William Gibson on The Age of The Remix
wordisms writes "William Gibson of Neuromancer fame gives his thoughts on remix and innovation in the digital age, in a short essay at Wired Magazine entitled God's Little Toys. From the article: 'Our culture no longer bothers to use words like appropriation or borrowing to describe those very activities. Today's audience isn't listening at all - it's participating. Indeed, audience is as antique a term as record, the one archaically passive, the other archaically physical. The record, not the remix, is the anomaly today. The remix is the very nature of the digital.'"
I'm pretty sure his enthusiasm for the mix culture will wane the first time his new novel gets remixed and redistributed.
If Slashdot were chemistry it would look like this:Cadaverine
Today's audience (uh huh) isn't listening at all - it's participating (uh huh, yeah). Indeed, audience is as antique a term as record (biggups to B.I.G.), the one archaically passive, the other archaically physical (what's up, foo'?). The record, not the remix (rica rica reeeemix), is the anomaly today. The remix is the very nature of the digital (Inch'allah).
Peace out, homies.
"I remixed a remix.......it was back to normal!"
Already years ago, Gibson was writing books that could be read/listened to in a randomized chapter sequence. I guess he really knows the subject of mixing and remixing...
Buzzccess? Buzzbert? Phraseshare? Pointy-haired Constructionism?
It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
Brandi Meeming... Sounds like a good name for a one hit wonder popstar or supermodel or something.
You see, his goes like "dunh-dunh-dunh da-da dunh-dunh", and ours goes like "da-da-da dunh-dunh da-da". They're totally different!