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Why Game Movies Stink

Via Cathode Tan (who has some commentary of his own on the subject), a Guardian article attempting to ascertain who is at fault for crappy game movies. From the article: "Because, unlike cinema, computer gaming is a medium which requires the player to make things up for themselves. An individual game may be laden with 'plot points' but its narrative is always up for grabs. It is a format of scenarios rather than stories, elements which can be bolted together in differing orders with varying outcomes. Cinema, on the other hand, is designed for people who like to watch and listen, and who expect the film-maker to get their story straight before the movie reaches the theatres. Viewing a film based on a computer game is like hanging around in an amusement arcade, peering over the shoulders of other people playing video games. It has less to do with story-telling than conceptual shelf-stacking. And it is symptomatic of the painful death of the art of narrative cinema."

4 of 264 comments (clear)

  1. Poppycock! by Daniel_Staal · · Score: 5, Insightful

    So, the movie will never be the same experince as playing the game. That's obvious.

    It is still possible to write a good movie based on the plot points of a game. "Tomb Raider" comes to mind, as does "Mortal Kombat". Neither is all-time great cinema, but they are both perfectly good movies. They took the plot points of the video games and built a good story around them.

    If you can't make a good movie from a video game that's a failing of the writers you are using, not of the concept itself. Given the quality of plots coming out of Hollywood in general, it should be obvious that good writing is in seriously short supply.

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    'Sensible' is a curse word.
    1. Re:Poppycock! by iainl · · Score: 5, Insightful

      If you think Tomb Raider and Mortal Kombat are perfectly good examples of the cinematic art, then Mark Kermode isn't really speaking to you. The whole subtext to his discussion both here and elsewhere on the issue is that the failure of many blockbusters to aspire to anything greater than a series of explosions linked by some car chases is directly connected to the games-as-films phenomenon.

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      "I Know You Are But What Am I?"
  2. Game movies may be bad... by Flaming+Babies · · Score: 5, Insightful

    ...but movie games are far worse.

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    The right to be heard does not automatically include the right to be taken seriously.
  3. Cop-out by sc0ttyb · · Score: 5, Insightful

    I'm sorry, but this whole thing gets on my nerves.

    The reason videogame movies blow isn't because of the source material (usually). It's because the writers/directors/studio bigwigs/what-have-you take too many damn liberties with the mythos.

    Okay, let's take Silent Hill for a start.

    DISCLAIMER: I am a Silent Hill fanatic.

    The makers of this film had an interesting, unique mythos to work with. They had interesting characters, bizarre environments, crazy monsters, excellent music, etc. So instead of using that as it was presented, they decided to pick and choose what they wanted and slapped it all together. Granted, they nailed the visual aspect of the game, but nothing else.

    For a start, let's talk about Pyramid Head (er, sorry - the Red Pyramid). He shouldn't have been in this movie at all because he's totally pointless outside his original context. Pyramid Head was only relevant to Silent Hill 2 because he a manifestation of both James Sunderland's sexual frustrations and his guilt. Including him in the movie just smacked of "hey, this guy's a cool villain, let's use him!"

    And don't even get me started on the whole plot/character deviation from the first game. You know, things like the lead character being Harry Mason and not this Rose person, his daughter being Cheryl and not Sharon, etc. Harry Mason's presence in the original Silent Hill game is very important, as it plays a rather significant part in Silent Hill 3, where it wraps up some of the first games loose ends.

    I could go on and on, but I won't. The fact of the matter is that they take too many liberties with the games. Don't change things that don't need changing. For the parts that can only be experienced with a controller, use your head and try and think of a way to convey that experience to the audience. Play the game through and take note of your emotions/feelings as you play a particular part, then use that to transfer it to the big screen.

    I think bad game movies are more a lack of effort and adherence to canon as opposed to having nothing to work with.

    --
    "Apparently so, but suppose you throw a coin enough times. Suppose one day, it lands on its edge."