Slamdance Festival Loses More Entrants
In yet more displays of solidarity with the creator of Super Columbine Massacre RPG, additional Slamdance finalists have withdrawn. The incredibly creative Toblo, as well as the titles Once Upon a Time and Everyday Shooter have taken themselves out of consideration in protest of the Columbine game's removal from the competition. Only eight of the original 14 finalists are still in the competition, with several of those having gotten together to write a letter of protest to the contest's organizers. Danny Leddonne, creator of the Columbine title, has spoken with Ars Technica and Next Gen in recent days, and touches on both his controversial title and the hoopla that now surrounds it. Update: 01/10 20:21 GMT by Z : It doesn't end. Slamdance has now lost a sponsor over this.
USC Interactive Media Division Withdraws Slamdance Sponsorship
Invexi - a Phoenix, AZ based web design and web development company.
It seems to me that anyone who thinks Slamdance made an idiotic decision ought to be contacting the producers of the seven games left in the competition (list is at the Slamdance website, and ask them why they haven't pulled out yet. The strongest comment on this sort of behavior will be made if they have NO games left in the competition this year.
1984 was supposed to be a warning, not an instruction manual.
It's hard for me to jump up and say, "Yeah! Way to go!" at the so-called honorable actions of other games pulling out of the Festival. Sure, it was stupid of Slamdance to allow SCRPG to enter only to disqualify them at the end. It's like allowing a drug using, girl-gone-wild type into a Miss America pagent only to disqualify her later because she's a drug using, girl-gone-wild type.
Er... wait... what?
Seriously, although I am not for disqualifying the SCRPG, how would you feel about a new FPS entering the contest called Maryland Sniper? Remember the guy who was sniping innocent people coming out of the parking lot or attempting to use a gas pump? Would that be an acceptable entry as well?
I mean, look, after all the WWII and Iraq Desert conflict style games that are out, let's face it, this SCRPG is not much different. Anyway you look at it, the fundamentals are this, one group of people waged war against another, took lethal action, and tragedy ensued.
So at what point does one feel that a violent video game has crossed the line? Grand Theft Auto, a game where the player steals cars, kills hookers (Vice City) and pretends to be a stereotyped Uncle Tom gangster (San Andreas), has pretty much been accepted as gaming norm. Ironically enough, brain drained politicians felt the hot coffee mod where two 3D animated sprites humping one another was far worse than shooting a prostitute in the gut, stepping on her face, stealing a car and running over pedestrians.
And what constitutes the 'line being crossed' scenario? It seems in this case, the "too soon?" cliche is what crosses the line, although that argument gets shot to hell when Iraq War games hit the shelves three years after the conflict began. It seems to me there is no line when it comes to video game violence. There is only pushing the envelope by displaying contextual scenarios and situations that happen to be violent. For example, a game where I can, with graphic results, shoot a hooker in the face, no problem, but if I bring her up to my virtual apartment and, with graphic results, dry hump her, there's a problem with that. If I shoot her in the face afterwards, serious, serious problems, but only because I dry humped her first.
See? It's baseless. There is no line. There is only the ability of players to understand the level of realism they are simulating. This is obviously just Slamdance making a really dumb decision at a very poor time. If they would have refused the game in the getgo, well, then they'd have to come up with a pretty good reason why and I think they didn't feel like doing so as it might impede on their slamdanciness, so to speak.
Here's a question: What if this were called Super Columbine Simulator, instead of RPG? Too Soon?
The interview of the game developer is pretty funny. He sounds like a freshman humanities 101 paper using phrases like
and gems like:
Sadly being kicked out of Slamdance is going to give this guy far more press than he deserves. No, not because he created something controversial.. but because he created a crappy game with no subtlety and just expected everyone to accept that "all forms of art can be valid tools for societal exploration".
Here's a clue to this guy. If you want your "art" to be accepted as a "valid tool for societal exploration", you just might want to create something that doesn't suck monkey-dick. Then that whole "it's art and changing peoples opinions of what a game is" thing might have a bit more validity.
AccountKiller