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Death By DMCA
Dino writes "There's a good article in the IEEE Spectrum, titled 'Death by DMCA', which talks about how whole classes of devices were eliminated, and how others won't even see the light of day as a result of the Digital Millennium Copyright Act. One example is ReplayTV's TiVo-like devices which featured sharing capabilities, along with automatic ad skipping; the company was sued to bankruptcy, and the reincarnated device supported neither sharing nor ad skipping."
This is cool, I don't have to change my "subject" lines for posts any more... it's all about the entertainment industry's state of mental health.
From the article: "These new capabilities did not please Hollywood. Jamie Kellner, then CEO of Turner Broadcasting System Inc., called skipping commercials "theft" and, along with 28 entertainment companies including major movie studios and television networks--such as Disney, Paramount, Time Warner, Fox, Columbia, ABC, NBC, and CBS--sued ReplayTV for contributing to copyright infringement."
WTF? Skipping commercials is theft? FUCK YOU Jamie Kellner.... FUCK YOU TBS, FUCK YOU Disney, Paramount, Time Warner, Fox, Columbia, ABC, NBC and CBS! So, for those not using some sort of tivo-like device, if they should step out to relieve themselves, is THAT theft?
It galls that devices are being driven away from the marketplace because they're too good. And it equally galls that layer upon layer of obfuscation continues to be heaped on existing technology, to the point that when something works, my heart palpitates: is it the signal?, is it the unit?, or is the FUCKING DRM that I somehow forgot to set correctly?
Also from the article (referring to the ability to create "unencumbered digital tuners": "The entertainment companies do not like the flexibility of these home-built machines--or, more significant to them, the flexibility of the machines that consumer electronics manufacturers could offer under the current copyright law and its Betamax rule." WTF?, again?
They don't like the flexibility of these machines? I'm willing to bet somewhere in their ad campaigns they're bragging on some feature they're offering as flexible, etc. Gawd, I hate the industry.
So, technology continues to improve in quantum leaps, but the governor that is the RIAA/MPAA consortium does everything in their power to ensure technology is crippled to their whims, to enhance their power and profit.
Has anyone read Player Piano by Vonnegut? Great book... pretty good story about technology and designed obsolescence, and the collapse therein of a society... I won't give away the ending, it's worth reading.
</vent> Thanks, I feel better now.
It was never about piracy. Domestic/consumer level piracy is so minor as to not make a difference in their bottom line. The real media pirates are the overseas DVD pressing plants that press legal DVDs by day and bootleg DVDs by night.
This is about controlling what you watch and how you watch it. It's about protecting their advertising revenue. It' about making you buy a new copy of your favorite content every time they change formats.
Boobies never hurt anyone. - Sherry Glaser.
The most tell-tale part:
In 2003, 321 Studios, of St. Charles, Mo., launched a software product called DVD X Copy for these more typical DVD owners. The company built in aggressive measures to prevent piracy, including an antipiracy splash screen that appeared when viewing any copy and watermarks that would enable copies to be traced back to those who made them. The management at 321 Studios hoped that these cooperative measures would stave off Hollywood's wrath.
The company was wrong. Before the DMCA, 321 Studios would have been on relatively safe legal ground. From the time of the Betamax case, U.S. courts had made it clear that copying devices were legal so long as they had any substantial lawful use. But the DMCA changed the rules. When the movie studios sued 321 Studios, the Hollywood contingent did not argue that any of their movies had been unlawfully copied. Instead, it said that the product circumvented a "technical protection measure," which in this case was the Content Scramble System (CSS) on DVDs.
The CSS is the scheme Hollywood uses to encrypt movies on DVDs. Decryption requires a key, which manufacturers of DVD players obtain by signing a license with the DVD Copy Control Association, a consortium of movie studios, including Fox and Warner, and technology providers, such as Intel and Toshiba. This license, in turn, forbids licensed devices from making digital copies of DVD content or from offering playback modes that the studios disapprove of. (DVD recorders can copy only unencrypted digital material, such as home movies.) The licensing rules and DMCA put companies like 321 Studios in a quandary. If they signed the license in order to obtain the CSS decryption keys, the document prohibited them from using those keys in software capable of copying a DVD. If they didn't sign the license and forged ahead anyway, deriving the CSS keys on their own, they risked prosecution or a civil suit under the DMCA for circumventing the CSS. After consideration, 321 Studios opted to go forward without a license. The DMCA quickly washed away DVD X Copy. After the movie studios prevailed in court in 2004, manufacturers pulled DVD X Copy and similar ripping tools off the U.S. market.
This is yet more evidence that we are not a democracy. These bans and discouragements are almost entirely the result of lobbying backed by big inc's with deep pockets. No citizen majority voted for these. "Silly company, voting is only for humans".
Table-ized A.I.
Olson was puzzled why economic growth was faster in the South, after it lost the civil war, and also why France in the 19c after having had three or four revolutions and two catastrophic war time defeats had grown faster than Britain under stable rule. He concluded and showed that long periods of stability allow vested interests to accumulate anti competitive practices which enrich them at the expense of the whole.
We are looking at a classic example of this. Consider those who profit from the DMCA. Olson's insight was that it is in their interests to impose costs on society as a whole which are many times, maybe 100s of times, greater than what they themselves receive, as long as what they receive is more than they otherwise would.
Let interest groups carry on behaving like this for year after year, and gradually the costs imposed on society become so great that economic growth slows or stops totally.
Then, only a dramatic structural change, abolition of the accretions, will help. The good news is, it helps dramatically.
In an ideal world, the various Federal Agencies would counterbalance such interests, because they, being nominated by people elected on a broader basis, will have it in their interests to represent the country as a whole. However, special interests are ingenious and find ways through, and this only works by fits and starts.
It can be done. Thatcher did it in the UK. Democracies can do it, when they see the need. This is the good news, the bad news is, it has to get pretty bad first!
Really,
Microsoft still is evil, and I know that they happily jumped into the DRM wagon too. But when I compare today's news with the past I get a chill. Our rights are being ripped in a astonishing fast pace, and hollywood is suceeding in making things that even Microsoft never dreamed off.
The sad part is that they are likely to succeed; The average people don't understand the ramifications of those laws, and when they question their representatives, they are easily convinced by some crappy explanation in the line that this kind of laws helps to prevent terrorism, or save americans jobs or something like that.
But the truth is that RIAA are a threat to capitalism and free market. They are blocking inovation, subverting the law, and turning law-abiding citizens into criminals without they even knowing that.
We have to stop them. Know! Maybe it's time for another Boston Tea's party.
Your ad could be here!
I'm not an economics major, but all the capitalists I've ever talked to seem to love the whole idea of "the market will solve". It's sort of their silver bullet to any arguement. So why don't we let the market solve? Capitalism is supposed to be dynamic. Companies have to accept changing roles and adapt to them, not fight them. Big companies have to be forced to accept that sometimes they "have to roll the hard 6" and take risks. There should be no corporate entitlement. No company is guaranteed to make money. That's what pisses me off about the RIAA and MPAA. They refuse to consider changing themselves to the world, they'd rather change the world to suit themselves. Granted, that might mean the end to $300 million production value blockbusters or fewer 1 hit wonders and more solid bands, but the world will cope, and the market can decide which model they like better.
Now I can sleep well in the evening knowing that after a day full of downloading copyrighted music and movies, not paying a cent for them and still making copies of what turns out not to be junk to give to my friends ... I'm doing my role to make this world a better place to live.
First of all, this was a damn good article, one of the most thoughtful and thorough ones I've read in a long, long time.
Second of all, non-U.S. citizens aren't safe. The RIAA and MPAA are pushing our government to force other countries to sign their digital freedoms away in trade agreements and treaties. The article specifically deals with this issue.
Remember, the guy who released deCSS was arrested for breaking no Norweigian law. The Pirate Bay guys have had their equipment seized for breaking no Swedish law. The point is that just as the U.S. flexes its military muscles in places like Iraq, it flexes its corporate muscles in countries such as the one that you call home, wherever that may be. And as weird and hard as it may be to believe, I'm 100% sure that the government in your country is just as capable of doing the same really boneheaded stupid things that the U.S. government has done given the right (*ahem*) incentives.
So no, this is not a problem unique to the United States. Yes, the U.S. may be the worst of the lot, and yes, a lot of this foolishness has arisen primarily because of corrupt greedy U.S. organizations who don't give a flip about consumers there or anywhere else, but if you believe nothing else, believe this: This idiocy will reach you in your supposedly safe and comfortable home country unless you are vigilant and active about stopping it.
Then I saw this story I could nearly hear Robert Heinlein saying this: There has grown up in the minds of certain groups in this country the notion that because a man or a corporation has made a profit out of the public for a number of years , the government and the courts are charged with the duty of guaranteeing such profit in the future, even in the face of changing circumstances and contrary public interest. This strange doctrine is not supported by statute nor common law. Neither individuals nor corporations have any right to come into court and ask that the clock of history be stopped ,or turned back, for their private benefit.
You can boycott the companies that are promoting those luddite acts or vote against Reps and Senators, that are on their payroll:
"In an attempt to put an end to all that, Hollywood has drafted the Digital Transition Content Security Act, introduced as H.R. 4569 in December 2005 by Reps. F. James Sensenbrenner Jr. (R-Wis.) and John Conyers Jr. (D-Mich.). This legislation, better known as the Analog Hole Bill, would impose a design mandate on any "analog video input device that converts into digital form an analog video signal.""
The RIAA is urging the FCC and Congress to impose design restrictions on any future HD Radio recorders to stave off a successful new mutation: a digital hard disk recorder that allows easy and flexible archiving of radio broadcasts. As similar devices have appeared for satellite radio, the recording industry has also begun pushing for legislation to restrict them, such as S. 2644, the Platform Equity and Remedies for Rights Holders in Music (PERFORM) Act of 2006, introduced by Sen. Diane Feinstein (D-Cal.).
Hollywood lobbyists actually convinced the FCC to impose broadcast flag regulations in 2003, but a U.S. Court of Appeals found that the Commission lacked the authority to regulate the internal workings of televisions. Hollywood is now asking Congress to give the FCC that legal authority by passing the Audio Broadcast Flag Licensing Act of 2006, sponsored by Rep. Michael Ferguson (R-N.J.)."
I do not believe in karma. "Funny"=-6. Do good and forbid evil. Yours, Oft-Offtopic Flamebaiting Troll.