Best Practices for a Lossless Music Archive?
Sparagmei asks: "I'm a big music fan, and I like listening to the music I own on various pieces of digital gear. Right now, my library's at about 20,000 tracks, ripped from CDs to MP3 at 256kbps (enough that I can't tell the difference on my low-end playback gear). However, with the MP3 judgement rippling through the world, I'm interested in perhaps moving to a different compression standard. Before I do that, I'd like to ask a question: what lossless format would you recommend for making a digital 'master library' that could be (relatively) easily down-sampled to a compressed format?"
Important factors would be true losslessness, filesize (smaller than PCM WAV would be nice), embedded metadata (ID3v2-like), existence of automated ripper software, and (to a lesser extent) an open-source implementation of such software. Widespread playback implementation of the lossless codec is not an issue for me; the lossless library would likely be burned to archival DVD media and stored after being down-sampling with the chosen compressor. The reason I ask is this: I've got a 20,000-track re-ripping job ahead of me. I'd like to do that just once, lossless, so that years from now, when I decide to jump from Vorbis to 'komprezzor_2039_1337' or whatever, I don't need to drag out the old plastic discs. Thanks!"
Bearing in mind that you're not going to save that much file size using lossless storage, and that you already have an "archive" of CDs in a box in your basement (or wherever), is it really worth the hassle of creating another lossless copy that'll take up even more space?
If you're planning on re-converting from these lossless copies, it sounds like you're going to be doing a *lot* of work based on some second-guessing of where you'll be in 5 years time; and things may have changed then.
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FLAC doesn't compress the absolute best of the alternatives, but it's 'good enough' and is widely supported, even directly on some portable devices. You won't wake up one day to find out that FLAC support has all but disappeared because the original developer lost interest (since the source is out there, unlike many alternatives). You will also be able to trivially transcode FLAC to Vorbis with meta-data intact, and do it FAST. (not a unique property, but well supported with FLAC/oggenc2).
Belief is the currency of delusion.
Use of the term "best practices" indicates that you've already assumed that whatever you're doing is wrong, and that whatever someone else tells you to do is right.
"Best practices" is to IT what the "zero tolerance" concept is to schools - no questioning, no thought required, simply doing whatever the current meme dictates.
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Anyone know of any other great sounding devices that rip, convert, and burn?
Dozens of manufacturers have a device that can do that. I believe they're called 'computers'.
If corporations are people, aren't stockholders guilty of slavery?
Seriously. What's the point? What are you trying to accomplish? You can't hear the difference at 256kps lossy versus lossless, so why waste you're life converting your already lossess music archive from CD form to harddrive form? It's not like you're going to be transcoding all that often, if at all. I encoded my entire CD collect 7 years ago as 320kbps constant MP3. I'm thinking about re-encoding it, because there's no point in having the files that big. 256kbps variable mp3 is would probably still be more than enough. And if you think that someday you can transcode to something higher than 320kbps, I doubt you'll be able to tell the difference if that ever happens, because your hearing naturally gets worse over time.
Futhermore, if you think Alcatel-Lucent v Microsoft is going to change anything, you're delusional. MP3 is going to stay. Just like how LZW patent did nothing to GIF. No one is going to abandon MP3, because the public isn't going to buy a device that can't play their MP3 collection. Nothing will change, and FLAC and Ogg will remain forever an asterisk.
I have an old 400 disc CD changer from Sony, and as cool as the thing was at the time, I haven't used it to listen to music in years. When you can store that much music completely uncompressed on a $150 hard drive, it just doesn't really make sense anymore.
Not to mention how you can't take it with you, like you can with an MP3 player, etc.
The grandparent said it wasn't "free". He didn't specify which "free" he was talking about. Since it is "free" under at least one definition of the word free, his statement is incorrect. While one who knows a bit about FOSS could assume that they meant free as in speech, they didn't explicitly *say* that. And since the majority of the population means "free as in beer" when they're talking about whether software is free, people who insist on claiming that software isn't free if it's not free as in speech are only making a conversation more confusing in ways that have no bearing on the main point as a whole.
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ALAC only makes sense if you use Mac OS X and have absolutely no intent to move to another platform basically for the duration you intend to keep your music files. For everyone else, use FLAC. More devices support it natively, and more applications on more operating systems support it. It's also open and will be around for a long time to come. (Yes, iPod will only support FLAC with Rockbox.)