Behind the Scenes of Narnia's Special Effects
louismg writes "Walt Disney Pictures' Chronicles of Narnia: The Lion, the Witch and the Wardrobe took in more than $100 million at the box office worldwide in its opening weekend, riding the back of special effects powering nearly all the movie's characters, from the lion Aslan to the Gryphon, Minotaur, Centaurs and more. VFXWorld has a series of diaries with the technology geeks at Rhythm & Hues behind the special effects. (Part 1, 2)
For the fantasy film's special effects, Rhythm & Hues teamed up with Industrial Light and Magic and Sony Pictures Imageworks to deliver more than 1,400 shots for the film, and used cutting-edge technology from BlueArc, NVIDIA and others to keep the effects' production running."
I've heard it's made alot of money, but how does it hold up to the novels? I am sick of novels I love being destroyed by two-bit producers who can't invest the little time and energy it would take to do them right.
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The only problem I had was with the fake-looking "rag doll" physics they used when Peter was unseated from his horse. They really should have used a stunt man. I'm curious: what did you see wrong?
Gamingmuseum.com: Give your 3D accelerator a rest.
It's not the special effects that made the Narnia books so popular - it was the imagination of C.S. Lewis who gave the story and the characters such meaning and gripped the reader with suspense.
And yes the effects were quite awesome, but they seemed so transparent in this movie. IMHO, a much better flick about the conflic of good vs. evil than SW EP III ever was. I *REALLY REALLY REALLY* hope they do The Magician's Nephew next!
If you dont mind me asking, what is the reissued intended order? It has been a long while since I even looked at the books, and so my memory of the order is even less unsure.
I think it is because you read the book when you were young. We recently read the book with our kids, so it was pretty fresh in our minds when my wife and I saw it. I was surprised by how closely the film stuck to the book. Of course the book lends itself well to film, I think, as opposed to longer and more complex works.
I think though what you may have missed is a lot of the inner dialogue that you get in the book was not in the film. It downplayed Aslan a bit I think, since we don't get to 'hear' how the children feal about him. They did a decent job I think, acting wise, but I'm not sure a film can display the complex ideas conveyed in the book in that regard. Maybe deviating further from the text would have allowed them to be more true to the ideas, if not the events, I'm not sure.
But I do really think that on the whole the film has most of the books strengths as well as its weaknesses.
It's hard to believe that's how Micronians are made. Why don't we see it right now by having you both kiss one another?
First, the narrative is awkward and clunky. It doesn't flow, and this really kills the mood. What kills the mood more is the terrible dialogue all throughout the film. The cinematography is plain disasterous. Not once did i find myself thinking "wow, what a beautiful shot!" like i do in most films of this nature. The sets all look fake. At least, the ones in narnia do. The make-up is unconvincing and just adds to the "upmarket b-movie" feel emanating from the film. Some of the special effects are dire, others are great. It's a real pick 'n' mix. overall, i just think it sucked. espcially when it had such a high budget. But the film did give me hours of fun last night arguing with over zealous christians on the imdb.com message boards.
sudo killall humans
I've been thinking about this since I saw it, and as I've been reading this thread. I liked the film and wouldn't say poorly done, but I think that you have pegged the biggest weakness. By staying so true to the events of the book it loses a little something. The book can narrate a lot of fealing, thoughts and emotions. A film needs to show events to explain that kind of thing.
Interestingly enough the film begins with a scene not in the book at all that does a lot to set up some of how things will work out. But from then on, as you say, you get the books events but not all the book's depth. Now I still liked the film as I've said, and I don't think the books are so deep, that you are missing that much. I think some of the film's weaknesses are the book's weaknesses too. (I've always thought Clive's fiction was his weakest work~ Screwtape Letters excepted)
I think you hit the nail on the head. To have been a better film would have required more deviation from the text. This makes me rethink some of my frustration with the LoTR films. I loved them too, and now maybe I wont be so hard on some of the revisions.
It's hard to believe that's how Micronians are made. Why don't we see it right now by having you both kiss one another?
I'm actually worried that the movie won't have a strong enough Christian/religious theme.
Now, I'm an athiest, brought up Quaker, with little interest in spreading Christianity or anything.
But I read the books before I could understand the whole Christian allegory thing. I loved them. I reread them later, understood, and felt betrayed. Then I matured enough to where I could read them a third time and not take it so hard. And I realize that the whole feel of the stories, the idea that they had weight and importance and weren't just some guys who had beef with each other, that came straight out of the religious treatment of the characters.
If Aslan isn't God, and the White Witch is just some woman who wants to rule this place, the story becomes a cheesy special-effects battle movie. Yay, Dungeons and Dragons. If they can try to instill some kind of reverence and awe, and a feeling that these people are taking part in a larger struggle, that what is happening matters, I think the story can carry itself a lot better.
If you can get over the fact that it's about Christianity, of course.
I never saw The Passion, and I don't think it's a great idea for a movie, and so forth. But think how much more pointless a film it would be if the guy who was being tortured and suffering wasn't Jesus.
xkcd.com - a webcomic of mathematics, love, and language.
1: Lion Witch Wardrobe
2: Prince Caspian
3: Voyage of the Dawn Treader
4: Silver Chair
5: Horse and his Boy
6: Magician's Nephew
7: The Last Battle
New order (chronological for events in Narnia)
1: Magician's Nephew
2: Lion Witch Wardrobe
3: Horse and his Boy
4: Prince Caspian
5: Voyage of the Dawn Treader
6: Silver Chair
7: The Last Battle
Couldn't get more than 20-30 pages into it.
Tried to read Moby Dick for my 10th grade honors English class... Had something to do with a whale, but that was just the picture on the cover.
Tried to read The Hobbit several times. Another 20-30 pages...
Tried to read The Lord of the Rings before I saw the movies. 10 pages before I gave up.
I couldn't even read Harry Potter.
I did really well on all those standardized reading tests they make you take in government schools, and I do just fine on magazine article-length pieces, or technical stuff... I never really did any reading for my B.S. degree - went to class, skim-read the texts.
Finally, a year after finishing my 16.5 years of schooling, I picked up a copy of John Taylor Gatto's A Different Kind of Teacher. In the first chapter, Mr. Gatto talks about how he found that his 7th graders ("at some of Manhattan's best schools, and at some of the worst") were unable to read, beyond for a standardized test. To prove it for his readers, he said to read the first 20 pages of All Quiet on the Western Front (available at just about any library), and then he'd have a question. Well, I read the question first, so I knew the answer. But I didn't read the second question, and even after I had, I still had NO IDEA WHAT WAS TAKING PLACE. I could pass my eyes over the words, but I was incapable of extracting the story from them.
Mr. Gatto says that the way reading is taught in schools today & for the last 60+ years actually discourages children from visualizing the story as they read it. Which is certainly my problem, and the reason why I couldn't read all those books I gave above.
While I can't blame school for my inability to visualize, I do resent how they led me to believe that I knew how to read, when that certainly wasn't the case. They wasted 13 years of my life in Elementary, Middle and High schools, and I wasted 3.5 years and a whole lotta $$$ in College. I could've learned so much more if I'd been able to read beyond the level of standardized test.
(My problem with visualization was due to a medical problem that I am only now resolving, with the assitance of a capable Osteopathic physician in the Cranial Field.)
So anyways, back to the subject at hand: It's nice that Movie Studios are putting these classic novels on film. This way, since so many of us are incapable of reading complex stories due to our miseducation by the government (ref: books by John Taylor Gatto & others), we can still enjoy the stories our ancestors got from reading the books.
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0: Geared for a young Harry Potter or Princess Bride audience, nowhere near as dark as LoTR.
+1: They followed the book closely.
+1: They didn't butcher the allegory for the sake of over-sensitive non-Christians.
+1: They didn't play up the allegory for the sake of over-sensitive Christians.
+1: Effects were near flawless, even though the film had much more daylight than others in the genre (underexposure is SO forgiving).
-1: The animals in a few scenes near the end seemed to lose a little fur realism. The airplanes at the very beginning seemed too cartoonish as well. Cheetas don't run like that either, IIRC.
-1: Too much of the beavers.
-1: Didn't do nearly as good a job as LoTR in giving a sense of "place." Narnia is smaller than Middle Earth, but it felt a little cramped. So did the Professor's house.
0: Soundtrack was ok.
+1: Great live and voice casting, other than Titmus, who seemed way too young than I imagined him.
0: One thing I never liked about the book was the appearance of Father Christmas. An allegory should not be tainted by its own archetype.
I just started reading The Lion, The Witch, and The Wardrobe with my 7 3/4 (the 3/4 are important to her) year-old daughter. We saw the film Saturday night. The opening bombings were mentioned in passing on page 1 in the book, but not described. The children were sent away because of the bombing. Going back for the picture? The invention of the script writer.
My daughter loved the movie. I thought it had the frequent problem of stuffing too many pages of a novel into too few minutes on screen. "Bullet Points" is a fitting judgement.
I noticed the shot of the kids up on the peak and the background screaming "green-screen" to my eyes. I thought the beavers looked fake, but the movement of the wolves was well done. For talking animals, the overall effect was quite a breakthrough.
I'm thinking that after we finish as many of the Narnia books as we care to, I'll read Pullman's His Dark Materials trilogy for balance. She loved the Hobbit, but I don't think she's ready for The Lord of the Rings. We've read Harry Potter 1 and 2, and seen the first three movies together. The opening of Harry Potter 3 is too scary for her even though she's seen the film and understands who the big dog is. So those will have to wait.
I am surprised at how much I like reading to her. Although the Narnia books are the first that I will be reading to her that I haven't read myself.
And what is slashcode for an underline? I can see my English teacher's red circles around the book titles that ought to be underlined...
Several of the reviews here say they loved the stories as a child, but have a harder time enjoying them now that they understand the Christian allegories.
To them I would say that perhaps the Narnia stories are the clearest picture of Christianity they have yet seen. I started with the Narnia books, and proceeded to digest and understand a HUGE amount of Christian literature, both highbrow and lowbrow. I now go back to the Narnian books (and the Screwtape letters, The Great Divorce, and some books by John Eldridge) and find them to be probably the most accurate pictures of Christianity written since the Gospels.
That you find other pictures of Christianity repellent could be a combinations of three factors.
1) The "other stories" you are being told are being told badly, or are just plain wrong. God does not approve all articles before publication.
2) The "other stories" you are being told reveal things in yourself that you are not prepared to deal with yet.
3) You understand the greater story, and simply wish to align yourself with evil instead of good.
That's been my life's story anyway. It always seems to come down to one of those three things.
Mathematically impossible requirements are technically not against policy.
I think the problem with the movie was that they left out a narrator. One of the things about the books was that you always knew that they were being narrated, but narration was never in the way. In the movie, there is no narrator, and maybe it would have been beneficial for the character development (especially for Aslan) that seems to be missing.
Grammar Lesson: you're is a contraction of "you are"; your means you possess something; yore means days gone by.
God is neither a Republican nor a Democrat. He's a monarch.
After thinking about it a bit, I believe they downplayed Aslan more for dramatic effect than to steer away from the Jesus angle. I mean, if you know all along that the lion is pretty much God Almighty, there's not a lot of conflict. God always wins, after all. The movie focuses on the kids, and that makes for more dramatic tension --- how are a bunch of kids going to save the world?
Oh, and I don't really think "allegory" is the best word to use. In an allegory, characters and events are symbolic of something. It's easy to see Narnia that way, but the crucial difference is that Aslan is not merely a symbol of Jesus --- he actually is Jesus.
Or so C.S. Lewis said. Of course, C.S. Lewis might have just been trying to explain away the allegory because his good buddy Professor Tolkien hated it ;)
What is it about the scene with the kids where there's the moutains in the background? It did stick out as badly done, but darned if I know what it is that's wrong. My best guess is the gamma on the kids is dramatically different from that on the scenery -- but then wouldn't that happen sometimes in real life (clouds, etc.)? I still loved the movie, but of course I loved the books.
This sig seemed like a good idea at the time....