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An Ode To Al
bwfcusa16 writes "The Boston Globe has up a feature story on Weird Al in its Sunday edition. The article refers to his staying power as prince of the parody. It's an ode to his determination, talent, and relevance ... and, of course, the funny." From the article: "Novelty artists--and he is one--have a notoriously short lifespan. They age badly, they run out of gags. But Al, by simply refusing to stop, has turned himself into a sort of cultural Geiger counter, ticking and squawking around the hot zones. The oddity of a humorist titling himself like a pro wrestler (there's no "Funny Jerry" Seinfeld) has long since worn off--he's the champ, and he's earned it.
White and Nerdy - need I say more?
... 'This is the Life', probably released in 1985 or so. I eat filet mignon seven times a day, my bathtub's filled with perrier and I have women lined up outside my door, they've been waiting there since the week before, who can ask for more, this is the life. Genius =).
... particularly over the past 2 years. Note: the link above is to a work-appropriate humor site I contribute to ... I couldn't resist, hopefully I don't get flamed too hard, I'm a die-hard fan.
There's no doubt that Weird Al is seriously funny. How many comedians or comedic singers are around for 25 years, and have people remember their songs? I doubt even funnymen like Adam Sandler will have followings like him in another 10-15 years. My personal favorite song
While he had more duds than hits over the past 10 years, it seems like he's had some resurgance
Crack - Free with every butt and set of boobs
"Addicted to Love" was done by Robert Palmer not Robert Plant. Duh.
As a foreigner living here, I find that American culture often needs a little help to laugh at itself. Parker and Stone may have made doing so mainstream, but Al was ahead of the curve when he started it.
Aside from that, the simple fact is that using different words matching the same rhythm and rhyme of well known music is simply intrinsically funny, and he does a very good job of it - he also has a decent amount of musical talent, and he has shown superb diversity in keeping up with the times and parodying whatever is currently hip.
In short, Al is a key contributor to American culture, and deserves to be lauded for it.
If you want proof of Al's talent, look no further than "Bob," a brilliant tribute to the lyrical stylings of Bob Dylan. A parody of Dylan's "Subterranean Homesick Blues," "Bob" is done entirely in palindromes while still retaining the lyrical absurdities of the original song. Al also interjects several completely unnecessary 1-second harmonica rifts in the song, poking fun at Dylan's use of the instrument. I'm a huge Dylan fan and this was by far one of the most original tributes to the man. http://youtube.com/watch?v=Nej4xJe4Tdg
I wonder what Weird Al will be like 20 years from now... will he be remembered as one of the "greats" of comedy, a name living long after everyone forgets the jokes? What will his parodies (and polkas) be like? Will he continue to be the pop culture barometer that we've come to know and love? Regardless, all of his songs have been a constant companion on my playlists and CD jackets and tapedecks, and I think I remember his songs with more clarity than the originals. Maybe he will be known as the last successful accordion artist. *grin*
(there's no "Funny Jerry" Seinfeld) This article makes a good point. X3
Absolutely ridiculous. >.>
For me, the proof that Weird Al really impacted our culture and was relevant was walking into a store and seeing, between "Rock" and "Country" an entire "Weird Al" section. I guess you just can't pin that guy down :)
In 1980 I was a DJ with Weird Al at KCPR, the radio station at Cal Poly (San Luis Obispo, California). For some idiotic reason the powers-that-be wanted the station to act like a commercial station, playing mostly the same bland hits that the commercial stations played. Someplace I've saved a hilarious interview in the student paper with Al, in which he says "They can tell me I have to play certain songs, but they never specified at what speed, or what direction to play them in!"
He was a very friendly guy, by the way. Always upbeat and helpful to everyone even though he was already something of a star.
I'm sick and tired of these hip, "ironic" sigs. This is an actual, honest-to-goodness no-nonsense sig!
Interesting quote from the article:
"His new album, "Straight Outta Lynwood" (Volcano), shot into the Billboard Top 10 upon its release last month--his highest chart placing since he opened his one-man spoof-factory in the early '80s."
So after all of those Internet hackers have been destroying musicians' careers with their file sharing, and leaking videos, and other piratical nonsense...
You make something people want, and it SELLS.
Considering the exposure Weird Al had in the 80s (his videos were in heavy rotation for years, every news organization wanted to talk with him and leech off the Michael Jackson bubble), to be selling even better today speaks volumes.
Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
One of Weird Al's strengths is the fact that he keeps his humor clean, and the Simpsons has remained relatively clean compared to its competitors. There are many other comedians and parody artists who allow vulgarity and low-brow humor to slip into their work which undermines it. No one has a guilty conscience for listening to Weird Al's songs, so his humor is able to reach a larger audience. It also often takes more talent to be funny and clean as you are not relying on the "shock" factor as many "colorful" comedians do. There is something magical about a comedic routine that people of all ages and walks of life can enjoy.
I believe in de-evolution. God made the world perfect, man fell, and its been going downhill ever since!
Slate's Weird Al essay by Sam Anderson is infinitely more insightful and thoughtful than the Globe's coverage: "He's not like them, he's like us. To the millions of us flitting around the edges of hipness, he is our Geek Bard, our Troubadork. Unlike his prey--the rappers and the rockers, the folk-pop shamans and the techno wizards--Weird Al is, in the only meaningful sense of the phrase, keeping it real."
Online citizen journalism from the inner city: The View From The Ground
You are correct. I chose the wrong word. I will blame it on lack of sleep. I was trying to refer to the sleeze comedy that is so popular today where the only joke that seems to exist anymore is sex.
It has been in my experience, especially in regard to songs, that if one resorts to the use of bad language, they usually have run out of ideas. As a song writer I can tell you word space is limited in a song. You only have so many syllables to say exactly what you want to say. Swear words waste valuable real estate and generally do not add much to the meaning of the song (there are very few exceptions). Swear words are misused more often than not (not used for the meaning they actually have) and are not as poetic or descriptive as alternate forms. For example, consider "My life smells like sh*t" versus "My life smells like monkeys at the zoo". The second line has much more meaning and is repulsive without being vulgar. It is creative and different (I know the lines are not interchangable in a song, but you can see what I mean about the poetry). Too often those who use vulgarity don't have a whole lot to say or the creativity to say it right. (IMHO)
Regardless of taste, alienating the "kids, Christians and other sensitive types" alienates a very large percentage of the population. In order to remain popular have the kind of following Weird Al has, you need to be able to reach that audience as well. It is what has given him staying power. If you want your art to have vulgarity, innuendo, or nudity, that is fine, but do not complain when it doesn't reach a mass audience.
I believe in de-evolution. God made the world perfect, man fell, and its been going downhill ever since!