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What Makes a Good Web Font
SitePoint writes "We've published an article on the way in which fonts are used on the Web. We found that a large "x-height" (the height of a lowercase 'x' in relation to the total height of the font) makes fonts more readable on a computer screen, as does a wide "punch width" (the width of the hole inside letters such as 'o' and 'b'). Helvetica is a good font to use online. The designer's choice of fonts is usually limited by the user's OS, but techniques such as SIFr (example) are allowing Web designers to provide their own fonts."
Surely the choice of font ought to be something individuals can set up in their web browser. A website doesn't really have much business selecting particular named fonts, content versus presentation and all that. If you use CSS then you can quite reasonably limit yourself to normal, sans-serif and monospaced - and trust that any sane web browser will choose something readable on the user's screen.
-- Ed Avis ed@membled.com
Web designers should design their pages to accomodate whatever font the user requires. I often use Firefox's Increase and Decrease Font Size features to make text more readable for me, especially if it's latw at night and I'm looking at a web page filled with financial data, etc. Well-designed sites seem to work well with the feature; others that use boundaries, tables, etc. to "force" text into certain areas of the page don't scale well at all. Also, the user should be able to switch between sans serif and serif fonts depending on whether they're scanning for data (sans-serif) or doing long-term reading (serif.)
Someone should tell the design community that every user can't read every point size or font face well on their computer. This becomes increasingly important now that LCDs have such tiny native resolutions. Large ones can came native at 1400x1050 now, making default font sizes incredibly small for those of us not blessed with perfect vision. For those who don't need magnifying software on their computer but also don't want to run a high-end LCD at a lousy resolution, this is the best idea.
And yes...
It's also searchable AND displayable without FLASH.
This technique just puts a FLASH "movie" over the original text. If you don't have FLASH, you will just see the original text without the "FLASH fonts"... no big deal.
If you search, the browser will find the text BEHIND the FLASH movie. Everything is fine man.
IMO, this is indeed a Good Thing (TM).
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The user often doesn't know that they can change fonts. My wife occasionally does web design for her clients. It isn't her main line of work but sometimes a client wants that as part of the package. Invariably they want pretty fonts. Usually "pretty" is defined as what they personally like. It takes a fair bit of education to convince the client that they should not be specifying fonts, that the viewer should do that. And then it takes a bit of education to show the client how to set the font preference on their browser.
I found that while long ascenders and descenders (the tails on 'f's and 'g's, and the strokes on 'h's and 'p's) were fun to write and looked stylish, they actually added very little to the legibility, while taking up a lot of space. I also found that making the centre parts of letters bigger did help a lot -- even if it meant leaving smaller gaps between letters (to the point of collision in some cases).
One other discovery was that printing (writing each letter separately) was practically as fast as writing joined-up, and again, much more readable, especially at speed. (I really don't understand why joined-up writing is seen as more desirable or mature -- it's even a requirement for some school exams -- when it seems to have no practical benefit...)
Ever since then, my writing has been like that: printed, with large rounded centres to the letters and very minimal ascenders and descenders. I find it's just as fast as before, vastly more readable, and degrades much better when I'm in a hurry. And I still get compliments on my clear and distinctive writing.
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While I like the idea of a user being able to override a web designer's selection, I don't understand the "all fonts are evil!" attitude. Color selection and choice of graphics both can ruin a page, but they also can contribute substantially to the aesthetic and help communicate the mood of the page. Fonts are the same. Even if you think the aesthetic argument is bunk, and that things on the Internet shouldn't be visually appealing, the visual quality of a website does communicate a lot about the effort and seriousness of the designer. Would you buy investment services from a site that used green courier text on a black background and had no graphics? And certainly mood or tone is significant, and carries actually information, difficult to verbalize though it may be.
Though I'm not a fan of flash and javascript hacks, I do think there need to be better and more widely-implemented methods for font embedding than exist today. I'm glad I can choose better fonts when I find poorly designed sites, but I'll not deny a communicator his or her tools without reason, and see font selection as one of those tools.
I disagree with the Arial/Helvetica crowd: Serifs make large quantities of text more readable. Sans-serifs such as Arial are readable at a distance, and good for grabbing the eye.
Still, Times/Times New Roman sucks wet farts out of dead pigeons. It was designed to cram maximal text into a newspaper column, which does not resemble today's web pages, books, etc.
Fonts such as Bookman, Palatino, Bodoni -- anything with "book" in the title -- are so much more readable as to be stupid not to use. The same benefits of Helvetica are present: large x-height, big holes. You get less text across a single column, but that's a good thing.
This is probably a job for the W3 folks: select a set of mandatory fonts that every browser must support. There are open-source fonts available that can, like the old Mac fonts and Arial, clone up the classics. We just have to all agree on them to make them compatible.
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