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Making Money Selling Music Without DRM

phaedo00 writes "Ars Technica's Nate Anderson has an excellent writeup on the rise of eMusic and how they're suceeding despite their unwillingness to hop on the DRM bandwagon. From the article: 'The Holy Grail of online music sales is the ability to offer iPod-compatible tracks. Like the quest for the mythical cup itself, the search for iPod compatibility has been largely fruitless for Apple's competitors, whose DRM schemes are incompatible with the iconic music player. For a music store that wants to succeed, reaching the iPod audience is all but a necessity in the the US market, where Apple products account for 78 percent of the total players sold. Perhaps that's why eMusic CEO David Pakman sounds downright gleeful when he points out that there's only two companies in the world that can sell to them--Apple and eMusic.'"

12 of 383 comments (clear)

  1. Far more than two companies that sell to ipods by DrRobert · · Score: 5, Informative

    Mindawn.com, magnatune.com, studiodownloads.net, disclogic.com, digitalsoundboard.net. There are many more. All work on the ipod. All lossess or (compressed if you want that) no drm. Admittedly the selections is small, but I'd rather have a thousand stores with lossess music and no drm than one store with a large selection.

  2. Emusic is cool but there are many great others too by linuxbaby · · Score: 5, Informative
    Credit where it's due, Emusic has been selling 99-cent downloads since 1998. When Steve Jobs announced it in 2003, everyone acted like it was a shocking new revolutionary idea. But some of us couldn't help but think, "Oh, you mean like Emusic?"

    I'm an Emusic subscriber and love them, but there are LOTS of legal services out there, these days, selling good ol' MP3s (or even FLAC/OGG) with no DRM

    We keep a full list of them at cdbaby.net/dd-partners (in 10 languages!). Though that list is meant mainly for our musician clients, it's a good permalink for a constantly-updating list of digital music sellers, with a short description of each.

  3. Don't forget Magnatune by Laurentiu · · Score: 5, Informative

    You bet eMusic is looking forward to the Slashdot effect ;)

    But we should also give credit where credit is due and mention that Magnatune (http://magnatune.com/) has been doing this for years. The buyer chooses what he wants to pay per album - in fact, if you're a cheap bastard, you may download a full album for as little 5$ in the format of your choice: MP3, WAV, OGG, FLAC or AAC.

    And I love their motto: "We are not evil." Now, where else did we hear that phrase?

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    Just /. IT
  4. Re:ipod compatibility? by Penguinisto · · Score: 4, Informative
    "so if i have mp3s of my own, i cannot put them on an ipod?"

    Yes, you can. In fact, I've never bought a single tune from ITMS but my iPod Nano is packed solid with music (haven't had to go to ITMS - I ripped my entire CD collection to mp3 a long time ago, and continue to do so - much cheaper to buy a used CD in many cases and use it as a 'master copy' of sorts).

    You simply import the music into the iTunes library, make a playlist from it, and transfer it to the iPod.

    /P

    --
    Quo usque tandem abutere, Nimbus, patientia nostra?
  5. eMusic/J - Opensource Download Manager by Anonymous Coward · · Score: 5, Informative

    Don't waste your time with the eMusic provided *nix download manager; there is an excellent opensource alternative written in Java called "eMusic/J" (though it's developed by a third-party):

    http://www.kallisti.net.nz/EMusicJ/HomePage/

  6. well, it is legal by Anonymous Coward · · Score: 4, Informative

    It is not cheaper but it is legal. allofmp3.com is NOT legal, despite what many people say.

    allofmp3.com violates the spirit of the law, if not the exact wording. It is like saying that identity theft was legal because when it first started happening, there was no specific law against it.

    no be sure to tell me how legal it is and how paying money to the russian mob is better then downloading via P2P.

    If you are going to steal music, just fucking steal it and get off your high horse. I personally hove no problem gettign ALL of my music from P2P, and honestly, having spent time in Moscow, see no need to further fund the terrorist organization that is the russian mafia.

  7. E-music URL by rueger · · Score: 5, Informative

    Which bizarrely has not yet been posted here.

    http://www.emusic.com/

  8. 'indie' versus pop versus ? by ghostlibrary · · Score: 4, Informative

    The article kept talking about 'indie', but missed the fact that emusic has a huge back catalog of classic rock and earlier. You want Deep Purple or Eric Burdon, they've got it. It's easy to get much of what you hear on classic rock radio. And since so many (too many) stations are switching to 'classic rock', this must mean people want it.

    They also have live stuff. Interested in Colin Hay's solo takes on 'Men at Work', or (back to Deep Purple) live Deep Purple? And what they call indie, I'm not so sure-- Tom Waits gets a lot of media coverage and movie deals for an 'indie'. He's there.

    They also have a phenomenal jazz and blues section, which is yet another niche not served. Miles Davis or Charlie Parker aren't "indy", after all. And there's folk, and celtic, and world. It's that 'long tail' model. Basically, emusic has a mix of radio stuff, and all the stuff you can't buy on CD at your local Walmart anyway.

    I guess I'm tired of anyone not carrying the latest pop being labeled 'indie', particularly given pop's tendency to forget the past. I don't want this to be a commercial for eMusic, just a note that they are offering the kind of stuff that you can hear by dial-hopping on radio, but can't find in most big box stores. That's more than just 'indie'.

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    A.
  9. Re:Emusic is cool but there are many great others by cpt+kangarooski · · Score: 4, Informative
    and the somewhat-legal allofmp3.com for the major-label stuff.

    Well, it depends.

    Pot is effectively legal in the Netherlands. But that doesn't mean that Americans can import it from there. That something is legal in one country doesn't mean it will be elsewhere.

    Similarly, for people here in the US, American copyright law is in effect, and Russian copyright law is irrelevant. And the laws here prohibit downloading from allofmp3, regardless of whether they're legal in Russia or not. As I see it, if you're going to pirate music, you might as well not pay shady Russians when it's entirely possible to do it for free.

    And in an effort to prevent people from replying with misinformation, if you disagree and wish to reply, please first consider and address the following issues:
    1. That 17 USC 602(a)(2) by its own language is limited to the import prohibition in subsection (a); the prohibition in subsection (b) remains in force.
    2. That copies and phonorecords are defined in 17 USC 101 as being material objects, which means that no physical object in Russia can be moved to the US via the Internet, making section 602 a red herring.
    3. That the courts have stated that unauthorized downloading of copyrighted works is an infringement of the reproduction right of the copyright holder. See e.g. Napster and Intellectual Reserve.
    4. That the courts will generally assign liability for the reproduction infringement to the downloader, barring unusual circumstances, like downloads that were in fact caused by a hacker, and not the user of the computer. See e.g. Netcom.
    5. That the standard of proof used in a civil copyright case (e.g. one brought by the RIAA) is the preponderance of the evidence standard, which results in the defendant being liable if thinks that there was as little as a 51% chance that he actually did it, even if they entertain reasonable doubts (e.g. the presence of an open WAP, that there are other people able to use the computer).
    6. That 17 USC 1008 is inapplicable, because it does not cover downloading. See e.g. Napster and Diamond. Also see the important definitions in sections 1001 and 101 and what the law would require if 1008 were applicable to computers, per sections 1002 and 1003.
    7. That just because RIAA has not sued someone yet does not mean that they cannot or will not. See e.g. the suits against Napster (which started in 1999) and the suits against users (which started in 2003). Tactical concerns, such as how to use the limited budget for legal action in the most effective way, or which
    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  10. Re:Emusic is cool but there are many great others by djmurdoch · · Score: 5, Informative

    All of MP3 may be "somewhat" legal in Russia but it is fully-non legal for Americans (or Canadians, Australians, and anybody else who is lives in a country that's signed on with international copyright laws) to buy music from them, as it says outright in their terms of service.

    I don't see any mention of Canada there, just a vague statement that it's up to you to figure out whether it is legal in your country. In fact, Canadians have a right to make copies for private use. This is what the levy on blank media pays for.

  11. Re:Selling music online the correct way by normal_guy · · Score: 4, Informative

    I ran into the same issue before I subscribed. Here's the direct link.

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    Linux: Free if your time is worthless.
  12. Re:Emusic is cool but there are many great others by cpt+kangarooski · · Score: 4, Informative

    17 USC 602 deals with "copies or phonorecords". Not copies *of* phonorecords.

    A copy of a phonorecord is also a phonorecord. Take a look at the definition at 17 USC 101.

    And you are off again - sending something over the wire is also considered importing. Or have you forgotten the old export controls on cryptographic software transmitted oversears already?

    I know them, and there are still controls of this nature. However, those regulations, which were enacted by an administrative agency, rather than Congress, specifically define exportation as encompassing Internet transmissions. Congress, on the other hand, has not so defined importation for purposes of copyright law. The agency definition isn't particularly relevant, as it's not of Congressional origin, and deals with an entirely different subject matter. If you want to argue about what copyright law says, you're going to have to do so based on copyright law, not something entirely unrelated. This might seem odd to you, but it's a fairly ordinary situation.

    If you the copy is just for yourself or part of your baggage if you physically came through the borders there is no issue.

    Except of course, that 602(a)(2) only applies to the ban on importation in subsection (a). It does not apply to the independent ban on importation in subsection (b), which you are still failing to address.

    And of course, Allofmp3 has nothing to do with importation anyhow, as I've shown. That's why you had to resort to an example involving baggage, which certainly isn't involved in most people's transactions with Allofmp3.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.