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DRM Critique Airs On National Public Radio

An anonymous reader writes to point out that a critique of Digital Rights Management made it onto the mainstream media this morning. NPR's Marketplace Morning Report ran a piece noting that with the demise of the VHS format we risk losing fair-use rights since we now have only digital media. From the article: "As our country moves forward to regulate digital copying, I urge us all to bear in mind T. S. Eliot's famous saying. 'Good poets borrow; great poets steal.'"

76 of 353 comments (clear)

  1. Missed it. by sporkme · · Score: 5, Interesting

    RealMedia, barf. How appropriate that a commentary on the restrictive nature of digital media should be distributed in that format.

    I think they are looking at the past through rose-colored glasses a bit here. The owners of copyright material have always made efforts to restrict duplication, even in the not-so-good-ol-days of analog tape. Drop a quick "VHS copy protection" into Google and you will see countless references of the restrictive nature of that media, both on the audio and video tracks. Analog audio tapes included a pleasnt high-pitched screeching boobytrap (spoiler signal) for would-be copiers.

    It is not the death of the analog media that represents the end of part of our culture--and the risk of lost rights--as the commentary claims. It is the lack of spine in our leaders to stand up for what is right. It is the lack of foresight and hindsight on the part of the copyright owners and the consumers that patronize them. Make some noise about that, NPR.

    I would also like to point out the self-destructive nature of the analog media they are pining over. About one third of the VHS tapes that remain in my collection are playable. The first DVD I ever bought does not skip once.

    1. Re:Missed it. by Anonymous Coward · · Score: 5, Informative

      They have a podcast, so you can download the segment as MP3 (for now):

      12/19/06 Marketplace Morning Report 2

      The segment is at 5:40 if you want to skip directly to it.

      After all, it's produced using taxpayer money, it better be publicly accessible.

    2. Re:Missed it. by MysticOne · · Score: 5, Informative

      Well, for one, this isn't NPR content. It's American Public Media, which is part of Minnesota Public Radio. While their public radio stations usually play NPR content, and these shows are usually syndicated, they aren't NPR programs. On top of that, public radio only gets a small portion of its funding from tax payer money. The majority of funding comes through donations during the pledge drives.

    3. Re:Missed it. by Ingolfke · · Score: 4, Insightful

      It is not the death of the analog media that represents the end of part of our culture--and the risk of lost rights--as the commentary claims. It is the lack...

      Everything after that was wrong...

      The threat to your "rights" and the rights of copyright holders is low cost digital duplication and distribution. Guess what, 100 years ago copying a book required that you buy the physical materials to print the book on and an expensive printer to print the book. It wasn't cheap. Enter VHS and VCRs... all of sudden where copyright holders had been protected by the high cost of copying their products they're now exposed to easy ultra-low cost duplication means. Enter p2p and you're totally fucked if you create ideas and content and hope to sell it.

      The model has been that you create content that people are willing to pay for, and you limit the distribution of that content, and people buy it. If you kill off the ability to limit the distribution of that content then you've killed off the incentive to invest resources into commercial media.

      Sure, you'll have all types of mix-ins and exciting mashups and derivative works for the first few years, but who is going to invest in the next Star Wars? The only people with money to invest in expensive media projects that will not return direct profits will be corporations and the rich. Star Wars... in a Ford Focus far far away...

      Copyright is good. Protecting it is good. DRM is not inherently evil. Yeah, the media giants are a pain in the ass and generally despicable, but that doesn't make copyright bad and it doesn't mean that they aren't going to be forced to change over time.

    4. Re:Missed it. by russotto · · Score: 5, Insightful
      The threat to your "rights" and the rights of copyright holders is low cost digital duplication and distribution. Guess what, 100 years ago copying a book required that you buy the physical materials to print the book on and an expensive printer to print the book.
      So our rights were safe as long as we didn't have the means to effectively exercise them. As soon as we could exercise them, they were taken away. Thank you, Joseph Heller. Of course the fact that you put our rights in scare quotes and left their rights unadorned pretty much gave away what you think is important.
      Copyright is good. Protecting it is good. DRM is not inherently evil.
      The DMCA is inherently evil. The DMCA (or something like it) is the only way to protect the integrity of DRM, so DRM must also be evil. If DRM is the only way to protect copyright, then copyright must be evil.
    5. Re:Missed it. by Anonymous Coward · · Score: 4, Funny

      "Sure, you'll have all types of mix-ins and exciting mashups and derivative works for the first few years, but who is going to invest in the next Star Wars?"

      If the death of copyright means that the like of Episodes 1 & 2 will never occur again, I'm probably okay with that.

    6. Re:Missed it. by Ingolfke · · Score: 3, Interesting

      So our rights were safe as long as we didn't have the means to effectively exercise them.

      What are you talking about? Since the inception of copyright you did not have the right to copy a copyrighted work and distribute it without permission. But, the costs made doing this in any large scale impractical and therefore made copyright infringement more uncommon and easier to identify and prosecute... and thereby protect the copyright holder. Low cost and readily available means of duplication and distribution completely blew that inherent protection out of the water. So now copyright is being infringed upon left-and-right.

      The DMCA is inherently evil. The DMCA (or something like it) is the only way to protect the integrity of DRM, so DRM must also be evil. If DRM is the only way to protect copyright, then copyright must be evil.

      Why is the DMCA inherently evil? The DMCA is NOT the only way to protect the integrity of DRM... and what kind of logical transference principles did you just manufacture here. DRM is not the only way to protect copyright (they've been doing that for years without it). Your logic is laughable and indicative of a anti-DRM fanboi.

      Look... I understand that DRM can be used by copyright holders to limit the use of a piece of media and create all types of other fees and crap. I understand that and it's an issue that needs to be considered and looked into. That said... they still have a right to protect the content they've created or invested in. The law says they do... tossing out DRM and copyright all together isn't realistic.

    7. Re:Missed it. by cpt+kangarooski · · Score: 5, Insightful

      Where, exactly, did the right to distribute other people's work originate?

      God, apparently. That right is part of the right of free speech and press, which is inherent in humanity. Copyright is an infringement on this right, as it is a right by an author, not to create works (which he already had) but to deny other people their equally inherent right to copy them. It is an acceptable infringement under the right circumstances, but its true nature should not be forgotten. And under the wrong circumstances (i.e. bad, overexpansive copyright law) the artificial right of copyright is not an acceptable infringement on our natural rights.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    8. Re:Missed it. by Danse · · Score: 4, Interesting
      Copyright is good. Protecting it is good. DRM is not inherently evil. Yeah, the media giants are a pain in the ass and generally despicable, but that doesn't make copyright bad and it doesn't mean that they aren't going to be forced to change over time.

      Wrong. Copyright refers to copyright law. Copyright law WAS good at one point. It doesn't even remotely resemble what it used to be. So no, copyright is not good. Protecting it is not good. DRM may not be inherently evil, but that doesn't matter a bit since it has only been used to enforce the perversion of copyright law that exists now. Furthermore, the evil media giants will only be forced to change if we stop supporting this crap they're calling copyright law, and stop pretending that it's a good thing and that it deserves to be respected. They got greedy and deserve to be punished for it. Retroactive copyright extensions? Terms longer than a human lifespan? Where the hell did the bargain between artists and the public go? They were supposed to get protection for a limited time, and then the work was supposed to become part of the public domain, and free for all to do whatever they want with. Nothing that was copyrighted has passed into the public domain for decades. We're supposed to be OK with that? I'm certainly not. It's not going to get any better if everyone keeps accepting the status quo either.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    9. Re:Missed it. by Sydney+Weidman · · Score: 5, Insightful
      The model has been that you create content that people are willing to pay for, and you limit the distribution of that content, and people buy it. If you kill off the ability to limit the distribution of that content then you've killed off the incentive to invest resources into commercial media.

      Hooray. Commercial, one-way media of all kinds deserve to die, or at the very least stop multiplying like virii.

      Some random thoughts on this topic:

      Money encourages production, not creativity.

      What is owned cannot be culture. For me that's an axiom.

      Own it if you want, but don't pretend that its got anything to do with culture. If I have to ask someone's permission to use it, it isn't culture. Culture *is* that which can be freely shared.

      If you pay me to say it, I'll eventually end up lying.

      Money encourages production, but it often encourages the production of crap. The "market" doesn't impose any standard of quality on what gets produced.

      The reason we give people a monopoly on copying is so that eventually we have lots of free stuff. Unless you can show that the benefit of increased production outweighs the harm of restricting freedom, don't dare talk about extending copyright in time or space. In fact, we should reduce the term and reach of copyright to the minimum level required to encourage production. *That* makes sense to me. The idea that all this shrink-wrapped blather is someone or other's private property seems to me to be a parlour game gone bad.

      Creativity can be encouraged in many ways. In Canada, parents are paid to spend time (a year or something) with their newly born child. Why couldn't individuals be given sabbatical to produce something of cultural importance? If you don't produce, your time off is repaid from source deductions.

    10. Re:Missed it. by Petrushka · · Score: 4, Insightful

      Copyright is good. Protecting it is good. DRM is not inherently evil.

      You need to start realising that the third sentence here has nothing whatsoever to do with the first two sentences.

      DRM, inherently evil? You bet it is. DRM is an imposition on the rights of the public way beyond the restrictions imposed by copyright. It's double-dipping.

      Copyright is saying, "I own this, so you're not allowed to make money out of it"; DRM is saying, "It doesn't matter whether I own this or not, but if you do anything with it that I choose to prevent you from doing, you're a criminal."

      Copyright is a compromise that in a reasonable world should promote creativity. DRM is designed precisely to impose obligations and restrictions on the public that have nothing whatsoever to do with copyright, but everything to do with greed and taking away legitimate rights.

    11. Re:Missed it. by Jah-Wren+Ryel · · Score: 5, Interesting

      Guess what, 100 years ago copying a book required that you buy the physical materials to print the book on and an expensive printer to print the book. It wasn't cheap. Enter VHS and VCRs... all of sudden where copyright holders had been protected by the high cost of copying their products they're now exposed to easy ultra-low cost duplication means. Enter p2p and you're totally fucked if you create ideas and content and hope to sell it.

      So, what you are saying is that when the copyright social contract was made a few hundred years ago, the average Joe really didn't give up much because it was next to impossible for him to make a copy anyway. Joe gave away something of no value (the right to make copies that he couldn't possibly make in the first place) in exchange for encouraging creators to create.

      So, now that any Joe can make as many copies as he wants for almost zero cost, don't you think it is time for the contract to be renegotiated? After all, what was a good deal for Joe 100 years is no longer a good deal anymore. Isn't that what a smart businessman would do in the same situation?

      After all, copyright only exists at Joe's discretion anyway. If the public collectively decides that copyright is no longer a worthwhile bargain, well, that would be the end of copyright now wouldn't it?

      --
      When information is power, privacy is freedom.
    12. Re:Missed it. by multisync · · Score: 2, Insightful
      If DRM is the only way to protect copyright, then copyright must be evil.


      Copyright that never expires is theft from the Public Domain. So copyright is theft, at least. (Or is that 'at best'?)
      --
      I don't care why you're posting AC
    13. Re:Missed it. by fyngyrz · · Score: 2, Insightful

      The reason we give people a monopoly on copying is so that eventually we have lots of free stuff.

      Well, just don't forget that the reason a lot of people create things is to make money. Not to share culture, not to enter into some agreement, long ago cobbled together by people they didn't know and had no input to or representation with. DRM is bad - even evil - when it makes stuff you buy not work on equipment you own, or makes you unable to archive it; but optimism aside, if creating something doesn't provide a sufficient return, creative types are going to turn to other modes of earning a living.

      Some things we can all do to reduce copy protection problems: Do not support HDMI. Buy displays and players that provide component connections. Component connections are analog, and they don't support copy protection, whereas HDMI enables HDCP, which is death on toast for the rights you accept as normal. Got an iPod? Do not buy from iTunes. Buy a CD; copy the tracks to your iTunes, then your iPod. Above all, don't copy creative works and give them away. These are the keys. Every time some loser copies a movie or a song and "shares" it, the honest members of the market are made to suffer the attempts to compensate for said losers.

      Me, I'm 100% component. I've a big screen home theatre, all manner of stuff connected to it, and a huge media library. I don't "lend" movies or CDs, and I do move content onto my iPod, PSP and palm in various ways, for my legitimate use.

      --
      I've fallen off your lawn, and I can't get up.
    14. Re:Missed it. by Anonymous+McCartneyf · · Score: 2, Insightful

      But if copyright did expire, then it would only be borrowing from the Public Domain until expiration day. It's only outright theft when it doesn't expire in an average human lifetime.

      --
      There is a fine line between recklessness and courage... -- Paul McCartney
    15. Re:Missed it. by 10101001+10101001 · · Score: 5, Insightful

      So our rights were safe as long as we didn't have the means to effectively exercise them.

      What are you talking about? Since the inception of copyright you did not have the right to copy a copyrighted work and distribute it without permission.

      He said "book", not "copyrighted book". Further, his main point was that "fair use" becoming a widely available option to people, with the availability of digital content, was counteracted by the DMCA and DRM blocking the ability to legally (at least, questionably legally) exercise such "fair use".

      But, the costs made doing this in any large scale impractical and therefore made copyright infringement more uncommon and easier to identify and prosecute... and thereby protect the copyright holder.

      Not exactly. Copyright came about precisely because it was so easy for publishers to print up "pirated" copies of works. In the American colonies, there were enough printing presses that a large share of the populace read daily newspapers. The fact that computers are now their own printing press certainly has greatly magnified that initial problem, but even today it's possible to track down the source of copyright infringement in many cases. The real problem is that there are so many infringers and that they don't have any direct commercial gain (even if it were merely the cost of the supplies to make the copies), that there's very little motivation to go after every last outfit that's mass copying works.

      The DMCA is inherently evil. The DMCA (or something like it) is the only way to protect the integrity of DRM, so DRM must also be evil. If DRM is the only way to protect copyright, then copyright must be evil.

      Why is the DMCA inherently evil?

      The DMCA is inherently evil because its vague wording could be taken to make computers illegal. More generally, it makes it illegal to use the key included with content or the hardware to use said content, except in a narrow scope of exceptions. Further, it is illegal to provide information to others the information to find or use said key, even if they use it only under the narrow scope of legal exceptions. Together, this greatly hinders the ability to speak and effectively cuts off the ability of a vast majority of people to fair use, as they are too computer illiterate to discover on their own the techniques necessary to exercise their rights, and it's not possible to directly teach them the information to take advantage of their rights.

      The DMCA is NOT the only way to protect the integrity of DRM....

      From a practical standpoint, the DMCA isn't an effective way to protect the integrity of DRM as the same means that allows copyright infringement which DRM is meant to stop can be used to either (a) disseminate the cracked DRM-protected content or (b) disseminate the information to crack the DRM-protected content. From a legal standpoint, it provides further basis to punish copyright infringers as well as a stronger legal basis to shut down organizations that collaborate to break DRM schemes. From a technical standpoint, DRM is technologically flawed because it includes the key with the lock.

      DRM is not the only way to protect copyright (they've been doing that for years without it).

      As stated, DRM is not an effective way to protect copyright. In reality, there's no means of protecting copyrighted works. From a legal perspective, DRM is superfluous, as copyright infringement is already illegal. However, also from a legal perspective, the DMCA provides a means of effectively banning all varieties of DRM-cracking technology so long as there exists as least one copyrighted work protected by said DRM scheme. As such, the DMCA provides a very effective legal blockade to greatly hinder the open operation of technology that would allow people to perform le

      --
      Eurohacker European paranoia, gun rights, and h
    16. Re:Missed it. by jfmiller · · Score: 5, Insightful

      Wrong Question. Throughout most of recorded history it has been accepted that the replication of information was not only permissible but encouraged. There are at least a couple saints whose claim to the title rests in their prolific ability to copy not only the bible but scholarly books as well. The value of a late medieval musician was in his ability to remember the words and tune to a song after only a single hearing. It has only been in the past 200 years where copying has become a sin. It comes from the industrialization of creativity. Instead of paying people to create we are now paying for the commodity of the created work. Notice that it is the commodity whole saler (RIAA,MPAA) and not the creator that are spending the most effort to protect the commodity market. Copyrights are artificial monopolies granted by the government to encourage commodity production. Lets write this again copying is the historical universal human right, copyrights are the limiting of those rights.

      Please go study a bit of history. (You'll probably have to pay to do this, because you don't have the right to read it freely any more.)

      JFMILLER

      --
      Strive to make your client happy, not necessarly give them what they ask for
    17. Re:Missed it. by Pofy · · Score: 5, Insightful

      >Why is the DMCA inherently evil?

      One new thing the DMCA and many similar laws introduced was a new "right" for the copyright holder, that of access. It is not really given as a new right, instead they are given the right to control the access but that is for the most part quite similar since it dissallows others the right to access. The right to access a work has not existed in most copyright laws before.

    18. Re:Missed it. by Ingolfke · · Score: 2

      Well reasoned and complete response. thanks.

    19. Re:Missed it. by mgiuca · · Score: 3, Interesting

      Exactly. I think copyright is OK when you have one man creating his work, he deserves to be able to profit from it - maybe for the rest of his life time, maybe for a limited time. I don't know.

      What I hate is when you see the grandson's family complaining that "oh, those nasty pirates are stealing our deserved income." What the hell? Since when do you deserve to get rich off something your grandfather created decades (centuries?) ago?

      Copyright aside, DRM is inherently evil because it quite obviously has "side-effects" which go far beyond what copyright is supposed to protect. (Bought a new MP3 player? Buy all your music again! Bought a PSP? Buy your movies again on UMD!) Clearly these aren't just random side-effects - DRM was created to make this happen.

    20. Re:Missed it. by Anonymous Coward · · Score: 3, Informative

      They don't pay taxes because they are a non-profit not because congress has a soft spot for Public Radio. To advocate taxing Public Radio would be to advocate taxing most non-profits. (This may be your opinion but to discuss why that's a bad idea is out side the scope of this topic)
      I don't think NPR stations have an advantage when it comes to cash given that they don't run commercials. (Yes I know they do run "This program supported by a grant from. . ." at the top and bottom of each show) I would guess that most commercial stations have budgets that far out strip you average NPR station (KJZZ's (the Phoenix AZ station) budget in 2004 was just over 3.1 mil)

    21. Re:Missed it. by Maxo-Texas · · Score: 3, Informative

      Good points all.

      I would only add two mildly tangental comments.

      1) They keep extending the length of copyright and somehow treat creative works as different than other inventions (patents have a much shorter period and may be much more valuable than a book).

      2) The idea of copyright is changing. Up until 30 years ago it was very common for songs to "steal" melodies from each other (hell most of blues is based on a small number of stolen phrases and would not exist if the first song that invented them locked them down). Then suddenly they started suing over small sequences of notes. The net result is that an interesting set of (7? 11?) musical notes is basically locked down for over a hundred years now. It may be legal but I don't think it is moral.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    22. Re:Missed it. by Maximum+Prophet · · Score: 3, Insightful

      Dude, you are never, ever going to be paid for that post. Ever. Yet you posted. Why?

      --
      All ideas^H^H^H^H^Hprocesses in this post are Patent Pending. (as well as the process of patenting all postings)
    23. Re:Missed it. by Java+Ape · · Score: 3, Insightful
      Excellent comment Danse,

      My wife is a best-selling author, and depends on copyright for her living, so believe me when I say that we understand the importance of protecting her work. However, the point of copyright is to encourage new creation, which was intended to become part of the public domain. The public basically grants a short-term monopoloy on duplication in exchange for the eventual use of the product. This deal was fair and mutually beneficial.

      Big business has bought the government, and the deal is altered past all bounds of recognition or sanity. DRM is the icing on the cake, insuring that even when our current insane copyright terms finally allow ancient works to fall into the public domain, they'll be 'protected' by additional restrictions, assuming terms aren't extended indefinitely.

      Even people who need copyright to make a living are shaking their heads and wondering what flavor of Kool-Aid is being passed around the government. Artists don't need 200-year monopolies and draconion punishment of their audience to make a living. I'm not sure who these provisions are supposed to benefit. . . the great-great-great grandchildren of famous movie-makers maybe? Why should the public commons be eliminated for their sakes? Something's not right.

    24. Re:Missed it. by TFloore · · Score: 2, Interesting

      Copyright law WAS good at one point.

      I'll accept that without specifically endorsing the viewpoint. There were a lot of people even at the beginning of our country's history that didn't like copyright at all. It took... a few decades (someone may correct me if this thread isn't too old) before the United States even recognized foreign copyrights registered in the US. Americans made lots of money printing European books in the US, in violation of copyright. This is fairly normal practice for developing nations, incidentally, you can watch it playing out in China right now. Back then England was saying to us similar things to what we are saying to China about copyright protections now.

      Retroactive copyright extensions?

      Agreed, these serve no purpose towards the stated goal in the Constitution. I do not like them.

      Terms longer than a human lifespan?

      Ahh... this one I'm going to take a silly/stupid position, just because I wonder if some people in corporate America really think like this...

      Consider things this way:
      Original copyright was 14 years, plus an optional 14 year extension, giving a total of 28 years. For someone that produced a copyrighted work in their mid 30s, they could expect that work to stay covered by copyright approximately until they died. Statistically, probably a few years before they died, but not by too much. (Ignoring skew from infant mortality, if you lived to be 20 years old, you had a pretty good chance of living to see 65, in the late 1700s in America.) So 28 years of copyright covered you until you died, for something produced in your prime working years.

      That worked great for copyright held by humans.

      Now, we have copyrighted works that are, for major money-making stuff, held by corporations, instead of by people. Which rule are we going to change? The number of years, which is obviously an artificial construct, or the basic (implied) theory that copyright should last until around the death of the author.

      The government, through careful application of lobbyist dollars, has decided that the proper part to hold on to is "death of the copyright holder" and, since corporations don't die, it is therefore logical that copyrights should go forever.

      This is pretty much how it works right now... Every time the first Mickey Mouse movie is in danger of losing copyright protection, the copyright term gets (retroactively) extended, and the work is still/again protected for the life of the copyright holder. Because, really, you aren't changing the rules of the game... you're simply recognizing that the copyright holder is living longer than had originally been expected.

      See? Makes perfect sense when looked at like that, doesn't it?

      Okay, I'm done with my silly/stupid position, and I can stop feeling slimy. Eww. I need a shower. But it does give you at least a little bit of understanding of a possible defensible position that the corporate copyright holders could have. Ignoring the fact that they are mostly power-mad money-grubbing soul-sucking scum. :)

      I wonder if anyone really does think like that.

      --
      This is my sig. There are many like it but this one is... Oops. Frank, I've got your sig again! Where's mine?
    25. Re:Missed it. by FLEB · · Score: 2, Insightful

      Well put, but I disagree with this as a solution:

      Technological: Get rid of old modulation systems and come up with a digital system that makes it easy to broadcast without stepping on anyone else. The TV becomes more like the Internet.

      I don't really know what this would solve. The only reason TV remains superior to the Internet, especially in the days of simple rich-media ability in the hands of most anyone, is that the high barrier to entry and the limited spectrum available makes fewer overwhelming choices for the viewer, and presents distinct definitive sources for information. Television already has become "like the Internet"-- in that people are putting broadcast-style media on the Internet already. However, there's still the MP3.com-style problem of an overwhelming crapflood, and no real central definitive "channels". In television, the small selection creates a social byproduct, as well, as the limited choice forces a common cultural ground of "what was on TV."

      --
      Information wants to be free.
      Entertainment wants to be paid.
      You just want to be cheap.
  2. We lost our fair use rights years ago... by MinutiaeMan · · Score: 5, Informative

    Most people don't realize that even certain VHS tapes had DRM -- or at least a basic form thereof. Many years ago, for a high school video project, I wanted to splice a little scene from "Return of the Jedi" into our project. (The scene with the Ewoks bowing and scraping to Threepio, as a metaphor for the Aztecs greeting Cortez.) But when I tried to record it onto the family VHS video camera for splicing and transfer (we were using our VCR and the camera to create a very basic editing system; this was 1996!), the camera would quit recording after a few seconds, saying something about a "protected" video or something.

    I forget how I got around it, but it was a pain in the ass. All for less than thirty seconds of fair-use footage for a damn high school project!

    1. Re:We lost our fair use rights years ago... by ConceptJunkie · · Score: 2, Informative

      Google "Macrovision", before creating various forms of digital rights management, as well as acquiring InstallShield for some strange reason, they were the leading name in "analog rights management", i.e., screwing up VHS tapes to prevent dubbing.

      --
      You are in a maze of twisty little passages, all alike.
    2. Re:We lost our fair use rights years ago... by StinkiePhish · · Score: 5, Informative

      Yep. It started in 1983 with the establishment of Macrovision Corporation.

      From Wikipedia...
      "The 1984 film "The Cotton Club" was the first videocassette to be encoded with the Macrovision technology when it was released in 1985"

      "A VHS videotape or DVD (no laserdisc or video CD players implement it) or digital cable/satellite boxes receiving a data stream encoded with Macrovision will cause a VCR set to record it to fail (excluding very old models, modified VCRs, or those approved for "professional usage"). This is usually visible as a scrambled picture as if the tracking were incorrect, or the picture will fade between overly light and dark. A 6-head or 8-head VCR (most are 4-head) can minimize this fluctuation, so it is not as noticeable. A DVD recorder will simply display a message saying the source is copy-protected, and will pause the recording."

      http://en.wikipedia.org/wiki/Macrovision

    3. Re:We lost our fair use rights years ago... by omeomi · · Score: 2, Insightful

      Vinyl is a bit better in this respect but playing it on any but the most expensive laser record players will decrease the amount of useful information and make it that more likely to skip.

      The irony here is that the people buying these laser record players are the same ones complaining about how CD's sound "digital", and how vinyl is just so "warm"...while going out and buying a record player that basically turns their records into giant CD's.

    4. Re:We lost our fair use rights years ago... by acvh · · Score: 2, Informative

      Your excerpt from the linked article describes the TRACKING lasers - if one continues to read:

      "Two additional laser beams are directed at the left groove wall and the right groove wall just below the tracking beams. Modulation on the individual grooves is reflected to scanner mirrors and onto left and right photo optical sensors. The variations of the modulated light cause the audio sensors to develop an electrical representation of the mechanical modulation of the grooves. The entire sound reproduction chain is analog."

  3. demise of vhs? wtf? by rucs_hack · · Score: 2, Insightful

    I've still got a vhs recorder, tons of tapes, and a large library, recorded and bought. Plus I don't see any reduction in the places that I can buy tapes.

    VHS isn't dead, nor will it be for a very long time. There's a big difference between DRM supporting companies wishing it would die, and it actually dying.

    Incidentally, we have a record shop in town that does a brisk trade in the vinyl media that *ahem* 'died' a few years back....

    1. Re:demise of vhs? wtf? by the_humeister · · Score: 4, Funny

      I still have an 8-track player and a whole collection of tunes on 8-track tape. And silly people kept saying 8-track was dying...

  4. The DMCA became law in 1998 by troll+-1 · · Score: 2, Funny

    Thank you, Rip Van Winkle.

  5. A thousand Slashdot readers curse T.S. Eliot.... by ElBuf · · Score: 5, Funny

    Good poets borrow; great poets violate copyright, which is nothing like stealing!!!

  6. Mainstream Media? by rossz · · Score: 3, Insightful

    When did NPR become part of the mainstream media?

    --
    -- Will program for bandwidth
    1. Re:Mainstream Media? by StikyPad · · Score: 2, Insightful

      Hello, National. Public. Radio??? Home of "All Things Considered" and "Wait, Wait... Don't Tell Me!" What alternate reality have YOU been hiding in?

    2. Re:Mainstream Media? by StikyPad · · Score: 4, Funny

      Likewise, I'd describe ambiguous inapplicable analogies with no supportive statements the same way that I would describe fruit.

  7. VHS has little to do with it. by mr_matticus · · Score: 4, Insightful

    The 'demise of VHS' is about as relevant to the erosion of "fair use" as the price of canvas was to the demise of sailing ships.

    People are willing to sell away anything to get a lower initial price--they're willing to accept more restrictive use if it means saving a buck. It's not just media entertainment, but food, furniture, and almost anything that involves the exchange of money. They'll reserve the right to complain later, but the remedy of that complaint can NEVER be raising the prices to fix what consumers voluntarily sold off.

    Yeah, we can sue McDonald's for making us fat, or we could stop thinking that paying $15 for a restaurant meal that won't kill you is some great injustice. We can complain all we want about outsourcing support jobs to wherever, but good god, don't charge us $20 more for our computers. We can balk at the several hundred dollar price of hardwood furniture and complain about deforestation, but IKEA still gets frowned upon for its "cheap" quality in comparison (when in fact, many of their products are surprisingly durable for being made of sawdust and paper).

    Price is all-important, and anything that gets us a lower price is a good idea...until we realize that what we threw out the window to get there might actually have been important. Then we want it back, but we want someone else to eat the costs involved with bringing it back.

    1. Re:VHS has little to do with it. by mr_matticus · · Score: 3, Interesting

      Not quite. The cost of DRM itself is minimal and a predictable consequence of digital media--not a necessary restriction on fair use rights. People are willing to do anything to drive down the cost of purchasing music, including accepting narrower usage.

      The fewer rights you transfer from the owner, the lower the sale price of the artwork. Media price isn't tied to production costs (if it were, small indie artists would be much more expensive, because their relative costs per unit would be way higher than the "big" pop artists). Instead, it's tied to the level of the licensing. Copies for renting out or public performance are substantially more expensive than the "home use" versions (even dating back to VHS and vinyl), even though they contain the exact same product. Likewise, digital files contain the same content (ignoring the low quality currently offered) for a lower price because they are transfers of fewer rights. This isn't to say that the labels' pricing for mp3s isn't greedy; that's a separate issue, but the point is that the price is lower, and by enough that it's starting to make a difference.

      It's not solely about materials cost, and it isn't in other markets, either. The ingredients McDonald's purchases aren't the big reason why the food's bad for you--it's the method. Same reason why good furniture is expensive: the wood is expensive, but so is the craftsmanship and the process.

  8. Incorrect by geekoid · · Score: 2, Insightful

    We did not loose fair rights.
    Companies have been preventing us from exercising them.
    I know the difference is very subtle.

    You must know this and get used to saying it bacause from a legal, and political view point, you still ahve those rights. SO when you say we 'lost our rights' it makes you look ignorant, and can be rubutted with "No we didn't you still ahve the right to do that."

    Also, you can make the corporations l;ook bad and not the politicians, which is a better way of communicating with your elected officials. You have been writing to your elected officials..right?

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    1. Re:Incorrect by mrchaotica · · Score: 4, Insightful
      You must know this and get used to saying it bacause from a legal, and political view point, you still ahve those rights.

      No, we lost them -- go read the DMCA. All the copyright holder has to do is say "this was ROT13 encrypted twice" and you have no Fair Use rights anymore.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    2. Re:Incorrect by node+3 · · Score: 5, Insightful
      You must know this and get used to saying it bacause from a legal, and political view point, you still ahve those rights. SO when you say we 'lost our rights' it makes you look ignorant, and can be rubutted with "No we didn't you still ahve the right to do that."
      I agree, in general, with the rest of your post, but disagree with this point.

      If you have a right, but are prevented from using it, you really *don't* have that right anymore. Just being written down somewhere doesn't make a right a right. The written form is just the description of the right. A right is only a right when it can actually be exercised. Regarding the topic at hand, the corporations have actually taken away (violated) our right to fair use.

      The flaw in your argument, as I see it, is the implicit assumption that only the government can take away or grant rights. In reality, it's those with power that grant or take away rights. It just so happens that usually it's the state that has ultimate power, but if the state leaves things to their own devices (ie: free market fundamentalism), all they have done is given the crown of ultimate power over to the next in line, which in the case of America, is the corporations (in other countries, the next in line might be corporations, organized crime organizations, warlords, etc).

      Your argument, while it does make the corporations look bad, also absolves them of any legal (which for some, equates to moral) wrong-doing, and undermines efforts to have the government step in to protect our rights.
    3. Re:Incorrect by Mr2001 · · Score: 2, Interesting

      Not really. First off, double-ROT13 doesn't "effectively control access to a work", and it'd be trivial to prove that in court - but you were joking about that, right?

      Seriously, though, you still have fair use rights. The DMCA blocks one possible avenue of exercising those rights, but there are others. You can't crack the encryption on a DVD to extract a clip for your review, but you can still connect the DVD player's analog output to a capture card, or point a camcorder at the screen.

      --
      Visual IRC: Fast. Powerful. Free.
    4. Re:Incorrect by Elemenope · · Score: 3, Interesting

      Yes. Yes, it does. And before this degenerates into a 'yes it does, no it doesn't' slapfest, it might be best to analyze the underpinnings of the two sides.

      The 'no' side is predicated upon the basic (and I believe ultimately erroneous) assumption that some rights are 'inherent'; that is, they literally inhere to (i.e. dwell within) certain classes of beings by virtue of those beings merely existing. This is the only way that one could argue that an unexerciseable right is still a right; it ontologically exists but is 'suppressed' in a manner of speaking by prevailing local conditions. It is certainly *possible* that this view is correct, but I think it problematic because it requires a large degree of epistemic faith, that is, that certain things exist of which we have absolutely no detectable evidence and yet are firmly believed must still exist. Such claims are always rooted in metaphysical arrogance and basically cash out as follows: "the world *must* work this way (despite lack of evidence that it does) because if it didn't, my word-view would collapse!" American society, and world-view, is predicated upon the inherency of certain rights, some of which are listed explicitly in black-and-white in the Declaration of Independence, and others are implied strongly in the Bill of Rights.

      The 'yes' side posits the epistemologically more reasonable position that rights adhere to their subjects, and are created, maintained, divested, and destroyed by some agency independent of mere existence. That is, either the agent or some agency on behalf of the agent must use force (take action in any form) to guarantee that the 'right' adheres to the agent and has functional substance. Absent that force, the right dissipates. This seems much more in keeping with evidence observable through the course of human history.

      Rights are only such if they can be cashed out into reality. Otherwise, they are just pretty words on paper. I agree with you on the very limited point that rights don't depend on just government, and so your statement "If your government doesn't protect your rights, it doesn't mean you don't still have them." is quite true. There are other means to project force to secure the practical adherence of a right beyond the reliance upon a government, and in fact it would be foolish in many cases to depend on the government to secure some of those rights. But, it does not then logically follow that, as you state, "everyone has rights". There are some people who do not use force and for whom no force is expended to adhere rights to them. Victims of genocide come to mind as the easiest example. They are deprived of rights; literally, they do not possess any.

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
    5. Re:Incorrect by Babbster · · Score: 2
      There are legitimate reasons for restricting speech (falsely shouting fire, etc.) but eliminating competition for people who want to sell that same speech isn't one of them.

      Oh, please. If I'm a writer and spend a year of 40+-hour weeks to write a book, should I not be able to profit from that effort if I choose? With no copyright law, I'm pretty much screwed once I show the book to any publisher or sell my first self-published copy to someone who decides to "share" because there's nothing illegal about doing so.

      For example, if you're a band and you expect your next album to cost $50,000 to produce and sell 5000 copies, then instead of recording it at your own expense and hoping to break even by selling copies for $10, just collect $10 from 5000 of your fans ahead of time and eliminate the risk.

      And that helps a band with their first album, how? And without copyright (which you imply in the quote above should be done away with), how does even the established band with fans that you describe make any money beyond their costs?

      If you believe that people shouldn't be able to profit from their jobs that's fine, but that belief doesn't fit into the economy, or society, of the US or the rest of the "western" world.
  9. A small nitpick... by alerante · · Score: 5, Informative

    Marketplace isn't an NPR program; the show is produced and distributed by American Public Media. Though many public radio stations air programs from both NPR and APM (as well as other orgnizations like Public Radio International), the two are distinct entities.

  10. Yet another thing... by The+Master+Control+P · · Score: 4, Insightful

    Yet another thing that Congress made illegal and which law enforcement makes no meaningful attempt to enforce. Which means it will go the same way as most of the rest of the US legal code: Never actually enforced until the cops (or the ones holding their leash) really, REALLY want to get someone (for reasons good or for bad); Then a careful search of the legal code is all but gauranteed to reveal something that makes you a criminal.

    After all, it's impossible to control people who aren't criminals. You see it on Law & Order all the time: If someone isn't cooperating, they threaten to enforce some other law unless the guy does cooperate. As shit laws like these pile up, the state becomes fascist through no particular malice or evil intent. You being a thorn in their side? Well, I'd sure hate to take your entire DVD collection to make sure they weren't pirated. And you better have receipts, too.

    Dead serious: Before any new law may be passed, the legal code shall be reviewed in it's entirety and thoroughly checked for existing laws serving the same purpose. If any such law shall exist, the proposed law may not be passed. If multiple laws serving the same purpose are found, they shall be reconciled into one non-self-contradictory law with the eldest law taking precedence. Not only will Congress be too preoccupied by this to do any more damage, but eventually the legal code will become understandable again. Imagine... justice returns as rich/well-funded criminals can no longer appeal their sentences for 25 years before they go to jail. To help initial implementation, I suggest forming a "council" of 1000 lawyers covering every legal field, and directing them to find contradictory and/or redundant laws.

    The problem is that as the legal code grows, the most general search becomes O(N^2) because you need to compare every law with every other law. This needs to happen before N becomes so large that the only way to finish before the End of Time is to completely reboot. Queue arguments that we're already there...

    1. Re:Yet another thing... by bhmit1 · · Score: 2, Insightful

      I'll second that. My philosophy was similar:

      Before any additional law (or tax, regulation, etc) two other laws must be canceled, until such a time as the general public has a firm understanding of all of the laws they are required to obey. At that point, every new law must cancel a previous law in order to be entered into the books. The end result should be a 200 page paper back book that is required reading for a high school student. Enforcement of the law should be done by the letter of the law and not by looking over past cases. If a law is ambiguous, it should be clarified and replaced with a new law.

      Consider what would happen to the bureaucracy if the most complex tax return was 5 pages long, how much better the legal system would be if anyone could defend themselves without knowledge of years of case law, and what would happen to the special interest if you had to fight against every other special interest for the little space left in the law books left for exemptions.

      Of course, that is about as likely to happen as congress voting for a pay cut or the two party system implementing a ranking voting method that doesn't have a built in bias for the two party system.

    2. Re:Yet another thing... by slamb · · Score: 2, Interesting
      Dead serious: Before any new law may be passed, the legal code shall be reviewed in it's entirety and thoroughly checked for existing laws serving the same purpose. If any such law shall exist, the proposed law may not be passed. If multiple laws serving the same purpose are found, they shall be reconciled into one non-self-contradictory law with the eldest law taking precedence. Not only will Congress be too preoccupied by this to do any more damage, but eventually the legal code will become understandable again.

      Have you heard of a lawspeaker? Here's a good article:

      Rationalizing regulation: In ancient Iceland, the people would gather together in an assembly, the Althing, once each year to hear their corpus of law recited from memory by a professional lawspeaker. If a law was forgotten during the hours-long proclamation and no Icelander objected then it lost its force, limiting the number of rules that could be pronounced before the speaker dropped from exhaustion. Thus, only rules that concerned the people and advanced the public good could remain "on the books".

      I'm inclined to agree with you; our laws are the legal equivalent of spaghetti code. They're poorly crafted - too permissive in places, too restrictive in others, too complicated altogether. When most citizens break laws during the course of a normal day, something's wrong with the laws.

    3. Re:Yet another thing... by cpt+kangarooski · · Score: 4, Insightful

      Well that's just idiotic. The right amount of laws to have is what works best to establish and maintain a desirable society and polity, not some arbitrary number you've clearly pulled out of your ass.

      Besides, your idea is unworkable on its face: laws are lengthy and complex when there is a desire for certainty. When laws are short and simple, there is less certainty as to what they mean (which, incidentally, means that you want to use caselaw, since then the courts will be able to all agree and take a largely uniform approach, rather than varying wildly as they all take their best guess, which will differ).

      Saying that the law should be as you describe is as stupid as if I said that the source code for an entire, fast, efficient, feature-packed OS, windowing UI, and apps (office suite, web browser, media player, etc.) should all fit, uncompressed, on a single floppy, and be human-readable, and easily understood by any average high school graduate. It would be nice, but it's a foolish demand to make, and probably can't even be done because some things are simply complicated, and that's how life is.

      A legal system can be simple, consistant, just, and efficient, but not all at the same time. In our society, and pretty much every other civilized society, we've chosen to go for just and consistant and where possible, efficient. Most simple and efficient legal systems tend to be of the 'might makes right' or 'eye for an eye' variety, and usually are not very consistant or just.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:Yet another thing... by slughead · · Score: 2, Interesting

      Yet another thing that Congress made illegal and which law enforcement makes no meaningful attempt to enforce. Which means it will go the same way as most of the rest of the US legal code: Never actually enforced until the cops (or the ones holding their leash) really, REALLY want to get someone (for reasons good or for bad); Then a careful search of the legal code is all but gauranteed to reveal something that makes you a criminal.

      For more information on this, there is a fantastic Cato Book Forum on this subject.

      Here's a great quote from FDR's attorney general, Robert Jackson (mentioned in the video):

      With the law books filled with a great assortment of crimes, a prosecutor stands a fair chance of finding at least a technical violation of some act on the part of almost anyone. In such a case, it is not a question of discovering the commission of a crime and then looking for the man who has committed it, it is a question of picking the man and then searching the law books, or putting investigators to work, to pin some offense on him. It is in this realm--in which the prosecutor picks some person whom he dislikes or desires to embarrass, or selects some group of unpopular persons and then looks for an offense, that the greatest danger of abuse of prosecuting power lies. It is here that law enforcement becomes personal, and the real crime becomes that of being unpopular with the predominant or governing group, being attached to the wrong political views, or being personally obnoxious to or in the way of the prosecutor himself.

      Keep in mind, he made that speech, the body of federal criminal law was less than half the size it is today.

  11. Re:A thousand Slashdot readers curse T.S. Eliot... by Brandybuck · · Score: 2, Interesting

    People say "steal" because it is one syllable, as opposed to the six for "violate copyright". No, it's not synonymous with armed robbery, but it is stealing. Get a dictionary and look it up! If copyright is a property, then copyright violation can indeed be stealing. If copyright isn't a property, then stop according property rights to your creative works (such as using the GPL).

    Last week I went to a wedding. While there I stole a kiss from the bride. So why can I steal a kiss but I can't steal a poem?

    I for one, am praising T.S. Eliot!

    --
    Don't blame me, I didn't vote for either of them!
  12. Great Bootlegs... by __aaclcg7560 · · Score: 3, Funny

    Good poets borrow; great poets steal.

    Maybe that's why the underground economy in China is so great.

  13. Still not yelling loud enough. by Chuqmystr · · Score: 2, Informative
    Call me wrong if I am but it seems to me that most folks who listen to NPR are at least somewhat familiar with what DRM is and all that accompanies it. At least for myself and the other NPR listeners I talk to that's he way it is. Still, good to see the word is getting out beyond just the Internet. Forgive me for stating the obious but what really should be done concerning rights management as far as media is concerned would be campaigns on the order of the bullshit the which the RIAA and MPAA have been spewing, sans the bullshit of course. Perhaps this is a step in that direction. Keep it up NPR.

    As for the Real Media encoding from what I remember it was the only useable and widely accepted option around when NPR first started offing audio content online. Still, much better options abound these days. They should at least transition to them over a few weeks or months time if they're woried about pissing off listeners who are unaware and set in their ways. -C

  14. The choice is simple... by Lodragandraoidh · · Score: 2, Insightful

    The choice is simple - either continue to accept the old business model, or don't. It is up to all of us to make that choice for ourselves.

    --

    Lodragan Draoidh
    The more you explain it, the more I don't understand it. - Mark Twain
  15. See, This is What Happens... by Bob9113 · · Score: 5, Funny

    Now do you see? Now do you understand why we have to get rid of this particular evil? This simply cannot be allowed to survive, because it is standing in the way of progress.

    As long as we continue to have media outlets that are not owned by corporations, we will continue to have reports like this that fail to toe the corporatist line. Were it not for NPR, reports like this, critical of DRM, would be relegated to the backwater of Internet blogs and college-town weeklies. We have failed to completely destroy NPRs credibility as a media outlet despite our constant efforts. We must stamp it out altogether, or face continued non-corporate-approved reporting.

  16. Who are the real thieves? They are! by Simonetta · · Score: 5, Insightful

    With all the talk about 'theft' and 'piracy' it's easy to lose track of who the real thieves are here. It's the global media corporations who stole the public domain by bribing the politicians to implement a permanent extension of copyright.

        Suppose that you buy a car on 'time' and agree to make five years worth of monthly payments. After five years (if you don't miss payments) then the car is yours. Suppose that after four years and six months, the finance company bribes the local legislature to extend the amount of time that you have to make payments for another five years. Emmimently fair for them; a rip-off for you. If you refuse to make another payment after the initial five years of payments have come to completion, they call you a thief and get the local law to take your car at gunpoint and put you in jail.

        Copyright works the same way. Agreement is made to make payments for an agreed time period for the use of the films, books, or recordings. After that period is up, the films, books, and recordings are paid for and can be used by the public freely. The material enters the public domain.

      Paying off politicians to extend this period is theft: it is theft of the public domain. The global media companies have relentlessly and successfully lobbied and bribed for 'extensions' of the copyright period in individual countries throughout the world. They keep extending the time period that the public must pay them in total violation of the spirit of the balance between copyright and public domain. They are the real thieves here, not someone burning a CD or downloading a movie. Never forget this.

        Criminals don't get to chose which laws are enforced for all the rest of us. Nor do we have to pay serious attention to the justifications that they use to legitimize their criminal behavior.

    1. Re:Who are the real thieves? They are! by Jah-Wren+Ryel · · Score: 2, Insightful

      That doesn't mean that you have a legal right to copy copyrighted material.

      But it does make a pretty good argument for a moral right to copy copyrighted material.

      --
      When information is power, privacy is freedom.
    2. Re:Who are the real thieves? They are! by russotto · · Score: 2, Insightful
      So your point is good, that copyright holders have used the political process to extend their benefits to what seems to be the deterement of everyone else.
      That doesn't mean that you have a legal right to copy copyrighted material. So you can feel free to ignore the law of "criminals" but the reality is that you could still be held accountable, regardless of your own justification.
      Ahh, the "they bought the law fair and square" argument. The point isn't that people violating the (bought and paid-for) law can't be held accountable. In fact, not only can they, but the people who bought the law get to set the value of the accounting. The point is that due to their activities there is no longer any moral or ethical backing to the law. It's pure might-makes-right and violating it is at worst a morally neutral act.
  17. DRM is completely unconstitutional by dpilot · · Score: 2, Insightful

    The Constitution says "for limited time." That means that some sort of copyright expiration means is necessary in DRM, so that after the copyright expiration the medium becomes free and unencumbered - public domain. AFAIK there is NO expiration mechanism whatsoever in current DRM, therefore it violates the letter and spirit of the Constitution.

    This is most likely moot, because in order to properly test this in court, we'd need DRM-protected media of material with an expired copyright. That hasn't happened, and probably never will happen. Congress has asserted their right to extend copyright as much as they wish, and the Supreme Court has agreed - 1 day less than eternity is "limited."

    As long as the ??AA funnels money to Congress, and as long as Congress accepts it, copyrights will never expire, and the Public Domain is effectively DEAD.

    --
    The living have better things to do than to continue hating the dead.
    1. Re:DRM is completely unconstitutional by man_ls · · Score: 2, Informative

      That doesn't count. The representation of Mozart contained on that CD has a unique, modern copyright.

  18. His quote bears true... by ItMustBeEsoteric · · Score: 5, Insightful

    Being that Eliot *actually* said, "Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different."

  19. Re:Fair use is a defence, not a right by node+3 · · Score: 3, Informative
    You are under the mistaken assumption that the doctrine of Fair Use is a right. It is not, and never has been, a right. It is a defence to the charge of copyright infringement.
    You are wrong on two counts.

    First, that I am unaware of the actual legal standing of fair use.

    Second, that it does not grant rights. It, in fact, does. I am allowed the *right* to copy copyrighted works, if my copying falls under fair use.

    This *right* has been repeatedly affirmed by the courts.

    This legal distinction appears to be lost on most who contribute to the neverending copyright debate on slashdot.
    Not in any generally meaningful way. While people do tend to misunderstand the details of fair use, the fact that it exists and allows for some rights for the consumer is both fact and law.
  20. public radio is not produced with taxpayer money by consumer · · Score: 4, Informative
  21. If it's property... by Belial6 · · Score: 5, Interesting

    I always say that if it is property, then there should be a property tax on it. Let the copyright holder declare the value of their "intellectual property". If they set the value at $100, then they can only sue for $100. If the set the value at $100,000,000 then they can sue for $100,000,000, but they also have to pay property taxes on $100,000,000 worth of property. Of course they should be able to abdicate their ownership at any time both relieving them of copyright and tax liability.

    This would limit copyright holders from hording just for the sake of hording, as they would have to pay for it. We would see large numbers of works currently under copyright, pushed out to the public domain as a tax savings. It would not prevent anyone that is currently making a profit from their works from continuing to do so as they would be encourage to declare a fair market value for their works to properly balance protection and tax liability. It would limit the outrageous lawsuits as the value of the work would be pre-determined.

    1. Re:If it's property... by dragonsomnolent · · Score: 2, Interesting

      I like this idea, however, as some have pointed out in this thread, there should be triggers, time limitations, etc... I agree with the poster who said that after it is published you should pay the tax. Make the value something to the tune of the cost of publication, plus x amount for time spent creating the work. Maybe even allow the tax to be paid out over a short length of time. The idea does have merits, and if the bugs got all worked out, I would welcome this with open arms.

      --
      I got nuthin
  22. DRM will kill itself by bensafrickingenius · · Score: 4, Interesting

    I bought Neil Stephenson's Baroque Cycle trilogy in Adobe ebook format from Amazon a couple of years ago (I bought each book as it came available, actually). Well, that all started 3 laptops and 2 Palm PDAs ago. I got the urge to read the trilogy again last month, and found that I could no longer activate my Adobe ebooks. Seems that I'd accessed them on too many devices. Adobe tech support basically told me to go fuck myself. So I bought the dead tree versions of the books. I then emailed Adobe copies of the Amazon invoices for the ebooks and the subsequent hardcover purchases, along with a note explaining that I'd bought my last ebook. No surprise that I haven't heard back, but I'm sure they'll get the point when more and more of their paying customers have a problem with their legally purchased books being stolen from them by Adobe. Anyway, I'm praying that things change, and the sooner the better.

    --
    I am not left-handed, either!
  23. The "Progress Clause" by Garrett+Fox · · Score: 5, Interesting

    I have to question you on this one. There are two main theories of where "intellectual property" comes from, and the debate over patent/copyright is contentious enough that law professors can't even agree on whether to refer to the Constitution's "IP Clause" or "Copyright Clause" or "Progress Clause." (I favor the latter.) Jefferson compared knowledge to a lighted taper [candle], that can be spread with no harm to the original holder; Franklin was a printer of pirated books. The actual wording that made it into the Constitution is ambiguous: patent/copyright law exists to "promote the progress of science and the useful arts," which suggests that ownership rights in ideas are not fundamental rights, but ones established through the government as a form of subsidy for creativity. The fact that these rights are "for a limited time" supports this notion. The other theory emphasizes the wording about "securing rights" as though people did have innate rights to exclusive control over their work. In either case, it's not "God" creating the rights but a social contract/natural law.

    And in either case, you apparently do not have a Constitutionally protected right to copy media even under the First Amendment, because the Progress Clause grants "the exclusive right" to the creators. So, does the First Amendment override and destroy the Progress Clause? Or did the Founders understand the First Amendment to not cover copyright (which means there was a large hole knocked in it from the beginning)? I don't know the answer here, but there's troubling ambiguity even just from trying to figure out the original intent of the Constitution.

    --
    Revive the Constitution.
  24. If Money Were No Issue... by Garrett+Fox · · Score: 2, Informative

    Counterexample: I write stories. I make very little money at it so far, and I keep writing despite that fact, because it's something I love. In fact, I would like to devote more time to it, but so far I'm forced to earn money by doing something uncreative instead. If I were able to make a living as a writer, my time and therefore my output would be greater. So, the money does encourage creative production.

    --
    Revive the Constitution.
    1. Re:If Money Were No Issue... by cgenman · · Score: 2, Informative

      Not to re-cover grounds that my brother post covered so well but...

      If you're currently writing stories and making no money at it, then money is not your motivating factor. It's a limiting one, but not a motivating one.

  25. Dead Letter / Jefferson's Taper by Garrett+Fox · · Score: 3, Interesting

    Would you say, then, that the Progress Clause (or whatever we should call it) has always been a dead letter, overridden completely by the First Amendment? It's a legally plausible position, as you'd be saying that the Amendment (which came after the Clause) eliminates and blocks all restrictions on freedom of the press, therefore canceling the authority that the Clause gives Congress to grant exclusive reproduction rights to media. But if that's so, then all copyrights are unconstitutional, and possibly even patents.

    A letter by Jefferson presented his idea that "the exclusive right to invention [is] given not of natural right, but for the benefit of society." He wrote that "natural law" or "universal law" or "nature" was the source of our rights. He distinguished between those rights "derived from nature" and those from "the gift of social law," putting patent/copyright firmly in the latter category and questioning its practical worth even in that capacity.

    --
    Revive the Constitution.
    1. Re:Dead Letter / Jefferson's Taper by Artifakt · · Score: 4, Interesting

      One thing to remember here is that the standard conservative position is that it's desireable for the Supreme Court judges to read letters such as the one you reference to help determine the framer's original intent. It's the standard liberal position that the constitution is a living document - for text book liberals, that doesn't mean the court shouldn't refer to intent, but that intent doesn't always govern.
            There are some very ignorant (or possibly just plain malicious) people who have started attacking the liberal viewpoint over the living document position - I say ignorant not because the 'original intent' position is necessarily wrong, but because they have opposed it by making original intent something the court should guess at in a near vacuum. Only certain other documents are supposed to be relevant to helping determine intent, and often judges who refer to other documents, such as the letter you mention, are falsely characterized as liberal activist judges who are not sticking with original intent at all.
            So you've given a very good arguement for the user's right to copy being a natural right, and creator copyright for a limited term being a gift of social law. It's actually an old style conservative arguement. At this point, it's not conservative enough for the 'right wing', and half the Fox comentators would call you a liberal. Now for the 64 dollar question. How do we fix the copyright system, if we let someone re-define the centrist position so that it's to the right of practically every poster to this thread.

      --
      Who is John Cabal?
  26. Remember one thing. by PopeRatzo · · Score: 3, Insightful

    Even at 8 percent taxpayer funding, I hope the Free Market Radicals and Capitalist Pigs among us remember that this important story has been TOTALLY ignored by the mainstream commercial media, demonstrating that there is some value to Socialism after all.

    Now you can go back to playing with your Milton Friedman action figures.

    --
    You are welcome on my lawn.
    1. Re:Remember one thing. by NDPTAL85 · · Score: 2, Funny

      It might help to get your message across if you could inject some actual emotion, perhaps rage, into your comments next time. Your post was so completely devoid of personal feeling that I wonder if you even mean what you said.

      --
      Mac OS X and Windows XP working side by side to fight back the night.
  27. Re:So *you*'re the strawman I keep hearing about. by ShieldW0lf · · Score: 2, Interesting

    And yet providing an exclusive right to a subset of that information (creative works) for a limited time seems to benefit the whole more than it costs them.

    Exactly.

    You know what the problem with a religion is? It's not that the advice it gives is good or bad, it's that the absence of the consideration of why it's good or bad that goes with wholesale acceptance of it leads people to not realize when the world has changed and the good advice is no longer good advice.

    As a way to administer who in a population you entice to create, it's not an entirely bad idea. But it has limits on its effectiveness and costs that must be considered, and it must be allowed to become obsolete and die as a cultural meme if we are going to grow and progress.

    The time is fast approaching where you could fit the sum of all human creativity into a small cheap piece of material with a reader no more sophisticated than a cheap electronic toy and put one in the hands of every man, woman and child on earth. Copyright law would make this impossible. That's a pretty big cost to pay. Particularly in consideration that copyright isn't what supports those artists, but rather one possible mechanism to determine who we collectively support.

    We need to create a practical mechansim that would allow for humanity to support creativity in people in a fair and sustainable fashion that doesn't carry the necessity to deprive humanity of access to the majority of works, as the current system does.

    To choose to do otherwise is to needlessly transform (maintain?) our neighbours into (as) ignorant, dependent and uneducated peasants that, rather than participating in mutually beneficial civilized exchange out of enlightened self-interest, instead attack their oppressors in an attempt to break free of a structure that separates them from culture, education and the capacity for more intelligent behavior, again, out of enlightened self-interest.

    If he gives you fishes but refuses to teach you to fish and refuses to let you try and teach yourself, the enlightened person will gather their neighbours, stab him spears, pillage his hut for his equipment, then try to muddle it out for themselves and enable everyone in the village to be empowered.

    Progress occurs when they finally succeed.

    --
    -1 Uncomfortable Truth