Slashdot Mirror


EMI May Sell Entire Collection as DRM-less MP3s

BobbyJo writes "According to the Chicago Sun-Times, EMI has been pitching the possibility of selling its entire music collection to the public in MP3 form ... without Digital Rights Management protections. According to the article, several other major music companies have considered this same route, but none as far as EMI. The reasons, of course, have nothing to do with taking a moral stand; EMI wants to compete with Apple. 'The London-based EMI is believed to have held talks with a wide range of online retailers that compete with Apple's iTunes. Those competing retailers include RealNetworks Inc., eMusic.com, MusicNet Inc. and Viacom Inc.'s MTV Networks. People familiar with the matter cautioned that EMI could still abandon the proposed strategy before implementing it. A decision about whether to keep pursuing the idea could come as soon as today.'"

39 of 188 comments (clear)

  1. Recent EMI News by eldavojohn · · Score: 5, Interesting
    First off,

    EMI has been pitching the possibility of selling its entire music collection to the public in MP3 form ...
    Not quite, they're looking to sell it to a service. If my tax dollars were paying for all of EMI's music to enter public domain, I would imagine a lot of people wouldn't like that idea.

    Recently, I learned that EMI will be allowing music videos to stream freely to UK, German & French users through AOL.

    Also--possibly in relation to this--EMI's top legal counsel, Charles Ashcroft, has stepped down after ten years with the company. There's been a lot of internal restructuring so I wonder if these no-DRM propositions are on the way in or on the way out.

    From the article linked above,

    EMI, which is the world's largest independent music company, reported revenue of £867.9m and £62.7m profit for the six months ending 30 September last year.
    I'm assuming that those profits are primarily music based so what amount would you have to offer the world's largest independent music company to be able to release their MP3s without any form copy protection? It's difficult to consider anyone being able to afford this.
    --
    My work here is dung.
    1. Re:Recent EMI News by Divebus · · Score: 4, Insightful

      Somebody has to do it but first, the music "sharing" (pronounced "stealing") problem still needs to be solved or EMI will be very broke, very fast. I don't think the "honor system" has been completely worked out (or is it "honour system"?). Second, I wonder how much one of the majors would charge for a lifetime, unencumbered digital music license? Otherwise, this is a very exciting development. Competing with Apple would be less a factor since the iPod is the cash cow (not the iTunes store) and the iPod is an MP3 player first and foremost.

      --

      Most of the stuff on /. won't survive first contact with facts.
    2. Re:Recent EMI News by uradu · · Score: 5, Interesting

      > If my tax dollars were paying for all of EMI's music to enter public domain

      Who the hell is talking about that? You're reading things into it that aren't there.

      On a different note, if EMI is seriously considering selling unencumbered music, I would suggest they buy allofmp3's back-end software, or they develop something along similar lines along with a similar sales model, except of course more realistic pricing that hopefully actually compensates the artists. I personally consider up to around $5 an album for 128Kbps MP3 an acceptable price, any higher than than and downloads almost completely lose their attraction. Future pricing models simply HAVE to take into consideration the quality-per-buck aspect, otherwise it won't fly long term. Paying $10 an album for considerably lower quality than what you get on a CD from Target or Wal-Mart at the same price simply won't fly. Besides, offering a tiered pricing model also gives them the chance to zero in on the sweet spot of the market.

    3. Re:Recent EMI News by antonyb · · Score: 5, Interesting
      The internal restructuring is on the back of extremely bad financial results. Its also worth noting that since the CEO and CFO stepped down, a deal has been struck with a Chinese ISP which comes off the back of a failed legal action by EMI to sue the same ISP for linking to illegal downloads. EMI internally, believe it or not, has a fairly enlightened view of mp3 & DRM, but have been hampered by their old-fashioned board of directors. I think they're likely to be the first to ditch DRM and sell unfettered music downloads.


      ant.

    4. Re:Recent EMI News by Daniel_Staal · · Score: 5, Insightful

      To get the honor system to work, they need to make it very easy to buy music. Easier than finding it for free. People will sill 'borrow' from friends, but if it is easy enough to find and buy music through them, then most people won't make the effort to find it for a lower price.

      --
      'Sensible' is a curse word.
    5. Re:Recent EMI News by Given+M.+Sur · · Score: 3, Insightful

      Somebody has to do it but first, the music "sharing" (pronounced "stealing") problem still needs to be solved or EMI will be very broke, very fast

      How do you figure? They've been making quite a profit selling CDs which are easily transferable to mp3, so why would also selling mp3s hurt that profit? If anything it'd help.

      --
      nil
    6. Re:Recent EMI News by SkunkPussy · · Score: 4, Insightful

      I wouldn't pay 5$ for a 128kbps mp3 album when I could down 192kbps VBR for free. 128kbps mp3 isn't even worth listening to, unless you're into poetry/other spoken material

      I would however pay £5 for a high- or very high- quality mp3 album.

      --
      SURELY NOT!!!!!
    7. Re:Recent EMI News by psykocrime · · Score: 5, Interesting

      To get the honor system to work, they need to make it very easy to buy music. Easier than finding it for free. People will sill 'borrow' from friends, but if it is easy enough to find and buy music through them, then most people won't make the effort to find it for a lower price.

      Exactly. Personally, I'll happily pay to go to an official service, with high quality mp3 downloads, where I can quickly search by artist, song-title, album, etc. and find the exact track I'm looking for, know that what I'm getting is what is actually labeled, know what the quality of the file is, etc. As long as the files aren't DRM'd and the price is reasonable. Why waste time with p2p networks where you never know exactly what you're getting, download times are inconsistent, etc?

      Hopefully if the labels go through with this, they follow the "long tail" approach and put plenty of obscure tracks up as well... demos, b-sides, live recordings, unreleased tracks, etc. Give music fans what they're looking for and they'll pay (well, some of us will anyway).

      --
      // TODO: Insert Cool Sig
    8. Re:Recent EMI News by ZachPruckowski · · Score: 3, Insightful

      Currently, nearly all music from EMI is available on CDs anyways. So there's no "sharing" issue, because it's just as easy to pirate someone's MP3 they ripped as to pirate someone's MP3 they bought. Therefore, removing DRM from downloadable music does nothing to most piracy.

    9. Re:Recent EMI News by dave420 · · Score: 2, Interesting

      If there weren't people providing quality releases to BitTorrent, where the tracks are encoded using a good encoder, tagged correctly, including artwork, etc., then you'd have more of a point. BitTorrent is great for 99% of the music you want to hear. Even the obscure stuff is available, and download speeds are more than adequate. If it's not on BitTorrent, it might not even be on the online services anywhere.

    10. Re:Recent EMI News by punkr0x · · Score: 2, Insightful

      One can already get all the free music they want from EMI artists. This won't change the illegal file sharing side of things; maybe make it a little easier, but the music is already out there so what's the difference. I think it is a fantastic move to cater to what the consumers want, rather than telling them what they want.

    11. Re:Recent EMI News by pla · · Score: 4, Insightful

      Somebody has to do it but first, the music "sharing" (pronounced "stealing") problem still needs to be solved or EMI will be very broke, very fast.

      Why?

      DRM-less music has existed for longer than its DRM-encumbered counterpart. The web, Napster (v1), Kazaa, AllOfMP3 all made every album ever released fairly easy to get free or cheap, without any DRM.

      And yet... The music industry still manages billions of dollars in sales per year.

      How can that happen? It only takes one copy, right?



      What the RIAA, MPAA, and apparently you need to understand, most people consider themselves basically honest. People want to "do the right thing", and they want to support their favorite artists.

      People do not, however, like getting "burned" buying an album of crap with one overhyped single on it.

      You basically have two kinds of music downloaders... The first group (which I consider the vast majority) downloads a few tracks to check them out, and if they enjoy the music, they'll buy the album. The music industry should court these people, not take them to court, because they count as customers (if they don't get too pissed off at the antipiracy measures put in their way). The second group will download anything and everything the can, and wouldn't dream of paying for music. You can fairly call them parasites, but their behavior (and how little they actually buy) wouldn't change in the least if the MP3 fairy came along and made it physically impossible to pirate music. So, as much as the industry may hate them, they have no effect on sales, whether given free reign to download, or whether DRM eventually proves effective in stopping them.

      I would actually add to that one more pseudocategory, the "potential" customers... These people fall into the first group but currently can't afford to actually buy much music. Many college students fall into this category. Although they may superficially look like group #2 at their present station in life, in a decade they will start replacing their collection with legally obtained copies, to the great profit of the music industry.



      So, does the industry need to address the "problem" of try-before-you-buy, or embrace it? Since we don't already all have a complete collection of every song ever made, despite the ready availability of them, I'd say "no". This problem exists only in the closets and under the beds of media company CEOs.

    12. Re:Recent EMI News by jZnat · · Score: 2, Insightful

      How about they just put their music on eMusic or style their store after Magnatune? On the eMusic side, they encode using lame --preset fast standard (or something similar, perhaps they truly do mean 192k VBR and use lame --abr 192 -q 2 or similar; however, VBR according to LAME is only available with the --preset [standard,extreme,etc.] and -V n [--new-vbr] options), which is definitely a high-quality MP3 file. On the other hand, Magnatune offers your choice of (each choice is in a zip file because you buy whole albums there) FLAC, WAV (probably with CUE sheets, I don't remember since I don't use the WAV downloads), LAME VBR MP3, AAC, Ogg Vorbis, and 128k MP3 (the sample quality; these downloads are free and are available under the CC by-sa-nc 2.5 licence IIRC).

      If, however, EMI decides to go with a constant 128k for their material, they're shooting themselves in the foot. 128k MP3 (almost never encoded using a good MP3 encoder like LAME) is what's available on Kazaa, LimeWire, and all the other popular P2P networks. If they can at least do as good (if not better) than the MP3 scene rules (EAC + LAME fast standard), and combine that with a good [online] interface with tons of music, they're golden.

      For instance, if EMI decides to try and compete with quality and price, I will definitely buy the latest Iron Maiden album right off the bat even though I've already gotten it on the high seas.

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    13. Re:Recent EMI News by Bright+Apollo · · Score: 4, Insightful

      The translation of this concept from Russian to English, of course, is "Allofmp3"

      -BA

    14. Re:Recent EMI News by DreadfulGrape · · Score: 3, Insightful

      I respectfully disagree.

      When DRM is abandoned, sales of digital music will go through the roof. It will promote greater competition across a more level playing field all throughout the music industry (i.e. Jobs is right).

      --
      sig has been sent away for a few small repairs...
    15. Re:Recent EMI News by shark72 · · Score: 4, Insightful

      "The translation of this concept from Russian to English, of course, is "Allofmp3""

      Exactly. And since the EMI catalog would presumably include album art, it would make it that much easier for Allofmp3 to bolster their library.

      The gotcha here is that customers want a "fair price," and many people have mentioned that since allofmp3 sells for less than $0.10 per track, that's a "fair price" and anything else must be henous profit-taking. The reality is that in the US, the minimum mechanical royalty payment by law is about $0.07 to the songwriter and lyricist (not to mention royalties for performers, bandwidth, credit card processing, and all the expenses that happen when people who draw salaries touch the product somewhere), so if your net cost per track is greater than $0.10, you can't break even no matter how many you sell. And as noted in the article, EMI netted eight points of profit last year, so they don't have a lot of room to play with.

      People mentioned ease of use. The thing is, the people on the pro-piracy side have pretty good designers and coders, too. No matter how good Apple makes the iTunes interface, BitTorrent clients and sites like allofmp3 keep getting better, too.

      What this means is that people will always find a moral reason to pirate. EMI releases their catalog in MP3 format in a variety of compression rates and with album art? Sorry, chaps, allofmp3 will give us the same thing, and they're $0.10 (lower than EMI will ever be able to sell at unless the law is changed), so EMI must be the greedy fucktards here. The iTMS is easy to use, you say? Sorry, bittorrent clients are just as easy and have just as much eye candy; thus iTMS et al. have clearly dropped the ball and we shouldn't give them our money.

      I mentioned the law requiring minimum mechanical royalties. A few months back, the record companies actually were trying to change these royalties, and to say that it did not go over well with the Slashdot crowd is putting it mildly. If the law does get changed one day, then many people will certainly use the logic that if the record company isn't paying the artists, then they shouldn't have to. EMI is big and evil; allofmp3 is the our friend since they've been selling cheap, DRM-free music for a while now. Guess who will get the average Slashdotter's money?

      --
      Sitting in my day care, the art is decopainted.
    16. Re:Recent EMI News by badasscat · · Score: 3, Interesting

      I've noticed that my militancy - as measured by how much and exactly what I download - has gotten worse the more the *AA stupity has gone on. In the beginning, it was stuff I'd already bought. Now it's a little wider.

      Interesting - my experience has been exactly the same.

      I want to support the artists. I think most people do. I still buy CD's most of the time. But I will not buy anything encumbered with DRM (at least not DRM that I can't easily get around).

      The more pissed off I have gotten with the RIAA, though, the more I've almost wanted to actively stick it to them. I've downloaded from Allofmp3.com, and I've downloaded through bittorrent. Not a lot, and I still try to justify it by saying it's stuff that I wouldn't otherwise buy at all. (For stuff I really care about, I still buy the CD.) But that's more of a rationalization than just downloading music I already own on another format, which is also how I started out. The RIAA has made me care a lot less about being on the right side of the law, because their idea of what the right side of the law is is both factually incorrect in many cases and also completely unreasonable. It's like telling somebody that not only can they not jaywalk (which is and should be illegal), but that they also can't cross the street from a corner with a "walk" signal. You're only allowed to cross the street in the presence of a uniformed RIAA representative, and if no such representative is around, tough. That is not an edict I'd follow, anymore than I'd follow their edicts about DRM'd music (especially their consideration of ripping CD's for my own personal use as "piracy"). Worse, the fact that they're trying to redefine the law on their own terms and enforce it themselves just makes me want to do exactly the opposite of what they're telling me to do. So now I'm going to jaywalk too, even when I wouldn't have before. I mean, if they're gonna make a criminal out of me anyway, I may as well go all the way.

      They need to seriously start repairing their relationship with their customers. Ditching DRM is a good first step, and a necessary one. But it's going to take more than that to win me back as a full-time customer and to wean me off physical CD's. They need to completely re-evaluate everything from the top-down, starting with the artists they sign and promote, then the deals they sign with those artists (the artists need to be the ones taking the lead in promoting their music - I shouldn't even know what label somebody's on), then the way they distribute that music and the value they include with it. They need to be way more customer-friendly, which includes not insulting my intelligence with a bunch of American Idol wannabes all the time, not forcing DRM down my throat and not complaining that CD's are "too cheap". They need to realize that we're the ones keeping them in business with the products we buy, so if they want to make more money, they're going to need to provide us with more value for that money. Part of that means not crippling their songs with DRM.

    17. Re:Recent EMI News by the_womble · · Score: 2, Informative

      The statutory mechanical royalty rate is paid to the music publisher, not the artist. In most cases of music EMI sells, they would be the publisher.

      The statutory rate can be overridden by a contract and is, in effect a maximum rate, not a minimum, see http://www.joelmabus.com/royalties.htm

      Other costs of selling downloads are much lower than CDs.

      Lower costs could raise volumes.

      The type of people who regard big media as evil, are exactly the people who would see a company that dropped DRM as good. The rest do not think about it.

      EMIs sales would have the advantage of being completely non-infringing globally.

      I think that EMI will get the average slashdotters money. I am sure that, far more importantly, they will get the average music buyer's money. They will certainly get mine.

    18. Re:Recent EMI News by Bright+Apollo · · Score: 3, Informative

      Most of you probably know all this and I'm likely just stating the obvious.

      RIAA uses an old but effective technique to keep their royalties coming: information hoarding. A fully-transparent accounting of costs per CD, traced back to what the artist gets and including taxes, etc, would neuter most of the arguments or at least put them on the same playing field for fair comparisons.

      Once this is done, it becomes easy to look at artist output as the sum of recording studio time plus expenses, then promotion costs, and so forth down to distribution which, then, becomes very small as a line-item cost. Once the cost components are transparent, effective arbitrage pushes these costs down as well.

      -BA

  2. Someone has to be first by gravesb · · Score: 5, Insightful

    One of the big four has to be first. Maybe if one takes that big first step, the rest will realize the folly of DRM and follow.

    --
    http://bgcommonsense.blogspot.com
  3. Compression by skriefal · · Score: 4, Interesting

    This is a good first step. Now start selling the tracks without lossy compression! 99 cents per track for FLAC downloads and even *I* might be interested.

    1. Re:Compression by $RANDOMLUSER · · Score: 2, Insightful

      I think it is a good step. Selling MP3s for cheap online, and selling FLAC on CDs is a win/win for everyone. We'd get the "songs" we want for our iPods, and the "albums" we want for our audiophile rigs.

      --
      No folly is more costly than the folly of intolerant idealism. - Winston Churchill
    2. Re:Compression by Anonymous Coward · · Score: 5, Funny

      I am willing to accept zero loss. Until the music industry can get its act together and have the band play a concert at my house for 99 cents a song, I refuse to pay. Those of us with high-end auditoriums in our garages don't want any of this lossy sampled stuff. Good day to you, sir!

    3. Re:Compression by stud9920 · · Score: 4, Funny

      An average audiophile will find a FLAC tune worse than the equivalent CD.

  4. I think they'll be pleasantly surprised by Anonymous Coward · · Score: 2, Insightful

    I have never bought online music simply for the DRM. If this is available (at a good bit rate)
    and the price is fair, there are a lot of songs I've wanted to buy. I only liked one or two
    songs from the album so I was never going to go buy the whole CD anyway.

  5. Dear EMI, by kirun · · Score: 3, Insightful

    You want my money? You sign up with eMusic and so will I. Deal?

    --
    I'm scared of numbers that can't be written as a fraction. It's an irrational fear.
  6. To paraphrase Johhny Dangerously... by jpellino · · Score: 3, Funny

    "My father sold his entire music collection to the public in MP3 form without Digital Rights Management restrictions... ONCE."

    --
    "Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
    1. Re:To paraphrase Johhny Dangerously... by ElleyKitten · · Score: 4, Insightful

      "My father sold his entire music collection to the public in MP3 form without Digital Rights Management restrictions... ONCE."
      It's not like the music sold with DRM doesn't wind up on pirate sites anyways. All it takes is one person to convert a song to mp3 and it's all over the net. Might as well give your paying customers the benefits of mp3.
      --
      "What is Internet Explorer 7? Are you saying we can't access the normal internet?" - I love tech support. Really.
  7. Wait a minute, I'm confused by zuvembi · · Score: 2, Funny

    I thought I heard someone say something about one of the music majors actually wanting my money. Well, you know, without tying me down with a bunch of crappy DRM. Which I can't use anyway since I'm dumb enough to be a Linux user.

    I'm confused, and I think my wallet's a little frightened. I might actually be able to spend money on new music. How strange.

  8. So by AllofMp3.com by Anonymous Coward · · Score: 3, Interesting

    Maybe they should buy AllofMp3.com, because that store was/is rivalling iTunes in the UK and that is despite being it on an iffy legal basis and requiring giving your credit card details to a dodgy Russian outfit.

    I know the common perception is that they shoveled product at dirt cheap prices, but the prices were not that cheap (albums cost around $3) and they were easily able to get the sale price EVEN THOUGH THE P2P NETWORKS HAD THE PRODUCT FOR FREE
      Plus they were working on download managers etc. and have the experience of running a major store.

    EMI could sell their own product through their own store (allofmp3 mk2) and make their own money and even sell it to iPod users.

  9. Competing with Apple??? by ryanduff · · Score: 5, Informative

    The reasons, of course, have nothing to do with taking a moral stand; EMI wants to compete with Apple. 'The London-based EMI is believed to have held talks with a wide range of online retailers that compete with Apple's iTunes.
    Not according to the New York Times http://www.nytimes.com/2007/02/09/business/media/0 9online.html:

    EMI, which releases music by artists including Coldplay and the Beatles, has discussed various proposals to sell unprotected files through an array of digital retailers, including Apple, Microsoft, Real Networks and Yahoo, said the executives, who spoke on condition of anonymity.
    Don't be confused by the submitter's opinion. Moral reasons vs competition was mentioned nowhere in the linked Associated Press article...
    In the manner of Steve Ballmer "FUD! FUD! FUD!"
  10. Not really "competing" with Apple by Zigurd · · Score: 2, Insightful

    iTunes was critical for iPod to become dominant and fend off challengers, but now that both iPod and iTunes dominate in media players and media downloads, iTunes is more of a limitation than a defense for iPod.

    Apple will greatly benefit from the destruction of the iTunes "one price, everything DRM'ed" model for music. As Jobs pointed out in his essay, only a tiny fraction of music on iPods is bought from iTunes. If iPod is to continue to grow as fast as it is now, ripping CDs will become a bottleneck. A multi-supplier, competitively priced, flexible, compatible, user-friendly download business is needed for the media-player business to reach the next level of expansion.

    What will prevent piracy? The same thing that made phone phreaking obsolete: Music, like long distance phone service, will become too cheap to steal. $0.10 to get a high quality digital recording vs. swapping sketchy rips with sketchy people - the choice is easy. The other side of the coin is that $0.10 is too little money to support the customer service required when people migrate a DRM'ed music collection from one computer to another or one player to another.

  11. "Excuse me! Old man coming through!" by pandrijeczko · · Score: 4, Interesting
    Hey, EMI!

    How about you just *continue* to release albums in the best digital sound quality possible (i.e. on CD) and just make the price of those a lot more reasonable?

    Then all of us out here in Consumerland can rip the CDs to whatever format is appropriate to us and not go into fits of hysterical laughter when a Beatles album that was recorded 40 years ago appears in a shop with a £15+ price tag.

    If people want the option of picking tracks from albums in a lossy format, then let them have it - but if theire lives are so damned hectic that they cannot find the time to listen to an album from start to finish, then they are not the true, CD-buying music enthusiasts anyway.

    And if people start whining about "only 2 or 3 good tracks on an album" then suggest that they do a little more research into music and go find some better music.

    --
    Gentoo Linux - another day, another USE flag.
  12. Give Steve Jobs some credit by jocknerd · · Score: 3, Insightful

    He made a statement that Apple would sell music without DRM if the labels would let him and people accuse him of being a cheat, looking out for his own interests. How would selling DRM-free music benefit Apple at all? It wouldn't. It would level the playing field on both online stores and music players. Apple has about 70-75% of the market with DRM. How could they sustain this market with DRM-free music? I don't think they could. So for Jobs to say he wants to drop DRM is a big statement.

    I hope EMI follows through on this. Without DRM, now we'll have real competition. Stores will differentiate on quality of music, artists available, and price. I think in the end, FLAC will become the format of choice so player compatibility won't be an issue at all.

    And I still think Apple has something up its sleeve. Now that they've settled their feud with Apple Corp., they are free to enter the music business. At some point, they will have an agreement with a major artist to sell the artists music on iTunes without one of the Big 4 labels being involved. This could signal a major shift in artists way of thinking. Who needs a label if you can distribute your music through iTunes?

    This will also start a new industry of marketing agencies whose primary business will be marketing recording artists. They will become the promoters instead of the record labels. In 10 years, the labels will either be transformed into promoters or be out of business.

  13. MP3 eh? by twbecker · · Score: 2, Interesting

    While I'm really glad that some in the industry are beginning to realize that it might be smart to dump DRM, I'm a little disappointed to see that MP3 looks like it's going to be the format of choice. Newer formats, like AAC and hell even WMA, offer better sound quality at lower bit rates, and hence, filesizes. If iTMS started selling non-DRM AAC, you have to wonder whether the allegations of lock-in would really go down. AAC, although open, isn't widely supported on non iPod players, is it?

    --
    "The problem with internet quotations is that many are not genuine" -Abraham Lincoln
  14. Re:MP3 eh? by Ansible42 · · Score: 2, Informative

    I wish they'd start offering music in FLAC format. If you have a good stereo you can tell the difference. I'd like to see higher-than-CD bitrates too, there's no reason to stick with CD or less quality. I'd pay a little extra for a better format.

  15. Is this Apple's motivation? by genegeek · · Score: 2, Interesting

    By eliminating DRM, all music suppliers whose primary revenue is a monthly subscription will have to change their business model. Napster, for example: They sell you all the music you can download and you pay a monthly fee. But as soon as you stop paying the fee, the DRM attached to your music prevents you from playing that music anymore. Thus, if music is sold without any DRM, then Napster and the like won't be able to offer a monthly subscription model. So the new choice in online music will be something like EMI music at iTunes with no DRM, or EMI music at Napster with an 'old fashioned' DRM and lower value to the consumer. Furthermore, since the lack of a DRM gives the music more value to the consumer, Apple might allow a higher per track price. This is something the big music companies have been shouting for. It might be used as a bargaining chip in Apple's next round of negotiations with the music companies.

  16. He did exactly that by The+Amazing+Fish+Boy · · Score: 2, Informative

    I think steve missed a critical moment in his letter. He should have pointed out with a LOT more punch that they are all ALREADY selling their ENTIRE music collections without DRM in physical stores... and that we're simply talking about making the same possible on online stores.


    He did exactly that:

    Though the big four music companies require that all their music sold online be protected with DRMs, these same music companies continue to sell billions of CDs a year which contain completely unprotected music. That's right! No DRM system was ever developed for the CD, so all the music distributed on CDs can be easily uploaded to the Internet, then (illegally) downloaded and played on any computer or player.
  17. Re:Compression - mod parent clueless by owlstead · · Score: 2, Funny

    I agree, please mod parent clueless.