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Some Bands Still Refuse Music Downloads
Zelbinian writes "Wired News reports there are a number of artists, ranging from The Beatles to Radiohead, that are still holding out on iTunes. Some feel that per-track downloads hurt the artistic integrity of albums as a whole; for others it's simply a matter of negotiation troubles. From the article: 'Since record companies have realized the popularity of iTunes and other sites, many reworked contracts to give artists less money per download. Andrews said while record companies once offered artists about 30 cents for each song sold, now musicians are earning less than a dime.'"
First, why is this under "Your Rights Online?" Second,while I prefer to be able to pick and choose tracks, I can see how a band might prefer that an album be sold as a complete "work" and not picked apart. I think the album that should be viewed as such is probably rare, however.
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They can hold out as long as they want. If downloaded music sales start to eclipse that of normal CDs, then I suspect those artists will begin singing a different tune.
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It aint the artists, it's the labels.
How we know is more important than what we know.
Can you really blame them? The new contracts take away any monetary incentive that digital formats offered. What I dont get is Itunes delivers the tunes at their cost, the publishers have no packaging, promotion or media costs, so where does the money go? Maybe im a tin-foil hat type here, but it seems to me that the labels are just attempting their best to make sure that digital downloads are no incentive to the "artist" in order to keep their control over the industry. If it isnt cost effective, artists will stick with cd's and big labels as they see that as the only path to success. Too much success in digital format would show the artists that the labels were not needed in the modern age so from the labels perspective thats something best to avoid.
I remember when CDs came out. The labels pulled all sorts of renegotiation tricks to pay less money on CDs compared with vinyl. One of the excuses was that it was a "new technology".
If the RIAA really wanted to go after music thieves, they would be sueing the record labels.
"Trademarks are the heraldry of the new feudalism."
Are they performing the albums in their entirety at live performances?
Or selling singles/releasing singles to radio?
Seems they are defeating their own argument.
The bands who have concerns about their art being sold as a complete work have fans that go buy the CD anyway. If it's really a good album band (not just a one hit wonder) I want the physical media in hand, full quality and with all the artwork.
It's not like Beatles and Radiohead albums are hard to come by, both new and used -- who cares if they're sold on iTunes or not? Is there anyone who wants to buy the Beatles catalog who hasn't already purchased them on CD?
Online music stores (especially the subscription ones) are great for discovering new or obscure music, and they're ideal for buying a single on an album that's otherwise lousy, but the Beatles and Radiohead -- the most common holdout examples used -- don't fit any of those descriptions.
Since record companies have realized the popularity of iTunes and other sites, many reworked contracts to give artists less money per download.
The irony is that with online distribution, artists don't need to go through their record company middlemen anymore. They can sell their music directly through services like iTunes and claim their profits for themselves. All that's needed is for a few musicians with some guts to stand up to the people holding their leashes.
http://www.warchildmusic.com/
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For musicians, it's another way to resell their entire catalogs to fans who want the songs in multiple formats, he said.
Musicians my ass, this is being driven by the media companies. They are dying for a change of formats like album to CD. Album to tape did not do it for them and CD to lossy format outside of DRM and device maker collusion won't either. Yeah, I'd like the artist to get their fair share too. Reselling DRM'd versions of the exact same thing every 10 years is not my idea of a fair share. Only a few RIAA poster boys think iTunes is really a fair deal.
The device collusion is not happening, so it's all a dead issue.
Friends don't help friends install M$ junk.
I tend to buy whole albums simply because I'm a music pack rat; however, I can't stand musicians who complain about people not appreciating the entirety of their albums.
Give me a fucking break. Most top 40 artists already prescribe to a 3-6 minute song model, segment their album for radio play, and don't maintain any overwhelming unity between tracks. Moreover, they've been doing this for DECADES.
People have grown accustom to picking and pulling individual songs. We been promoting this model long before iTunes came around. If respecting the whole GD album was so damn important everyone would be producing albums like The Wall and releasing them on 8 Tracks.
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The only thing iTunes adds is the ability to partially pay for parts of the music. Before iTunes, you had to pay for the whole thing even if you didn't listen to it all.
So this obviously has nothing to do with "integrity". It has to do with getting paid for stuff people don't want to buy.
First, you are completely wrong, second... What makes them idiots?
If you listen to albums that are simply a collection of songs made in a certain time span for a certain end date, then those artist will likely not care if it is sold in bits and peices on the internet. However, the bands that will take exception are the more progressive ones that see music as more than easy money. Frank Zappa devoted a large portion of his songs to making fun of people like you.
I doubt very much that Radiohead really cares about the extra money they lose because a handfull of people like you will not give them your extra 10 cents to listen to Creep. There is a reason for that too. It is because they are the artists, and the really good ones who deliver consistantly good music don't really care about marginal increases in profits, they care about making something that they feel is worth producing. They actually had an idea, and if you only listen to a small portion of their idea, they would rather you not listen at all. May seem like strange reasoning, but I guarantee a large portion of the greatist creative minds throughout history would echo Radioheads sentiments.
They created the work for us to enjoy, not for themselves to tell us how to enjoy.
Actually, many good artist are pretty damn narcisistic. They probably would rather someone like you die than enjoy one of their songs, just due to the principle of someone who "doesn't understand art" shouldn't be dancing to their backbeat.
Basically, what it comes down to, is while I agree that it may be their loss in some ways, they probably don't care about it very much. And that is what makes them different, it doesn't make them idiots.
You take it, I don't want it...
One place to find people with management skills is at a label. They'll take care of calling radio stations for airplay, sending promotional versions out, arrange tour dates, and getting your name known in the business. All you have to do is be creative.
Of course, they'll also take the lions share of the money. But, hey, where else will someone pay you to just sit around and strum on your guitar and come up with songs?
(I'll let that sink in for a while.)
"All you have to do is be fragile and grateful. So stay the underdog." Chuck Palahniuk, Choke
That's just it. Whether the work is sold by track or by album, most people are going to miss a great deal of the point of the work as laid out by the artist. Insisting that people buy the entire album instead of a track makes as much sense as making sure that people take a test to ensure they grasp all the artistic points.
most people are going to miss a great deal of the point of the work as laid out by the artist.
And who is anyone to tell me how I should interpret art? Being able to not have to buy filler, or just stuff I don't want in general, is a huge advantage of iTMS and other shops like it. Shovel more stuff on me that I don't want (and force me to pay for it) and I buy nothing. You (the hypothetical artist/label/store) just lost a potential sale that way.
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Or maybe these artists actually care about their art more than the corporate bottom line, and thus deserve enough of your respect to buy their entire album or none at all.
Good albums don't contain filler material.
And mediocre albums have great songs on them.
i am a soviet space shuttle
Fine, but some artists do view an album as more than just a series of tracks. Can you be sure, in advance, which tracks are "filler" and which aren't? Why, when I was a lad, it was my pleasure to unearth an "unsung" album track with special meaning to me.
Radiohead is mentioned in the article: any thoughts about the overarching story told in the order of the songs on OK Computer? It's there, almost a hidden message that rewards careful listening, and it would be destroyed if the songs were Shuffled. My "unsung" song on that album is Let Down, one that got no attention and would be left out if I had bought the "singles" on iTunes.
You should try this with a book - after all, who the heck is the author to decide that Chapter 7 comes immediately before Chapter 8?
(this is not a
So if you buy the complete album, should they forbid you to skip some tracks?
So, each file currently costs about $1 to download. Consumers want to be able to mix-and-match songs across albums. Enter the artists that either want: 1) to sell more songs by bundling them into an album or 2) to maintain artistic integrity. In the latter case, let them bundle the entire album into a single file (to be sold for $1). Call the bluff and we'll see whether it's profit or art that rules.