Sony's New Nagging Copy Protection
bort27 writes "You can put away your Sharpies, because Sony has launched a new CD copy protection scheme that is actually designed to be easily cracked: 'The copy-protection technology is...far from ironclad. Apple Macintosh users currently face no restrictions at all. What's more, if users go to a Web site to complain about the lack of iPod compatibility, Sony BMG will send them an email with a back door measure on how to work around the copy protection.'"
So...they've figured out they're not going to stop dedicated music pirates.
So instead of making the copy protection stronger, they're making it weaker?
Ostensibly, this is to stop 'schoolyard piracy' (as if your average 'schoolboy/girl' can't rip tracks to MP3), but I'm seeing a slightly darker angle here...hold on...
<tinfoil-hat>
OK. Here we go:
</tinfoil-hat>
Whew...wearing that thing sure makes you paranoid...but does it make you paranoid enough?
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~ |rip/\/\aster /\/\onkey
So if you complain about it, they'll tell you how to get around it? Why bother hindering at all?
Chewbacon
The Bible is like Wikipedia: written by a bunch of people and verifiable by questionable sources.
Is it a:, so they have a nice list of people who know about the backdoor, or b:, so they can use the DMCA if someone reverses it without being told (i.e. given permission) by Sony?
Get your own free personal location tracker
...is that while the copy protection sucks, we're paying for it in the form of passed on costs from Sony.
what are the legal implications? Your still getting around a copy protection scheme, presumably Sony couldn't sue you, but what about potential criminal penelties?
I mean, are they harvesting the names of these people who request the 'hot backdoor action' and storing them for later use?
This seems a little disturbing- for the first time they're admitting they're not trying to stop big pirate-mills but slow down the consumer? Why does Sony still sell blank CDs, blank minidiscs and blank audio cassettes then? That's a hypothetical question: I mean, I know they make money off it, that's why they sell it. But they continue to distribute the tools of schoolyard piracy, why spend any more time concocting the latest protection scheme? What a waste of employees.
yes. that's all I'm going to say in all comments from now on.
Let's hope they don't start making condoms....
"All great things are simple & expressed in a single word: freedom, justice, honor, duty, mercy, hope." --Churchill
It's actually not such a bad idea, because it's more hassle than most casual music pirates are willing to tolerate. Anyone serious will just Google the workaround and be done with it.
The scary part to me is the e-mail address... now they can start getting a shortlist of people to look at closer for copyright violation issues. I know I'll let someone else ask for the hack and Google it myself...
Be very, very careful what you put into that head, because you will never, ever get it out. -Thomas Cardinal Wolsey
Anyone know what the backdoor is? And no pictures of goatse please!
I'll turn into a supernova and burn up everything. Well I'll turn into a black little hole and you'll turn into string.
I don't get it, whether or not it is easily crackable shouldn't matter. The fact of the matter is that the Music Industry has now decided that all of their customers are criminals.
Logically, it makes sense. The path of least resistance is going to be the one that followed. So when games like Half Life 2 or Counterstrike: Source have 'hacks' like aimbots etc made for them, if they are easy games to hack, the hack comes out, you simply ban that individual hack. Since you are still allowing the same method, people will create the hack using the same parameters and you ban each hack because you know exactly how and where to detect it -- and ban all the players with it.
:)
I know it's totally irrelevant, but given the Sony 'initiative' and the fact they publish games... I'm waiting for this to happen too
The price is always right if someone else is paying.
I usually buy about 50 - 70 albums per year. I listen to 75% of my music on an iPod at work, an additional 15% listening to these CDs in my car, and 10% listening to my legally ripped collection of mp3 files on my home PC.
Sony / BMG are making CDs using SunnComm's MediaMaxx that require a software end user licence agreement (EULA) to listen to on a computer, and they can not be ripped into an MP3 or an AAC file. Hence I have no way to listen to these albums on my iPod. I don't believe in agreeing to a EULA to listen to these songs on my home PC, so I can't use these CDs on my PC. And to pay $12-$15 for a CD that I can only listen for twenty minutes on the way to work or doing errands is crazy.
Why is the industry shooting itself in the foot by driving away loyal customers? I want to give bands like Velvet Revolver, Kings of Leon, and the Foo Fighters my hard earned money, but their record labels are not giving me a product that I find acceptable... A good old fashioned compact disk.
I got nothing...
They want people to accept DRM, this time its easy to crack-- first hit is free. Next time though...
call me paranoid
Jonathan
Taking a DMCA case to court after pointing out the back door makes about as much sense as prosecuting Wal-Mart shoppers for trespassing. If they were going to take you to court they wouldn't be handing out the back-doors in the first place. This is an example of a company trying something new out in the copy-right arena, a scheme that might even have some room in it for "Fair Use"
only one everything
Sony makes copy-protection weaker, while making 'speed bump' obstacle to 'schoolyard piracy'.
Stop right there. This is the entire strategy.
They're making copying their CD a matter of circumventing an encryption device which is a felony under the DMCA. There's guaranteed to be some encryption in this scheme somewhere, even if it's not the actual data tracks that are encrypted. Perhaps some meta information.
No matter, they're taking illegal copying of a CD from copyright infringement to a felony for easier / more terrorizing prosecution. Pragmatically, that's the only way they're going to be able to enforce artificial scarcity in this market.
My God, it's Full of Source!
OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
This is Sony's way of lewering people into using DRM technologies, once you're hooked in, the noose will slowly tighten.
Scientist: We have a new CD protection scheme
Pirate: (Wink* Wink*) I'll buy you lunch if you show me how to hack it.
This is an example of why record companies should hate DRM. They have to pay the cost of its development. Then, when it's cracked or sold to organized crime in the dialog above, they lose the sales that are going to the pirates instead of music companies.
The consumers gain little because they are paying the pirates nearly the same amount of money that they used to pay to the record companies.
Record companies create their own piracy problems by persisting in the illusion that all music recordings should cost the same. They should institute an auction type of marketing structure for music sales so that people can chose what they would be willing to pay.
This doesn't work when the product is infinitely copyable and little cost. So the entertainment companies should get out of selling things that are infinitely reproducable at low cost and into some other profitable marketable entertainment product.
No, this is exactly right!
You should have to overcome some sort of speed bump, letting you know: "Hey, if you do this thing, you might be breaking the law. Think about it."
But you should still be able to overcome the hurdle. Because, "who knows?" You might actually have the right, it might actually be okay.
Besides: Some laws, you should be able to make the decision to break or not to break. Not all laws, but some laws. For the simple act of copying a file on your computer, you should be the person deciding what to do. But there should be some small barrier to transgress.
It's like the line of rocks on the side of the road at the park. "Please don't cross over this," it tells you. You can, and some do, but most don't.
It's called Soft Security, and it works great. It's all about respecting people, and respecting boundaries. Most people are pretty respectful, and things seem to work. People talk, people have ideas about what is right and wrong, and people don't violate things just willy nilly, provided that there are some cues and attention.
My conjecure, but maybe every person they give a key to gets a different key. And this leaves the unencrypted file with a watermark (i.e. variations in the output sound that are undetectable to the human ear) but which can be used to determine what decryption key was used to decrypt it - hence who has made their copy available publicly. They've got your email address and presumably other details, so if that file turns up on P2P sites they know exactly where to place the blame.
43 - For those who require slightly more than the answer to life, the universe and everything.