How MP3 Was Born
Actual Reality points us to an interview in BusinessWeek.com with the man most often cited as the inventor of the MP3 format — though Karlheinz Brandenburg credits many for the development, including in particular Suzanne Vega.
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From TFA:
As director of the Fraunhofer Institute for Digital Media Technology, Brandenburg continues to be involved in the cutting edge of digital music. Researchers under his supervision are working on technology that would, for example, analyze a user's tastes based on music he or she has already downloaded, search the Internet for other tunes in the same genre, and automatically assemble a playlist. Brandenburg is also involved in research to deliver more realistic, true-to-life media than anything now available. Perhaps he'll even help touch off another revolution.
Er, nothing like audioscrobbler/last.fm then?
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I always thought that with the advent of broadband and cheap 10^2-gigabyte storage, FLAC would have overtook mp3, however it is not happened still. Probably by "fault" of portable players, where storage space is still critical. Are there any statistics on the average usage/trends of MP3 vs FLAC/Ogg Vorbis/wma/aac etc.?
-- Patent no.123456: A way to personalize
the mp3 format has been extended and changed so much, and had stuff added and removed (vbr, abr, and tagging.... tagging shouldnt have even been there, since mp3 is a datastream not a container), over time. its hardly the same format now.
portfolio
The Fraunhofer patents expire April 2010, at which time MP3 algorithms become public domain. What will this mean? Cheaper players? Will mp3 be as free like ogg vorbis by then?
What isn't mentioned in Herr Brandenburg's interview is that Fraunhofer have been playing both sides. If you've bought an MP3 capable player, you've paid Fraunhofer royalties. But Fraunhofer have been playing both sides: developing tools to track MP3s using watermarks so record companies crack down on piracy:
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http://www.computerworld.com/securitytopics/secur
http://p2pnet.net/index.php?page=reply&story=878
They've been expanding their IP business too: Next time you run BitTorrent or eMule (they do both), run it with a network tracker. You'll see computers from Fraunhofer affiliates all over the world taking a peek at what you're downloading.
http://greatinca.net/blog/emule-ip-blocker-hits-0
Does this mean Fraunhofer's merry band of teutonic scientists can be both co-defendants and expert-witnesses in your case?
You can judge your codec on the overall quality of sound (distortion), the rendering of consonants, the residual noise in silences between two uttered words, etc. Of course, various other kinds of samples were used too (orchestral music, plain speech, male/female voices, and so on).
Developing codecs was fun, but I got tired of it after a while, and I went back to developing Linux programs on embedded systems in another company...
In Soviet Russia, our new overlords are belong to all your base.
IIRC, the issue is a fan that was runnning "silently" in the studio where Vega recorded the song. Of course, "silence" for human ears is not silence for a perceputal audio codec. The result was that the codec was throwing critical bits away trying to encode this fan noise that nobody should have been able to hear, and the rest of the song came out terribly distorted.
Or at least, that's the story I heard from one of the MP3 and AAC inventors.
MP3 is simply overrated. Today, with all the vast improvements to MP3 sound quality that have been made by LAME, such as VBR and psycho acoustic models, it's still less than a 33% bitrate reduction over MP2.
.mp3 and any MP3 player in the world will handle it.
At the time (mid to late '90s) when it was still CBR, and sounded pretty lowsy. It was barely any improvement at all over the MP2 files that were popular around the web. What's worse, MP3 used significantly more CPU power to accomplish that small bitrate savings.
It seems those who forget history are doomed to repeat it... It's a whole new level of sad to find people talking encoding their music to high-bitrate MP3s for better sound quality... It's been pretty universally accepted for a very long time that, at 192K or above, MP2 sounds far better than MP3 can ever hope to, at any bitrate. The frequency domain coding required by MP3 causes distortions that the time domain coding of MP2 does not. This (plus better error resiliency) is why broadcasters use MP2, and won't touch MP3.
And nobody better try to tell me they need MP3s for compatibility... MP3 is 100% backwards compatible... Rename your MP2 files to
While I'm ranting... the same goes for MPEG video. MPEG-1 looks better than MPEG-2 videos at low bitrates, and even better than MPEG-4 (IMO) at very low bitrates. Any format that can play MPEG-4 can play MPEG-2, and anything that can play MPEG-2 can play MPEG-1 (which happens to be patent-free for years now).
Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
General, you are listening to a machine! Do the world a favor and don't act like one.