internet and FTP (File Transfer Protocol) was the main method. This predates the web by many years, and is one of many protocols like HTTP (web), SMTP (sending e-mail) and POP (recieving e-mail). However, it lacked a good way to index content.
What we know as peer-to-peer programs today serve fairly much the same purpose as search engines such as Google do for web. It indexes files from each peer to make it easily accessible. MGM v. Grokster is trying to prevent easy access to copyrighted files by preventing easy access to all files - a practise as stupid as making Google liable for linking to copyrighted content.
The transfers themselves have been going on for decades and each transfer stands on its own legal merit - either legal or not depending on the content. This is not new, no matter what they claim. The only real question is if the indexing service will be outlawed.
Kjella
Live today, because you never know what tomorrow brings