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LOTR Jumps the Shark

eggoeater writes "The latest incarnation of The Lord of the Rings is here in the form of musical theater and, as reported by Yahoo News, the reviews are not good. The Toronto production puts less emphasis on plot, character, and music, and concentrates more on hi-tech theatrics. The production uses a 40-ton, computer controlled stage with 17 elevators and the cast of 55 goes through 500 costumes in the 3 hour performance. Despite this, the same critics say it will be a big money-maker."

50 of 247 comments (clear)

  1. High tech stage? by ChowRiit · · Score: 5, Insightful

    It sounds to me that they're trying to cash in on the films, rather than make a fitting tribute to the books themselves...

    1. Re:High tech stage? by op12 · · Score: 2, Insightful

      With the amount of money the films made, can you really blame them? Sure they may upset any real fans, but there could be a large money-making opportunity here.

    2. Re:High tech stage? by Ucklak · · Score: 2, Interesting

      Chitty Chitty Bang Bang from what I hear is a pretty successful translation to the stage. Being a musical helps I'm sure.

      When Spider-man first came out (2002), someone put together a stage version that was US only.
      http://www.techtite.com/Reviews/Parks/2003/Spiderm .html
      http://www.eagletribune.com/news/stories/20021031/ LI_002.htm

      --
      if you steal from one source, that is plagiarism, if you steal from many, well, that's just research.
    3. Re:High tech stage? by nostriluu · · Score: 4, Insightful

      It's funny, but the interview I read, which was in a newspaper, said they were basing the play on the books, not the films, and the technology was taking a back stage to the performance. I guess Slashdot's chosen spin doesn't quite agree. They also said, as most of these things go, that they would use the first few productions to tune the play.

    4. Re:High tech stage? by DangerTenor · · Score: 3, Insightful

      ChowRiit wrote: It sounds to me that they're trying to cash in on the films, rather than make a fitting tribute to the books themselves...

      Last I checked, theaters, playwrights, musicians, and actors were all in a for-profit business. Of course they're trying to cash in!

      --
      Check out our infosecurity industry blog: http://securitymusings.com/
    5. Re:High tech stage? by Alex+P+Keaton+in+da · · Score: 4, Funny

      Um- What about this one?
      Debbie Does Dallas The Musical! (Not a joke)
      All the plot, no nudity or sex!!!
      (Link is marginally suitable for work- pic just shows bare midriffed actresses in cheerleader costumes) http://www.abc.net.au/thingo/txt/s1175206.htm
      Because man, the plot of most porn movies is so good, that you can take out the sex, and have an awesome story!!!!

      --
      And All I Ask is a Tall Ship And a Star to Steer Her By
    6. Re:High tech stage? by hey! · · Score: 4, Insightful

      Agreed.

      In fact, you could argue that a play based on LotR must either be avante garde in the extreme, or an artistic failure. The barriers to dramatizing LotR are not in stagecraft, they're deeper than that.

      IIRC, one thing that Tolkien felt was that literary values derived from drama were hostile to myth. Drama works in thoery by Mimesis -- creating a kind of toy model of reality. Especially given Shakespeare's dominance in English literature, it's not surprising that "realism" has become a kind of critical gold standard for all forms of literature. Cultural snobs who would never be so provincial to require painting to be representational, will nonetheless require that stories be representational to be "interesting".

      Myth, on the other hand works on an archetypal level. It's not that myth and drama can't do the same things, they just do them differently. Mixing the two models is very difficult.

      Arguably the weakest parts of the movie version stem from this problem. For example, the movie script tries to give Faramir something indicative of an interior life: he must change his mind. In dramatic terms this is sometimes cited as being "more interesting", but really I think the issue might as well have been practical. Tolkien assiduously provides us with parallel iconic examples (Theoden/Denethor, Faramir/Boromir, Frodo/Gollum) representing the consequences of choices and character. But this takes space. Drama for reasons of economy has to collapse as much as it can into fewer characters, which in turn demands that characters evolve.

      Indeed, change is the very essence of drama, and timelessness the essence of myth.

      Collapsing the film trilogy into a drama would only increase the pressure to compress the conflicts of the work into a smaller number of individual psyches. Tolkien and his crowd detested the social sciences as much or greater as their more modern counterparts loved them. Indeed, for C.S. Lewis, sociologists were practically the devil incarnate. But psychological inference is a critical tool of the dramatist and novelist. For the mythologist, symbolism plays this role, and he prefers a larger canvas and a simpler story, because his greatest tool is repetition (e.g., the three brothers/sisters of the fairy tale). It's not that one form or the other has a monopoly on psychological truth; it's just that one peers inward, the other outward.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    7. Re:High tech stage? by teknopagan · · Score: 2, Insightful

      That's absolutely correct. What is best in life is to crush your enemies, see them driven before you, and to hear the lamentation of their women!

      That and pudding. Mmmm....pudding.

      --
      The Russian Mafia will mod you down just to see if the Moderate button works.
    8. Re:High tech stage? by kirkjobsluder · · Score: 2, Insightful

      Arguably the weakest parts of the movie version stem from this problem. For example, the movie script tries to give Faramir something indicative of an interior life: he must change his mind. In dramatic terms this is sometimes cited as being "more interesting", but really I think the issue might as well have been practical. Tolkien assiduously provides us with parallel iconic examples (Theoden/Denethor, Faramir/Boromir, Frodo/Gollum) representing the consequences of choices and character. But this takes space. Drama for reasons of economy has to collapse as much as it can into fewer characters, which in turn demands that characters evolve.

      Indeed, change is the very essence of drama, and timelessness the essence of myth.


      To me it seems that you are sweeping with a fairly broad brush here, and presenting a bit of a false dichotomy. Much of the LOTR and The Hobbit include stretches of character development and change. The climax of The Hobbit is not the confrontation with Smaug, but with Bilbo's confrontation with the same dwarves who spent chapter one pushing him around to comic effect.

      Likewise, quite a bit of drama focuses on iconic characters and timeless mythology. In fact, drama originated as a sacred performance of iconic mythological stories, a role that has persisted in a variety of forms including passion plays, pageants, mummers, and mythological operas. Of course modern theatre has become increasingly concerned with internal states of mind. But then again, so has most form of art in the modern era.

    9. Re:High tech stage? by hey! · · Score: 2, Insightful

      To me it seems that you are sweeping with a fairly broad brush here, and presenting a bit of a false dichotomy.

      Yes, to one, no to the other. I'm admittedly overgeneralizing a bit here. But saying that the normal tools of drama an myth are distinct is to my mind certainly not a false dichotomy. They are distinct as oil and water. Combining them is not impossible, it's more like ... uh ... making mayonaise. There's an art to it. C.S Lewis, for example, combines symbolism and psychological insight, although I'm not sure he'd consider the latter a compliment.

      What is impossible (in my opinion) is to alter the balance of the elements of fantasy and mimesis in a work without fundamentally altering it. You could not adapt the fairy tale "The Glass Coffin" for stage, because it is practically pure symbolism.

      Much of the LOTR and The Hobbit include stretches of character development and change.

      Much more true of The Hobbit than of LoTR. The Hobbit is a simpler work, but it's arguably a more sophisticated work, at least from a certain critical viewpoint. Which is to say not my viewpoint; I like both works, but in different ways. Most of the character change in LoTR occurs by the council at Rivendell, and in my view reflects the development of the author's conception of the characters, not the development of the characters within a fixed framework planned by the author. Thereafter we have transfigurations (Gandalf) and self-immolation (Denethor -- figuratively and literally). But heroism in LoTR can be most succintly defined as remaining steadfast and true.

      Of course modern theatre has become increasingly concerned with internal states of mind. But then again, so has most form of art in the modern era.

      Which is my point. Or rather my point about what people are conditioned to think about art.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    10. Re:High tech stage? by LordSnooty · · Score: 2, Insightful

      Using the word "gay" as a synonym of "bad" also "jumped the shark" many years ago.

    11. Re:High tech stage? by WesternActor · · Score: 2, Interesting

      It's not a question of "Slashdot's chosen spin," but the review consenus. Many major media outlets--including The New York Times, the Toronto Star, Variety, theatre websites Broadway.com and TheaterMania.com, and a number of others I don't have time to look up right now were simply not thrilled with the adaptation. Yes, there were some that did enjoy it, and the show's press office fastidiously sent out those clips within hours of the show's opening. But overall, the reviews stated that the show was too long (at nearly three hours and 45 minutes) and that the technology dwarfed (sorry) the story. It's not exactly coincidental that much the same thing was said about the movie versions, but even they had over nine hours of time. The stage version, by its very nature, had to be painted in broad strokes, and doing so didn't allow the creators time to realize their grander vision for the material. It's sad, but likely true (I have yet to see the show); some top theatre professionals were working on this, but it's probably a job too big for anyone to do in three and a half hours of stage time. The "best" way to do it would probably be as an all-day event, along the lines of Trevor Nunn's early-80s adaptation of Dickens' The Life and Adventures of Nicholas Nickleby, which famously ran eight hours. (And, though I didn't see it, they were apparently eight glorious hours.) When you scale down the story of something like this, and scale up the spectacle, how can the results be anything BUT disappointing?

      --

      --Matthew
      "If the lights of Broadway blind me, I won't mind..."
  2. sharks not a problem by joeyspqr · · Score: 4, Funny

    well, when it jumps the Watcher in the Water, it'll have more than bad reviews to worry about

    --
    +1 fashionably cynical
  3. Jump the Shark by Anonymous Coward · · Score: 2, Informative

    Just in case anyone here doesn't know what that means.... http://en.wikipedia.org/wiki/Jump_the_shark

  4. Don't miss the next theatrical masterpiece... by Mayhem178 · · Score: 2, Funny

    "There And Back Again: Hobbits in Tights"

    --

    "You will pay for your lack of vision..." - Emperor Palpatine to Ray Charles

    1. Re:Don't miss the next theatrical masterpiece... by Mayhem178 · · Score: 2, Funny

      Actually, I was thinking more along the lines of... "Dink dink! Dink dink dink dink, dink, dink! Dink dink! Dink dink dink dink, dink, dink!"

      --

      "You will pay for your lack of vision..." - Emperor Palpatine to Ray Charles

  5. Shark? by lbmouse · · Score: 3, Informative

    Shouldn't it be... "LOTR Jumps the Watcher in the Water"?

  6. MAD already did it.. by MrLizard · · Score: 5, Informative

    Back in 1977, 1978 or so...around the time of the Bakshi film, they had a seven page "Lord Of The Rings Musical", noting that since the books had been made into everything else, a musical was inevitable. It's taken 30 years, but reality has outpaced satire. IIRC, it was entitled "The Ring And I".

    And I bet the songs in the MAD version were better.

    1. Re:MAD already did it.. by Ubergrendle · · Score: 3, Insightful

      First off, as a Torontian and a lifelong lover of Tolkiens middle earth writings, I'd like to apologise to my fellow Slashdotters for my city hosting this offense-to-art.
      One thing people should know is that Toronto's new opera house -- Canada's first dedicated opera house -- is opening next fall. For this debut, the Canadian Opera Company is producing its first complete Ring Cycle. Several prominent Canadian movie directors have been involved in direction (Atom Egoyan, Francois Girard) and the individual performances in years preceeding the cycle's debut have been very well received.

      Given the timing, I see this production of LOTR as an attempt to undermine the COC's upcoming prominence. LOTR already has a large mindshare amongst the population in general due to the movies, and it has a RING in it (do not underestimate the mundacity of musical producers marketing skills!). Mirvish's theatres on King St West are facing increasing competition from other fringe theatres, plus movies, plus now a real Opera house in Toronto.

      Given these competitive pressures, plus the prevalence of the 'ring' theme in media, the LOTR musical should be seen for what it is -- a market friendly family event @ $120 a ticket. I doubt half of the eventual audience will even know that Tolkien was English or taught at Oxford.

      --
      John Maynard Keynes: "When the facts change, I change my mind. What do you do?"
    2. Re:MAD already did it.. by CRCulver · · Score: 2, Insightful

      For this debut, the Canadian Opera Company is producing its first complete Ring Cycle

      I no longer get excited when hearing about a new production of the Ring cycle, since I know that the event is usually sold out long before most people hear about it. It seems like the Ring is now being reserved toward the wealthy with connections who can purchase the high-priced tickets a couple of years in advance. I, and I suppose other Wagner fans of limited means, have only the Metropolitan Opera DVD recordings, which are quite good but not a substitute for the actual theatre experience

  7. The whole trilogy?? by Rob+T+Firefly · · Score: 5, Funny

    Peter Jackson had to cut huge chunks out of the trilogy to fit it into 10 hours or so of film. How much of the content could possibly be retained in a stage show that runs about a quarter as long, and made interesting and comprehensible to a general audience?

    FRODO: Hi there, I'm Frodo.
    GANDALF: Here, take this ring and chuck it.
    FRODO: Okay!
    BLACK RIDERS: Grrrr!
    FRODO: *chuck*
    CAST: Yay!

    1. Re:The whole trilogy?? by Artifakt · · Score: 3, Insightful

      People almost always miss the plot of LotR entirely. To put it in your own terms,
      1. "good guys get ring back from bad guys - 10 Min, tops.
      2. good guys find out that using it will destroy everything they hope to preserve - that ought to be good for another 10 min, at least.
      3. good guys find they can't just sit on the damned thing and ignore it either - that gives us at least a half hour total.
      4. good guys have to destroy ring - Jackson got about 4 hours out of this. Maybe that's excessive, but I'll bet it's worth more than 10 more minutes.
      5. Add in a recapitulation of ALL major themes in English Lit from about Beowulf to just before T.S. Eliot - I think we can safely give that at least 1/2 an hour, but yes we could leave that out as re. actual plot - it counts more as what Rand called a Plot/Theme.
      6. Plus Aragorn gets to the far side of the board and says "Crown Me!", while the Gondorians argue about whether they should have a king or not - That ought to count as part of your plot somewhere, and be good for at least 10 more minutes.
      7. Add in Frodo resists temptation, Golum does too (a bit), both give in before the end, but it works out anyway - I don't see dealing with this in less than 1/2 an hour myself, but maybe.

      If the lord of the Rings could be summed up in your plot, all those 900,000 bad generic fantasy novels that tried to imitate it with '"good guys get ring back from bad guys", use it to defeat bad guys, yay!', would all also be great literature. In fact, one of the best proofs that LotR IS literature is the sheer number of people who have written imitations that assume any good guy getting the powerful magic item automatically wins. The best parellel is to those idiots who rewrote Shaxpur's tragedys to give them happy endings.

      --
      Who is John Cabal?
  8. only one? by endrue · · Score: 3, Funny

    the show based on J.R.R. Tolkien's epic trilogy drew only one standing ovation in more than three hours

    Wow - it must have really sucked.

    - Andrew

    --
    I meta-moderate because I care.
    1. Re:only one? by eggoeater · · Score: 2, Informative

      Unless the play/performance is a get-the-hell-out-at-the-first-intermission kind of bad, then a standing ovation at the very end is a fore-gone conclusion.

      At least that's been the status-quo in the last several plays I've been to, several of which were mediocre and didn't deserve it.

    2. Re:only one? by jfengel · · Score: 2, Insightful

      Tickets Broadway-style musicals often cost upwards of a hundred bucks. When an audience member pays that much money to see a show, they give a standing O at the drop of a hat. They figure it must be a damn fine show; otherwise, why would they have paid so much money? So getting only one standing ovation is the equivalent of a golf clap.

  9. The books and PJ's movies were the only good ones by xxxJonBoyxxx · · Score: 2, Insightful

    LOTR has been done in the theater many times before, as an animated series, as various movies and even as video games. ("War in Middle Earth" - [shudder]) Since the original books, the ONLY attempt to repackage the story that hasn't completely sucked was Peter Jackson's movie trilogy. So...this isn't so much "Jumping the Shark" as it is SNAFU.

  10. Musical... by Coopa · · Score: 2, Insightful

    Why is it so bad as a musical, most of what i remember from the books, that wasn't in the films, were the storytelling...through song and prose. And the summary doesn't mention that some critics, and the granddaughter of JRRT, support the musical and say it is closer to the books than the films.

  11. Some of us... by MaestroSartori · · Score: 3, Insightful

    ...despite enjoying the films as standalone lumps of entertainment think that the films jumped the shark first. Dwarf tossing, shield surfing, and various other things that annoy the picky fanboy in me. Don't get me wrong, I love the films, but... dwarf tossing? Seriously, dude!

  12. Hmmm.. by RoadWarriorX · · Score: 4, Funny

    Maybe they need a stunt turkey to jump through a ring of fire between acts!

    Yeah, that's the ticket!

  13. A LOTR musical? by Opportunist · · Score: 3, Funny

    Hmmm... what could it look like?

    First we get the hobbit party (first 2 songs, "let there be friends" and "it's good to be a Hobbit"). Then the big key scene where Frodo gets the ring and has to leave (big ballade, "Why me?"). They leave and get hunted by the nazguls (a little ballet filler there), pick up Aragorn somehow (not a lot of time, just a brief song "Once a king's son").

    Legolas and Gimli come into the fold at the king's court (no time for a long why the king is sick or whatnot, just a quick meeting and the big key ballade "Fellowship of the ring", whole ensemble including the nazguls dancing).

    Then a quick battle at helm's deep, where Legolas and Gimli sing a duet instead of fighting and finally Frodo singing a duet with Gollum akin to the one between Jean Valjean and Javert in Les Miserables, "My precious".

    Oh yeah, I can already see me watch this...

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  14. Pffft. by rehtonAesoohC · · Score: 3, Interesting

    Lord of the Rings did not jump the shark. Let's be specific here... the Toronto playhouse's vision of LOTR is what is lacking here... JRR Tolkien wrote a masterpiece of literature, and any interpretation of that literature is what should be examined, not the literature itself.

  15. My Precious by digitaldc · · Score: 3, Funny

    My dear Sam, you cannot always be torn in two. You will have to be one and whole for many years. You have so much to enjoy and to be, and to do. Your part in this story will go on. Please write produce a massive stage performance that noone will ever forget.

    --
    He who knows best knows how little he knows. - Thomas Jefferson
  16. Stop trying to dredge this up, dammit! by edunbar93 · · Score: 2, Funny

    It doesn't exist! Nope! Never heard of that musical! I'm not listening! LALALALALA!

    --
    "No problem. I have the capacity to do infinite work so long as you don't mind that my quality approaches zero."-Dilbert
  17. Yeah well... by jpellino · · Score: 2, Insightful

    As a fan since the 70s, I never thought about this until one of my elementary students pointed it out - if the eagles could snatch the heroes off the top of Mt. Doom after all this noise, why couldn't they have simply sent the eagles to drop in the ring? Stick around for the "7th Night Free!" promotion at the Prancing Pony and head home fat and happy.

    --
    "Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
    1. Re:Yeah well... by vadim_t · · Score: 2, Informative

      I've seen this discussed a couple times.

      The explanation is that it's too risky. They're great eagles, not exactly pigeons. And they're not just common eagles either. You can bet that Sauron would see them coming hours before they arrived, and the Nazgul would be all over them before they could cross the border to Mordor.

      They could sneak in after the ring was melted because Sauron vanished in a puff of smoke, and everything remaining was in chaos and nobody gave a damn about the eagles anymore.

    2. Re:Yeah well... by jpellino · · Score: 3, Funny

      But there's no right angles or hard reflection surfaces or heavy exhaust on eagles - they're born stealthy!
      Oh, wait. You mean "old school" stealth. Ah. Never mind.
      (Moderators: this is the laugh-it's-funny part of this exchange.)

      --
      "Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
    3. Re:Yeah well... by Coryoth · · Score: 2, Interesting

      if the eagles could snatch the heroes off the top of Mt. Doom after all this noise, why couldn't they have simply sent the eagles to drop in the ring?

      The long answer (in the sense that it requires all the extra backstory of the creation of Middle Earth, its Gods etc) is that the eagles are servants of Manwe and do his bidding, and essentially the Valar (Gods of Middle Earth, of which Manwe is one) have a policy of non-involvement (the bulk of the Silmarillion is about the woes of the elves who leave the Valar and go back to Middle Earth and have to struggle alone - it is only resolved when a half-elf manages to navigate the seas back to the Valar and plead the elves case). The eagles are not about to step in and help just because the elves, humans, or dwarves want them to. The Valar are not completely uninvolved mind - they sent Gandalf to come and guide things where necessary. The point, however, is that he is just that: his job is to spur the people of Middle Earth to stand up and resolve the problem themselves, providing occasional help along the way when absolutely necessary.

      The short answer is that the eagles serve the Gods, and the Gods, from their longer term perspective, view the whole thing as a good character building exercise: they'll provide a little help when absolutely needed provided the people of Middle Earth actually stand up and do most of the work themselves.

      Jedidiah.

  18. My first thought was... by MarkusQ · · Score: 5, Funny

    My first thought was "I'd never pay to see that!"

    Then I re-read the line:

    40-ton, computer controlled stage with 17 elevators and the cast of 55

    My second thought was, "Hmmm. I wonder if they use MSWindows, on a wireless network?" It might be worth going to see after all.

    -- MarkusQ

    1. Re:My first thought was... by Odin's+Raven · · Score: 3, Funny
      40-ton, computer controlled stage with 17 elevators and the cast of 55

      My second thought was, "Hmmm. I wonder if they use MSWindows, on a wireless network?" It might be worth going to see after all.

      A mysterious person haunts a theater, wreaking havoc on a musical production, causing mysterious equipment malfunctions that threaten to derail the performance. Thus was the storyline for "The Phantom of the Internet Explorer" born...

      (An earlier draft based around exploits in a 3rd-party browser called Opera was tossed out because marketing didn't think the show's title was catchy enough.)

      --
      A marriage is always made up of two people who are prepared to swear that only the other one snores.
  19. It is a fantastic production. by thatguywhoiam · · Score: 2, Funny
    I enjoyed it thoroughly.

    However, it should be noted, this performance simply cannot be enjoyed without partaking first in some of that famous pipeweed.

    --
    If Jesus wants me it knows where to find me.
  20. That shark was jumped two years ago... by bckrispi · · Score: 3, Insightful

    ...when Gandalf whapped Denethor with his staff.

    --
    Xenon, where's my money? -Borno
  21. Slashdot jumped the shark ages ago.... by andrewa · · Score: 2, Informative

    Any opinions on exactly when....? ;-)

    --
    :(){ :|:& };:
  22. KArma Whore by stud9920 · · Score: 4, Funny

    Just in case anyone here doesn't know what that means.... http://en.wikipedia.org/wiki/Karma_Whore

  23. I've seen it... by gnixdep · · Score: 5, Informative

    Saw the LOTR musical on Wednesday...
    It wasn't *bad*
    Which is really the best I can say about it.
    It may be that I'm just not a "musical" kind of guy.
    Here's my take

    I wasn't impressed by the songs,
    I thought nearly all of the costumes were pretty weak,
    Some set pieces were really bad (Bag End was a wicker slinky).
    The special effects were overdone, leading to a completely frantic feeling for the entire production,
    They rushed through important plot points, and lingered over fluff,
    Gandalf looked like a thirty year old, 110lb guy in a fake beard, and was far too weak for the role,
    The "Scouring of the Shire" was rushed to the point where they should have left it out,
    Arowyn kept showing up and singing at the strangest times,
    The dancing trees were a little too minimalist to come across,
    What the HELL did Galadriel have on her head, Cthulu?.

    But...

    Saurman was an excellent actor, and I dug his costume/makeup,
    The high-tech stage was kind of nifty, and only slightly overused,
    I think Gollum will be very good once the amphetamines wear off... the scene where he is fighting with himself was great,
    The Black Rider's costumes were awesome,
    I liked the stage vines creeping out towards you, it is a neat effect,
    the pre-show firefly scenes were amusing,
    The first 5 minutes of the Prancing Pony song were great, then it started to drag as they repeated it over and over again,
    Gimli was well acted, as was Sam.

    If I've not listed it above I've either forgotten about it, or found it thoroughly mediocre.

    Unrelated to the show, the seats were horrible, Westjet's cheapest has significantly more leg room, maybe that's just up in the balcony, but I was pretty sore by the time it was all over.

    All and all, I'd say that if you get free tickets, by all means go. Otherwise, let them polish it up for a while.

  24. Good for LOTR Fans by bozone · · Score: 3, Informative

    The Boston Globe gave an overall favorable review ... especially if you are a LOTR fan... the casual fan may be put off by the length and missing information (opposing forces)
    Boston Globe Review

    --
    "Hatred is the coward's revenge for being intimidated" ...George Bernard Shaw
  25. Happened long ago by slavemowgli · · Score: 2, Funny

    Oh, come on. LOTR jumped the shark when that idiot Peter Jackson decided to butcher it in an attempt to get filthy rich (possibly earlier than that, too, given the animated movies from the 70s, but I don't think those were mainstream enough to really count).

    --
    quidquid latine dictum sit altum videtur.
  26. You saw the short version too eh? by ylikone · · Score: 3, Funny
    LOTR Short Version

    Despire the link URL, trust me, this is not a link to porn.

    --
    Meh.
  27. What else is new? by Reality+Master+101 · · Score: 3, Insightful
    The Toronto production puts less emphasis on plot, character, and music, and concentrates more on hi-tech theatrics.

    I'm getting pretty disgusted with modern theatre. I remember thinking while watching the The Lion King when they came to Los Angeles, "this is all spectacle -- there's no friggin' PLOT." And dare I say it, Phantom of the Opera wasn't much better (and I saw it with Michael Crawford).

    Is it too much to ask to have, oh I dunno, maybe a STORY when I go to the theatre? Shakespeare is rolling in his grave at the self-important state of the stage. It's all about the performers instead of the performance.

    --
    Sometimes it's best to just let stupid people be stupid.
  28. Re:counterexample by ifdef · · Score: 4, Insightful

    I never could understand this. My wife and I saw Ishtar when it came out, and found it hilariously funny. Casting Warren Beatty and Dustin Hoffman directly contrary to their "usual" types made it all the funnier. Did most people who saw it not have the intelligence to see that it was all tongue-in-cheek?

    Sometimes I really wonder about the comments people make about movies and books.

    I've seen a discussion about possible future movie versions of the rest of the Chronicles of Narnia, where somebody said that they need to get rid of all the religious allusions.

    I saw a discussion of a science fiction novel by Lois McMaster Bujold (I forget the title right now), whose entire THEME was coincidences and whether they were somehow manifestations of supernatural intervention, whose plot hinged on these coincidences and how unlikely they were, yet how they all fit together, and some bright person commented about how he liked the book, but he felt that it just seemed like too much of a coincidence that (some event) and (some other event) both happened to the same person. Well, DUH!

    Along the same line, one of my problems with, say, movie adaptations of books, is that sometimes the screenwriter or director or somebody, I don't know who, don't really understand some aspect of the book. There are some changes that need to be made, because movies do much better at portraying things visually, whereas they are much worse than books at other things. For instance, the air raid scene at the beginning of LWW was excellent, and gave background that would not have been necessary in the book. Gollum was great in LOTR. The ideas were preserved, yet presented in perhaps different forms. There are other changes that seem to be made for dramatic effect, yet seem to betray a lack of understanding of the original: In LOTR, the scene where Faramir is tempted by the ring, yet he resists the temptation, commenting about how Frodo is lucky that he is not that kind of person, gets changed in the movie so that Faramir in fact does NOT resist the temptation, and is only stopped by external events. This makes the whole contrast between the characters of the two brothers not make any sense (as it is no longer a contrast), and it makes their father's different feelings about the two of them not make any sense either. So you end up changing what is both an adventure story and a psychological drama into just an adventure story -- you lose a whole level of meaning, unnecessarily.

    I can think of more examples, but I think I'd better stop here. Some of the examples that spring to mind, of people missing the whole POINT of something, would be wildly off topic (although, after all, this IS Slashdot) and/or controversial.