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Trent Reznor Challenges Music Norms
alset_tech writes "Trent Reznor (of Nine Inch Nails) has released the new single from NIN's upcoming album as a GarageBand file for fan remixes. Though by no means the first time a major-label artist has released a track to the public for remix, this is the first time such a project has been as open to the common user. The repercussions to 'traditional' IP views in music could be beneficial to all. Note that the license agreement does not allow commercial use of the included sounds. From the download text: 'What I'm giving you in this file is the actual multi-track audio session for 'the hand that feeds' in GarageBand format. This is the entire thing bounced over from the actual Pro Tools session we recorded it into. I imported and converted the tracks into AppleLoop format so the size would be reasonable and the tempo flexible.'"
nin_garageband.sit
Another reason for all you Winblows users to switch a different os. If Mr. Reznor himself uses a mac....
On Topic. It would be nice to see more artists pulling "stunts" like this. I call it a stunt, because although I think it's a great idea, you don't see this kind of thing happening often. If you give your audience a chance to become part of your music, you will become all that much closer (no pun intended) with them.
It works particularly well in the case of NIN, simply because their music handles remixes so well. I have trouble seeing anyone other then Ben Folds performing a different rendition of "Tiny Dancer". You never know though, do you. Perhaps there is some music genius out there just waiting for the right opportunity.
There are 10 types of people in the world. Those that understand this sig, and those that beat up people who do.
Gadzooks man! Have you not heard of "The Fragile"? A two CD set, mixed perfectly from start to finish, that spent a lot of time on the music charts, many singles on the radio stations, really cool music videos, an extensive world tour, and a resulting 2 disc concert DVD which came in Dolby 5.1 and DTS format. The DVD is by far, one of the most amazing music-based DVD's I own -- very good production quality. Even people who don't like Nine Inch Nails appreciate the DVD when I show it to them :)
What is cool is that he is a major recording artist (whether you like his music or not) and that he has made it trivial (rather than just "possible") for the masses to remix his music.
It's not like it wasn't worth doing if someone had done it before.
In the little blurb he wrote up to go with the release, one of the things he talked about was how going to garageband allowed for much smaller file sizes. Maybe nobody wanted to host the full size dealie.
People like you, I just don't understand. Someone gives the world something, a complete gift, and you bitch that it's not enough. What is your problem? If he did put out the ProTools session, you'd probably complain about the EULA. If he made it less restrictive, you'd wonder where the hell the rest of his songs were.
One time I threw a brick at a duck.
I think you just explained why Reznor *is* breaking ground with this experiment. The artists at ReasonStation may be fantastic, but in one fell swoop Reznor has just caused a big stir. This is specifically because he is a major-label artist, and until now big-name acts haven't done this.
Small players are usually the ones that stir things up initially, but until big names that everyone knows get involved, John Q. Public doesn't have any idea of the possibilities.
Read the EFF's Fair Use FAQ
Very few ordinary folk own a copy of Reason. Like you said, ReasonStation and other sites like it are for "semi-pro" musicians.
Garage Band 2 comes free with every Macintosh. Damn near every OS X user also owns a copy of Garage Band, even if they are not musicians, DJ's, or recording enthusiasts.
This means that Trent Reznor has just released the bare tracks of a major-label single from a multi-platinum artist to the general consumer! High school kids lucky enough to own a $999 iBook or a $499 mini can now make their own Nine Inch Nails remix, or sample the loops into creations of their own.
This is huge. If it catches on, it could fulfill the prediction Brian Eno once made about popular music eventually becoming user-modifiable constructs. If you can't see what a big deal this is, you are not looking with an open mind.
Information wants to be anthropomorphized.
It's ironic that one major artist is releasing a single in remixable form when the music industry is shutting down ALL the MIDI file sites in the world.
.68 seconds. These files are usually played through the wavetable synth in the sound card or audio chip. They sound somewhat ridiculous and are often laughed at. They do, however, have one very interesting and special property.
... be... gone. Almost all of the music that your grandparents listened to is gone.
MIDI files are lists of instructions for playing a piece of music. For example, an instruction that says play G# on the trumpet for
With a notation program that recreates the sheet music from a MIDI file, they allow a music student to learn a song or piece or music. You have to learn how to read music to use it, but that is not very hard. MIDI files show you the chord patterns that beginner and intermediate players would not be able to derive from simply listening to a song over and over.
It is the sheet music book publishers that are shutting down all the MIDI files on the web. They are doing this because they believe that ten thousand downloads of a Classic Rock song's MIDI file is the loss of ten thousand sales of the printed sheet music for that song at $5 for maybe five sheets of paper. So, a major music instructional resource is being destroyed to preserve an imaginary market. (Would you buy sheet music of a classic rock song? Would you even know where to get sheet music in your city?)
This happens at the same time that every school in the country is ending or cutting back on music education in the classroom.
The whole music industry is insane and out of control. These guys are going to end up destroying their entire industry and destroying a significant percentage of the 20th century's music recordings in the process. First by stealing the public domain by legally extending the copyright period indefinitely. Then by enacting extraordinarily brutal jail penalities for downloading and sharing music recordings, even music that is supposed to be out of the copyright period that was in effect when the records were originally made. Then by putting unbreakable encryption on recordings and passing laws preventing the sale of any music playback device that can play recordings without this encryption. Then raising the price on recordings to pay for all this beyond its value to listeners and collectors. And finally, removing the recordings from the market because "they don't sell".
In this scenario, all the music recordings that are endlessly pumped into our heads in 2005 will be simply gone by 2055 (most of you reading this will still be alive then). All the music that you grew up will just
This is why downloading, sharing, and 'pirating' music is critically important to do. You simply can not trust the fools who run the music industry to protect and preserve a society's culture.