Serenity Trounces Star Wars
DogBotherer writes "The BBC is reporting that the film Serenity has been voted the number-one Sci Fi film of all time. Serenity is a followup to the series Firefly. The 2005 film beat out Star Wars better than two-to-one for the top honors. This result came in a poll of 3000 readers of SFX magazine.
But Serenity wasn't that great of a film. Firefly was an amazing TV show, but the film was without the same depth.
I wonder if I use bold in my signature, people will notice my posts.
Excellent, even. I can see it beating Star Wars. But the likes of Blade Runner? I mean, nothing against Serenity, but I really don't think it's the Best Science Fiction Film Ever.
I wanted to like, "Serenity." I went to the theatre expecting to like it. But I was bored silly by a boring plot that was full of holes. The characters weren't especially compelling. I couldn't figure out what was so great about this. After finishing it, I couldn't even figure out what was tolerable about it. From what I've seen since then, it seems as though "Serenity" fans are fanatically loyal and vocal, but most people who weren't already fans didn't find the movie especially entertaining. Obviously, I haven't taken a poll, but the box office results must mean SOMETHING.
As for "Star Wars," I don't agree that it necessarily ought to be classified as fantasy, but it's also silly to see it as representing all of science fiction, as so many people do. "Star Wars" was an example of one particular branch of sci-fi, but it came to be seen as what sci-fi really was because ignorant studio execs all tried to clone it after it made a lot of money. Good science fiction is easy to find it books, but very hard to find on screen, IMO. It's hard to see either "Serenity" OR "Star Wars" as the best sci-fi movie ever.
David
These sorts of surveys are more about who has the more devoted and active fanbase at the moment. That doesn't make the result less significant, its just a matter of what the result is actually saying: Firefly has managed to develop and extremely devoted and extremely active fanbase. This isn't that surprising; I've loaned or recommended the DVD set to several people, only to have them become devout fans of the series. Still, interest in Firefly is obviously still going strong, which is, again, notable. The other side to this is that the Star Wars fanbase has apparently grown increasingly apathetic -- and the blame for that can be laid squarely upon the prequel trilogy which left many Star Wars fans (myself included) feeling flat, and has taken a little of the shine off the franchise. Oddly enough it still remains far more likely that we will see another Star Wars film than a sequel to Serenity (though neither is that likely). Star Wars fans may be apathetic about the films these days, but they still exist in vast numbers.
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Neither one is much of a scifi film they are both fantasy films. It's not a value judgement I enjoyed both they just aren't really scifi films. 2001 and Bladerunner are scifi films. Neither of the films, Star Wars or Serenity, gave more than a passing thought to science. Star Wars had little to do with science and Joss Wedon seemed to keep confusing solar systems and galaxies. Both films were fantasy space operas. Really entertaining but in no way predicting a future that will or could ever happen. Star Trek has faired remarkably well as has 2001 but Star Wars is still fantasy. There's nothing wrong with space operas, they actually go back to the Buck Rodgers era, it's just they aren't science fiction. There's so little real science fiction people seem to be forgetting there's a difference.
It's been voted best by a one magazine with a tiny poll of 3000 readers?
;)
Hardly conclusive evidence, given the fact that 99% of people who have seen Star Wars have never heard of the magazine in the first place
Serenity was excellent, but definately not ground breaking - that's the difference.
A slashdotting - you get the stick first and then the carrot !
To be even, wouldn't it have to be a prequel with Jar Jar?
In reality, science fiction is fairly loosely defined and Star Wars fits very well under some definitions and not at all under others. Firefly is given more science-fiction credit because of the fact that it didn't have random fantasy elements (well, except for River's psychic-ness, but we never got around to getting a good enough explanation of whether it would be better classified as a faux-science or a fantasy element, but from what we did get, it seemed as if they wanted to at least try to make it more the faux-science route.)
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Star Wars *had* a loyal fan base.
That is, until Lucas started to repeatedly rape the fan's memory, trying to squeeze the last penny he could get out of the franchise.
I think the the new trilogy has done more harm to the fan base, than actually a concurrent franchise stealing fans.
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I'll translate for those of you who don't feel like reading: Serenity and BSG have too much emotion and too little technobabble. I'm uncomfortable with the former and therefore dislike shows that deal with it.
I'm in the hole of the broadband donut.
Dune will never produce a good cinematic version, either. You'd think people would learn to leave cerebral books with a great deal of politicking and internal monologue alone.
Then Blade Runner is trivia.
Nothing more came from that. (not directly)
If you want innovations, here are some off the top of my head:
space shot in handcam style - everything in BSG's external shots is Firefly derivative.
The wild-west space - a genre-crossing adventure with the idea that not everyone will have golly-gee technology
Inara was wicked hot. (sorry, not a valid point, but still true)
Does anyone think there would even *be* a Mal Reynolds if there hadn't been a Han Solo first?
Well, there was a time when the hero in a story was always entirely good - I think the modern term would be "all american" (think Flash Gordon). The idea of a hero with flaws and conflicts was popularized by Lord Byron, oh about 200 years before Han Solo hit the big screen. Here's the wiki article for further research.
I realize that you didn't actually claim that Lucas had invented the Byronic hero. I just want to make it *painfully clear* that he didn't invent it. But you're right, Han Solo did make the archetype very popular.
It bothers me a bit that Lucas gets any credit. Lucas is an idiot who stumbled clumsily into a great movie (ep. IV) that he really didn't deserve. Lucas himself has no clue what a Byronic hero is. Lucas doesn't appreciate it or value it at all. This is why he was willing to change episode IV so that Gredo shot first. Lucas is a drooling idiot staring at a movie that is accidentally good, and going "deeerrrrr, lets maik hand shot first, har har. deeeerrr."
If Lucas understood Han Solo, he would have made it *more* obvious that Han shot first.
Also, in the scene in Empire where Han is getting lowered into carbonite, Lea says, "I love you" and Han says, "I know." How cool is that guy, you know what I mean? Well, Lucas actually wrote the script so that Han says, "I love you too" but Harrison Ford changed it. What a moron Lucas is. He has no clue whatsoever.
Star Wars was released in 1977. If we're talking about the original Episode IV movie, we're talking about a movie that is 30 years old. Many movies have come and gone since then, and Star Wars still holds up remarkably well. I enjoyed Serenity, but I think its success in this particular popularity contest is primarily based on it being the best scifi movie to appear in recent years.
Take another poll in 2037 and see where the two stack up. I suspect Serenity will hold up well, but I don't know that it will have the broad effect of Star Wars. Despite its faults, Star Wars embraced big themes and grabbed hold of the imagination in a way that few films have.
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People who keep objecting to the "silly old-west" theme should perhaps talk to an anthropologist or historian or two who knows a little something about how remote or frontier societies develop, even when their parent societies are affluent.
There are places on Earth *right now* where people don't have running water or electricity, and do subsistence farming with domesticated animals. Western-style clothing evolved in the US because it was *practical* for low-tech manufacture with locally available materials and for the local environmental conditions. Why would you think that all remote space colonies would all have their own replicators and Mr Fusion generators?
Compared to almost all other sci-fi shows ever made, more of Firefly was realistic than fantastical. There was no faster-than-light travel or wormholes of folding space or whatever. People had to grow and raise their food, and it was real food not bioengineered food paste. The entire show took place within one single solar system. People had idiomatic speech patterns that were not simply "This is how we talk today with some made-up words thrown in". Which is not to say the show was pure science-based speculative fiction, but it generally took much smaller leaps than the typical sci-fi show.
Firefly isn't going to bring about a golden age of peace and prosperity or foster a new religion, but there was a lot of positive things to say about it as a representative of the sci-fi genre.