Digital Music Enjoys Golden Week
An anonymous reader writes to tell us Yahoo News is reporting that the last week of December turned out to be a golden week for music downloads. From the article: 'In the seven-day stretch between Christmas and the new year, millions of consumers armed with new MP3 players (primarily iPods) and stacks of gift cards gobbled up almost 20 million tracks from iTunes and other download retailers, Nielsen SoundScan reports. In the process, consumers shattered the tracking firm's one-week record for download sales.'"
With all this, how can the RIAA still say they're losing money? I don't see how their argument works anymore.
But how many downloads were there on Kazaa?
Let's see... We forecast forty million dollars of sales, so we've lost twenty million because of illegal pirating!
The RIAA's "evidence" has always been that sales haven't hit expectations, even if the actual sales are larger than they ever were.
"May I have ten thousand marbles, please?"
I found this even more interesting:
And for the first time, sales of MP3 players are surpassing sales of personal CD players and CD shelf systems
Something for the music industry to think about.
PimpMyMazda.com - Crazy mods to a 2002 Mazda Protege DX.
If the RIAA had not angered so many customers, they would have sold alot more songs. Unfortunately, I know alot of people who won't buy any music at all until the middleman is removed.
http://www.stockmarketgarden.com/
Those damm P2P users. They are stealing from the mouth of children musicians. The only reason for having MP3 players, computers, P2P software is to steal from the poor musician that ends up on the street begging for change in the train station.
Why else would anyone want to record music except to make illegal copies. Why would anyone sing except to
perform copyrighted music instead of buying the CD, except to take illegal advantage of it. I think the RIAA should sue anyone who sings music.
Fight Spammers!
At this point in time RIAA would complain about how much more music was being pirated. And I for one would be getting out my little violin to play them a sad song -- though I am unable to because reading the sheet music and playing would be converting between two formats (like analogue to digital).
So I am stuck here asking how many of those 20 Million downloads are from the poor suckers who's DRM'd music turned against them? I would really like to know, I have had enough bad experiences with DRM'd music to stop me from ever buying it again.
Proof by very large bribes. QED.
It really is all about visions. To many of us, the intnernet envisions a future with the uninhibited unrestricted free flow of information - where all knowledge and creative works will be birthed into the world thru creative collaberation, or thru services, or thru just plain giving for free as a side effect of private interests. To the music industry, and the RIAA in particular, the internet envisions a future where every piece of content is tagged and charged for with the promise of unlimited profit and royality and the prospect of endlessly being able to nickel and dime the consumer to the highest order - but to inpose this vision requires that they coerce upon people and technology companies, an infrastructure of controll - where no piece of information can leak out and risk becomming free.
Moral: This is like an ALL or NOTHING game
People who want to play half hearted, and allow some room for copyrights in this age are only going to continue to feed the beast that is trying to enslave them. Copyrights are like a vine that will never stop growing to choke off peoples freedom until we cut it off at the root. One of these days people are going to realise that copyrights are not about artists, writers, developers, incentive, or "property", or even profit, they are only about control. Controll, even if that means the loss of privacy, free speech, and controll over our PC's.
Most people still buy, as well as own large collection of, these things called "compact discs." These discs hold music, typically a single album by a particular artist, and can be placed into a computer and "ripped" - the process of reading the digital data on the disc and storing it as a file on the computer.
Kidding aside, I don't buy music online, because I consider a rip-off. CDs have better quality, do not have DRM*, comes with liner notes, and is itself a physical backup. I know many people who feel the same way. IMO, online music needs to be much cheaper to make up for these shortcomings; the only benefit it has is immediate delivery.
*I have yet to run across any CD with DRM, and I would definitely return any CD I got that had DRM on it (or not buy it in the first place).
The space unintentionally left unblank.
It's high time for the music industry to wake up. Digital music delivery systems are the new media of choice. They need to stop fighting it and embrace it... before it passes them by. The music industry needs to stop thinking "We're in the CD business."
They are a lot like the Railroad Industry of old, whose narrow vision is what led to their rapid demise... They were thinking "We are in the RAILROAD business". If they had thought "We're in the TRANSPORTATION business", instead, things would have been different for them.
New dance, same old song.
Willie...
Of course, with how much Podcasting is taking off, your entertainment doesn't necessarily have to be music, and certainly doesn't have to cost anything.
How are sites slashdotted when nobody reads TFAs?