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LOTR Jumps the Shark

eggoeater writes "The latest incarnation of The Lord of the Rings is here in the form of musical theater and, as reported by Yahoo News, the reviews are not good. The Toronto production puts less emphasis on plot, character, and music, and concentrates more on hi-tech theatrics. The production uses a 40-ton, computer controlled stage with 17 elevators and the cast of 55 goes through 500 costumes in the 3 hour performance. Despite this, the same critics say it will be a big money-maker."

13 of 247 comments (clear)

  1. High tech stage? by ChowRiit · · Score: 5, Insightful

    It sounds to me that they're trying to cash in on the films, rather than make a fitting tribute to the books themselves...

    1. Re:High tech stage? by nostriluu · · Score: 4, Insightful

      It's funny, but the interview I read, which was in a newspaper, said they were basing the play on the books, not the films, and the technology was taking a back stage to the performance. I guess Slashdot's chosen spin doesn't quite agree. They also said, as most of these things go, that they would use the first few productions to tune the play.

    2. Re:High tech stage? by Alex+P+Keaton+in+da · · Score: 4, Funny

      Um- What about this one?
      Debbie Does Dallas The Musical! (Not a joke)
      All the plot, no nudity or sex!!!
      (Link is marginally suitable for work- pic just shows bare midriffed actresses in cheerleader costumes) http://www.abc.net.au/thingo/txt/s1175206.htm
      Because man, the plot of most porn movies is so good, that you can take out the sex, and have an awesome story!!!!

      --
      And All I Ask is a Tall Ship And a Star to Steer Her By
    3. Re:High tech stage? by hey! · · Score: 4, Insightful

      Agreed.

      In fact, you could argue that a play based on LotR must either be avante garde in the extreme, or an artistic failure. The barriers to dramatizing LotR are not in stagecraft, they're deeper than that.

      IIRC, one thing that Tolkien felt was that literary values derived from drama were hostile to myth. Drama works in thoery by Mimesis -- creating a kind of toy model of reality. Especially given Shakespeare's dominance in English literature, it's not surprising that "realism" has become a kind of critical gold standard for all forms of literature. Cultural snobs who would never be so provincial to require painting to be representational, will nonetheless require that stories be representational to be "interesting".

      Myth, on the other hand works on an archetypal level. It's not that myth and drama can't do the same things, they just do them differently. Mixing the two models is very difficult.

      Arguably the weakest parts of the movie version stem from this problem. For example, the movie script tries to give Faramir something indicative of an interior life: he must change his mind. In dramatic terms this is sometimes cited as being "more interesting", but really I think the issue might as well have been practical. Tolkien assiduously provides us with parallel iconic examples (Theoden/Denethor, Faramir/Boromir, Frodo/Gollum) representing the consequences of choices and character. But this takes space. Drama for reasons of economy has to collapse as much as it can into fewer characters, which in turn demands that characters evolve.

      Indeed, change is the very essence of drama, and timelessness the essence of myth.

      Collapsing the film trilogy into a drama would only increase the pressure to compress the conflicts of the work into a smaller number of individual psyches. Tolkien and his crowd detested the social sciences as much or greater as their more modern counterparts loved them. Indeed, for C.S. Lewis, sociologists were practically the devil incarnate. But psychological inference is a critical tool of the dramatist and novelist. For the mythologist, symbolism plays this role, and he prefers a larger canvas and a simpler story, because his greatest tool is repetition (e.g., the three brothers/sisters of the fairy tale). It's not that one form or the other has a monopoly on psychological truth; it's just that one peers inward, the other outward.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
  2. sharks not a problem by joeyspqr · · Score: 4, Funny

    well, when it jumps the Watcher in the Water, it'll have more than bad reviews to worry about

    --
    +1 fashionably cynical
  3. MAD already did it.. by MrLizard · · Score: 5, Informative

    Back in 1977, 1978 or so...around the time of the Bakshi film, they had a seven page "Lord Of The Rings Musical", noting that since the books had been made into everything else, a musical was inevitable. It's taken 30 years, but reality has outpaced satire. IIRC, it was entitled "The Ring And I".

    And I bet the songs in the MAD version were better.

  4. The whole trilogy?? by Rob+T+Firefly · · Score: 5, Funny

    Peter Jackson had to cut huge chunks out of the trilogy to fit it into 10 hours or so of film. How much of the content could possibly be retained in a stage show that runs about a quarter as long, and made interesting and comprehensible to a general audience?

    FRODO: Hi there, I'm Frodo.
    GANDALF: Here, take this ring and chuck it.
    FRODO: Okay!
    BLACK RIDERS: Grrrr!
    FRODO: *chuck*
    CAST: Yay!

  5. Hmmm.. by RoadWarriorX · · Score: 4, Funny

    Maybe they need a stunt turkey to jump through a ring of fire between acts!

    Yeah, that's the ticket!

  6. My first thought was... by MarkusQ · · Score: 5, Funny

    My first thought was "I'd never pay to see that!"

    Then I re-read the line:

    40-ton, computer controlled stage with 17 elevators and the cast of 55

    My second thought was, "Hmmm. I wonder if they use MSWindows, on a wireless network?" It might be worth going to see after all.

    -- MarkusQ

  7. KArma Whore by stud9920 · · Score: 4, Funny

    Just in case anyone here doesn't know what that means.... http://en.wikipedia.org/wiki/Karma_Whore

  8. I've seen it... by gnixdep · · Score: 5, Informative

    Saw the LOTR musical on Wednesday...
    It wasn't *bad*
    Which is really the best I can say about it.
    It may be that I'm just not a "musical" kind of guy.
    Here's my take

    I wasn't impressed by the songs,
    I thought nearly all of the costumes were pretty weak,
    Some set pieces were really bad (Bag End was a wicker slinky).
    The special effects were overdone, leading to a completely frantic feeling for the entire production,
    They rushed through important plot points, and lingered over fluff,
    Gandalf looked like a thirty year old, 110lb guy in a fake beard, and was far too weak for the role,
    The "Scouring of the Shire" was rushed to the point where they should have left it out,
    Arowyn kept showing up and singing at the strangest times,
    The dancing trees were a little too minimalist to come across,
    What the HELL did Galadriel have on her head, Cthulu?.

    But...

    Saurman was an excellent actor, and I dug his costume/makeup,
    The high-tech stage was kind of nifty, and only slightly overused,
    I think Gollum will be very good once the amphetamines wear off... the scene where he is fighting with himself was great,
    The Black Rider's costumes were awesome,
    I liked the stage vines creeping out towards you, it is a neat effect,
    the pre-show firefly scenes were amusing,
    The first 5 minutes of the Prancing Pony song were great, then it started to drag as they repeated it over and over again,
    Gimli was well acted, as was Sam.

    If I've not listed it above I've either forgotten about it, or found it thoroughly mediocre.

    Unrelated to the show, the seats were horrible, Westjet's cheapest has significantly more leg room, maybe that's just up in the balcony, but I was pretty sore by the time it was all over.

    All and all, I'd say that if you get free tickets, by all means go. Otherwise, let them polish it up for a while.

  9. Re:counterexample by ifdef · · Score: 4, Insightful

    I never could understand this. My wife and I saw Ishtar when it came out, and found it hilariously funny. Casting Warren Beatty and Dustin Hoffman directly contrary to their "usual" types made it all the funnier. Did most people who saw it not have the intelligence to see that it was all tongue-in-cheek?

    Sometimes I really wonder about the comments people make about movies and books.

    I've seen a discussion about possible future movie versions of the rest of the Chronicles of Narnia, where somebody said that they need to get rid of all the religious allusions.

    I saw a discussion of a science fiction novel by Lois McMaster Bujold (I forget the title right now), whose entire THEME was coincidences and whether they were somehow manifestations of supernatural intervention, whose plot hinged on these coincidences and how unlikely they were, yet how they all fit together, and some bright person commented about how he liked the book, but he felt that it just seemed like too much of a coincidence that (some event) and (some other event) both happened to the same person. Well, DUH!

    Along the same line, one of my problems with, say, movie adaptations of books, is that sometimes the screenwriter or director or somebody, I don't know who, don't really understand some aspect of the book. There are some changes that need to be made, because movies do much better at portraying things visually, whereas they are much worse than books at other things. For instance, the air raid scene at the beginning of LWW was excellent, and gave background that would not have been necessary in the book. Gollum was great in LOTR. The ideas were preserved, yet presented in perhaps different forms. There are other changes that seem to be made for dramatic effect, yet seem to betray a lack of understanding of the original: In LOTR, the scene where Faramir is tempted by the ring, yet he resists the temptation, commenting about how Frodo is lucky that he is not that kind of person, gets changed in the movie so that Faramir in fact does NOT resist the temptation, and is only stopped by external events. This makes the whole contrast between the characters of the two brothers not make any sense (as it is no longer a contrast), and it makes their father's different feelings about the two of them not make any sense either. So you end up changing what is both an adventure story and a psychological drama into just an adventure story -- you lose a whole level of meaning, unnecessarily.

    I can think of more examples, but I think I'd better stop here. Some of the examples that spring to mind, of people missing the whole POINT of something, would be wildly off topic (although, after all, this IS Slashdot) and/or controversial.