Gaiman and Whedon Discuss the Rise of the Geek
CABridges writes "In a lengthy Time Magazine interview, Neil Gaiman ("Sandman," "American Gods") and Joss Whedon ("Buffy the Vampire Slayer," "Firefly") talk about their audience.
Gaiman: "Mostly they're people. They're us. That's what they look like."
Whedon: "They're a lot more attractive than I am, actually, which kind of disturbs and upsets me."
Both men, known for their cult-favorite creations, have movies debuting this Friday. For Gaiman it's MirrorMask, for Whedon it's Serenity."
...talk about their audience. Gaiman: "Mostly they're people. They're us. That's what they look like."
So, the two interviewee's in the article are the only fans of each others' work?
What's going on here?
That said, Whedon has to be one of the most overrated writers, ever. IMO, YMMV, etc.
I am a believer of momentum and curves.
Geeks are attractive when they have big wallet bulges. Now that a few internet stocks have revived, especially the Google monster, geeks are in fashion again.
Is that cute red-head in Serenity? Willow?
She was the only redeeming value in the Buffy show.
Honestly, I'm not impressed by their work. It's definitely geek material. It's like watching EverQuest, World of Warcraft, and EverQuest II on TV. A bunch of well endowed girls with doll-like figures capable of defeating creatures 10 times their size. They should go into game development.
My ZooLoo
"JW: But I also think there's a bit of misconception with that. Everybody who labels themselves a nerd isn't some giant person locked in a cubbyhole who's never seen the opposite sex. Especially with the way the Internet is now, I think that definition is getting a little more diffuse."
/.? YES
translation: Anyone geek can get laid with net pr0n.
Am I a geek? Let's see...
Pocket protector? NO
Bad hair/teeth/smell? NO
Own my own RAID? NO
Write apps for fun? NO
Collect Buffy and Transformer dolls? NO
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He who knows best knows how little he knows. - Thomas Jefferson
lately, I've been wondering why this is. It seems that "geek hood" is actually approaching a phenomenon. When people ask me what I do for a living, I'll usually give them a grin and say "Oh, I'm a professional geek". To which I usually get the response:
"Oh? What kind?"
Not a look of disdain that those growing up before, say, the 1990's might have received. Part of this I think it because of the dot-com boom (and bust): people saw that geeks could become millionaires, and if there's anything that influences people to do something it's money.
But the other thing is how much technology affects our lives. Cell phones and the Internet are on everyone's minds - you can't go 10 minutes without one some days. Because of this, geeks are now something of mystical wizards, the people who bring these cool "toys" to the masses to play with, including their iPods, the current status symbol, which 5 years ago was purely a geek music toy.
And because of this, I think that society is slowly starting to see the benefits of intelligence. Where before "egg headed intellectuals" would have been scoffed, intelligent activities are starting to aquire some respect. Look at TV shows: the most popular ones weren't just mindless driven, they were shows like "Lost" and "Battlestar Gallactica" and yes, "Desperate Housewives" (which I haven't watched), shows which contain very complex relationships and huge shades of gray in character.
The most popular books: Harry Potter, a book about a geek (a kid who likes to go to school and is best friend with the school uber-geek - a geek girl no less). Manga is becoming popular - I went into a bookstore and saw two whole isles, with 14 - 20 year olds hanging around - and not just the ugly ones, but cheerleaders looking at what once was only "nerd" material talking about how cute so-and-so is.
This isn't to say that those who are smart or different are entering Utopia - look at the current "Intelligent Design" debates and issues with extreme religious people trying to convert government to their way of thinking (as a religious person, this behavior really irks me. There's a reason why the "Render under Ceaser speak was made, and it's still applies, folks), or corporations muddling science (global warming? Where? Have another Hummer!) -
But things are getting better. Saying "I'm a professional geek" makes me the guy at parties people want to talk to. They ask about security, or about games they're playing (amazing how many executives have a PS2 these days), or just computer talk about their iPods or whatever. Yeah, they don't think I can play basketball, but that's ok.
I don't have to - I'm a geek.
Of course, this is all just my opinion. I could be wrong.
52 Weeks, 52 Religions with John Hummel
Adult nerd - useful college degree, probably good job, disposable income, can definitely show off fashionable jewelry received as gift. Much more interesting.
Right, nowadays you meet people who like to talk about technology, but when I talk/think about my time in the "Computer Club" in High School back in the 80s, it was a different story. We *were* the folks learning about phreaking via a IBM PC in my friends parents bedroom, with the old Hayes modem, on some BBSs. I think it's just that it now touches peoples' lives so much deeper; from email to shopping on the web, it's just more mainstream and people can relate better.
fak3r.com
It is all about creative control. Someone with a real strong vision can make something uniquely cohesive and brilliant. Whether it's Straczynski's Babylon 5 or Frank Miller's Sin City, it's amazing what can be done when the grubby fingers of mediocrity are kept away from someone's bright ideas.
Of course, creative control doesn't guarantee quality. (See Ilene Chaiken's utter failure to even have consistend characterization on The L Word.) But a lack of it will pretty much guarantee mediocrity.
I want to come out of the theater saying "I have never, ever seen anything like that before." I did that after Sin City; I did that after the preview screening of Serenity that I saw.
Laws do not persuade just because they threaten. --Seneca
These are classic geek genres, and Wallace & Gromit is something I can watch with the kids!
"Can of worms? The can is open... the worms are everywhere."
As far as Whedon's writing skills are concerned. Best TV writer...possibly ever. There is no one else out there who has been able to successfully do the following 1. Write character arcs over SEVEN years that show true character growth. No one has ever done this-- with the possible exception of Joel Fleischman from Northen Exposure ALL TV character basically remain the same. Whedon changed that-- but if your're looking for characters that never mature...stick with the crap that's already out there. 2. Tackle controversial subjects without preaching..."Realistic" TV sermonizes...Whedon entertains and actually demonstrates the complexities of truly controversial subjects-- homosexuality, despair, feminism...etc. 3. Treat Death with dignity-- watch "The Body" from Season Five--- Six Feet Under could've taken some lessons from that episode. Real death was never trivialized on a Whedon show, the way crime shows and supposedly "avant-garde" shows on cable trivialize death. But then again for a nation hooked on narcissistic reality shows--- Whedon's writing skills may go unappreciated.
Scott Adams, in The Dilbert Principle, wrote that engineers are lousy as potential dates, but good as potential husbands. He may have been on to something...
I am TheRaven on Soylent News
Gee, a movie based on a four year old television series that itself only lasted four to six episodes? Oh, that must be absolutely amazing.
/.!
Hi there! I have no knowledge of, or interest in, the subject at hand. This will not stop me from posting my random pre-coffee thoughts. Enjoy,
(ps. not a troll)
Literalism isn't a form of humor, it's you being irritating.
I'm excited about both of the projects and I'm planning on going to a midnight showing Serenity tomorrow. The most interesting part of this though is the fundamental shift in the entertainment industry that both of these movies represent. "Movie" studios have been firmly taken over by their DVD divisions. There have been a lot of comments here asking why Firefly was given a movie deal after being seen as such a failure for Fox. The answer, it sold a boatload of DVDs, and Universal is counting less on a succesful theatrical release then they are on selling another boatload when it comes out on DVD. Plus, the markeing campaign for the movie acts as marketing for the existing DVD set, increasing sales there as well. Mirrormask, as someone else pointed out, was produced to be sort of a spiritual successor to the Dark Crystal and Labrynth, 2 movies that didn't have very successful theatrical releases but proved to have very long legs in the DVD sale market. I think these releases are really interesting becasue I think the studios are floating these out there as a test of a new business model, and if these movies spawn lucrative DVD releases, I think we're goign to see some major shifts in movie releases: a shortening of the window between theatrical and DVD releases, an increased emphasis on studio releases straight to the customer like home viewing of downloaded content (which might be great news for the BitTorrent guys if they can become the defacro transmission protocol) and eventually the death of the movie theater as we know it. These ideas of where the business is heading certainly aren't new, but these are the first releases I've seen that look like their number one goal is DVD sales and the theatrical release is secondary.
I am going to say this again: Geek sex is the best! Trust me!
PS: to any woman reading this - Don't even try to mess with my geek. Get your own!
You certainly shouldn't be modded down, because you make some valid points. Allow me to address them:
* The movie will have a built-in audience of a couple million, enough to start strong. Whether it has cross-over appeal is unknown, but then again, no one expected 'Star Wars' to do what it did. Once upon a time, early summer was where movies went to die because everyone was off on vacation.
* Fox's dumb decisions are legendary, but it's really one bad decision repeated over and over again. Fox has been trying to re-create the success of the X-Files, another niche show that had cross-over appeal and became mainstream enough to enter popular culture. Firefly did about as well as Harsh Realm, VR5, and any of the other 6-week and out shows tried on Friday nights.
* 'Serenity' currently stands at %63 on RottenTomatoes, which is not too shabby for a sci-fi flick. We'll see where it is once more of the mainstream press have reviewed it.
* For all that 'Firefly' got the shaft, 'Serenity' at least seems to be getting some loving from the studio. They moved it from late spring (where it would have gotten lost in the Episode III hype) to its current slot, which may not be ideal, but it's got much more of a chance to hold on for a few weeks and build an audience. Plus, at least around here, they've been advertising the hell out of it -- I saw a ton of commercials for it during football games over the weekend, and that's pretty prime advertising.
* Any more, the movie industry doesn't make its money during the summer run, it makes it on video sales. This is why 'Serenity' got the green light -- because the studio heads saw the hundreds of thousands of DVD sales of the series and said 'Hey, if that many people bought the DVDs of the show, they'll all go see it in the theatre at least once, *plus* they'll all buy the $25 DVD in six months.'