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Stanislaw Lem Dies in Krakow
1Eye wrote to mention that well-known SF author Stanislaw Lem passed away today. The Polish author was 84, and was probably best known for the novel 'Solaris'. From the AP article: "Solaris, published in 1961 and set on an isolated space stations, was made into a film epic 10 years later by Russian director Andrei Tarkovsky and into a 2002 Hollywood remake shot by Steven Sodebergh and starring
George Clooney."
I'll remember him for his stories of Ijon Tichy and the satire he would write about regarding anything from governments to advertisements.
One of the first science fiction authors to truly show us that science fiction is more than just a genre of space novels, it's a way to place one's self outside of reality so that it can be safely analyzed and commented on from a distance.
Rest in peace. I eagerly await the day you raise to the ranks of Asimov & Tolkien when the world will remember you as more than "that guy who wrote a story for a George Clooney movie."
I know it will happen.
My work here is dung.
Lem was the bastion of old-school eastern european sci-fi. His sci-fi wasn't about huge robots carrying large breasted women, or random-monster-of-the-week attacking the hapless but plucky space pioneers or even George Clooney's naked ass. Sci-fi for Lem was a way to take a clear look at everything that people took for granted in technology and progress. In both Solaris and His Master's Voice he he tackled space exploration not as an soap opera but as an examination of what it means to be human and what humans see in technological progress. He took our limitations seriously and showed how incredibly alien it will be for humans to seriously venture out into space and even make first contact. And even in talking about all the limitations on scientific and technological progress he never stopped believing in the possibility of human progress through these tools. He was not only a great author but also a great man. RIP Stan.
FYI, Solaris was never properly translated into English. The English version is a translation from the French, and misses a lot compared to the Polish original. (Not sure if the "data loss" occurred in the move from Polish to French or from French to English.)
- Tal Cohen
Lem is one of the few SF authors I've read who truly have a sense of the utter alienness of the alien. Other cultures aren't just furry/scaly/tall/short humans with funny names, but things entirely incomprehensible to the humans who interact with them.
I always loved that about his stories. I'm sad he's gone.
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A lot of people are mentioning Lem's translator Michael Kandel as an amazing guy. Someone who translated the essence of Lem's work, not just the words.
Hey Editors, let's interview him!
(To be honest, the translations are so good that I always kind of thought Lem just wrote in English... even though the Kandel's name is right there in the book)
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Except that he has moved to Poland once Ukraine was no longer Polish.
Mickiewicz wrote "Lithuana, my fatherland", making it doubtful.
Sklodowska-Curie after marrying Curie wasn't so much Polish.
Chopin could be considered french with a bit of stretching.
Copernicus being Prussian was Polish just the same as Texan is American. (Poland is a country binding several regions)
But no matter how much you try to twist facts, Lem was Polish, considering himself Polish, being born in a Polish family, spending great most of his life in Poland (no matter how much Poland was wandering over the map in the meantime, torn by wars and pacts between powers) and the fact that he was born in a city which by pact Ribentrop-Molotov doesn't belong to Poland anymore doesn't change a thing.
AFAIK he never had Ukrainian citizenship too.
Anagram("United States of America") == "Dine out, taste a Mac, fries"
Did you know that Philip K. Dick thought that Lem was a communist conspiracy directed against PKD, and that Lems prose was in fact written by a commitee? Well, you can almost understand that, I'll tell you why.
Being Polish, I grew up with Lem's prose. A lot has been said on that already here, so I'll make it short. Lem's prose was unbelievably diverse, ranging from "classic" SF stories in the archetypic SF setup (rockets, pilots, robots etc. in the Pirx series) through grotesque and postmodern, humorous and twisted stories about the Ijon Tichy, to the utterly fantastic Cyberiade, the XX century version of the Grimm tales; don't forget the critiques on non-existing books, which remind me so much of Jorge Luis Borges.
However, not only the forms were diverse; Lem pondered upon a whole lot of subjects. Just to name a few examples: he envisioned VR technology in the early sixties, and analysed its impact both, seriously and in a very hillarious manner. He belonged to the first who recognized how our society relies on information storage, and the motive of a civilisation collapse due to the destruction of the information storages (paper, in his early works, and computers / networks later on). His thoughts on the possibilities on communications with aliens (or, lack of such possibilities) are unique and very intelligent.
His last book, printed in 1989, is called "Fiasco". The story follows the lines of one of the first books by Lem, called "The Magellans Cloud" -- an optimistic, communist utopy, which ends in the first contact between humans and aliens. However, "Fiasco" (the title says it all) is utterly pesimistic, and its bottom line is that we cannot really communicate not only with the aliens, but even with each other. The book contains several plays on earlier prose of Lem, including fragments of his early stories; moreover, the bold Pilot Pirx is killed in the first chapter.
Lem never went back to writing prose. Personally, I think that with "Fiasco" he conveys the message that everything he had to tell he told us; but the communication with us, the readers, the aliens, was a Fiasco after all.
Cheers,
January