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RIAA: Ripping CDs to iPod not 'Fair Use'

dotpavan writes "EFF has this article about RIAA saying that ripping CDs and backing them up does not come under Fair use. Ars Technica also reports on this, by quoting, "The [submitted arguments in favor of granting exemptions to the DMCA] provide no arguments or legal authority that making back up copies of CDs is a noninfringing use. In addition, the submissions provide no evidence that access controls are currently preventing them from making back up copies of CDs or that they are likely to do so in the future. Myriad online downloading services are available and offer varying types of digital rights management alternatives. For example, the Apple FairPlay technology allows users to make a limited number of copies for personal use. Presumably, consumers concerned with the ability to make back up copies would choose to purchase music from a service that allowed such copying. Even if CDs do become damaged, replacements are readily available at affordable prices. Similar to the motion picture industry, the recording industry has faced, in online piracy, a direct attack on its ability to enjoy its copyrights.""

18 of 830 comments (clear)

  1. Big surprise by nagora · · Score: 4, Interesting

    An organisation whose entire business model is now to resell the same product over and over again is hardly going to say that buying it once is enough. But in a world of "one dollar, one vote", who's going to stop them?

    --
    "Encyclopedia" is to "Wikipedia" what "Library" is to "Some people at a bus stop"
    1. Re:Big surprise by Jaseoldboss · · Score: 3, Interesting
      then we ALL should send back Akon CDs to them (even perfectly good ones) and ask for replacement.

      You're not going to like this then are you.

      Coldplay's latest CD X&Y comes with an insert that discloses all the rules enforced by the DRM they included on the disc. Of course, these rules are only visible after you've paid for the CD and brought it home, and as the disc's rules say, "Except for manufacturing problems, we do not accept product exchange, return or refund," so if you don't like the rules, that's tough.

      (Emphasis mine). This basically means that it's your job to ensure that you CD player can play non-CDs which are nobbled to within a hairs breadth of not playing. They will only replace it if it's been pressed improperly not if the DRM causes it not to play.
    2. Re:Big surprise by kimvette · · Score: 3, Interesting

      Are they independent labels, or are they "independent" labels which are simply shell companies owned by the big 5 labels. You cannot assume that Sony, EMI, etc. don't own the label just because it doesn't say Sony, EMI, Capitol, BMG, etc. on the label.

      http://www.bl.uk/collections/sound-archive/record. html

      And:

      http://www.arancidamoeba.com/mrr/whoownswho2.html

      This one is THE best single not-so-independent "independent" label family tree I have seen. There are yet more "independent" labels owned by the big guys that are not in this diagram, but from this you can't assume that an "independent" label is independent.

      Another page on that site ( http://www.arancidamoeba.com/mrr/ - "Some of your friends are already this fucked" ) is a great read.

      If you want to get into music, you're best off fronting the cash yourself to record, produce, and master your record, and then find a good independent PROMOTER and work out a contract on that basis. That way, you go into it making money (not an advance, another word for "loan") right away and the record company cannot charge you inflated costs for recording, engineering, and mastering your music - and this is also the best and sometimes ONLY way to retain full ownership of your work.

      Queen didn't set up Queen Music, Ltd. for no reason. Pink Floyd didn't set up Pink Floyd Music Publishers, Ltd. on a whim. They got fucked over at first, then got smart about how they dealt with the record companies. Acts like MC Hammer, Vanilla Ice weren't so savvy - especially Vanilla Ice. Because he was in hock to the record companies, they called the shots, and when they made up the whole "gangsta" bit he had no choice but to go with it. A lot of artists who hit it big on the charts are getting f'd over royally in the process, and generally only the ones who produce hit after hit become savvy enough to know how to deal with the record companies. Heck, Prince was in so bad with the record companies (on the creative control aspect, not so much financial in his case) he changed his name and pulled a lot of other crap in order to try to get his label to drop him so he could work out a better deal with a different label.

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
  2. No CDs by Agent00Wang · · Score: 5, Interesting

    So are they arguing that you have to buy music from an online dealer (something akin to iTunes) if you want to be able to use your portable device? Sounds like just one more reason not to buy CDs.

    --
    NINJA SPIRIT - The Ancient Art of Insanity
  3. Backup and preservation of investment? by richardoz · · Score: 4, Interesting

    When I was a kid my, my friend's dad has an audiophile turntable, cassette deck and reel-to-reel setup. When I would purchase and album, I would take it over to his house and copy it to cassette and sometimes reel-to-reel. I would never play the album again unless I lost or damaged the cassette. What options would I have today if the RIAA has their way?

    --
    All the worlds indeed a .sig, and we are mearly players..
    1. Re:Backup and preservation of investment? by Anonymous Coward · · Score: 5, Interesting

      Ever hear of disc rot? You wanna see the pile of CDs I have that have degraded to the point of non-playability? Its not disc rot, and I'm not sure what it is, but I even have a bunch of CDs that have developed random pin-holes while sitting in their cases after I ripped them to MP3. They are now unplayable. I've never been able to track down a cause, but I spot checked a few friends collections (who also ripped them long ago and don't use them any more) and they are starting to see the same thing on some of their older CDs.

  4. I hope this comes to court by mwvdlee · · Score: 5, Interesting

    With that particular declaration under oath in the Grokster case in mind, I hope this comes to court.
    The only question that remains then is "which of the two statements is perjury?".

    --
    Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
  5. buffering... by muftak · · Score: 4, Interesting

    Ripping a CD that you own to an mp3 player, is just like your CD player reading the cd ahead into a buffer. Are the RIAA saying that CD players with buffers are illegal?

  6. What are we buying? by plumby · · Score: 5, Interesting

    I'm a little confused. When I buy a CD, am I buying the physical disc, in which case I surely get the right to do with it as I see fit, or I'm buying the right to listen to the music, in which case the media that it's on should not be relevant.

    I can fully understand (assuming that I am only buying the rights) that I can't legally copy the music and give/sell that to someone else, but I'm no longer clear on what 'buying' a CD actually buys me.

  7. This is too much... by ursabear · · Score: 5, Interesting

    [rant]

    I understand copyrights and piracy and all the issues around all that. That isn't my focus for this article...

    If it is indeed the RIAA's choice to try to prohibit putting one's music on one's portable, this latest thing is lunacy. It IS fair use to listen to one's music on alternate devices that one owns!!! Every artist I know (including myself) WANTS people to listen to their music!!! How is this latest thing going to PROMOTE music? How is it going to create or keep FANS interested?

    I don't normally get hot under the collar about this stuff, but this isn't very smart on their part. When you've bought a CD or bought tunes from some service, the listener has every right to want to listen to it! Putting a copy on a portable (or putting it on a backup CD) doesn't amount to piracy - it is normal use.

    Many of us give away music in an effort to try to get people to discover our sounds. MOST of us WANT people to jam/groove/listen to our music while doing things that are important to fans (music is a part of daily life for most folks, and me, personally, I'd like to be a part of that - my musical friends feel the same way) and portables are a ubiquitous means of "being there."

    You CAN'T forget about fans, RIAA! Period!

    [/rant]

    Sorry for the rant post, Slashdot. I feel better now.

  8. CD price structure by mevets · · Score: 4, Interesting

    The retail price of a CD includes the money siphoned in the distribution channel. The IP value of a CD (performer + composer + producer) is about $5, the residual is marketting + distribution. Apparently CDs follow the movie industry model of loading the cost into the distribution channel, where it is safe from the grubby hands of artists. These essentially free distribution channels are a direct threat to this model.
    Being able select individual tracks permits you to pay only for the oats, leaving the turd on the road; thus killing another well established profit model.

  9. crap, there are NOT easily replaceable CDs by swschrad · · Score: 3, Interesting

    I have a bunch of music I treasure that is NOT availiable on CD, and is NOT readily availiable, or availiable at all, on CD any more. RIAA is just so full of crap that they rot the floor behind them wherever they go.

    --
    if this is supposed to be a new economy, how come they still want my old fashioned money?
  10. Replacement CDs by JustNiz · · Score: 5, Interesting

    You're not buying the CD, you're buying the rights to play the music. Furthermore their mechanisms DO prevent you from copying CDs (unlike their argument goes). See the Sony case.
    Therefore:
    If you're not allowed to make your own backups then the music industry should accept that providing you have proof of original purchase they have to provide you with replacments on demand when the original gets lost, scratched or whatever.

    Lets not even get into what happens if (like me) you emigrate to a different country and your whole DVD collection (hundreds) won't play anymore because of the purely artificial restriction enforced by region code.

  11. Baloney. How did that get modded up? by Viewsonic · · Score: 5, Interesting
    Apple specifically tells you to back your songs up the moment you purchase them by burning them onto an audio CD with the iTunes software itself! At which point you not only have a hard copy of the music you just bought from iTunes, but it is now DRM FREE. You can rerip that CD as many times as you want with NO DRM on the actual files. You can even do this with iTunes itself!

    Your whole point about CDs costing less than iTunes is also bunk. Nearly every album on iTunes that can be bought as an album costs quite a bit LESS than any copy I can find in the stores on CD unless they are clearencing them out.

    Your DRM tin foil hat theory is disturbing.

    1. Re:Baloney. How did that get modded up? by Indras · · Score: 3, Interesting

      But CDs created from iTMS files are inferior to regular CDs in several ways. They are CDRs, with higher fail rates, they are lower quality audio, and they don't come with reference materials like images, track listings, artist's notes, etc.

      Not to rain on your parade, but does anyone really care about artist's notes and track listings? I can make a track listing myself, one that doesn't include 90% crap music like most CD's released today.

      The only thing I ever wanted to find in a CD case was some freaking LYRICS!

      It's so annoying to have a song stuck in my head and not even know what the words are, just a few scrambled words and a tune. So, you'd think the best place for the words to the song would be the artists themselves, right? You can't exactly call them on the phone, the best you can do is buy the CD. The last four CD's I purchased did not contain the lyrics to the songs inside. That was about six years ago.

      Now, if a song gets stuck in my head, I download the MP3 and look up the lyrics in google, then play it a few times until I learn all the words, and *poof* it's out of my head.

      As a side note: I seriously think the only reason songs get stuck in my head is because I get stuck on a verse and don't know what comes next, so it backs up and tries again. Once I learn all the words, I stop thinking about it.

      --
      The speed of time is one second per second.
  12. Speak to the RIAA with your wallet... by Evil+Shabazz · · Score: 3, Interesting

    The more the RIAA does this kind of petty crap to try to claim moneys they may or may not have gotten, the more I want to download music illegally, just out of spite. Heck, I download any Metallica song I see as a result of the Napster thing, and I don't even listen to much Metallica anymore (they've sucked donkey toes since that black album with the snake on it)

    But back to my point - this is a capitalistic country (mostly, friggin gov't.. but I won't get into that here) and in such an economy the consumer can best voice displeasure with a company by no longer purchasing their goods. We, in the US, take this power too lightly.

    Stop buying CDs. Tell the RIAA you don't like their business practices by reducing their bottom line.

    --
    Down with the career politician! SUPPORT TERM LIMITS
  13. It appears that the RIAA have backed into a corner by GuyverDH · · Score: 4, Interesting

    And have nowhere to turn.

    They've sued their customer base.
    They've spent millions on ineffective marketing campaigns.
    They've pushed labels to cookie-cutter their music and bands.
    Now they wonder how they're going to raise profits?

    If they move forward with restricting our right to backup a flimsy media so that we can listen to the music that we've purchased the right to listen to, then we the community need to fire back.

    ie - counter-sue the RIAA/MPAA on the grounds that we pay money for a product that is INTENTIONALLY DEFECTIVE.

    They produce a products that are brittle, easy to break. They produce products which require a scratch free surface to play properly, yet the products are made of a material that scratches almost by air flowing over it. They produce products which illegally extend copyright, by making the encryption never ending.

    I'd say there's enough there to start a massive world-wide class-action lawsuit and force them to refine their product, at no additional cost to us, so that they are scratch resistant, and have an encryption method that turns itself off after the legal copyright limit.

    If they cannot do that, then they'll have to retract their position, and allow us to make backups of their defective products.

    --
    Who is general failure, and why is he reading my hard drive?
  14. Running at Cross Purposes by jasonditz · · Score: 4, Interesting

    I'm getting the sense here that the RIAA and the online downloadable music companies which are going to be their major source of future revenue are running at cross-purposes here.

    The downloadable music companies like Apple have always tried to argue that deep down we knew there was something "wrong" with using the illegal download services... that it was not just marginally illegal, but immoral. The RIAA's ever broadening definition of what violates their copyright keeps cheapening that concept.

    To be honest with you, once affordable legal downloads became available I started switching over to them for convenience sake, and also for the added bonus of not being in violation of any laws. But now the RIAA comes along and says "guess what, that Culture Club CD you bought 10 years ago and ripped onto your hard drive because you don't own any audio CD players anymore... that was a crime". Well, at this point I'm breaking the law anyhow. So my choice is to either shell out a few grand to replace ever cassette tape and CD I ever bought with iTunes, or to keep playing the ripped, but legally owned stuff, knowing that the RIAA is still going to bitch.

    But you know what? This probably does have an effect on how I'm going to buy music in the future. If the RIAA is going to argue that downloading a bunch of Bjork songs off a P2P service is the legal equivalent to going to Best Buy and buying the CDs and ripping them to my hard drive... there's no good reason for me to shell out the money anymore, is there?

    If you can't listen to music anymore without being a criminal, then why pay for the priviledge?