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Linux as A Musician's OS?
lazyeye writes "Keyboard Magazine has an in-depth article about the state of music production on Linux. While it does introduce Linux to the average musician, the article does get into some of the available music applications and music-oriented Linux distributions out there. From the opening paragraph 'You might think there's no way a free operating system written by volunteers could compete when it comes to music production. But in the past couple of years, all the tools you need to make music have arrived on Linux.'"
As a musician, I prefer Windows Vista Musician 64-bit System Builder Edition.
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No comments and it's already slashdotted. Ah well. What are your thoughts on these products?
RoseGarden
Ardour
CSound
Do you really need anything else?
Give me Classic Slashdot or give me death!
RoseGarden fills one big gap (score editing, like Finale and Sibelius), but what I'd really like to see is an alternative to SmartMusic (practice music with the computer playing the accompaniment). Bonus points if it will playback scores prepared in RoseGarden.
(IANAL)
I have just recorded and mixed a live album with this software on Ubuntu Feisty:
http://ardour.org/
http://jackaudio.org/
http://www.ffado.org/ (aka Freebob) with a Mackie Onyx desk & firewire interface
http://jamin.sourceforge.net/
Very very good indeed, I vastly prefer it to my previous Windows based Cubase setup.
Rosegarden: Pretty good.
Ardour: The 2.0 release (just out last week) is AWESOME! Get it!
CSound: I like to leave my programming mind behind when I'm working on music.
Sooperlooper: very cool
Freewheeling: also cool
Music distros this summer ought to be pretty good - with new releases scheduled for many of the music distributions.
What bothers me the most these days is plugins and soft synths. There are not enough plugins, the ones we have (like swh-plugins, tap-plugins, caps-plugins, and cmt) aren't heavily optimized for modern architectures (I just spent a weekend working on that) and not enough people out there do dsp programming (myself included) to really gain critical mass for the "perfect EQ" or the "perfect reverb". Still, the plugin solutions are adaquate, just not generally something to rave about. If you know a dsp programmer bored in his day job, show him 64 studio or Studio to go and try to enlist his/her help!
Soft Synths are coming along. Linuxsampler is very nice. Bristol is coming along. There are quite a few more.
I think Linux music is on the brink of plausible promise. I've got 16 tracks of live audio working almost flawlessly right now.
RME-Audio Multiface - up to 14 channels of sweet sounding 96khz/24 bit converters - 8 line inputs + ADAT + SPDIF
Prosonus Digimax FS - 8 nice pre's with an ADAT out.
Dual processor opteron (3 years old) - with 3GB of ram. Given the huge samples I use (bardstown bosendorfer being one), I have linuxsampler compiled for 128 voices, and configured to use up 1.6GB of ram all by itself.
4 drives in a striped terabyte.
System works way better than my motu ever did under the evil os - works like a champ at latency levels down to 1.5ms. I generally run at 5.2ms however, as I tend to run linuxsampler+rosegarden+ardour+hydrogen a lot. One day soon I hope to get a dual core with 8GB of ram.
The RME-audio design might be 5+ years old, but it's still superior to "normal" firewire, IMHO. The fact that I have both PCI and PCMCIA cards for it means I can take the gear on the road easily...
Rest of the machine: a bunch of edirol midi converters (they just work), a roland XV88, and PodXT (fully supported by rosegarden) - the M-audio keyboard.... Dual heads provided by a 19 dollar matrox M450 card. I tried the latest nvidia card in this machine, could never get it to work...
Last important note:
[m@mingus ~]$ uptime 09:23:22 up 12 days, 6 min, 11 users, load average: 1.39, 1.31, 1.33
There is a catch though, C# only plays in mono on linux...
One of the major problems (for me) with MAC/Windows audio software is it's high price, which is unusual considering that most musicians are poor and starving. For this reason, I've dropped Sony Soundforge and now use Audacity as my primary wave processing tool. However, Audacity only supports VSTS under Mac/Win and until there is stable VST host support in Linux and a sequencer comparable to Cubase/Logic/Sonar, it will not good enough to run a modern, competitive, software-based DAW.
I've been using linux for music production for over 5 years, have produced about 5 albums and EP's and am starting to get into scoring films. The Linux audio domain has shown a huge amount of improvement over that time. Ardour has evolved from a crash-happy hair-tearer to a stable recording and mixing package. The number of sound editors out there is astounding and each has their own strengths and weaknesses that you can exploit. But then there's the command line, which let's you do things like this:
for i in *.wav; do out=${i/.wav/_mono.wav}; sox $i -r 44100 -b -c 1 $out; normalize $i; done
which will convert all samples in the current directory to mono and normalize them in no time at all.
The amount of audio software for linux is astounding, from programmer synths/sequencers like ChucK, Common Lisp Music, and CSound, to modular synths like Alsa Modular, PD and the super powerful keykit (the Emacs of MIDI sequencers). There are command line sound mushers and generators, mixers and so many effects it's hard to know where to start. But there really are no limits, if you're willing to put in the time and learn the system and how to tie everything together...
As a side note, I volunteered to help setup a new Pro-Tools setup at the local Film Pool, and after a week of trying to get all the licences in order, I wondered why anybody would pay for it at all. That was my first time using Pro-Tools for real, and it was just astounding that *every* (extra) plugin had to be registered, you still had version compatibility hell (could only use this driver with this version of PT, etc) and even after a week the system still didn't work right. After using Pro-Tools I'd take Ardour any day, if only for the lack of registration hell (which an audio engineer friend of mine teaches a day long course in; not how to use Pro-Tools, just how to register it!) and the massive amounts of high quality, free LADSPA plugins that are available.
Right now, Gentoo is my distro of choice and it has a huge amount of audio apps in portage as well as a Pro Audio overlay that's available through layman. Needless to say, I would concur that Linux is ready for the audio desktop workstation market, and has been for some time.
The only thing that linux is lacking is "instant gratification" music apps (although the playfield is getting better with LMMS and such programs). The tools available take some time to learn, but that's also half the fun of it, since once you learn the basics a whole new world opens up as you learn more and more about what's available. Jumping in takes a while to learn how to swim, but the only limits on how far you go depends on the amount of time you put in...
Listen to my music.
If you are both a programmer and a musician, you will probably like Lilypond a lot (most things that it doesn't do by itself can be tweaked by writing Scheme scripts), but it probably will not be popular with the average musician. The system is much like (or better, is built out of) TeX -- you prepare a plaintext file with the appropriate commands, then run lilypond on it and get a finished MIDI and/or PDF (and DVI, if you want it) file. If you're a programmer and don't know music theory, you'll likely be bogged down by the required terminology -- you indicate the key with commands like "\key a \major", so unless you know that 3 sharps is A, you're out of luck. There are some frontends, but I haven't used them extensively. I can generate a score very quickly and with high quality in Lilypond, so haven't really looked any further.