eDonkey Pays the Recording Industry $30M

ColinPL writes, "MetaMachine Inc., the firm behind online file-sharing software eDonkey, has agreed to pay $30 million to avoid potential copyright infringement lawsuits from the recording industry. The company also agreed to take measures to prevent file sharing by people using previously downloaded versions of the eDonkey software. The eDonkey application now displays the message, 'The eDonkey2000 Network is no longer available. Please see eDonkey.com for more details.' After that message is displayed the uninstaller is launched automatically." If you visit edonkey.com, it logs your IP address. How much will the demise of eDonkey matter, given that most who access that P2P network do so using the open-source eMule?

Comments

recording industry?

[doti]

The so called "recording industry" is just not needed anymore. Just get your fortune and invest in another productive area, and get over it.

Go away. Please.

Re:recording industry?

[aplusjimages]

I don't know if they should go away, but for crying out loud adapt to the Internet. This is the new format. They all need to work together and remarket their products. They still expect people to buy their CD's by the billions as if CD's are still new technology. They still think they can put out 1-2 songs and then throw in 8 other songs to fill up a disc. The market is changing, so they need to change with it.

Re:recording industry?

[lymond01]

Their tactics could use some updating certainly, but there's a lot of money to be made in creating the next big star. Recorded music is still a commodity, and what drives the price up of concert tickets? A: Who is most famous. How do they get famous? A: Recording industry promotes them.

What would happen without the recording industry? A: They'd become popular by internet vote and word-of-mouth, someone would claim to have "made them famous" on their website and demand some of their earnings from concerts, videos, commercials. Other people would hop on that bandwagon, realize it's easier to promote people if they work together, and they'd call it the WMIA, World Music Industry Association, claiming rights throughout the world as an "international" (ie internet-based) company.

You'd think the way people talk that big industries are just a bunch of small people being greedy. Well, you'd be right.

Re:recording industry?

[arevos]

also, most artists have no experience marketing, selling, or dealing with the right people that will get them the high-paying gigs they need to continue performing and feed their family and or make the rent.

Yep, presumably artists will still need outside help to help them finance, organise and arrange large live gigs. However, I think there's less of a need for recording companies to market and distribute music from artists. Distributing music via the Internet is obviously cheap enough not to need financial backing; I need hardly go into the details of that on Slashdot. But marketing music is also a industry I expect to decline in the next few years. Music is an odd thing, in that one cannot 'sell' a piece of music in the same way one would sell a car. The customer either likes the piece of music he hears, or he does not. No amount of salesmanship will get him to change his mind, as it boils down to personal preference.

Because of this, marketing music consists largely of getting people to listen to it. Unfortunately, people have limited time on their hands, and cannot listen to every piece of music, so recording companies market selectively, using bands they know have a wide appeal. It's a broad, scattergun approach, and I can't help but think that one could do a far better job with a large database and some social networking software.

Re:recording industry?

[yaphadam097]

Music is an odd thing, in that one cannot 'sell' a piece of music in the same way one would sell a car. The customer either likes the piece of music he hears, or he does not. No amount of salesmanship will get him to change his mind, as it boils down to personal preference.

I disagree with this fundamentally. A lot of people, especially young people, buy music for reasons that have nothing to do with the quality of the actual music but have more to do with a certain image or subculture. I grew up listening to punk, and while some of it actually does qualify as good music, much of it is less about the content and more about expressing an opinion on the culture (Kind of like /. ;-) Rap/Hip-hop music too is often about an image - the clothes, the cars, the attitude, etc. - and not about the quality of the music. All of these things are expressed outside of the music as well. e.g. by the artists appearances, actions, and speech on radio/television, live concerts, etc. This "artistic image" is a kind of marketing and has always been exploited and/or manipulated by the recording industry. In this regard, there is quite a bit of salesmanship in the industry, and the artists are to a large degree dependent on the industry to get that image out via appearances in other media.

It logs your IP address.

[xxxJonBoyxxx]

If you visit edonkey.com, it logs your IP address

If you visit one my my sites, I'll log your IP address too. So what - are they following up on each one to see if they are potential pirates?

Re:Morte d' Robertson

[X0563511]

They call that a war of attrition. And they are indeed loosing (big lawsuits against few people wont work, they need small lawsuits against teeming crowds).

But that's almost as impractical as SCO's lawsuit(s)

Never ending gravy train

[LiquidCoooled]

So, eDonkey wants to stay legit, good on them.
They want to put in place controls to limit copying, good on them.
They then give all their money to the bullys, bad move.
Paying of the artists might seem like a prudent course of action, but once you pay of one group, what about the next?

Theres the RIAA, MPAA and the BSA.
The guitar tab people and the knitting pattern folks and all the other American groups.
Thats not including all the individual software companies who want a piece of the pie, nor does it include all the groups from other countries (like FACT(Federation Against Copyright Theft) or CAAST(Canadian Alliance Against Software Theft)).

What happens when I find software from my company is available on limewire, where do I get my piece of the pie from, or is mine not big enough and is simply enough to get it added to the list of banned searches without any financial payback?

What makes my company different to the RIAA groups?

Let the copyright owners prove blatant infringement, let them show the service is doing illegal things and let the service fix itself.

Don't give into threats.

I wonder...

[GmAz]

So, does the $30 million go to the 'starving' artists or will the RIAA soak up the money?

Logged IP?

[im_mac]

Everyone who clicks on the eDonkey link gets this friendly message:

"You are not anonymous when you illegally download copyrighted material. Your IP address is xxx.xxx.xxx.xxx and has been logged."

Great, I only go to the site, they chastise me for 'stealing' music and then write down my IP address. How long until the RIAA sends me a letter regarding my visit to eDonkey.com and requests to view my harddrive to find 'stolen' files?