Slashdot Mirror


Literature Teeters on the Edge of a 'Gr8 Fall'

aicrules writes "Yahoo news is reporting that the great works of literature often read and discussed by the brighter of our up-and-comers could be the latest victim of reaching the lowest common denominator at the potential expense of everyone. The article describes the efforts of Dot Mobile to make such literary masterpieces as Hamlet and Romeo and Juliet more accessible. From the article, 'We are confident that our version of 'text' books will genuinely help thousands of students remember key plots and quotes, and raise up educational standards rather than decrease levels of literacy,'"

40 of 459 comments (clear)

  1. Teeters on the edge? by BushCheney08 · · Score: 5, Funny

    And this mindlessness is exactly the sort of thing that will push it over...

    Here's a message for them: Lrn2RdFlBks. UGtMrFrmIt.

    --
    Be a real patriot: Question authority. Think for yourself. Formulate your own conclusions.
    1. Re:Teeters on the edge? by s20451 · · Score: 4, Funny

      Lrn2RdFlBks. UGtMrFrmIt

      "Learn to read, fullbacks"? I hardly think it's fair to blame college sports.

      --
      Toronto-area transit rider? Rate your ride.
  2. Remember Hamlet in 15 minutes? by Kelson · · Score: 5, Insightful

    People have been condensing things like this for humor for years. Ophelia's last line: "Glub!" And remember the story about consensing the Lord's Prayer into a text message? (I think it had lines like "God, UR GR8")

    So we take something that's been used for humor, and use it for Cliffs Notes instead. Big whoop. No one is going to think that the summaries are the original works. I mean, anyone who has taken a logic class has come up with "2B v ~2B"

    Although it does remind me of the time in high school when we were reading Romeo and Juliet aloud in class. I read Mercutio's "Queen Mab" speech, got through the whole thing, then looked at the footnotes, and had the reaction, "I said what?!?!?" (From then on, I read the footnotes with the text, not afterward.)

    1. Re:Remember Hamlet in 15 minutes? by bman08 · · Score: 4, Funny

      I first read MacBeth as a comic book. Then I saw the porno version. By the time I got around to the real play, I had a foundation to follow the non-x-rated action.

    2. Re:Remember Hamlet in 15 minutes? by LordSnooty · · Score: 5, Funny
      Surely it's
      if ( $question = ( 2B || !(2B) ) ) {
      if ($mind[SlingsArrows] > $mind[TakeArms]) {
      die()
      sleep()
      }
      }
    3. Re:Remember Hamlet in 15 minutes? by Kelson · · Score: 5, Insightful

      The thing with Shakespeare -- or any play, for that matter -- is that you're reading a script. A script isn't meant to be read, it's meant to be performed. You might as well try to follow a symphony by reading the sheet music.

      A good troupe of actors with a good director can take even the archaic language of four centuries ago and perform it in a way that's easy to follow and, believe it or not, entertaining. Action, body language and inflection can do wonders for making the meaning clear.

    4. Re:Remember Hamlet in 15 minutes? by Keith+Russell · · Score: 5, Funny

      You can not truly appreciate Shakespeare until you've read him in the original COBOL.

      --
      This sig intentionally left blank.
    5. Re:Remember Hamlet in 15 minutes? by slaker · · Score: 4, Interesting

      Oh, it is sad that I know this: You're looking for a movie called "In the Flesh". It is surprisingly, shockingly true to the play.

      --
      -- I wanna decide who lives and who dies - Crow T. Robot, MST3K
    6. Re:Remember Hamlet in 15 minutes? by Omestes · · Score: 3, Interesting

      Did you ever think that by reading through it, it would increase you intelligence, and ability to do it again. Learning isn't supposed to be easy, the harder the climb, the more pathways you develop, and the easier it is to do again.

      I'm glad I did, because now I'm trying to get through Heidegger, but I think that was mostly because I finally could read/reason through all of Kant. Sure, I could have taken a short cut, but what is the point? I don't plan on reading Ann Rice my whole life, I'd much rather read something that makes me a better person, and doing this requires work.

      The best ever is the one year, in college, where I got through all of Dostoevsky, Kafka, Camus, and the short fictions and plays of Sartre, all in the course of one lazy summer, on my own. Was some of it hard? Could I have quit and got the Cliff Notes, no, since I would feel like a moron, a cheater. I would have rather quit than that.

      But this is coming from someone who has never touched a Cliffs note in their lives. Cliff Bars, though, thats a different story.

      --
      A patriot must always be ready to defend his country against his government. -edward abbey
    7. Re:Remember Hamlet in 15 minutes? by OakDragon · · Score: 5, Funny
      I prefer "Cliff Notes for Cliff Notes."

      For example, "The Bible:"

      God creates man, then gets pissed at everything man does.

      Credit where credit is due, I think I say that in the National Lampoon.

    8. Re:Remember Hamlet in 15 minutes? by DeafByBeheading · · Score: 3, Informative

      The one where they didn't change a single line?

      --
      Telltale Games: Bone, Sam and Max
  3. OMFG!!! by TripMaster+Monkey · · Score: 4, Interesting

    The article describes the efforts of Dot Mobile to make such literary masterpieces as Hamlet and Romeo and Juliet more accessible.

    Perhaps Professor Sutherland ought to check out the following links:

    Romeo & Juliet
    Hamlet

    Kudos to Chris Coutts...they're still damned funny, although the idea of Professor Sutherland pitching this sort of thing for real is just ludicrous. As the epitath on the Bard's tombstone reads:
    Good friend for Jesus sake forbeare,
    To dig the dust enclosed here.
    Blessed be the man that spares these stones,
    And cursed be he that moves my bones.
    Does this mean that Professor Sutherland is cursed, since he's caused Shakespeare's corpse to spin at such a rapid rate? ^_^
    --
    ____

    ~ |rip/\/\aster /\/\onkey

  4. r0m30, r0m30 by Anonymous Coward · · Score: 5, Funny

    wtf wallhax0r cl4n?

  5. I predict by stoolpigeon · · Score: 4, Insightful

    the net impact of this will be nil. What person who was going to read some classic piece of literature is going to forego that experience after checking out the text message summary?
     
    And who will go read the real thing after getting one of these?
     
    In fact I also will go out on a limb and predict that this marketing ploy by the cell phone company will fail. Kids will not want these phones and that will greatly overwhelm the couple idiot parents who might think this would be a good idea.

    --
    It's hard to believe that's how Micronians are made. Why don't we see it right now by having you both kiss one another?
    1. Re:I predict by Pope · · Score: 3, Insightful

      While the overall result will probably be nil, I still think we shouldn't encourage this type of bullshit to start with.

      Reworking great literature for the retard/ADD set is not something I'd consider groundbreaking or necessary.

      --
      It doesn't mean much now, it's built for the future.
    2. Re:I predict by Atzanteol · · Score: 4, Insightful

      Or if an angsty teenage girl tells an angsty teenage boy that they're "just like Romeo and Juliet", then the boy will at least know that the world is so fucked up that they're better off committing suicide.

      I think you may have found the silver lining...

      However, if anything I think kids should be watching movie adaptations of Shakespeare. Shakespeare wrote plays. There were intended to be acted out, not read. I've never liked reading it so much as watching it. Especiallly those directed by Kenneth Branagh.

      --
      "Ignorance more frequently begets confidence than does knowledge"

      - Charles Darwin
  6. Learn from the times man. by Romancer · · Score: 5, Interesting

    Make them into games.

    Can you imagine a more violent game than Romeo and Juliet?
    Two gang waring mafia type families and a plot where the two main characters die?

    Have the full text and add a game requirement that you have to talk to people with the accent and all. actually walk up to people and ask them questions and make statements that forward the game, rather than the standard now where you just button mash to get through the plot and power up.

    Mix the two areas, good games need good plot, and good books need to be read by later generations.

    --


    ) Human Kind Vs Human Creation
    ) It'd be interesting to see how many humans would survive to serve us.
  7. of course! by GungaDan · · Score: 3, Funny

    "brevity is... wit." ;-)

    --
    Eloi are stupid, throw morlocks at them!
  8. well by revery · · Score: 4, Funny

    I, for one, am starting to root for the asteroids.

  9. What's that game called again? by saskboy · · Score: 3, Insightful

    There's a type of home game where you can spell things out in "leet" speak, or you get cards with strange letter and number cominations and you have to decipher the meaning. Anyone remember what it's called? That's what I think of when I see someone writing "R U Their".

    I can't understand the vast numbers of kids and people my age even that write with such sheer illiteracy that it makes me think twice about talking to them. Should I really expect someone who asks "How RU", to understand me when I talk about solar flares, or which car gets the best milage? Sure there are bright people that have given in to pretending they're typing on a cell phone, but why would someone try to initiate communication with other english reading person, with a line like "Hey Jou wat u doin?

    --
    Saskboy's blog is good. 9 out of 10 dentists agree.
    1. Re:What's that game called again? by Tackhead · · Score: 5, Interesting
      There's a type of home game where you can spell things out in "leet" speak, or you get cards with strange letter and number cominations and you have to decipher the meaning. Anyone remember what it's called? That's what I think of when I see someone writing "R U Their".

      Actually, it's worse than that.

      It's not merely substitution of "u" for "you". It's an entire dialect. If you read through it "aloud" (i.e. subvocalizing every word, in the order in which it's written), it's parsable as spoken English, but not as written English.

      The frightening part is that it's an indication that we're indeed raising a generation of illiterates. People who make it through school in this state can (probably) read English, they can (definitely) speak English, but without punctuation or capitalization, they're incapable of writing it.

      (random googling ensues... revealing the following representative sample that appears to discuss the physics/animation of a computer basketball game)

      wat r u stupid or something wat do u want to be doing standing up straight and running with da ball u idiot dast real animation he is going low and attacking the basket dumb a** watch basketball and u will c him do da same exact thing

      Stick a few commas and periods and capitals in there and it's essentially a machine-generated transcript of the following spoken English:

      "What are you, stupid or something? What do you want to be doing? Standing up straight and running with the ball? You idiot! That's real animation: he's going low and attacking the basket. Dumbass, watch basketball and you'll see him do the same exact thing."

      The punctuation and capitalization cues aren't strictly necessary to make sense of it, but their presence enables a brain to quickly scan over the passage without having to read it as though it were dialogue on a script.

      Net effect: People who write English can have their ideas read and digested more rapidly than people who write in txtspeak.

      But if we're moving to a postliterate society, that might not be such a hindrance for the illiterates. If you can read English quickly (because most of the written English you'll encounter still contains punctuation/capitalization), but are never required to write English (because omnipresent voice/video messaging has replaced email as a means of communication), maybe it doesn't matter that you're half-illiterate.

  10. The sky is falling! by eison · · Score: 4, Insightful

    Don't we get warnings about this every decade for the last several centuries? Wasn't writing in the vernacular going to ruin writing back ever since writing was invented?

    --
    is competition good, or is duplication of effort bad?
  11. Not necessarily a bad thing by squoozer · · Score: 3, Informative

    While I am sure there will be plenty of purists out there that will be up in arms at this I think it might be quite a good thing. Anything that gets people interested in reading and expanding their mind has got to be good even if it means dumbing down some old masterpieces to get them interested. What concerns me about this, however, is their stated reason for doing it:

    remember key plots and quotes, and raise up educational standards

    Surely remembering plots and quotes isn't why we get our students to read these works. Many modern works have plots that are just a involved, often more involved. Quotes are good if you're a bit dim and need to sound intelligent for 30 seconds but not a lot else.

    As for their choice of material, well, I'm sure it will mostly be Shakespeare simce he's the only person most people seem to be able to name. That's a real shame because, personally, I don't enjoy reading Shakespeare. He wrote plays - plays are supposed to be watched. There are plenty of people who wrote books why not try promoting them instead?

    --
    I used to have a better sig but it broke.
  12. Modernized spelling by Mark+Gordon · · Score: 3, Insightful
    Having seen First Folio spellings, I have to wonder how much controversy there was when Shakespeare first appeared in modern spelling. Consider the opening lines of "The Tempest":


        Master. Bote-swaine.

        Botes. Heere Master: What cheere?

        Mast. Good: Speake to th' Mariners: fall
    too't, yarely, or we run our selues a ground,
    bestirre, bestirre.


    In more modern spelling this becomes:


        MASTER. Boatswain!
        BOATSWAIN. Here, master; what cheer?
        MASTER. Good! Speak to th' mariners; fall to't yarely, or
            we run ourselves aground; bestir, bestir.


    Was this considered a radical watering-down, back in the day?

    I've also considered what Shakespeare's plays would look like as IRC logs; I suspect such an approach would work at least as well as the blog version of Pepys' Diaries
  13. Re:Garbage in Garbage Out by under_score · · Score: 4, Insightful

    Okay, maybe I will say more.

    I've only read a very small sampling of great literature. A bit of Charles Dickens, Charlotte and Emily Bronte, Leo Tolstoy, and a few others. I can't claim to be well-read in this regard.

    However, the little that I have read has had substantial benefit to me. I have been exposed to life circumstances, themes, thoughts, philosophies in a depth that has expanded my ability to see outside my own limited experiences, empathize and sympathize with other people, see the possibility that I might be wrong or prejudiced. As well, my use of language has improved in terms of vocabulary, style and metaphor.

    There is no way that anyone can convince me that simplifying and making this literature "more accessible" is in any way beneficial except in the most limited fact-retention sense. Knowing the facts of a plot comes nowhere close to experiencing the expression of those facts in a sublime piece of literature.

    That said, I appreciate the sentiment. I think there is a lot of legitimate concern that students do not get exposed to these sorts of literary works. However, this approach is at best a bandaid over a minor symptom of a much deeper problem. How much better would it be to address the real problems of the quality of our education and child-raising? I'm not saying that I know the real solution... that is beyond me... but I can see when something is missing the mark, and possibly harmful.

  14. Reading Romeo and Juliet? by Supurcell · · Score: 3, Insightful

    I don't see why it is so important to read Romeo and Juliet and other plays. They are meant to be watched. The actors are supposed to play a major role in how the characters are precieved. Take the students to see the play performed or bring in the movie. What really made me think Shakespear was awesome, was the Romeo and Juliet movie with Leonardo Dicaprio.

    If you are going to just bring in scripts for you class to read, why not It's A Wonderful Life or Star Wars? That is only half the experience, and one not meant to be thrust upon the audience.

  15. Remembering plot points? That's how you teach?! by jonnythan · · Score: 4, Insightful

    The point of Shakespeare and Dickens is not to memorize what happens. It's not history class. The Picture of Dorian Gray isn't a story about a portrait, it isn't a history lesson about what crazy stuff happened to some rich guy in the 19th century, it's a wonderful work of literature about a man and a time period.

    Memorizing a few plot points and quotes from Faulkner does absolutely squat for learning anything whatsoever about these works of art. This isn't raising educational standards.

    Turning Hamlet into a text message removes 100% of what makes it important. There's no point to it anymore at all.

  16. Re:Classics by pla · · Score: 4, Insightful

    We put far too much devotion into the "classics' and developing our "canon recognition", and not enough time into actual thinking up new and interesting ideas.

    Because "the classics", if not actually defining our culture, give us a common foundation on which to build a shared cultural experience.

    Did a dead semi-anonymous 16th century hack pop-poet/playwright really create the best-ever-and-always set of English writings? Of course not! He wrote the equivalent of "Seinfeld" for the televidiots of his day. But like it or not, that does give us a certain common ground on which to relate to one another socially. We like "lowbrow" humor. We prefer the good guy to win. We want blood and guts and gore and veins in our teeth. We enjoy Moe getting poked in the eyes by Larry. We want to see the queen kiss a Federline, everyone to tragically die at the end, and the servants to get away with a good practical joke on their bosses.


    Now, based on the above, does it commit some grievous sin to "translate" the works of this ancient hack into a more modern form? To that, I would say no, with a qualification - One can modernize without butchering. Converting Hamlet to the style of texting fails to make the work more accessible, instead tailoring it to a very niche subculture of rebellion-without-a-clue (and likely a short-lived subculture at that, as it only even exists as the fleeting intersection of a technological limitation with an economic convenience).

  17. The article certainly teeters... by sczimme · · Score: 4, Funny


    From the Fine Article (and the summary):

    'We are confident that our version of 'text' books will... raise up educational standards rather than decrease levels of literacy"

    Wow, that's good news. I was afraid they would raise the standards down.

    --
    I want to drag this out as long as possible. Bring me my protractor.
    1. Re:The article certainly teeters... by Txiasaeia · · Score: 5, Insightful
      Seriously, though, how is encouraging students to read in l33t sp33k "raising educational standards"? The only educational standard that's being addressed is grammar and spelling: not only are these great works being themselves butchered, but they're discouraging students from actually *reading* the originals - unless, of course, they're like me and can't read l33t at all, and need the originals like the Rosetta Stone to translate these cryptic messages appearing on their cell phones

      What use is it to teach kids about masterpieces of English literature without teaching them how to properly read them? As far as I'm concerned, this is doubleplusungood. You want kids to get more into Shakespeare? Take them to see a play, which is how Shakespeare intended us to experience his works! Hell, even watching BBC's Pride and Prejudice is better than "Evry1GtsMaryd."

      --
      Condemnant quod non intellegunt.
    2. Re:The article certainly teeters... by TheWanderingHermit · · Score: 5, Insightful

      It reminds me a heck of a lot of the speech Captain Beatty gavein Fahrenheit 451, where he talks about how this line offended a group, so it got trimmed, that line bothered someone else who didn't understand it, so it got nixed, and so on, until it got to the point where nobody had the patience to read the whole work, and eventually, books were eliminated (in the film, newspapers were in comic form without any words). Contrary to what some have said in other threads, Shakespeare is not that hard to understand -- if you're willing to make an effort at first, it gets easy once you get over that "hump".

      I don't think we'll lose the classics, but I think we're heading toward a tiered society (if we're not there already) composed of the literate and well educated and the underclass who stay in non-thinking jobs, a lot like Metropolis.

      Whenever I read news like this, I want to write Ray Bradbury and say I knew he was right from when I first read F451, and it's a damn shame he wasn't wrong.

    3. Re:The article certainly teeters... by c0d3h4x0r · · Score: 3, Insightful

      'We are confident that our version of 'text' books will genuinely help thousands of students remember key plots and quotes, and raise up educational standards rather than decrease levels of literacy,

      Since when is thoughtless memorization of plots and quotes educational? Isn't the point of studying literature to learn how to think analytically, read between the lines, address social issues, and use language effectively?

      I think teaching the "classics" is a bad approach to begin with. The classics are so out-of-touch with modern society and culture that the qualities that made them great at the time are almost completely lost on modern students unless they also invest huge amounts of time understanding the language and culture of the era. There's plenty of modern, current-day writing of outstanding quality, which could serve all the same instructional purposes while also actually being interesting and easily related to by students.

      --
      Moderator hint: a comment is neither "Flamebait" nor "Troll" if it is true.
    4. Re:The article certainly teeters... by Lord+Agni · · Score: 3, Insightful

      I think teaching the "classics" is a bad approach to begin with. The classics are so out-of-touch with modern society and culture that the qualities that made them great at the time are almost completely lost on modern students unless they also invest huge amounts of time understanding the language and culture of the era.

      They are not out of touch with modern society, because so much of human society never changes. People are no more nor less pious, brutal, kind, evil, wise, or merciful than they ever were. Many things stay the same, even such contemporary things as the War on Terror have uncanny analogues to past conflicts. The classics, by keeping the universe of discourse in the past, reveal what is timeless and universal about the human experience. You learn that some things never change.

    5. Re:The article certainly teeters... by JanneM · · Score: 4, Insightful

      I don't think we'll lose the classics, but I think we're heading toward a tiered society (if we're not there already) composed of the literate and well educated and the underclass who stay in non-thinking jobs, a lot like Metropolis.

      There has never been a time or a place where this has not been the case. Literature, the arts and so on has always been a matter for a cultural "elite" (and I don't mean it in the republican/conservative sense) and the low-to-middle class people that aspire to it.

      If an artform, or a particular piece of art, has genuine, lasting mass appeal, it is normally exorcized from the "canon" and not longer a part of that which you "should" aspire to know. The whole point of Great Literature (as opposed to great literature) is to separate Those Who Have Read It from the unwashed masses who cheerfully haven't.

      --
      Trust the Computer. The Computer is your friend.
  18. Re:It's done in music already. by lxt · · Score: 5, Informative

    Why dont you actually learn what a fake book is before commenting? A proper fake book takes *skill* to play well. You don't get the "dumb chords"...in fact, all you're given is the melody line - a single tune, along with chords in text running along the top. It's up to you, the (typically piano) player to improvise the accompianment, harmony, vamps, and the like. There's a pretty big difference between a proper jazz fake book and the dumbed down classical books you're describing - nobody actually wrote down many of the jazz tunes in the fake books properly, and they're often carefully (and it used to be illegally) transcriped and published by jazz players.

  19. Re:It's done in music already. by mopslik · · Score: 5, Funny

    ...why not a dumbed down Jane Austen or Dostoyevsky on your bookshelf?

    I guess Dostoevsky's The Idiot will be appropriately titled.

  20. Re:It's done in music already. by KylePflug · · Score: 4, Funny
    A "real book" is a fake book. I've never seen a legitimate real book. The term fake book doesn't exist here. A real book is fake for everyone I know.
    God I'm confused.
  21. My personal favorite: by djtack · · Score: 4, Funny
    My personal favoride abridged book:The Silmarillion in 1000 words
    AINULINDALE:

    ILUVATAR: Ahem.
    AINUR: Wow! Existence!
    ILUVATAR: *blows pitch pipe* LA!
    AINUR: LA LA LA!
    ILUVATAR: LA LA!
    AINUR: LA LA!
    MELKOR: This sucks. BUM BUM BA DUM!
    AINUR: Um. . . la?
    ILUVATAR: Ahem. LA!
    MELKOR: Boop bop-a-doo-bop!
    ILUVATAR: LA, dammit.
    MELKOR: Bwam bardle ningle boom.
    AINUR: . . .
    ILUVATAR: Right, you're out of the band.
    MELKOR: Fine, I was leaving anyway.
    AINUR: . . .
    ILUVATAR: What are you waiting for?
    AINUR: Oh. Right. Newly created world. Sorry. Great jam session, big guy!
    ILUVATAR: Yeesh.
    .
    .
    .
  22. So What? by logicnazi · · Score: 3, Insightful

    So what if people don't learn the old classics. Quite frankly they aren't of great relevance to modern life and for most kids being forced to read them encourages a dislike of literature and reading.

    High Literature is a type of art that appeals to a certain small class of people. This is great and fine for them but there is little reason to inflict it on those who don't enjoy it.

    Ultimately the reasons given for reading literature simply don't apply to forcing great literature on unappreciative audiences. The reason we read literature rather than just essays is that it should entertain as it teaches. If the audience doesn't appreciate it then it fails at this task.

    Reading literature under duress just generates resentment and dislike it doesn't encourage a lifelong love of literature. We would be better off choosing books that had action and other aspects the students liked but combined this with sophisticated issues and interesting questions. There is no objective reason Ender's game isn't just as appropriate to teach in class as Shakespeare and the students will like it way more.

    Making students remember quotes is just dumb and if literature is taught well the students will *want* to read the books and notes or little helpers won't be relevant. If the book needs outside help or encourages the use of cliff notes then something is wrong with the course or the book isn't appropriate for the audience.

    --

    If you liked this thought maybe you would find my blog nice too: