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International Music Industry Amps Up Anti-P2P War
newtley writes to mention a BBC article discussing a new initiative against file-sharers by the International Federation of the Phonographic Industry. This international version of the MPAA is breathing down the necks of 8,000 users of file-sharing software. From the article: "The new cases cover file sharers in 17 different countries who have been allegedly using sites including BitTorrent, eDonkey, SoulSeek and WinMX. For the first time legal action is being taken in Brazil, Mexico and Poland. The IFPI said the actions affect a wide-variety of people: a laboratory assistant has been charged in Finland, while a parson has been served with action in Germany."
The real pornography here lies in how the *AA is screwing the artists and the consumers at the same time.
Makes more sense than Phonographic, frankly. Just goes to show how out of date those bastards are. If they had their way we'd still be listening to music on wax spools.
Seriously. This is the first format we've ever had that actually had the possibility of being constant quality for the indefinite future, with lossless transference between devices. I mean records got scratched, or degraded in quality over time, magnetic tape stretches, and is super prone to mechanical defects, cd's oxidize and have the alumnium fall off, but digital audio files, not being tied to a player, are a real threat.
Buy the White Album on CD and rip it to the format of your choice, and you'll never have to buy it again (assuming you back up your data). There is no way people will go back to the old "Tied to a chunk of physical stuff" method of information distribution. I just wish they would hurry up and realize this, instead of trying so hard to wish it true.
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You bring home a point about the entertainment industry that most people seem to forget. This is all about entertainment. The RIAA et al are up in arms because for them the whole piracy thing is about money, their bread and butter. It's show-biz.
/. threads), the huge amount of piracy which occurs only proves to the entertainment industry that demand is there. If you have never visited an Asian country, you have no idea how pervasive piracy of entertainment and software is throughout the world. It is huge.
However, the arguments which come out of anti-DRM people et al really come across as being pathetic at times. There is a pervading sense that fundamental human rights are being trampled on, when we are talking about entertainment product. Nobody needs the latest hit singles. Nobody needs box sets, DVD extras, or music libraries of 10,000 songs. We want them.
The entertainment industry, as in any other area of business, relies on supply and demand, and (as I have commented on before in
Anyone who argues against DRM or says the entertainment industry is somehow ripping off "the people", yet fights this through anti-DRM software, or some sort of piracy, or other means of getting the industry product they want on their own terms, they lose some respect from me.
I say, put up or shut up. If you don't like what the RIAA does, if you think labels only offer music that sucks, if DVDs are overpriced or you don't like the "new release-newer release with extras" cycle, don't respond by taking their product on your own terms. That just says that you do indeed value that product and are willing to pay for it, just not in upfront cash - you are confirming the demand for the product.
If you really mean what you say, respond by not accepting their product on any terms. Remove the demand entirely, and the market will react.
Buy a guitar, a piano, an accordian or whatever, and learn how to play it. Go see a play in a local theatre instead of a major corporate Broadway tour. Don't initiate your kids into the corporate entertainment addiction by buying them cross-branded toys. Stop feeding the monkey on your back and turn off your fricking television. Entertain yourself and those around you instead of relying on someone else (corporations) to provide your escapism for you. You will probably find yourself living a more rewarding life.
RTFM; please, I beg you.
Well, they'd like everyone to be on wax spools, but they'd like you to buy a new copy every few years when the old one wears out. Actually, what they'd really like is if each recording was a one-shot, somehow destroyed in the playback process. That would be just teriffic.
It's the electronics industry, not the music industry, that has driven new formats. The music industries go along with it because they make a lot of money in the short term, but they're rarely the drivers of new formats. In fact they tend to discourage their adoption more than anything else.
The music industry has been okay with the last few format transitions and hasn't fought the electronics companies too hard, because they've occured more rapidly than the old medium would have worn out. Thus, they made more money off of getting people to "buy up" to CDs than if they had waited around for vinyl records to all wear out and need replacement. Only now, they're starting to realize that they may have eaten the goose that could have laid a lot of golden eggs -- by forcing an 'upgrade' to CDs from vinyl, they made a lot of money in the short term, but they also gave people a format that doesn't wear out and is easily transferable to computers, where it can be replicated losslessly and endlessly, forever.
I'm betting they wished they had stuck with wax.
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