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Google Violates Miro's Copyright?

Anonymous Coward writes "In a homage to Joan Miro on his birthday, Google changed its logo as to spell out the word "Google" in Miro's style. Google has a history of changing its logo in order to commemorate events and holidays of particular significance. In this case, the homage was not well received by the Miro family or the Artists Rights Society which represents them, as reported by the Mercury News. According to Theodore Feder, president of the ARS, "There are underlying copyrights to the works of Miro, and they are putting it up without having the rights". The ARS demanded that Google removed the logo, and Google complied, though not without adding that it did not believe it was in violation of copyright. The ARS has raised similar complaints regarding Google's tribute to Salvador Dali in 2002. "It's a distortion of the original works and in that respect it violates the moral rights of the artist," Feder said." It seems to me that the art world has a glorious history of incorporating prior art into modern creations. It's amusing to me that ARS doesn't understand that.

49 of 651 comments (clear)

  1. Its all about the money by IntelliAdmin · · Score: 5, Insightful

    I doubt any of the original artists would have a problem with it. It seems that it is family's that are interested in the financial gain from complaining to Google about it. This tiny excerpt from the article explains it all: "In September, the Authors Guild sued Google for reproducing works..." Come on! The Google symbol in the likeness of an artist is honoring them. It would only help increase the value's of their works, and peoples awareness of them. They just see Google as a big money pit they can take from.

    1. Re:Its all about the money by baptiste · · Score: 5, Insightful

      It is so sad when people try to do something nice (i.e. a tribute) only to be smacked down by money hungry trusts and estates who have no concept of the greater good. I think Google's logo art is an awesome thing. They gain nothing from it, yet it raises awareness of people, places, and causes. I'm all for copyrights and trademark protection when it comes to trying to protect an authors original work, but come on. A tribute that would stay up 1-2 days honoring the artist and they make this big a deal over it? Sigh - this world gets more screwed up by the day

    2. Re:Its all about the money by squiggleslash · · Score: 1, Insightful
      I've read about the case in several places, and I can't see anywhere anything implying that this is about money.

      This is the family objecting to the misuse of the artist's moral rights. They simply do not want arbitrary businesses associating themselves with the artist's work. This is not about the family wanting money, it's about the family not wanting Google to associate itself with Miro.

      I do get rather annoyed with typically myopic rants from people who are absolutely sure that because they do everything for money, everyone else does too. I don't particularly dislike Google, so I can't comment on Miro's family's particular issue here, but if I produced art (software is not art), I'd be annoyed if:

      - Philip Morris used my theme music to promote their new "Blacklung Cigarettes for kids"

      - Hiatt etched one of my drawings on their special edition "Nerve Twister" handcuffs for the Saudi Arabian secret religious police.

      - Monsanto released a novel based on my characters, fictional world, and one of my plots, where the hero is able to save the developer of a unique brand of corn that turns poisonous and explodes without warning if grown by unlicensed farmers from a group of patent pirates who plan to remove the license-control genes in order to allow third world countries to grow the corn without a license.

      At the very least, I'd want any connection between my name (even if just implied) and the three company's "tributes" to my art removed. Copyright law currently allows that, so I'd be well within my legal rights to do so. This wouldn't be about Philip Morris, Hiatt, or Monsanto giving me money, it would be about my not wanting to be associated with those products.

      And as a matter of principle, I'd want other companies that I don't necessarily have anything like as extreme objections to, to ask my permission first.

      THAT is what this case is about. Not money.

      There is, hard though it may be for many myopic-techies to understand, more to life than money. If you're having trouble understanding that, imagine this is about GNU, not art. Ask yourself how many free software advocates are demanding GPL compliance "for the money"?

      --
      You are not alone. This is not normal. None of this is normal.
    3. Re:Its all about the money by tverbeek · · Score: 4, Insightful
      This is an example of why (IMHO) copyrights should immediately expire along with the creator (unless they have a dependent child or spouse, in which case they'd last a fixed term, as the law was originally written). This whole doctrine that works of art should provide financial support to the grown children of the creator is wrong-headed, and the notion that these property heirs and their children and grandchildren should have creative control over these works is absurd.

      Copyright-enforced royalties should be a kind of pension for creators, offering some financial security to people who've spent their lives creating works of art (visual, literary, musical, etc). Retirement pensions don't keep paying out after someone dies (except to a surviving spouse), because the person who earned them no longer needs them. Likewise, when I die, why should my sisters or my nieces and nephew start getting money from the things I've created? And more importantly, why should they have the right to authorize what's done with copies of them?

      I'm a staunch supporter of copyright in principle - people who indiscriminately "share" tunez, warez, and videoz with strangers on the net can go suck on a shotgun as far as I'm concerned - but I think copyright has been hammered and stretched and twisted over the course of the past century into some kind of hereditary entitlement and corporate welfare scheme. Maybe if modern copyright law weren't so obviously aimed at giving money to people who didn't earn it, it'd be easier to persuade people to respect it.

      --
      http://alternatives.rzero.com/
    4. Re:Its all about the money by drsmithy · · Score: 3, Insightful
      This is why copyrights need a solid HARD limit that aftera short X years of the death of the creator all of it goes into public domain and free tomatoes get passed out to the public to pelt the family that was whoring the creativity of the artist or person...

      There is no justifiable reason whatsoever for copyright to last a second past the creator's death.

      Copyright - if it must exist at all - is fundamentally an economic tool (it exists for no other reason than to artificially restrict information to increase its scarcity, and hence value) and as such should have its terms tied to the economic success (or lack thereof) of the protected work. Copyright terms need to be linked to "return on investment" for the system to work in the modern world.

      Successful work -> copyright expires quickly -> creator has to generate more works to keep the money flowing -> higher net benefit to society.

    5. Re:Its all about the money by Paradise+Pete · · Score: 4, Insightful
      There is no justifiable reason whatsoever for copyright to last a second past the creator's death.

      If that were the case I'd start looking over my shoulder if I came up with something really popular.

    6. Re:Its all about the money by blibbler · · Score: 3, Insightful

      > There is no justifiable reason whatsoever for copyright to last a second past the creator's death

      How about the situation:
      company x wants to make a book based on novel by author Y. Y refuses, company X kills Y. Should company X be able to make a movie without any access rights issues? (This is not an unheard of situation)
      What about Author z wishes to provide for Zs family, so writes a book on deathbed. should this book become public domain when Z dies? It would defeat the purpose of Zs actions (this is also not an unheard of situation)

      Companies and organizations can hold copyright. Generally this copyright is held for a fixed period of years (as companies do not have to "die"). Should companies' copyrights be protected more than humans (whose copyrights would expire when they die?

      > Successful work -> copyright expires quickly -> creator has to generate more works to keep the money flowing -> higher net benefit to society.

      How do you propose to measure success? Very few movies ever show a profit. This is not because they don't make money for the studio, but because it makes tax sense to calculate it that way. Many of the wealthiest people in the world pay less income tax than a regular person earning $50,000. It isn't because they are not earning an income, but because they can pay very creative accountants. Income is a lot simpler to measure than "economic success".

    7. Re:Its all about the money by Kadin2048 · · Score: 2, Insightful

      I think there are valid legal reasons for making the maximum copyright term equal to the life of the author plus (either) eighteen or twenty-one years. In Common Law, it used to be a fairly strict rule that you couldn't create a legal instrument relating to real property (so a deed, covenant, trust, etc.) with a term of more than the life of someone alive at the time of creation plus 21 years. The idea being that this way you couldn't have basically 'landed gentry,' who had perpetual and un-dissolvable property holdings. The "life plus 21 years" was picked I believe because 21 is the age of majority (well it was, until they changed it to 18), thus it's basically guarantees that the trustee's heirs will be legal adults. So it's possible to create a trust that will last through your lifetime, and see your children through to adulthood, but you can't lock stuff up for eternity.

      It seems that some states have actually softened these laws, which is frankly unfortunate (and suspicious; I wonder who paid for that), but I think it's a good model for Intellectual Property in the same way that its reasoning was valid for real property.

      In fact, I think it's more valid for IP than RP: I could think of some valid reasons for wanting to protect real property in a trust for multiple generations, but few valid ones for IP that don't hugely impact the public's interest. It would allow a creator of some valuable piece of IP to use it for personal gain throughout their lifetime, and also to know that their children would be supported by it at least until they became adults -- which is a valid motivation, and taking this away would I think lessen the incentive to create -- but it wouldn't lock it up for the centuries-plus terms that we have now.

      Also, I think we should give a substantial consideration to harmonizing the laws between corporate-owned and privately created works; anything created "by a corporation" has to be created by an individual -- legal 'entities' do not sit down in front of Microsoft Word and type things. Anything created by IBM, for instance, had its origins in the brain of a human being or group of human beings, and the maximum copyright term ought to be the same as it would be had it been created privately by that person. (The copyright would still be owned by the corporation, the term would just be affected.) Alternately, perhaps a fixed term of 50 years could be chosen if the company preferred, to make accounting easier.

      At any rate, I think we've clearly gone overboard in the present system, there is no justifiable reasons for creating IP portfolios that support generations of leech-like descendants, in the same way that aristocratic families used to live off of perpetuity bonds underwritten by the Crown. There's a reason why we don't allow the latter anymore, we shouldn't allow the former either.

      --
      "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    8. Re:Its all about the money by spyowl · · Score: 2, Insightful
      Maybe if modern copyright law weren't so obviously aimed at giving money to people who didn't earn it, it'd be easier to persuade people to respect it

      Oh you'll respect it alright when the anti-terrorism unit shows up at your door, destroys your equipment and nails your ass in prison for 20 years.
    9. Re:Its all about the money by NeutronCowboy · · Score: 2, Insightful
      Copyright-enforced royalties should be a kind of pension for creators, offering some financial security to people who've spent their lives creating works of art (visual, literary, musical, etc).

      I'm sorry, but what? No one, in any business except the one of copyrighted works, gets to derive a pension from work they have done earlier. As a matter of fact, copyrighted works are the only legal construct that allows someone to derive income from something that has not only been sold, resold and sold again, but has been done in the past (sometimes decades). By your logic, should the fact that I'm working right, creating software, writing fixes, entitle me to receive a pension 50 years down the line from the people who use my work right now?

      This entire idea that people can somehow retire and still get paid for work that they used to is ludicrous. If you want to retire on the income you've generated by working, fine. Be my guest. I really don't care how you arrive at that result. But don't expect me to subsidize your retirement in the Bahamas, just because you did some work earlier.

      I'm all for copyright. It does have a place indeed. But to twist this into some form of retirement plan is an insult to everyone who actually has to save money to retire. Furthermore, behind these types of uses for copyright is another ludicrous idea: that somehow, your work was so awesomely awesome and groundbreaking that you get to control how it gets used - regardless of how many previous ideas and methods you copied, used or abused to create your work. In short, it's the idea that writing a book or a song somehow results in something doesn't draw on anything else in the world - which is complete and utter crap. The only reason people can create stuff is because they use things and ideas that are already around them. It's the only way to create something that actually matters.

      Let me repeat this: there is a place for copyright. There has to be a way that people can derive an income from creating works of art or software. But copyright is not a natural right, nor does more copyright result in more creativity. On the contrary - there is a very quick limit when copyright starts to inhibit creativity. So to people who think that copyright should be a way to subsidize retirement - go suck on a shotgun indeed.

      --
      Those who can, do. Those who can't, sue.
    10. Re:Its all about the money by professionalfurryele · · Score: 2, Insightful

      "Do you channel Joseph Stalin twenty-four hours a day, or just when you're posting to Slashdot?"

      Hate to point it out but you are the one proposing an increase of state powers above the ideal level (zero). By giving government the power to grant temporary monopolies you are in fact expanding the state. What sounds more Stalinist to you?

      Can you think of a good reason for companies to hold copyrights?

      I can, for example to allow a group of individuals to produce a work that a single individual could not, or to add value to copyrighted work to increase the incentive to produce it, by giving companies the ability to buy and sell government mandated monopolies. I question the latter reason, the former is one in the primary reason we allow companies to exist in the first place.

      Perhaps you could contribute your reasons, instead of invoking the booogie man.

  2. 'Intellectual property' concept is going too far by unity100 · · Score: 5, Insightful

    Well, it seems that after some 50 years or so, we wont be able to use any shape, image, saying, metaphor or the like without consulting an intellectual property expert and acquiring appropriate rights, the way things going.

  3. It's about money. Always. by Rosco+P.+Coltrane · · Score: 4, Insightful

    It seems to me that the art world has a glorious history of incorporating prior art into modern creations. It's amusing to me that ARS doesn't understand that.

    It's not that they don't understand, it's more that they're trying very hard to make everybody else forget that fact. They, as well as certain **AAs, behave like rabid dogs protecting their food, so that they have grounds to claim money for the use of this or that piece of art whenever possible and not be contested.

    --
    "A door is what a dog is perpetually on the wrong side of" - Ogden Nash
  4. PR by gEvil+(beta) · · Score: 2, Insightful

    How many people wouldn't have encountered Miro's work if they hadn't seen it on Google's site? Now how many of those people wouldn't have known who's work it was had ARS not filed a complaint with Google. While their complaint seems semi-valid (though, personally, I doubt it would have held up in court), it seems that in effect this ends up being a big PR move. We now have lots of people who weren't familiar with Miro's work, who now recognize it because of the complaint.

    --
    This guy's the limit!
  5. Moral rights in the US? by Peyna · · Score: 2, Insightful

    Moral rights in copyrighted works are pretty slim in the US if existent at all. We're supposed to have them as a condition to signing a treaty, but for the most part we really don't. Anything that comes up looking like moral rights ends up being weasled through the Lanham Act rather than copyright law.

    --
    What?
  6. Re:'Intellectual property' concept is going too fa by itzdandy · · Score: 2, Insightful

    i see the point that's trying to be made BUT have to make a quick counter point.

    google did not just happen to make a logo that looked like miro's style and use it. your comment implies to me that(though exagerated) every idea, shape, color, etc will be taken and one would have to dig deep to make sure that your 'fresh' idea is not too similar to an old one.

    instead good DID look at miro's work and made an effort to emulate that work in their logo, though they were giving homage the made an effort to copy. btw i also think that this is ok as long as there is no financial reward from this copy, as it is pay homage! thank you google for being aware and respectful of art and artist.

    maybe the ARS should joint the RIAA and MPAA to complete the axis of evil!

  7. money! by itzdandy · · Score: 4, Insightful

    this is nothing more than selfishness at work!(ok, maybe some greed!)

    paying respect to a dead artist is perfectly acceptable and should be encouraged! this has been happening for 'EVER' and many many many of the most famous artists are only famous now because their work has been emulated and now integrated into modern culture.

    no exploitation is happening here, just good ol' respect!

  8. Sheesh! by tedgyz · · Score: 2, Insightful

    "Lighten up Francis!"

    The stupid ARS should be happy Miro got all that attention. What exactly do they expect? I guess we can add ARS to the same list as RIAA and MPAA - self-defeating, money-grubbing idiots.

    --
    "No matter where you go, there you are." -- Buckaroo Banzai
  9. Re:It should be about courtesy by maggot+the+shrew · · Score: 5, Insightful

    I don't think anybody should have to ask permission to use elements of a dead artist's work which are over 65 years old. Miro's contribution to popular culture is pervasive. There is no basis for restricting wholesale reproduction of his works outside of the obscene length of time we allow for copyright in the West. Much less should we be allowed to restrict the use of simple elements and basic tributes of extremely common, influential, and well publicized art.

  10. but they didn't use HIS art by acvh · · Score: 4, Insightful

    they created their own, in a style that was influenced by him.

    imagine if Manet had been able to copyright French Impressionism, or Picasso cubism, or Renoir portraits.

    1. Re:but they didn't use HIS art by dhasenan · · Score: 2, Insightful

      No; it's a stylistic derivative, but not a derivative of the content. Copyright doesn't cover style; trademarks, on the other hand, do. I don't know if anyone has trademarked a style of art in the US, but if they have, I'm packing my bags.

    2. Re:but they didn't use HIS art by Anonymous Coward · · Score: 2, Insightful

      which is why google stated that they didn't believe it was a violation? They seemingly removed it for some combination of reasons such as:

      1. It wasn't worth going to court.
      2. They no longer wanted to have a tribute to him.
      3. They wanted to respect the ARS.

      If I was them I would probably have gone with 1 and 2.

    3. Re:but they didn't use HIS art by chgros · · Score: 2, Insightful

      imagine if Manet had been able to copyright French Impressionism
      You mean Monet, not Manet (I know, it's confusing)

  11. One more reason to keep on piratin'! by FatSean · · Score: 2, Insightful

    You shit out a picture and you and your family own it or anything like it for enternity? Bullshit. One more reason I don't feel bad about copy-right infringement. They cry that no art will be produced without pay...I say this is a blatant lie. There are countless artists out there struggling to be seen. Many produce their works with no expectation of payment.

    --
    Blar.
  12. Re:It should be about courtesy by pla · · Score: 5, Insightful

    While I agree with the above post, IMHO, Google should have the courtesy of asking permission from the controlling body.

    Why? Why should they need to ask permission to use the style of a dead artist in their logo?

    Miro, like him or not, contributed something to our shared culture. We ALL have the right (morally, not necessarily legally) to make use of that contribution. In this case Google did a tribute to him, which makes the complaints all the more offensive, but I would say the same thing if they had created their "normal" logo, purely out of commercial self-interest, from his style.



    Miro family: Get out of the shadow of your one famous ancestor and do something with your lives. The modern world doesn't need de facto aristocracies. Make a name for yourselves, or fade into oblivion. Don't expect society to let you rest on the long-dead laurels of a relative who did accomplish something.

    Theodore Feder and the Artists Rights Society: You spout non-stop self-aggrandizing BS about how much your members contribute to our culture, then deny us access to that same culture. You disgust me as the worst kind of hypocrits. Just cease to exist.

  13. Let me get this straight... by thewiz · · Score: 4, Insightful

    1. Google puts up company logo in the artistic style of Joan Miro to honor him.
    2. Miros and ARS family tells Google to take it down as it is violating copyrights.
    3. The net says "WTF?"
    4. Profits from publicity? (NOT)

    Shouldn't it be:

    1. Google puts up company logo in the artistic style of Joan Miro to honor him.
    2. Web surfers Google "Joan Miro".
    3. More people find they like his art and buy some.
    4. Profit goes to his family and everyone's happy.

    Sounds like they are being penny-wise and pound-foolish.

    --
    If "disco" means "I learn" in Latin, does "discothèque" mean "I learn technology"?
  14. Never heard of him until Google by lancejjj · · Score: 3, Insightful

    Admittedly, I was never much into the arts as a kid. But last week I noticed the Google logo and was interested in what or who Google was celebrating.

    I clicked on the link and learned all about Joan Miro and his art. After that initial click I become more interested and did some additional research above and beyond what Google offered.

    If Google lifted actual elements of Miro's work, then yeah, I'd say it could be a copyright problem. But it's likely a problem that could be easily solved completely in private and without public beratement.

    I'd be surprised if the recognition of Miro on Google doesn't result in substaintial financial gains for Miro's license holders, and I'd be shocked if the Miro family approved the public berating of Google by what appears to be a politically inept ARS president, Theodore Feder.

  15. Re:This is what I think about ARS by Mick+Ohrberg · · Score: 5, Insightful

    Indeed. In addition - could the Google logo be considered a parody? IIRC, you can make parodies without infringing on copyrights. Weird Al does this a lot, though I get the impression that he does ask first out of courtesy. I think the paridy factor is the whole reason Coolio is unable to take action against Weird Al for Amish Paradase (a parody of Gangsta's Paradise that Weird Al claims he got permission from the record company to do, but Coolio claims he never gave permission).

    --

    Quidquid latine dictum sit, altum sonatur.

  16. Re:Fair use? by xigxag · · Score: 5, Insightful

    Just to follow up on my own point, Google being barred from doing a Miró-like logo is the same as if, not only were you not allowed to draw an unuathorized Charlie Brown, Linus or Snoopy, but you couldn't even sketch an anonymous character in a "Peanuts-esque" style. Taking that to an extreme, future sitcom writers could get sued for writing scripts that veered too close to "Seinfeldian" humor. Fast food joints could get hauled into court for having processed meat chunks that were too "McNuggetty." Future presidents could be impeached for aping an authoritarian swagger that was too "Bushist."

    Hmm, objection withdrawn, Your Honor.

    --
    There are two kinds of people: 1) those who start arrays with one and 1) those who start them with zero.
  17. Re:'Intellectual property' concept is going too fa by kfg · · Score: 5, Insightful

    . . .google did not just happen to make a logo that looked like miro's style and use it.

    "Style" is not something that can be copyrighted. Only works can be copyrighted.

    See ragtime, blues, jazz, boogie woogie, rock & roll, etc., as opposed to Maple Leaf Rag, Sweet Home Chicago, Take Five, Roll 'em Pete and Purple Haze.

    The former are styles, the latter are works. You can copyright Take Five. You cannot copyright 5/4 time.

    In fact, the Google logo was their own creative work that they own the copyright on. It was just in emulation of Miro's style, not a copy of one of his works.

    The claim of any "moral" rights is so assinine I almost don't know what to say about it. The law does not recognize "moral" rights. It grants a monopoly on copying and may impose monetary recompense against losses incured by such copying. Without the law the artist has absolutely no rights whatsoever, except maybe to be a dickhead.

    And I wonder just what sort of monetary losses the Miro heirs feel they have suffered by Google making an original work in tribute to Miro?

    KFG

  18. Copyright is not a moral right. by j0nb0y · · Score: 2, Insightful

    Copyright is not a moral right. Copyright is not a natural right. Copyright is not a human right.

    Copyright is a capitalist construct that was created to provide an incentive to
    create artistic works.

    --
    If you had super powers, would you use them for good, or for awesome?
  19. Astoundingly stupid by Toby+The+Economist · · Score: 4, Insightful

    I'm...speechless.

    Let's get this straight.

    *The* most popular search engine in the world, with billions of hits per day, puts *your* work on its front page.

    Billions of people who've never heard of you before will now find out about you.

    And you say...

    "TAKE IT DOWN AT ONCE!!"

    I've seen stupid, but then there's *STTTTTTTTTTTTTTTTTTUPID*.

    1. Re:Astoundingly stupid by mean+pun · · Score: 3, Insightful
      Billions of people who've never heard of you before will now find out about you.

      This may come as a shock here on /., but there are people that consider Miro more culturally important and rightly famous than Google. They probably even think that if you haven't heard of Miro by now you're not worth talking to anyway, you uncultured barbarian. I know, I know: totally deluded, the lot of them, but there you have it.

      Not that even that point of view excuses the attitude of ARS.

  20. I have a dream... by Anonymous Coward · · Score: 1, Insightful

    A dream where I don't have to wait until 65 years after the death of the artist in order to pay him or her a tribute without having to first ask the family permission.

    I mean, sheesh -- this boils down to one simple effect: unless the artist died a long time before I was born, then I can't pay tribute to anybody by imitating the style of their work. All the artists that are alive when I'm alive: forget it. Unless they died when I was 10 and I live to at least 75, they're off-limits. I can't base my work on anyone else's, even stylistically, or on a general idea. The whole current generation of art is essentially off-limits to me in any kind of derivative fashion, even if I'm adding in a little of my own creativity. Nope, it's derivative, so prohibited, without getting permission.

    It'll be a pretty depressing world if I have to someday say to my child: sorry, no, you can't draw that picture like that, because somebody already did something like that, and they've only been dead for 50 years, not the requisite 65+. We might get in trouble with their family if you publically display that artwork, and I can't afford the legal hassle of a copyright dispute case.

    That's the world the ARS is advocating.

    And I expect a call from the lawyers of the family of Martin Luther King, Jr. for the title of this post, complaining that I've violated his "moral right" to the idea of having a dream and expressing it with that turn of phrase.

  21. Re:This is what I think about ARS by Mr+Z · · Score: 5, Insightful

    I wouldn't say it's a parody, but rather a homage. That said, unless they incorporated his art directly, I don't see how copyright applies. You can't copyright a style. If Google's logo was incorporating art that wasn't Google's, they either need to license it or make a case for "fair use."

    --Joe
  22. Re:It should be about courtesy by JazzCrazed · · Score: 5, Insightful

    copying other artists' styles is such a common practice in art that it's more noteworthy to see an original style than to see a copied (albeit altered) style.

    Agreed whole-heartedly! As a visual artist, myself, it is nigh impossible to create something that isn't influenced by established styles. In fact, that was part of my education at Pratt Institute in NYC - learning the styles and accomplishments of Miro and countless others, and incorporating some of their ideas in clever, new executions. Likely, this sort of thing is more subtle than Google's outright references, but that could easily be argued as a subjective perception.

    If somebody made a visual reference or "quotation" of my work, I would be flattered, to say the least. I guess Google's main mistake was verbally attributing the inspiration for the restyled logo to Joan Miro. But in my opinion as an artist, this was a best-intentioned and visually witty tribute.

  23. bullshit by penguin-collective · · Score: 2, Insightful

    Artistic styles cannot be copyrighted or patented. In limited cases, people can get design patents or trademarks, but I seriously doubt that that would apply here. Furthermore, it's not like Miro was the only person to have drawn in that style.

    ARS and the Miro family seem particularly stupid in this case because Google probably gives them a lot more exposure for free than they have received in a long time.

  24. Re:What about the Olympics? by mrchaotica · · Score: 4, Insightful
    The obvious conclusion is that Google knows which IP holders not to mess with, and which ones it can probably mess with.
    And the less obvious, but also less stupid, conclusion is that copyright law is different from trademark law.

    In other words, the organization that owns the Olympics logo would have had a legitimate complaint, while the ARS most emphatically does not.
    --

    "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  25. Connect the Dots by Doc+Ruby · · Score: 2, Insightful

    Miro died in 1983, after a lifetime spent capitalizing handsomely (and well-deservedly) on his art. Under the original US copyright laws, he and his "estate" would have had until 2000 to benefit exclusively from the right to reproduce his works. That limited time was certainly more than sufficient to to promote the progress of science and useful arts.

    Even though artists like Miro would produce their art regardless of protections or capitalization, driven by their "muse" that compels them to communicate in their medium as much as the rest of us are compelled to communicate by talking and handwaving. And like lawyers are compelled to communicate through C&D letters and invoices.

    Popular art like Miro's has always quickly become part of the folk vocabulary of its culture. An early effect of that acceptance is usually enough saleability that the artist can make money quickly, supporting more art. In the centuries since the Constitution recognized a limited monopoly compromise with freedom for practical operation of a free society in an scarcity economy, the time required for adequate compensation has shrunk vastly, with reproduction and compensation technology and techniques far beyond most could then imagine. Recognition of the contribution of the people who codify such art into our folk culture has been completely eclipsed by concessions to the experts who codify art from "high" through "pop" through "commercial" and protect all its product franchises in perpetuity.

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    make install -not war

  26. Re:ARS Nearly Right by tomstdenis · · Score: 3, Insightful

    You can't copyright a style.

    Furthermore, don't you think "Miro Style" is not just an extension of pre-existing styles?

    This is how society works. One generation building on the work of the past.

    That said, Google is not in the art business, nor is that their permanent logo. It should be viewed as an event of limited importance at best. If it truly was an homage then they should just say thanks and go on their fucking way.

    Instead they're "fancy" artists [or in this case the family of] who think they invented art all by their lonesome.

    Tom

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    Someday, I'll have a real sig.
  27. Corporate logos are not really an honor by pal · · Score: 2, Insightful
    You know, of course Google has the right to put just about anything in their logo, and where ever you draw the line, that's great. But they do have some kind of issue with respect. Because frankly, putting people/things in your corporate logo is really not that much of an honor.

    They did this on MLK day, with an image of Dr. King that is frankly absurd. I posted about it and put together a similar McDonalds logo at the time:

    http://iheartteriyaki.blogspot.com/2006/01/on-icon s-and-logos.html

  28. The funny part by sterno · · Score: 5, Insightful

    What's totally hilarious about this is what ultimately the google logo thing brings more attention to the artist's work. You go to google one day, the logo looks funky, and you wonder why. So you click the logo and are now finding out all about Miro, etc.

    Not only is this not any obvious violation of copyright law, but IT HELPS THEM. It's free freaking advertising for the artist and presumably could lead to better returns on sales of the art, etc. Whiners.

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    This sig has been temporarily disconnected or is no longer in service
  29. Re:This is what I think about ARS by KDR_11k · · Score: 3, Insightful

    The difference is that Weird Al clearly made a parody while this logo doesn't have anything funny about it.

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    Justice is the sheep getting arrested while an impartial judge declares the vote void.
  30. MODERATORS DO YOUR JOB PROPERLY by vinlud · · Score: 1, Insightful

    I dont understand why this comment has been modded down.
    Moderation is not about agreeing with soemones statements, it is about qualifying them in the context of the article.
    The view that Google should have asked permission is justified.
    The view that Google should be able to use the style of the artist freely is also justified.

    Both type of comments deserve positive moderation!!!!

    --
    Repeat after me: We are all individuals
  31. Unwelcome association by Anonymous Coward · · Score: 1, Insightful

    I don't know. If I woke up one morning to find the unique artistic style of a deceased relative being adopted by a company like Google I might be a little upset. Here is why:

    Maybe I'm concerned that some of the huge numbers of people who visit Google may believe that in some way my relative approved of Google, or that if they were dead before Google arrived, that the estate approves of Google and regards them as something harmonious with the values my relative held dear.

    It matters _not_ one single iota whether or not Google approves of my relative. They may well do so and regard such a logo treatment as a token of their respect and admiration. That is not the point.

    The point is that such a relationship is purely one way. It could be that my relative would _not_ have approved of a large American corporation that colludes with repressive regimes in order to make a profit.

    In fact my relative may have taken the exact opposite stance against such corporations in their life and as such the risk of someone mistaking the situation goes beyond that of a mild inconvenience and becomes something that must be withdrawn immediately. Even if that means calling the lawyers. That's what the estate does - ensuring the values and worth of the individual is not compromised as that in itself would compromise their work.

    Of course it's difficult to suggest such a position to the groupthink of a community like Slashdot - but it is a perfectly sound position to have.

    Just a thought.

  32. Free Publicity!? Sue them! by JacksBrokenCode · · Score: 5, Insightful
    From TFA, "Google's logo allegedly incorporated images from Miro's "The Escape Ladder," 1940, "Nocture," 1940, and "The Beautiful Bird Revealing the Unknown to a Pair of Lovers," 1941."

    Having looked at The Escape Ladder, Nocturne, and The Beautiful Bird..., I don't see where they "incorporated images" directly from any of these paintings. Certainly the style is the same, but that is the purpose of the tribute.

    The sad part is I'd never heard of Miro before and usually enjoy learning from the little sporadic tidbits Google provides. It would be a shame if Google decided to stop including artists because ARS is over-protective. I could understand their point if Google was trying to profit from using Miro's art in any way, but it just seems to be a fun way to raise awareness.

    Does anyone else find it ironic that you can't buy advertising on Google's front-page and people who get some free publicity on one of the most-visited pages on the 'net are complaining.

  33. Re:This is what I think about ARS by Fulcrum+of+Evil · · Score: 2, Insightful

    So I'm guessing that they trademarked his name, so that even when his art goes out of copyright, you won't be able to sell it under the Escher name, because it will still be trademarked (they don't expire).

    Sure you can. 'This is a copy of a work by M C Escher' is a statement of fact.

    --
    "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
  34. Comment removed by account_deleted · · Score: 4, Insightful

    Comment removed based on user account deletion

  35. Re:BHACs by drakaan · · Score: 2, Insightful
    I see it a bit differently. ARS is interested in copyright because they have some vague idea that there's a copyright problem or they're being deprived of revenue somehow.

    Before seeing the Miro-ized logo (and clicking on it), I had no idea who Joan Miro was, although I recognized the style of painting from the logo. *Because* of the logo, I took 15 minutes out of my day and looked up some of his other work...

    The next day I read an article about ARS telling google to take the logo down (or else), and I find that I suddenly care a lot less about who Joan Miro is or what particular works he might have created.

    It's one thing to get upset when another artist uses your work to their benifit. I can see talk of copyright violation over that. It's another thing when someone creates a small homage to an artist, replete with a link to a vast repository of articles about said artist, which will be viewed by at least 60% of all people who use a search engine, and start crying foul.

    It's an extremely disappointing and myopic reaction to what amounts to free advertising. I even took another 15 minutes out of my day to tell that to ARS.

    Just my opinion...

    --
    "Murphy was an optimist" - O'Toole's commentary on Murphy's Law