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You Can Oppose Copyright and Support Open Source

kfogel writes "I'm submitting 'Supporting Open Source While Opposing Copyright' as a response to Greg Bulmash's piece from yesterday. I think there were a number of flaws and mistaken assumptions in Bulmash's reasoning, and I've tried to address them in this rebuttal, which has undergone review from some colleagues in the copyright-reform community."

378 comments

  1. what now? by Anonymous Coward · · Score: 0

    You got your open source in my copyright!
    You got your copyright in my open source!
    No one can agree, not even to disagree.

  2. Food fight! by iminplaya · · Score: 2, Funny

    Have fun, y'all.

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    1. Re:Food fight! by bobo+mahoney · · Score: 1

      Creditright - that a clever turn of phrase. I think that we should create a new symbol for it and stamp it all over all of our work. Bobo Mahoney (Creditrighted 2007)

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      Bobo Mahoney
    2. Re:Food fight! by heinousjay · · Score: 2, Insightful

      Clever turns of phrase seem to be about 90% of the anti-copyright toolkit. The other 10% is wishful thinking.

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    3. Re:Food fight! by mysidia · · Score: 1

      Yes.. it appears to be a Rhetorical trick. Trying to chop up essential components of copyright law into little pieces to cut out new copyright law that provides only what the GPL needs.

      Guess what, just because you chop up copyright law into fine grained pieces doesn't make it no longer copyright law. A system of allowing authors to impose "sharing" on licensees, is in fact a form of copyright, and what author is proposing is REALLY copyright reform, although he chooses not to call it that, it's just a word trick.

      An author who decides they want to be credited in some specific manner in the work is imposing a restriction on copying.

      It's a bit different from merely having a right to be attributed. With merely a right to be attributed, the author's name could be removed and buried somewhere other than where they wanted, they would still be attributed. The GPL actually prohibits removing the notice, you can't delete the author's name from the top of a source file and bury it in the documentation in a derivative work without violating the GPL.

      The GNU GPL is not a license that merely enables sharing, it also restricts sharing.

      The GNU GPL restricts sharing GPL licensed code in a software package that contains code produced under a different license, making GPL software incompatible with some other software, even some other Open Source Software.

      In a system with no copyright, where software licenses could only require derivative works to be shared, there could not be such thing as a "GPL Incompatible Open Source License," when the incompatibility was a requirement to share or attribute (For example, the Advertising clause of the BSD license), meaning to some extent, an essential restriction of the GPL would be unenforceable.

      Because, license incompatibility is a restriction on sharing, it does not enable sharing.

      Redistributor of shared code would then be free to edit the BSD licensed parts, improve them, compile them, and sell the software with BSD licensed parts distributed in binary format.

      Redistributor would properly attribute all authors.

      Redistributor would properly distribute source code to the GPL parts.

      Redistributor is distributing everything under its original terms, except no source code is provided for redistributor's changes.

      Without the existence of protections like copyright, redistributor can easily make an end-run around the GPL.

      The problem is that the fact that source code is compiled provides a convenient format to distribute software in, from which it cannot easily be shared.

      Without copyright, the recipient is free to redistribute it further, even try to reverse engineer it; however, the redistributor's binary may contain encryption and technological protection against reverse engineering or further redistribution.

      An example would be requirement of a serial number and thumbprint identification to start the software program.

      Another example would be detection of a hardware device with a secret device key (trusted computing), before the compiled binary could be decrypted.

    4. Re:Food fight! by iminplaya · · Score: 1

      Yes well, that's because we can't use big business and guns to enforce an opinion like the pro copyright crowd can. The minute a balance of power is restored, the "clever turns of phrase" can be thrown out the window. First we need to turn the guns the other direction, by the use of "clever turns of phrase" if needed,, the same "clever turns of phrase" that put copyright into law in the first place, because reason and logic certainly had nothing to do with it. Then we can see how clever the other side becomes when they are reduced to pleading to the authorities for mercy. With a level playing field, it will much easier to prove how wrong copyright is. Without the weaponry to back us up, all we have are "clever turns of phrase" as you like to call it in your little put down there. Early abolitionists of slavery had to put up with the same kind of attitude as the anti-copyright/prohibition* people do now. You are defending an indefensible institution. Count your blessings(and your money while you're at it) that there really is no such thing as justice in this life. There is only law. And another thing, all your freedoms you enjoy today came about by wishful thing, backed up with a little muscle. Lord help you if everybody acquires the same amount of muscle. It would interesting to see how you are without the present advantage you have over the opposition. So easy for you now while speaking from the ivory tower looking down upon the rest. Might makes right.

      *those who speak up for legalization are dealing with the same kind of disparagement.

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    5. Re:Food fight! by iminplaya · · Score: 3, Insightful

      You still aren't getting it! Without copyright there can be no restrictive licenses in either direction. There would be no "can't share/must share" rules. GPL will be absolutely superfluous, which is fine. Everything goes into public domain once it is released, and it will be released if it is to be used at all. So there will be much less of the hoarding you see today. We have the security of knowing that more than one person can come up with similar ideas. Amongst those people, some are more than willing to share, and the rest can do whatever they want. Everybody will be better off, except the greedy ones who always want more for themselves exclusively, seeking unfair advantage over the rest by putting a gun to our heads while saying, "don't touch this".

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    6. Re:Food fight! by CrystalFalcon · · Score: 1

      The Swedish copyright law is named "The Right of Origins". It has its roots in the right to be credited with your work, a right written into law in the 11th century.

      The commercial monopoly construct, added to the same law for historical reasons, came over half a millennium later.

    7. Re:Food fight! by heinousjay · · Score: 1

      I haven't spoken to my feelings on the matter, and "clever turns of phrase" came from the parent poster. My beef with the whole movement is that I haven't seen a cogent argument yet. "I want, I want, I want" doesn't exactly inspire sympathies. You can call it wrong until the end of time, but that conclusion only works when it rests on top of assumptions that not everyone carries.

      Also, if you can't handle a little disparagement in pursuit of your goals, you're a child playing at being an adult. You need to realize that there is reasoned opposition that isn't purely evil just because you say it is. Until you have that realization, you'll continue to fight a losing battle.

      And please, if you don't want copyright infringement called theft, let's not compare copyright to slavery. To quote pulp fiction, it's not the same ballpark, not the same league, and not even the same game.

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    8. Re:Food fight! by iminplaya · · Score: 1

      My beef with the whole movement is that I haven't seen a cogent argument yet.

      My point exactly. All we get is the standard, tiresome, totally invalid argument about "incentive". And it's a bunch of hooey. Since they refuse to see the hypocrisy, it becomes virtually impossible to use any kind of logic on the matter. It has no place in a world that works on greed and corruption. To all those who say we are better with copyright, I say, Prove it! Take it away for 300 years and see what happens. I'll bet 10 to 1 that progress will step up exponentially. We done things your way, now let's try something different that has a very good chance of working. The current environment is enslaving us to a system that is set up to protect the privileged few. I'm not the first, nor the only, and certainly won't be the last that sees through the facade. There is no reasoned opposition. It is about protecting vested interests. And society in general is not that vested interest. It's a cartel of phony, baloney economists that are doing this. And they are far from reasonable. They don't have to be with the advantage and authority that we give them. They dictate and you accept without question simply because they might have a piece of paper that says that they are smarter than the rest of us. Or they have a gun. But they don't have reason on their side at all. Not a bit of it. The child you speak of is those who say, "Mine! You can't play with it!". That's the selfish little child that is making today's rules that we live under. We need to take away their BB gun before they put another eye out.

      90% of all human energy is used to erect and maintain barriers, fences, walls, borders of every kind imaginable and more. It's the ultimate in selfishness. I'm going to devote my energy to tearing them down. I don't care if it's losing battle. It has to be done , and somebody has to do it. I believe the saying goes, in the defense of freedom, there are no extremes.

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    9. Re:Food fight! by iminplaya · · Score: 1

      Second reply. So sorry...

      I haven't spoken to my feelings on the matter...

      (Previously on Slashdot...) Clever turns of phrase seem to be about 90% of the anti-copyright toolkit.

      You spoke volumes...

      ...and "clever turns of phrase" came from the parent poster.

      I'm fully aware of that. I took my cue from your response. I'm really not a very clever person. So clever turns of phrase are not my forte. The brain is feeble, so I speak from the soul.

      "I want, I want, I want" doesn't exactly inspire sympathies.

      Now that's what I would call a clever distraction :-)

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  3. Not all open-source is the same by kungfujesus · · Score: 5, Insightful

    You can support BSD without supporting copyright, as it doesn't take advantage of many copyright protections. You can't support GPL without supporting copyright, as it would be unenforceable without copyright.

    1. Re:Not all open-source is the same by Whiney+Mac+Fanboy · · Score: 3, Insightful

      You can't support GPL without supporting copyright, as it would be unenforceable without copyright.

      Bullshit.

      It's possible to think that copyright is wrong, but accept the GPL as way of enforcing sharing while copyright exists. That's not an opinion I hold, but at least some seem to.

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    2. Re:Not all open-source is the same by jesdynf · · Score: 1

      Sure I can -- having it both ways isn't inconsistent at all.

      Copyright is intrinsically devoid of worth -- it should be abolished. Terminated. Rendered utterly void.

      What? I can't have that? Fine, I guess I can salvage something from the current system. But I don't like it, and I'm still going to try to undercut the whole scam tomorrow, even if I can realize some minor benefit from it today.

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    3. Re:Not all open-source is the same by Sam+Ritchie · · Score: 4, Insightful

      I think GP's point is valid: supporting both GPL-style sharing & copyright abolition is inconsistent, as they're mutually exclusive - if you're a genuine copyright abolitionist, you'd support BSD instead. I don't think it would be possible to enforce the particular flavour of sharing currently enabled by the GPL with no copyright. TFA appears to propose some sort of nebulous copyright replacement legislation which would enforce GPL sharing - I might be missing something obvious, but it seems likely that it would just be copyright by a different name.

      I suspect the intention would be for the copyright-that's-not-actually-copyright to tip the scales in favour of consumers, not-for-profit distribution etc, but exactly the same thing could be accomplished via copyright reform, so I'm curious as to how this approach could be copyright abolitionism at anything more than a technical level.

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    4. Re:Not all open-source is the same by civilizedINTENSITY · · Score: 4, Interesting

      Stating its so doesn't make it so. Score:4, Insightful likewise doesn't make it so. You are exhibiting a point of view that goes like thus: "To a man who only has a hammer, the whole world looks like a nail." The question posed is whether replacing copyright laws with other laws would allow the spirit of the GPL to prevail. Probably the GPL would need to be rewritten to be in accord with a new set of laws.

      Two things irritate me about this topic:

      people who assume that copyright is an inherent right, when it is so obviously not;

      people who think that without our current copyright structure, there could only be chaos.

    5. Re:Not all open-source is the same by Poppler · · Score: 1

      You can support BSD without supporting copyright, as it doesn't take advantage of many copyright protections. Sure it does, you can't claim that you wrote it. You can repackage it and sell it, but somewhere in there, you have to acknowledge that you're using someone else's code.

      You can't support GPL without supporting copyright, as it would be unenforceable without copyright. The GPL would not be necessary if copyright didn't exist. The GPL relies on copyright only to propagate itself. Why would you need a viral license if everything was in the public domain?

      Particularly relevant bit from TFA:

      The basic argument of copyright abolitionists is that people should be free to share when sharing does not result in any diminution of supply. The GPL simply uses copyright law in a jiujitsu-like manner to enforce this principle, in a legal environment where sharing is prohibited by default and must be explicitly permitted to be legal.
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    6. Re:Not all open-source is the same by timmarhy · · Score: 2, Insightful
      so your claiming the BSD license isn't any kind of copyright? i bet there's a few lawyers over at berkly that disagree...

      bottom line people. copyright is not bad. america's copyright LAWS are bad.

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    7. Re:Not all open-source is the same by Sam+Ritchie · · Score: 1

      I consider it closer to 'no copyright' than the GPL is. Probably a bad example. I should have said "you'd put everything into the public domain" instead.

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    8. Re:Not all open-source is the same by Sam+Ritchie · · Score: 1

      Actually on second thought, GPL advocates are just going to claim that the GPL is used to simulate a world with no copyright (I don't think it does), therefore there's no inconsistency. Under this scenario, TFA is definitely on the wrong track when it's going on about new GPL-enforcing laws to replace copyright.

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    9. Re:Not all open-source is the same by lewp · · Score: 4, Insightful

      Many folks feel that, while copyright is altogether a bad thing, as long as it does exist we should make the best of it by forcing commercial entities -- who grouse about stronger copyright legislation being needed to protect business/"innovation" on the one hand, while shoveling BSD/MIT/Artistic/whatever-licensed code into their products as fast as they can on the other -- onto a level playing field.

      Put another way, while you may want to get rid of copyright altogether when you can, if you are writing code now, you might choose the GPL because you don't want your code to put money into the pockets of the very people who will likely be fighting against you for copyright reform/abolition. Once copyright is gone, everybody has to "fight fair", insofar as anyone can be as "dirty" as they want with respect to using others' code without their sanction.

      I'm not one who has strong opinions for or against the GPL or BSD -- I see the logic on both sides: so you can choose to live as if there were essentially no copyright, the BSD way, and help your "enemy", or turn the law against the people who use it as a cudgel with the GPL -- but most GPL advocates I have talked to seem to be more of the mind that "I'm not going to let my Open Source code contribute to the bottom line of the very people who have forced us into this proprietary hell in the first place", rather than "I want to 'protect my innovation' by taking advantage of copyright law." More simply, it seems to be a defensive choice more than an offensive one.

      Either way, there are people both for and against copyright who choose both licenses regularly. I don't think, ultimately, what you feel about a world where there is no copyright has much to do with what license you choose for software right now. Most projects seem to choose their license with the practical considerations of the system we have in mind, rather than what they might like to see in the future.

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    10. Re:Not all open-source is the same by jmv · · Score: 1

      You can't support GPL without supporting copyright, as it would be unenforceable without copyright.

      While that's *not* my opinion, one *can* (logically) support the GPL without supporting copyright. That person would then consider that the GPL is a "stop-gap" measure that "prevents some people from taking advantage of copyright law" for a particular piece of software [until copyright law is abolished or something].

    11. Re:Not all open-source is the same by Bill_the_Engineer · · Score: 3, Insightful

      The GPL would not be necessary if copyright didn't exist. The GPL relies on copyright only to propagate itself. Why would you need a viral license if everything was in the public domain?

      Maybe because we wouldn't be guarranteed access to the source code.

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    12. Re:Not all open-source is the same by smartr · · Score: 2, Insightful

      Neither BSD nor the GPL give a consistant vantage of what a copyright free world would be. The GPL portrays a more idealistic world free of copyright, this is to say people should provide source code for programs. If one was to apply this to the music industry, it would be consistant with forcing you to provide all the individual tracks used to make the music, and force those who wish to distribute new songs all the tracks they used to derive a new song. For the GPL, if you were to get rid of the open source clauses, eliminate any possibility of locking it down with any DMCA type theft, you would in essence have something closer to what it means to be free of copyright. The problem with BSD is that someone else can take your code and then not allow you to redistribute the portion of software they added. So if you're a copyright abolitionist, BSD is closer to putting the code in public domain rather than emulating a copyright free world. On the other hand, the GPL does open a door in terms of opening one's eyes to the needs of copyright reform.

      To me, copyrights and patents are blatently contrary to the 1st amendment of the US Constitution. I suppose the better question is if this blatent contradiction of government power is a completely negative thing. In essence, it is a regulation on the free market. You can still sell ideas without copyright (as is with GPL software). What you can't do is have an exclusive right to what people do with your ideas. I think this might discourage the disclosure of some manufacturing processes - particularly when dealing with patents. Last I heard, hacker ideals and reverse engineering makes it rather impossible to distribute software and hide a manufacturing process so to speak. The only real use then for patents in software in a free(er) market is to share information that would be held in a server black box (perhaps the old ibm mainframe model). Idealy, patents should not apply to any software being distributed widely.

    13. Re:Not all open-source is the same by wall0159 · · Score: 3, Informative

      Nonsense. You've just made the exact point that the article is refuting. In fact, you've made it completely without evidence. This is 'Insightful' how?

      If you oppose copyright, but can't do anything about the existence of copyright, you can at least put stuff into the public domain without allowing someone to wrap it up in copyright and resell it. That's basically all the GPL does, and I don't see any conflict there at all.

      Maybe if copyright was written differently, or not at all, we wouldn't have _need_ of the GPL, but that's a different story.

    14. Re:Not all open-source is the same by Anonymous Coward · · Score: 0

      You could use guns.

      That's what we do round the world. We already have various lists of countries which we don't like for copyright reasons. Why don't we simply bomb them until they go back to doing the RIAA's work again?

    15. Re:Not all open-source is the same by timmarhy · · Score: 1

      either something is copyrighted or it isn't. even public domain and BSD licensed stuff is protected - you can't go and claim your the copyright holder to a BSD'd work. like i said copyrights are good, its the terms that need work.

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    16. Re:Not all open-source is the same by zcat_NZ · · Score: 1

      BSD is closer to simulating a world with no copyrights; fairly much the only restriction they make is that you can't claim authorship/copyright or other people's work. In a no-copyright world it would still be dishonest (perhaps fraudulent) to claim authorship of someone else's work, and of course impossible to claim copyright.

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    17. Re:Not all open-source is the same by nacturation · · Score: 1

      You can't support GPL without supporting copyright, as it would be unenforceable without copyright. The GPL would not be necessary if copyright didn't exist. The GPL relies on copyright only to propagate itself. Why would you need a viral license if everything was in the public domain? The nonexistence of copyright doesn't imply that everything is in the public domain. Unless you enjoy reverse engineering things, it's still valuable to have the original source code.
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    18. Re:Not all open-source is the same by Daengbo · · Score: 2, Insightful

      I understand you, but disagree. If there were no copyright, then I could take back from anyone without asking, much like the GPL. I could decompile and use that source however I wanted. BSD works which have been closed under copyright don't allow that.

      See my post from the original story. RMS only created the GPL because there was copyright. If there hadn't been copyright, he wouldn't have needed it.

    19. Re:Not all open-source is the same by BiggerBoat · · Score: 1
    20. Re:Not all open-source is the same by jmv · · Score: 1

      Not in a world where copyright actually exists. Someone can take your BSD source, modify it and then prevent you from copying it. With the GPL they have to let you re-distribute it. Thus, what happens with a piece of GPL software is *closer* (not the same) as the no-copyright case as BSD is. Plus if you remove copyright law, then BSD==GPL(==nothing) anyway.

    21. Re:Not all open-source is the same by LuYu · · Score: 1

      supporting both GPL-style sharing & copyright abolition is inconsistent, as they're mutually exclusive - if you're a genuine copyright abolitionist, you'd support BSD instead.

      You should think of the GPL as a virtual Public Domain. It basically says, "If you distribute this to one person, you distribute it to everybody." That is exactly like the Public Domain because in the Public Domain, no one would be able to control distribution. The BSD license, however, allows people to take BSD code, modify it, and claim it is proprietary again. The upshot of this is that the improvements only benefit those who modified the code. The improvements do not even have to benefit the original author or authors of the work (This, by the way, is precisely the opposite of the stated intent of every copyright law ever enacted: Few people would support a copyright law that said that the works of the author were created to benefit others but not himself). With the GPL or the Public Domain, the people who improved and distributed the code would not be able to stop the original authors or anybody from having the right to use the modifications. Conclusion: the BSD license is less like the Public Domain than the GPL.

      TFA appears to propose some sort of nebulous copyright replacement legislation which would enforce GPL sharing

      That was not a proposal, it was a thought exercise. It was meant to help you conceive of the legal opposite of the restrictions based information environment we live in today. Also, the author was not arguing against copyright in this particular article. He was arguing that supporting the abolition of copyright is not inconsistent with supporting the GPL.

      So, I must conclude one of two things: a) You have difficulty reading and should take more English classes before you graduate from high school or college, or b) You are a marketing droid from the *AAs or some other publishing industry trying to confuse the clear intent of a well written essay. Either way, you are incorrect.

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    22. Re:Not all open-source is the same by Eivind · · Score: 1
      Nonsense. It's perfectly possible, for example, to be of the opinion that the best choice would be no copyrigth, and the second-best choice would be GPL.

      Which makes it perfectly logical to choose GPL today, and at the same time oppose copyrigth today.

    23. Re:Not all open-source is the same by micheas · · Score: 1

      Not in our current legal system.

      A variant of the BSD license that adds the clause that I can do with what ever I want to any code aggregated with this code is closer to no copyrights.

      You cannot legally download vista even though it most probably contains BSD licensed code (I don't have a copy to grep, but I can't see why microsoft wouldn't save some money by legally appropriating useful BSD licensed code.) Yes the GPL contains a source distribution clause, but really that is the only section that would be invalid if software was declared to not be copyrightable.

      Placing things in Public Domain and the BSD style licenses doesn't really replicate no copyright. The GPL is not quite the same. (if you are thinking about putting Linux on watch the code clause can be a bit of a pain, but if you striped out all the comments and shipped the code as single line files. and did a global search and replace with variables so that they had names such asckaodgas, asgdewoai, gawegisd, gowe, giaoing, hoiserldkx, and ibogftjtseyoish, you are probably in compliance with the letter of the GPL and have gone a long ways towards duplicating the effects of software being beyond the scope of copyright law.

      What you are confusing is the specific law, compared to the effective ecosystem. Yes public domain is the same as no copyright, however, removing copyright selectively is far different from removing copyright from an entire class of works.

      Personally, I favor eight years renewable for a total of sixteen years books, maps, movies, and six years, software, music, and still graphics.

      The point is to increase the forward progress of the useful arts, if it makes people rich fine, J.K. Rowling would possibly still be a billionaire. but Harry Potter would be entering the public domain in the next decade.

      Bad sequels would be limited as they would have less copyright protection than original work. (with the current effectively perpetual copyright law there is no advantage to be creating new content.)

      But back to my original reply. No copyright is about the same as the GPL minus sections 2a and 2b.

    24. Re:Not all open-source is the same by shaitand · · Score: 2, Interesting

      'I don't think it would be possible to enforce the particular flavour of sharing currently enabled by the GPL with no copyright.'

      Nonsense, it would be impossible to avoid GPL style sharing without copyright. Without copyright I can literally disassemble your code and use the output in my program. I no longer need you to grant me permission. Everyone's code would be open because anyone with the skills to utilize the code can extract the literal code from the executable.

      'if you're a genuine copyright abolitionist, you'd support BSD instead'

      Why? BSD code means that you can take my code and use it to make a billion dollars and/or become famous but not give me squat in return. The GPL is a way of making sure that everyone else plays nice as well. After all, people are greedy bastards and their natural inclination is to not share in kind. Since this is unacceptable the GPL makes them share in kind. Without copyright law technology makes them share in kind.

    25. Re:Not all open-source is the same by Anonymous Coward · · Score: 0

      "To me, copyrights and patents are blatently contrary to the 1st amendment of the US Constitution"

      Article 1, Section 8 of the United States Constitution
      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;

    26. Re:Not all open-source is the same by Sam+Ritchie · · Score: 1

      I'm obviously having difficulty reading, as I'm struggling to make sense of your post. Are you saying that it's not possible to own copyright on a work derived from an item that is in the public domain? Eg if I publish an annotated anthology of Shakespearean plays, I don't hold copyright over reproduction of the full work?

      If I go through your post and replace the term 'Public Domain' with 'world without copyright', I think I glean your intent (and it's one that I've acknowledged here. I think it's an excessively optimistic view of how a copyright-free world would operate, but you're entitled to your opinion and I'm comfortable that for you, there's no inconsistency.

      That was not a proposal, it was a thought exercise.

      My apologies, please substitute the phrase "TFA appears to propose some sort of nebulous copyright replacement legislation" with "TFA presents the idea of some sort of nebulous copyright replacement legislation". If his intention was to argue that no such legislation would be necessary to enforce GPL style sharing in the hypothetical world without copyright, I must have missed it - that reading disability no doubt.

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    27. Re:Not all open-source is the same by AdmiralWeirdbeard · · Score: 1

      I hear what you're saying, but parent has a point that you dont seem to be addressing.
      Seems that the two camps on this issue arent really discussing the same thing.

      Inherent in supporting GPL is a conceptual acceptance of the act of creation giving the creator certain rights over the created, be it software, music, or whatever.

      At the same time, there certainly is something to be said for using the system's own mechanism against itself till it can be overcome, or whatever.

      I'm gonna come down on the side of the first camp however. It certainly would be nice if we lived in a happy land of makevelieve where we could exist without people having to legally enforce what happens with their creations. We dont, however, live in that happy land. We live in a land filled with greedy, corporate bastards who, by their very existence necessitate something like GPL, if only to give authors and whatnot the ability to delineate the very openness of their creations. Because without Copyright, any open source gems that were created would be stolen by someone less interested in progress than in making money off other people's toil. You know, capitalists. And they'd have a much easier job if they didnt have legal obstacles in their way.

      Copyright needs a major overhaul, clearly. But i think Opposing Copyright, in those stark terms, is a bit of a baby with the bathwater situation. well, just like saying Yay, Copyright! is just the opposite... if that particular truism has an opposite.

      Just my .02

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    28. Re:Not all open-source is the same by smartr · · Score: 1

      "1st amendment"

      Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.

      "blatent contradiction of government power"
      And how does the DMCA have anything to do with a limited time?

    29. Re:Not all open-source is the same by Sam+Ritchie · · Score: 3, Interesting

      Without copyright I can literally disassemble your code and use the output in my program.

      ...unless use is restricted to signed binaries on locked hardware. All of a sudden there's none of the GPL v3 protection, because there's no copyright, so I can happily take your community built code, improve it, make a billion dollars and/or become famous but not give you squat in return.

      Law of unintended consequences, people - if there's no copyright, industries that depend upon it for a living are going to need to find another way to make money, and it's probably not going to be one that you'll like.

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      This sig is false.
    30. Re:Not all open-source is the same by James_Aguilar · · Score: 1

      You would be able to use the disassembled code, but without the accompanying documentation and source, it would be much harder. Think how much trouble the Wine folks are having getting Wine to work completely, even knowing the header files and function definitions they must implement. And you propose to use (stripped, optimized, obfuscated) binary without even that level of assistance? It won't work like you hope without copyright and the GPL.

      I apologize if this is an uncharitable interpretation of your argument, but I couldn't find anything more solid to poke at.

    31. Re:Not all open-source is the same by wirelessbuzzers · · Score: 1

      either something is copyrighted or it isn't. even public domain and BSD licensed stuff is protected - you can't go and claim your the copyright holder to a BSD'd work BSD-licensed work is protected by copyright. However, the only restriction placed on distribution and derivative works is attribution. So abandoning copyright in favor of attribution-right (as mentioned in the article) would be very much like mandatory BSD-style licensing.

      Work in the public domain is, by definition, not protected by copyright. You can't claim that you're the copyright holder of a public domain work, at least not in contexts where you're legally obligated to tell the truth, because it isn't true. None of this would change if copyright were abolished.
      --
      I hereby place the above post in the public domain.
    32. Re:Not all open-source is the same by teh+kurisu · · Score: 1

      No, abolition of copyright is devoid of worth. It won't benefit anybody. Commercial operators that rely on copyright will go out of business, and those that eschew copyright protection (open source software, creative commons etc) will carry on as normal.

    33. Re:Not all open-source is the same by cyclop · · Score: 1

      TFA appears to propose some sort of nebulous copyright replacement legislation which would enforce GPL sharing - I might be missing something obvious, but it seems likely that it would just be copyright by a different name.

      Yes, but TFA acknowledges that -but also recognizes it would be very different from copyright as we know it. Imagine a law that says: "The author of a work has the right to apply conditions on the distribution of the work and to have his authorship recognized, provided these do not harm the right of other people to freely share the work for at least non-commercial purposes". In this case, you would have GPL (or something like that), and many CC, perfectly enforceable, but it wouldn't be something like "copyright" as we know it.

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      -- Patent no.123456: A way to personalize /. comments with a sig attached to the end.
    34. Re:Not all open-source is the same by Sam+Ritchie · · Score: 1

      I'm still not convinced that replacing copyright laws with new laws enabling an author to "apply conditions on the distribution of the work and to have his authorship recognized" qualifies as copyright abolition - it sounds to me more like (radical) copyright reform. Effectively it would be like saying: "copyright still exists, as long as it's just used to enforce the GPL".

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      This sig is false.
    35. Re:Not all open-source is the same by Peeteriz · · Score: 1

      Not true.

      For me as a software developer, the essential freedom I want is to be able to use my code - and what it becomes after modifications - for my future needs.
      GPL allows that, as any forks will still be free.
      BSD does not allow that, as company X can add tinyfeature Y and forbid me to use that modification.

      Abolishing copyright suits me just as well - if company X adds tinyfeature Y and publishes it, I still may do whatever I want with the resulting product - since they can't claim copyright as well.

    36. Re:Not all open-source is the same by TuringTest · · Score: 1

      You can support BSD without supporting copyright, as it doesn't take advantage of many copyright protections. You think so? How do you force redistributors to copy the copyright notice & license, without copyright enforcement? The very thing that separates BSD licensing from public domain, which is attribution, is also unenforzable unless you resort to copyright.
      --
      Singularity: a belief in the "God" idea with the "demiurge" relation inverted.
    37. Re:Not all open-source is the same by DaleGlass · · Score: 1

      And who'd protect this hardware lockdown mechanism?

      Without copyright, anybody could pass schematics, specs and firmware dumps around. Any chinese company could manufacture compatible, DRM-less hardware.

    38. Re:Not all open-source is the same by PopeRatzo · · Score: 1

      You can't support GPL without supporting copyright, as it would be unenforceable without copyright.

      Without copyright, we might not need GPL.
      --
      You are welcome on my lawn.
    39. Re:Not all open-source is the same by Anonymous Coward · · Score: 0

      Why should consumers, who contribute nothing, receive protections that produces, who actually contribute to society, get screwed. That makes no sense you liberal whore.

    40. Re:Not all open-source is the same by mwvdlee · · Score: 1

      Actually, making it public domain would be similar to a no-copyright situation.

      GPL is, in fact, a rather strict license. There are myriad other common open source license that are less "copyrighty" than GPL.

      Then again; it's perfectly possible to oppose _current_ copyright law but not the entire concept of copyright. If you think copyright should be more like GPL, then you oppose _current_ copyright law.

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    41. Re:Not all open-source is the same by Luscious868 · · Score: 1

      Two things irritate me about this topic:

      people who assume that copyright is an inherent right, when it is so obviously not;

      people who think that without our current copyright structure, there could only be chaos

      Stating its so doesn't make it so. Two things irritate me about this topic.

      US Citizens who assume copyright isn't an inherent right, when it's right their in the United States Constitution.

      People who think that our current copyright structure is so flawed that the entire concept of copyright should be thrown out the window and replaced with something like the GPL. Our copyright laws were sane until the recent past. I'd argue it began when Congress passed the Sonny Bono Copyright Term Extension Act and that act was signed into law by Bill Clinton in the 90's. It's been a downward spiral ever since, but pre-90's, IMHO our copyright laws were sane.

    42. Re:Not all open-source is the same by that+this+is+not+und · · Score: 1

      For the most part BSD-licensed work is protected _from_ copyright. It's placed out there for common usage, and the people who created it get an amount of credit for it, but someone else can't come along and claim _their_ copyright over it. That's the main point in BSD-licensing.

    43. Re:Not all open-source is the same by that+this+is+not+und · · Score: 1

      You cannot legally download vista even though it most probably contains BSD licensed code

      That brings up an interesting point that doesn't get the separation that is necessary.

      Can you copyright binaries? And to the degree that you can, how does it differ from copyrighting source code? It's far easier to find a place to download Vista binaries than a Vista source tarball.

      The parallel in music is: copyrighting sheet music or 'charts' versus copyrighting a specific instance of a recording of somebody playing instruments while referencing said sheet music.

    44. Re:Not all open-source is the same by Anonymous Coward · · Score: 0

      ...unless use is restricted to signed binaries on locked hardware.

      And the mechanism that would be used to restrict its usage would be called copyright...

    45. Re:Not all open-source is the same by NickFortune · · Score: 1

      supporting both GPL-style sharing & copyright abolition is inconsistent, as they're mutually exclusive

      There is no inconsistency - you just need to be clear in your own mind as to what you are trying to achieve. If you view the GPL and copyright abolition as ends in their own right then fair enough; but that rather places you in the realms of blind faith and religion. Personally, I don't think that's a particularly good basis from which to debate legislative policy.

      On the other hand, if your aim is (say) maximizing the free flow of information among the people of Planet Earth, then there is no inconsistency at all. The GPL is a good workaround for current legal systems, and copyright abolition is a superior solution, but one which we haven't got around to implementing yet.

      Consistent enough for you?

      if you're a genuine copyright abolitionist, you'd support BSD instead

      No, because BSD derivative works are still protected by copyright, which means I can be locked out of using derivatives of my own works. I may not want that.

      TFA appears to propose some sort of nebulous copyright replacement legislation which would enforce GPL sharing

      As I read it, TFA says that if the important issue (as gbulmarsh appeared to suggest) is proper attribution, then a law could be enacted to require proper attribution. The author doesn't propose it as such, doesn't suggest it would enforce GPL sharing, and goes out of his way to draw a distinction between copyright and "creditright".

      Are you sure you read the same article as everybody else.

      I might be missing something obvious, but it seems likely that it would just be copyright by a different name.

      You're missing something obvious. Read the article again.

      --
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    46. Re:Not all open-source is the same by tomstdenis · · Score: 1

      In the software world, if you take a public domain program, compile it, stamp a copyright on it, you can't claim a violation if someone else takes the same source and builds it themselves.

      Same in music. If I take a Handel piece and play it, I can copyright my performance. But if someone else plays the piece, they too can copyright their performance.

      As for being able to copyright music, I'd say there is a strong need for that. Much like software, good music is hard to come by and write. There wouldn't be an incentive for professional musicians if they couldn't make a living off it [not like people are willing to just subsidize their living...].

      Sadly we can't make the distinction between what is worthy of protection. I think quite a bit of "pop culture" music is just annoying rehashes of last weeks music. That shit shouldn't be played, let alone copyrighted as they shouldn't have an incentive to produce crap, play it a zillion times and brainwash people into thinking it's an acceptable norm.

      Tom

      --
      Someday, I'll have a real sig.
    47. Re:Not all open-source is the same by Lars+T. · · Score: 1

      You can't support GPL without supporting copyright, as it would be unenforceable without copyright.

      Bullshit.

      It's possible to think that copyright is wrong, but accept the GPL as way of enforcing sharing while copyright exists. That's not an opinion I hold, but at least some seem to. Sure, you just can't complain that somebody else is "breaking" the GPL, simply because he agrees with you on the copyright issue.
      --

      Lars T.

      To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

    48. Re:Not all open-source is the same by Lars+T. · · Score: 1

      Actually on second thought, GPL advocates are just going to claim that the GPL is used to simulate a world with no copyright In a world without copyright, e.g. Linksys could use whatever code they liked in their routers.
      --

      Lars T.

      To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

    49. Re:Not all open-source is the same by evilviper · · Score: 2, Insightful

      You've just made the exact point that the article is refuting.

      The article is completely confused, and simply, completely, wrong.

      It's trying to refute an article that was, in fact, correct.

      If you oppose copyright, but can't do anything about the existence of copyright, you can at least put stuff into the public domain without allowing someone to wrap it up in copyright and resell it. That's basically all the GPL does,

      Nope. The GPL doesn't just allow copying of binaries, it forces you to release your SOURCE CODE as well. THAT is a world of difference, and something it seems most everyone has missed in both (ranting) discussions.

      Without copyright, you'd be able to copy binaries all you want, but you'd never be able to force someone to release the source code they used to create it. NEVER.

      A binary is pretty useless if you want to create derivative works. You can only make the most basic modifications to binaries, without access to the source code. You can't port it to another platform (Windows -> Linux), you can't port it to another architecture (x86 -> PPC), you can't use bits and pieces of it in your own programs... etc. etc.

      The GPL absolutely requires copyright restrictions to be able to work, at all. Otherwise, it just becomes the BSD license.
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    50. Re:Not all open-source is the same by tokul · · Score: 1

      If you oppose copyright, but can't do anything about the existence of copyright, you can at least put stuff into the public domain without allowing someone to wrap it up in copyright and resell it. That's basically all the GPL does, and I don't see any conflict there at all.

      GPL is protected with copyright laws. It is not public domain. Third party can add code to GPLed software and put own copyrights on it. But third party must follow GPL restrictions and original authors keep their copyrights on own code.

    51. Re:Not all open-source is the same by TheVelvetFlamebait · · Score: 1

      people who assume that copyright is an inherent right, when it is so obviously not
      No, but it isn't unreasonable to reward an investment of time and labour with some power over their investment (and money).

      people who think that without our current copyright structure, there could only be chaos.
      You'll be hard pressed to find anyone like that. I, on the other hand, believe that music industry would become barely a shadow of what it is now. It would filter down the music industry to the truly dedicated (but not necessarily very good) and the vocal retards who populate the net, who just like to be famous. I reckon the latter would be more common. Plus, only the web-connected demographic would have reasonable access to the music, and so you'd find that some genres of music would suffer greatly. It's not chaos, but it ain't all that great either.
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      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    52. Re:Not all open-source is the same by TheVelvetFlamebait · · Score: 1

      The GPL requires the distribution of source code. That is something that needs to be enforced by copyright, otherwise people would save on bandwidth and distribute binary blobs.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    53. Re:Not all open-source is the same by civilizedINTENSITY · · Score: 1

      It has been an interesting experiment to reward distributors with power over use for their investment. Creative artists show up in that equation somewhere, too. Not so much though, their reward is dominated by the reward received by those who actually control the distribution. Stated as you stated it, though, it is obviously a reward and not a right. That at least allows for discourse.

      On your second point, the ramifications of a major change would be controversial. All the noise from vested interests would drown out the fact that nobody really knows if music would collapse or experience a renaissance. If copyright went away, the major labels would have to evolve, for sure. I doubt we'd have the small number of souless, mindless crap artists who are marketed so heavily dominating music. Rather, we'd see phenomena like tour bands (Grateful Dead). People like music. People will pay to see live music. But rather than marketing being paid, and a small number of artists paid, you might just find the dam bursting loose waters an enormous acreage of talent.

    54. Re:Not all open-source is the same by TheVelvetFlamebait · · Score: 1

      I doubt we'd have the small number of souless, mindless crap artists who are marketed so heavily dominating music.
      I originally thought so myself, but I then realised that these are the most lucrative kind of *ehem* artist. Assuming the music industry doesn't collapse, these artists would be the safest bets for the music industry, and I think the industry would pounce on them.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    55. Re:Not all open-source is the same by mpe · · Score: 1

      "To me, copyrights and patents are blatently contrary to the 1st amendment of the US Constitution"
      Article 1, Section 8 of the United States Constitution To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;


      An ammendment supercedes any previous text which appears to conflict with it. That is the meaning of the term. If US Copyright laws are in conflict with the first ammendment then A1S8 isn't relevent. The only part of the US Consitiution which can overrule the first ammendment is a later ammendment.

    56. Re:Not all open-source is the same by cyclop · · Score: 1

      Oh, if so, ok, we agree. It's a mere labeling question.

      --
      -- Patent no.123456: A way to personalize /. comments with a sig attached to the end.
    57. Re:Not all open-source is the same by cpt+kangarooski · · Score: 1

      Of course, you can also be in favor of copyright (so long as it's reformed properly) but still put everything into the public domain.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    58. Re:Not all open-source is the same by cpt+kangarooski · · Score: 1

      Well, they can only prevent you from copying the modifications. The unmodified portions of your work that appear in their work retain their original status. This is because the only portions of a derivative work that are copyrightable as that work are the new portions. The preexisting portions continue to fall under the work from which those portions originate.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    59. Re:Not all open-source is the same by cpt+kangarooski · · Score: 1

      US Citizens who assume copyright isn't an inherent right, when it's right their in the United States Constitution.

      No, you need to read it more closely. Copyright isn't an inherent right. The Constitution merely empowers Congress to make copyright laws, or not, as they wish. They aren't required to, and outside of a few broad limits, the laws can take whatever shape Congress sees fit. The rights are still clearly artificial in nature however. If the clause wasn't in the Constitution, then copyright would be handled entirely by the states, which was how it used to be done. With the clause, it has been handled by both the states and the US government, though of late the federal laws have generally preempted the state laws under the supremacy clause so that it all runs a little more consistently.

      As for when the problems started, I strongly disagree with you. The first problems were in the mid-19th century, with the derivative right. The late 19th century and early 20th were bad -- the publishing industries had way too much input in crafting the 1909 Act. The 1976 Act was far, far worse. You're concentrating on the straw that broke the camel's back, but that doesn't make the prior bunch of straws all that good either.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    60. Re:Not all open-source is the same by Alsee · · Score: 1

      First note we are basically on the same side. However a particular point sent me off on a bit of a rant. A rant usually directed at people you and I jointly would probably consider "the other side". Chuckle. So hopefully the following doesn't sound hostile, and shouldn't be taken as such.

      US Citizens who assume copyright isn't an inherent right, when it's right their in the United States Constitution.

      No it isn't.

      According to the Constitution, published information is public domain and the public has the right to copy and use that public domain information.

      The natural right is the right to say and write anything you want... including the right to see or hear something interesting and to include that in whole or in part in what you choose to say or to write. To say or write what you like, even if it is identical to something someone else said or wrote. The basic freedom to copy.

      What the Constitution actually says, what you were attempting to cite, was that the Constitution *permits* Congress to create something like copyright. That we *may* decide that something like copyright would be useful, and that the Constitution *permits* us... if we choose to do so... to temporarily *choose* to give up certain natural rights... to temporarily give up the above mentioned natural right to copy... to secure certain limited rights from the public and to temporarily loan them exclusively to the creator of the work. That we may choose to do so as an incentive to get more people to create and publish more new work. As an incentive to get more people to contribute to and enlarge the body of public domain material. To promote progress.

      There is no right to a copyright. The initial state is that copyright not exist at all. The initial default state is that everything is in the public domain. The work, the created information, its basic nature is public domain. When a copyright grant expires the content naturally falls back into the public domain from whence it came. If copyright is created and granted, only the rights explicitly obtained from the public, only the rights explicitly and willingly surrendered by the (collective) public, are granted to the creator by that copyright grant. The Constitution limits the extent of rights are permitted to take away from the public to grant to the creator, only permits it for a limited time, and only permits it for the sole purpose of promoting progress for the public benefit. Any profit or other benefit copyright gives creators is purely incidental to the purpose of the public benefit. Merely a means to an end. The US Supreme Court has explicitly stated that profit or other benefit to creators is *not* a permissible purpose of copyright law, and that any law for that purpose would be unconstitutional and would be invalid.

      The Constitution requires that the public's rights to freely use and copy public domain information must ultimately rule. That published information is public domain and that after a limited time the public rights to copy and use that public domain information must return to their full original force. The basic liberty to say and write whatever you wish, even if it happens to be the same as something someone else said or wrote before.

      Our copyright laws were sane until the recent past.

      I agree. Copyright law was sane and reasonable and useful. I'd say the term became excessive and harmful long before the Sonny Bono Copyright Term Extension Act... that the original 28 year maximum was more than ample. And I'd agree that with the DMCA and related laws copyright have become insane. I think the insanity may have actually started with the Audio Home Recording Act... the first narrow anti-technology law that gave birth to the generalized anti-technology DMCA cancer.

      If given only two choices, either continuing down this insane DMCA-pathway copyright or abolishing copyright, I'd go with abolishing copyright.

      If given only three choices, either continuing down this insane DMCA-pathway copyright or

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    61. Re:Not all open-source is the same by Alsee · · Score: 1

      Maybe because we wouldn't be guarranteed access to the source code.

      True, but the motivation to deny access to source code and the actual occurence of being denied source code would vanish to virtually zero.

      What is the point in giving someone an executable and denying them source, when they are perfectly free to redistribute (and free to modify and redistribute) that executable to anyone and everyone at will?

      Modifying an executable without having the source is a hassle, but I have in fact done it myself. And in such a copyright-free world, the tools and skills to work from and modify an executable would almost certainly only increase. When source is unavailable, the incentive for tools and effort to work from and modify executables goes way up if you can legally use and distribute those modified programs.

      -

      --
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    62. Re:Not all open-source is the same by gnuman99 · · Score: 1

      Had mod points but I think I should reply instead. I have no idea *how* you got modded "Insightful" for this.

      Software only
      -------------

      How can you even say "GPL as way of enforcing sharing while copyright exists"? Huh? How can you enforce GPL without copyright?? It is NOT possible.

      Give me your GPL software's source. Then abolish copyright so I can treat your GPL software just like BSD. Now, force me to share my changes without copyright. Oh, and good luck with that!

      Non-software stuff
      ------------------

      If you read any books and such, copyright is very important to authors. Without it, they do not make money. They cannot protect their work. Same thing for photographers, artists, musicians, et al.

      Sure, patent system is broken, but copyright is *very* useful for everything. Including software. Including free software. It allows authors to transfer rights to their distributors and users. Without copyright, the only framework left is contracts and these are very cumbersome in comparison!

      And saying "copyright is wrong" doesn't make it so. I may as well say "blue sky is just wrong" and I would be just as right.

    63. Re:Not all open-source is the same by immcintosh · · Score: 1

      I'm genuinely curious. How, pray tell, will businesses be making a billion dollars in this manner without copyright? Seems to me that sword has two edges and the original developers can simply take the business' improvements and then provide it for free. Seems to me that the ONLY viable way for such a business to make money would be in a service-based model (support, paid customization, etc...) which I believe is EXACTLY how many free software advocates believe things should be done in the first place. To put it another way, a business would take a free piece of software, and make money off of it by providing a large support structure for other businesses who wish to use it, which I can't imagine the original developers having any problem with. Am I missing something?

    64. Re:Not all open-source is the same by lysse · · Score: 1

      But the GPL cements the right to redistribute in a world where copyright laws prohibit redistribution by default. Remove that prohibition on redistribution - return to a situation where redistribution can be done at will, by anyone with access to the source, heedless of authorship - and the GPL ceases to be necessary.

      Remember that the value of a binary-only distribution currently lies in the ability to place restrictions on further redistribution. Without that, X may choose not to share the source of a work, or to only share it for a fee, but without the prohibition on X's first customer sticking it on their website and saying "come get it!" X will probably have a hard time actually accruing money for distribution. X could, of course, offer the binary for free whilst never revealing the source code; that is as much X's right as writing a program in secret and never sharing it at all. But what X would lose is the right to impose an artificial monopoly on distribution; whether in source or binary form, effectively X's only means of income would be the first sale. So even if X had used Y's source code, which Y had clearly stated should always be made public, the inequity that the GPL explicitly redresses (that X could do this and enforce restrictions on further redistribution completely contrary to Y's intentions) would no longer be possible.

      So whilst the GPL is the best that can be done in a hostile environment, under friendlier circumstances it wouldn't even be necessary. Which renders discussion of its enforceability moot.

    65. Re:Not all open-source is the same by DamnStupidElf · · Score: 1

      I think GP's point is valid: supporting both GPL-style sharing & copyright abolition is inconsistent, as they're mutually exclusive - if you're a genuine copyright abolitionist, you'd support BSD instead. I don't think it would be possible to enforce the particular flavour of sharing currently enabled by the GPL with no copyright. TFA appears to propose some sort of nebulous copyright replacement legislation which would enforce GPL sharing - I might be missing something obvious, but it seems likely that it would just be copyright by a different name.

      If copyright was abolished, reverse engineering and reselling would also be completely legal. Modifications to open source software could legally be released as binary only, but they would quickly be reverse engineered if they were useful. The BSDs would actually gain freedom, because anyone could reverse engineer the additions and improvements that proprietary companies have added to BSD software but released as closed binaries. The GPL would only lose the ability to mandate that modified binary releases included source code, but I think the total legality of reverse engineering and free copying would be a larger benefit for everyone.

    66. Re:Not all open-source is the same by LuYu · · Score: 1

      I'm obviously having difficulty reading, as I'm struggling to make sense of your post. Are you saying that it's not possible to own copyright on a work derived from an item that is in the public domain? Eg if I publish an annotated anthology of Shakespearean plays, I don't hold copyright over reproduction of the full work?

      I was not saying that, but what you are talking about sounds like hijacking the author's copyright in the current scheme of things. I will get back to that in a moment, but first, let us look at the question you just asked.

      No, "it's not possible to own copyright on a work derived from an item that is in the public domain". This is obvious from the scenario you have given as an example. Let us say you published that anthology online. I or anyone else takes the anthology and removes your annotations. Would you consider the work to be yours or Shakespeare's? It is obvious that the copyright only applies to your additions to a Public Domain work or your creative work in general. You only hold the copyright over the parts of the work you created.

      I could easily go online and create a website composed of the same Public Domain works as a published anthology, and the publisher could do little or nothing about it. If you want an analogy, it is as if you came to my house and saw my book collection and went out and bought the same books. Is there some law that says you cannot have the exact same book collection as I have? No, there is not.

      What you seem to believe is that it is possible for you to take another author's work from the Public Domain or wherever and make it "yours". This is a strange idea. You can never own the copyright over Shakespeare's words. You can only copyright what you add to them. And if you claim his words are yours, you are not violating copyright, but plagiarizing. While this might impress your girlfriend, most people will not think highly of you for it.

      Here is another thing to consider: You quoted my comments without my expressed permission, and I yours. However, by your argument, what I said would now be "yours" because you included it with your statements. And, by your argument, your statements have now become mine. Do I own the copyright for the whole comment? Or just the part that I wrote?

      If I go through your post and replace the term 'Public Domain' with 'world without copyright', I think I glean your intent (and it's one that I've acknowledged here. I think it's an excessively optimistic view of how a copyright-free world would operate, but you're entitled to your opinion and I'm comfortable that for you, there's no inconsistency.

      There is no inconsistency because in a world without copyright, everything is in the Public Domain. I am therefore assuming a world with an unlimited Public Domain. I use the term Public Domain because I believe the Public Domain should be expanded until it encompasses all works.

      As for being optimistic, I just do not want to be ripped off anymore. In college, I was apalled at the way the textbooks constantly had "new editions" with minor changes forcing students to constanly buy new books. CD prices have increased as the unit cost has decreased. These prices are and impediment to education and cultural participation, and copyright has proven itself an impediment to free communication.

      If you can invent a better solution to the problem, I am all for it. I definitely have not seen one, and supporting the current system which is based on Royal monopolies and censorship and European feudalism is utterly inconsistent with the reasons the United States exists in the first place. The United States was created to resist European tyranny, not enforce it.

      --
      All data is speech. All speech is Free.
    67. Re:Not all open-source is the same by DamnStupidElf · · Score: 1

      ...unless use is restricted to signed binaries on locked hardware. All of a sudden there's none of the GPL v3 protection, because there's no copyright, so I can happily take your community built code, improve it, make a billion dollars and/or become famous but not give you squat in return.

      That locked hardware is working out real good for DRM, isn't it? I don't see that improving any time in the future. Industrial espionage would fix the whole DRM/"trusted" computing thing real fast, too, especially because it would be hard to claim that a hardware/software combination sold to the public contained anything that was a trade secret. Therefore keys and hardware designs are fair game as long as they're included in the final product.

    68. Re:Not all open-source is the same by 10101001+10101001 · · Score: 1

      ...unless use is restricted to signed binaries on locked hardware. All of a sudden there's none of the GPL v3 protection, because there's no copyright, so I can happily take your community built code, improve it, make a billion dollars and/or become famous but not give you squat in return.

      Meanwhile in the GPL v3 case, all the manufacturer has to do is to place the software in ROM, no signed binary required. Of course, that's not very probable because whatever losses that would occur from having to throw out ROM chips that were no longer useful would overwhelm whatever gains of control that were made. But then, that's just further proof that "make a billion dollars" is an over characterization on the amount of money that could be made, which strongly hints that most manufacturers would likely stick to not signing binaries and using Flash-like memory. The fact is, the main reason for the GPL v3 is because of the DMCA. Otherwise, people could just figure out the signing mechanism (or some other software hack) and sign their own modified binaries. Since the DMCA is the Digital Millennium *Copyright* Act, abolishing copyright includes abolishing the DMCA.

      Or in short, the GPL v3 isn't some sort of panacea to the problem. And yes, there is more effort (as others put it, a DRM arms race) involved if there is no copyright. But, I think you're over-characterizing the situation.

      --
      Eurohacker European paranoia, gun rights, and h
    69. Re:Not all open-source is the same by Anonymous Coward · · Score: 0
      Disclaimer: this text does not take a stance on copyrights

      US Citizens who assume copyright isn't an inherent right, when it's right their in the United States Constitution. http://www.m-w.com/dictionary/inherent
      I think the GP meant by inherent the "belonging by nature" part of the word's definition. The US Constitution is just a piece of paper that lays out rules the authors considered good. It is not an infallible collection of heavenly laws, and should not be used to prove that something is or is not inherent. If it becomes clear that some part of the constitution is outdated, it should be changed. And one should always be able to discuss the validity of it.

      End rant.

    70. Re:Not all open-source is the same by jmv · · Score: 1

      Sure, but the GPL is the closest thing you can get to "copyright will never apply to this program (and its derivatives)".

    71. Re:Not all open-source is the same by shaitand · · Score: 1

      'You would be able to use the disassembled code, but without the accompanying documentation and source, it would be much harder.'

      Agreed. Of course there is no reason that everyone who currently publishes code wouldn't continue to do so. You WOULD magically see an end to incompatible licenses since nobody would need licenses anymore.

      'Think how much trouble the Wine folks are having getting Wine to work completely, even knowing the header files and function definitions they must implement.'

      Think how much less trouble they would be having if they didn't have to perform each step of the reverse engineering in a clean room type environment. Software is built in layers. Once the underlying layers were implemented the wine team could actually take the existing source unmodified and drop it in place (they would have to fix the calls to outside code of course).

      'And you propose to use (stripped, optimized, obfuscated) binary without even that level of assistance?'

      I think you will find that the processes that turn these binaries into difficult to work with messes can be undone to a large extent when everyone programmer in the world suddenly has an interest in seeing it so.

      'I apologize if this is an uncharitable interpretation of your argument, but I couldn't find anything more solid to poke at.'

      By all means poke away. :)

    72. Re:Not all open-source is the same by Sam+Ritchie · · Score: 1

      You only hold the copyright over the parts of the work you created.

      Yes, which means no-one can reproduce the anthology in its entirety without my permission. I never claimed that I suddenly owned copyright on Shakespeare's plays, but I do own copyright on all the 'ownable' components of the anthology. You cannot photocopy my anthology & sell it to others, notwithstanding it's been derived from works in the public domain.

      However, you said:

      With the GPL or the Public Domain, the people who improved and distributed the code would not be able to stop the original authors or anybody from having the right to use the modifications
      This is incorrect - you have no right to 'use' (I assume you mean 'copy/modify/distribute') my annotations to Shakespeare by virtue of the actual plays being in the public domain. You do under the GPL as I've implicitly granted you that right by agreeing to the license.

      I don't have a better solution than the current one, with a few tweaks to restore balance. I certainly don't think that 'abolish copyright' is a smart option, even if it were remotely feasible. I suspect most abolitionists can't look past the obvious copyright abuses to recognise the significant benefits this mechanism gives us.

      --
      This sig is false.
    73. Re:Not all open-source is the same by Sam+Ritchie · · Score: 1

      Yes, the "I'll sell you a copy of a software product" business model disappears (as the copyright abolitionists appear to desire) and is replaced by "I'll sell you this appliance which uses software" or "I'll sell you this online service which uses software" (or a combo of the two). A variety of non-copyright lock-in mechanisms (probably mostly dependent on market clout) can then be applied to ensure the happy consumer keeps paying for their product.

      Whilst the abolitionists are clearly hoping for a world where everything is free, the unfortunate truth is that it still costs the same amount of money to write software/record music etc, which we're all still going to be paying as eventual consumers.

      --
      This sig is false.
    74. Re:Not all open-source is the same by wirelessbuzzers · · Score: 1

      For the most part BSD-licensed work is protected _from_ copyright. It's placed out there for common usage, and the people who created it get an amount of credit for it, but someone else can't come along and claim _their_ copyright over it. That's the main point in BSD-licensing. That simply isn't true. If I make a derivative work GFoozler of your application KFooMaker, then I control the copyright of GFoozler. It's a derivative of your work, so you have some control over its distribution, but it's still my derivative work. I can license the resulting code or binaries under any license I want, and distribute them under any terms I want, so long as I don't violate your right to control derivatives of your work. Assuming you BSD licensed KFooMaker, all I have to do it preserve the relevant copyright notices and attribution; I can arbitrarily restrict copying and usage of GFoozler and its source, just as if you had put your code in the public domain.

      Under no circumstances (BSD licensed, public domain or otherwise) can I claim (in a legal sense) to own the copyright on your work (unless I bought it off you) nor can I control its distribution (unless we made a contract to that effect, or it's already a derivative of my work, or ...).

      I am not a lawyer, and this is not legal advice.
      --
      I hereby place the above post in the public domain.
    75. Re:Not all open-source is the same by chris.evans · · Score: 1

      I think a programmer should have the right to protect his intellectual property and still share via the GPL the said source for others to modify and use. You just dont want someone to take what you've doen and claim they did that particular work.

    76. Re:Not all open-source is the same by Whiney+Mac+Fanboy · · Score: 1

      Sure, you just can't complain that somebody else is "breaking" the GPL, simply because he agrees with you on the copyright issue.

      I don't understand what you mean. Please elaborate.

      --
      There are shills on slashdot. Apparently, I'm one of them.
    77. Re:Not all open-source is the same by Lars+T. · · Score: 1

      Sure, you just can't complain that somebody else is "breaking" the GPL, simply because he agrees with you on the copyright issue.

      I don't understand what you mean. Please elaborate. You have proven not to be able to understand even the most simple concepts, so why should I bother.
      --

      Lars T.

      To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

    78. Re:Not all open-source is the same by Whiney+Mac+Fanboy · · Score: 1

      OK, let me break it down for you.

      You wrote: Sure, you just can't complain that somebody else is "breaking" the GPL, simply because he agrees with you on the copyright issue.

      That sentence is vague beyond belief. What do you mean by 'breaking' the GPL? Do you mean finding a loophole in it that would mean all GPL licensing is null & void? Or do you mean violating the GPL. When you say 'agrees with you', does 'you' mean 'one', 'wmf' or the hypothetical person who supports both the GPL and the end of copyright?

      You have proven not to be able to understand even the most simple concepts, so why should I bother.

      What a miserable troll you are - unbelievable that someone can make a comment without bothering to clarify what they mean when politely asked.

      In future, please don't comment unless you can be bothered writing enough that your meaning is clear.

      --
      There are shills on slashdot. Apparently, I'm one of them.
    79. Re:Not all open-source is the same by Lars+T. · · Score: 1

      Yes. No. What ever yyou say. Sure.

      --

      Lars T.

      To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

    80. Re:Not all open-source is the same by civilizedINTENSITY · · Score: 1

      Agreed that a controlled market is easier. Agreed that a small number of prepackaged superstars would be more lucrative (for the labels) than a free and open market. The point at which we disagree is the effect that dissolving the strangle hold the major labels have on the distribution pipeline would then have on the state of music production.

    81. Re:Not all open-source is the same by LuYu · · Score: 1

      Yes, which means no-one can reproduce the anthology in its entirety without my permission. I never claimed that I suddenly owned copyright on Shakespeare's plays, but I do own copyright on all the 'ownable' components of the anthology. You cannot photocopy my anthology & sell it to others, notwithstanding it's been derived from works in the public domain.

      This is incorrect. If you only collected the works and did not add any writing of your own, you cannot claim a copyright on it. If I copied your copies of Shakespeare, I would not be violating anything. If I copied your commentary, on the other hand, I would be violating your copyright. If you compiled a list of good parts of Shakespeare's books, you might be able to copyright that. That would be touch and go in court, though, as things like recipes are not copyrightable. Lists and other non-artistic works originally were not copyrightable. However, nowadays the judge might be persuaded.

      The fact still remains that Shakespeare's words are Shakespeare's words, not yours. You cannot have a copyright on a Public Domain work. Period. That is why it is called the Public Domain. If the parts you added are stripped, the work remains in the Public Domain.

      With the GPL or the Public Domain, the people who improved and distributed the code would not be able to stop the original authors or anybody from having the right to use the modifications

      This is incorrect - you have no right to 'use' (I assume you mean 'copy/modify/distribute') my annotations to Shakespeare by virtue of the actual plays being in the public domain. You do under the GPL as I've implicitly granted you that right by agreeing to the license.

      I should have been more clear. My meaning was this: In a world where the Public Domain was universal, by this I mean applied to everything or a world without copyright, the GPL and the Public Domain would be the same. The reason I put it that way is because the Public Domain is currently the world without copyright, and I see its expansion to everything as the logical opposite the the copyright lobby's attempts to expand copyright into everything. However, the leap of logic was made in my mind, and I should have spared everybody else such unclear statements. For that, I apologize.

      I don't have a better solution than the current one, with a few tweaks to restore balance. I certainly don't think that 'abolish copyright' is a smart option, even if it were remotely feasible. I suspect most abolitionists can't look past the obvious copyright abuses to recognise the significant benefits this mechanism gives us.

      I would like somebody to prove the existence of any benefits. I have yet to see any conclusive or even convincing evidence that copyright causes anything to be created at all. The creativity that has happened before my eyes on the Internet is an order of magnitude greater than all the creativity I had previously seen in my entire life. Nearly all of that was either behind the back of copyright or avoiding copyright or actively violating it.

      The harm, on the other hand, is readily apparent. The RIAA has sued thousands of people. Who knows if any of them were actually guilty of anything? Whether or not they were, they are all without substantial amounts of money, taken from them by the RIAA (the rich stealing from the poor). Copyright prevents us from viewing nearly all of the film footage generated over the last half century. This is our own history and culture that is locked away from Us the People. The People for whom this information was generated in the first place. Much progress is not happening in art and culture because of the lack of access to that material. Many books that might be useful are unavailable because they are not profitable or might compete with the publisher's flavor of the month.

      Artists c

      --
      All data is speech. All speech is Free.
    82. Re:Not all open-source is the same by Sam+Ritchie · · Score: 1

      If you only collected the works and did not add any writing of your own, you cannot claim a copyright on it.

      Yes, which is why I explicitly said 'annotated anthology'. I can't tell if you're also struggling with reading comprehension, or you're wilfully misinterpreting my posts in order to make your point.

      In a world where the Public Domain was universal, by this I mean applied to everything or a world without copyright, the GPL and the Public Domain would be the same.

      Yes, this is what I guessed was probably your intent (see the comment about 'replace "public domain" with "world without copyright"' - I don't think the term 'public domain' would have any meaning in that world).

      I disagree with this interpretation. The GPL has provisions which I feel attempt to recreate a particularly rosy and unrealistic worldview of how a copyrightless society would work, enforced through the mechanism of copyright. This is largely succeeding, as a) people/organisations who don't ascribe to that worldview don't generally choose to modify or redistribute GPLed software, and b) for those who do, the copyright enforcement mechanism allows the FSF to add additional conditions to the license to force them to 'play fair' - conditions that would not exist in a world with no restrictions on copying. I'm referring here to things like binary drivers, locked hardware, software-as-a-service etc. I think everyone would be surprised at how inventive organisations would get in locking up software in the absence of copyright protection.

      I would like somebody to prove the existence of any benefits.
      I would like somebody to prove the existence of any benefits in abolishing copyright. Why would we risk such massive upheaval for such indistinct or theortical benefits? Or, an easier task - prove that the 'harm' you're attributing to copyright is unable to be rectified through copyright reform.
      --
      This sig is false.
  4. Abolishing copyright abolishes GPL by Anonymous Coward · · Score: 2, Informative

    Abolishing copyright abolishes the ability to enforce GPL. End of story. Even though the orignial article is flawed, the fact still remains. You can't control distribultion using the GPL without copyright law.

    1. Re:Abolishing copyright abolishes GPL by Bronster · · Score: 5, Insightful

      No, but you could theoretically build a new GPL on top of something which wasn't copyright but provided the protections that the GPL needs. Copyright is not the _only_ set of base rules on which a GPL could exist, it's just the current one.

    2. Re:Abolishing copyright abolishes GPL by Tacvek · · Score: 1

      But even if the GPL (or more generally the idea of copyleft) could no longer exist, the fact that code would be reusable by anybody is a major benefit. Thus the only protection to corporation's code would be companies tightly controlling their code. If the company ever showed the code to anybody not under an NDA then anybody could use that code. That situation is a slight step down from copyleft as companies could exploit code created by others, but it would definitely be a major step in the right direction overall. As such (based on my understanding of his writings) RMS would support such an abolishment of copyright, despite the loss of copyleft along with it.

      --
      Stylish sheet to fix many problems in Slashdot's D3: https://gist.github.com/801524
    3. Re:Abolishing copyright abolishes GPL by bstadil · · Score: 4, Insightful

      There would be little point in enforcing the GPL if no copyright existed. You would have all the rights to use whatever code you wanted or could get hold of. Traditional "stealing" would be a perfectly legitimate way.

      --
      Help fight continental drift.
    4. Re:Abolishing copyright abolishes GPL by jkabbe · · Score: 1

      Copyright is not the _only_ set of base rules on which a GPL could exist, it's just the current one.

      True. But for the GPL to work the alternative set of rules would have to be one of two things:

      1) the GPL, enacted as legislation applying to all computer code (or as opt-in)
      2) a set of laws regarding creative works that allows the creator to control what consumers of the work do with the work

      It shouldn't surprise anyone that the second things is usually referred to as "copyright." It's true that copyright could be scaled back or changed, but it would still basically be copyright law. If it walks like a duck...

      Simply put, the GPL can't exist unless I can force you to do certain things if you choose to use my work. All the hand-waving in the world won't change that fact.

    5. Re:Abolishing copyright abolishes GPL by TheLink · · Score: 1

      You can oppose copyright and even support GPL.

      Haven't you heard of migration plans and "temporary workarounds" (and even politics[1] ;) )?

      Go look at the real world sometime and learn how it works.

      I think for a start copyright terms should be a lot shorter (just a few years), and fair use needs some fixing by wise and good people.

      [1] Lots of companies support BOTH the two main US parties at the same time, who are allegedly against each other.

      --
    6. Re:Abolishing copyright abolishes GPL by civilizedINTENSITY · · Score: 1
      And yet strangely enough, the GPL doesn't "force you to do certain things if you choose to use my work", although that is a common misconception. The GPL itself even states this fact explicitly:

      Activities other than copying, distribution and modification are not covered by this License; they are outside its scope. The act of running the Program is not restricted, and the output from the Program is covered only if its contents constitute a work based on the Program (independent of having been made by running the Program). Whether that is true depends on what the Program does.
    7. Re:Abolishing copyright abolishes GPL by civilizedINTENSITY · · Score: 1

      I suppose the real trick would be to make NDAs and DRM illegal at the same time that NSF grants are issued for reverse engineering closed code. That would be a hell of a world...

      ;-)

    8. Re:Abolishing copyright abolishes GPL by Rutulian · · Score: 1

      Also, I can't find it right now, but there used to be a blurb on the GNU page talking specifically about this. Basically, without copyright law, there would be no need for the gpl to exist. It wouldn't be possible for software released under the public domain to be made proprietary. I know the original article made some sort of reference to using drm, but I can't really see how this would work, unless it is tied to a piece of hardware.

    9. Re:Abolishing copyright abolishes GPL by civilizedINTENSITY · · Score: 1

      How about this thought? If it were illegal to sell binaries without also distributing source code along with them, and there was no copyright protection, would a GPL be necessary? The "you can't control distribution w/o copyright" really means, "control of distribution wouldn't be the same if it were done differently." Well, yeah. Thats the point.

    10. Re:Abolishing copyright abolishes GPL by Anonymous Coward · · Score: 0

      "use" has a lot of definitions. Maybe I'm missing it, but you see to be arguing that copying, distributing, modifying, and generating output from the Program that will constitute a work based on the Program are not forms of using it.

      By that argument, copyright already works that way. Activities other than copying, distributing and modifying the work aren't covered by most copyright legislation (which seeks to limit almost essentially those three activities), you're able to read the book or watch the movie unrestricted (provided you don't copy it to your laptop or iPod or torrent it, or make use of a copy that has already been made in violation of the anti-copy provisions) and the output from the book or movie is only covered if some one else is going to make a work based on that book or movie independent of having been made by reading the book or watching the movie.

      If your "use" involves copying, distributing, modifying or including the output in a work based on the program independent of having been made by using the program, then you are violating the GPL and could, theoretically, be punished by whatever punishments there really are for such crimes.

    11. Re:Abolishing copyright abolishes GPL by phidipides · · Score: 1
      Abolishing copyright abolishes the ability to enforce GPL

      Agreed. The linked article seems to me to be trying to defend theft of the hard work of others, and that's not cool. We live in a world that has decided it is beneficial to encourage people to create, and to do so creators are given the right to control their creations for a limited time. As a content creator, that is my right. If I create something and tell people they can use it under certain conditions, they have the choice to use my work or not to use it. That is their right. They don't have the right to take something that I've put days, weeks or years of effort into without the risk of legal consequences.

      From the article:

      Notice the rhetorical sleight-of-hand there: he presents copy control as a natural and uncontroversial "right" -- and then accuses his targets of simply not understanding (or refusing to admit) that copyright entails that right! But it is precisely this so-called "right" that copyright doubters are questioning in the first place. If he wants to argue that it should be a right, that's fine, but instead he just asserts the right as though it's a fact of nature, beyond reasonable dispute. And again, he conflates control of distribution with acknowledgement of authorship.


      This misses the point entirely. In the world in which we live the law is that it is not your right to take something that I've created and made available to you, unless you agree to my terms of use. You either agree to my terms and use my work, you don't use my work, or you can choose to steal it and face possible consequences. That's what we've agreed on by living in society - we're all playing by the same rules. If you don't like the rules you can work to change them or find somewhere else to live. In the mean time I control work that I create. That's it. There isn't any misunderstanding here. If people want to change the laws they can do so, but until they do copyright is a right that is given to all content creators.
    12. Re:Abolishing copyright abolishes GPL by chromatic · · Score: 1

      If people want to change the laws they can do so, but until they do copyright is a right that is given to all content creators.

      The dispute is over whether copyright is a natural right, in the Enlightenment sense of Kant, Hobbes, Locke, and Rosseau.

    13. Re:Abolishing copyright abolishes GPL by melikamp · · Score: 1

      I think it would still be better if we had just the public domain and a free software copyright law (limited to a sane number of years) -- that is, "GPL or nothing" kind of deal. This would be one law I could live with. I am quite enjoying the fact that MS cannot just appropriate GNU+Linux+Wine and release it as Vista SP2 for gazillion dollars per copy. Without copyright, they wouldn't have to share source, and they could have made the system really crippled (a la Steam) without being authenticated.

    14. Re:Abolishing copyright abolishes GPL by phidipides · · Score: 1

      The dispute is over whether copyright is a natural right, in the Enlightenment sense of Kant, Hobbes, Locke, and Rosseau.

      Insomuch as life, liberty and property are natural rights it seems that my right to control my own creations (my property) would be a natural right. If I write a book, it's my property and I don't have to share it. No one else has a natural right (or any other right) to something that would not have existed had I not created it. The fine line is whether I have any right to choose how I share my property, and society has chosen to say that I do have that right. Whether that's a natural right is up to debate, but it is a right bestowed on me by society as an incentive to share my creations with others.

    15. Re:Abolishing copyright abolishes GPL by RzUpAnmsCwrds · · Score: 1

      There would be little point in enforcing the GPL if no copyright existed. You would have all the rights to use whatever code you wanted or could get hold of.


      See, the "could get hold of" part is the problem. If you think DRM is bad now, think of it in a world where there are no restrictions on copying. If there are no legal protections to prevent me from copying your work, the only possible restrictions are technological.

      Say you are writing software and want to make profit without copyright. You need to make it as difficult as possible to duplicate your code. Forget about open source - your source code must now remain absolutely secret to prevent a breach. And you probably won't let your software run on commodity hardware either.

      And, in this copyright-free world, what makes companies release the changes they make to your software? Sure, you may be able to legally copy and use their binaries, but what if they run the code through an obfuscator? How are you going to make changes to a complex piece of software when the code is a mixed up jumble? Perhaps you can reverse-engineer the software and make a few changes, but you're never going to merge those changes back into the main tree.

      If you're OK with your software being used in a closed-source product, choose a license that allows that. Many people do that today. You can choose the BSD license if you want to require people to acknowledge your project. Or you can put your work in the public domain and allow others to do whatever they please.

      Copyrights and patents have a few things in common. They are designed to encourage authors and inventors to create new works, and, more importantly, to disclose their work.

      Copyright lasts far too long and is too restrictive. But it is far too important to be abolished altogether.
    16. Re:Abolishing copyright abolishes GPL by Workaphobia · · Score: 1

      Why on earth would I give a crap about enforcing the GPL if there were no copyright law?

      --
      Evidently, the key to understanding recursion is to begin by understanding recursion. The rest is easy.
    17. Re:Abolishing copyright abolishes GPL by kfogel · · Score: 3, Insightful

      A lot of the responses say this same thing; I'm replying here, but this reply could apply equally well to many of the other responses.

      The whole point the copyright abolitionists are trying to make is that it is not necessarily good that an author be able control the distribution and use of their work. I know that seems unbelievable, almost immoral, to many people, and yet it is how creativity was for most of human history. Open source pretty much works that way now (it's the infamous "right to fork", even against the author's wishes).

      The abolitionists are perfectly aware of what copyright law *is* today, they're just trying to change that. I'm not sure why this is so hard to understand: there's a law, some people don't like it, they try to change it. That doesn't mean they don't understand the law, it means they *do* understand it but want something different.

      --
      http://www.red-bean.com/kfogel
    18. Re:Abolishing copyright abolishes GPL by servognome · · Score: 1

      If you think DRM is bad now, think of it in a world where there are no restrictions on copying. If there are no legal protections to prevent me from copying your work, the only possible restrictions are technological.
      There's always EULAs that give legal protections. In an environment where EULA's are the only protection, I'd expect them to develop into something that can definately be enforced (think along the lines of having to actually sign paperwork).
      You'll also see more vertical monopolies - companies owning software, hardware, & media formats (a la Sony), or software offered as a service (a la MMOs).
      I also see no compelling reason to abolish copyright. It won't spark more people to develop freely since if that is what you want to do now there is nothing stopping you. Those creating just for profit will just stop creating so you won't access the material anyway.
      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    19. Re:Abolishing copyright abolishes GPL by smartr · · Score: 1

      Odd thing about computers is the amazing powers of reverse engineering they provide. There is no magical black box you cannot take apart. There will always be a way to take apart something once you get your hands on it. I admit, Sony might resort to using high explosives as their failsafe, but there is no such thing as magical DRM. I fail to see how on any logical level DRM solidly can work without the DMCA. Encryption works because it prevents a man in the middle from understanding the message. Public key encryption is like mailing an open lockbox and having the recipient put in their own lock box and a copy of a key to that box, then locking the box and mailing it. It seems to me DRM amounts to making a confounding number of mind boggling wadgets that make it hard to view something outside of a prescribed way. DRM is antithetical to open source, as it's not just machine code, and it certainly doesn't come with a manual written in some foreign programming language. Still, why would a company want to spend millions of dollars developing DRM when it's perfectly legal for everyone to use the crack that came out on the day of launch? I can see how a patent would encourage someone to disclose their work from running in a black box server or factory, but DRM and copyright do nothing to encourage disclosure of information.

    20. Re:Abolishing copyright abolishes GPL by 91degrees · · Score: 1

      You don't need the law to enforce the GPL.

      Many free software licences have no legal requirement to share the source. Most companies who use it still do so. If I wanted to incorporate a large chunk of Linux into my closed source software, I most likely could do so. Linus seems somewhat reluctant to get involved in a protracted legal fight to protect his rights and most of the contributors seem to have better things to do.

    21. Re:Abolishing copyright abolishes GPL by asninn · · Score: 1

      I'm not sure I get this. If copyright didn't exist at all, what would be there to stop $CORPORATION from taking my GPL'ed code, putting it into their proprietary product and marketing that without ever giving the source code to *anyone*, including me? In other words, how would the GPL still be any different from BSD-style licenses?

      I suppose you could create new legislation that would require things like attribution, published source code and so on, but I don't see what the real difference would be: you'd just replace one system of copyright with a new system of "moral rights" of the author (such as the right to receive attribution, and the right to be able to see the inner workings of the products others build on your work).

      What seems to be mostly missing from the debate is the insight that it's possible to be in favour of copyright while still being opposed to copyright in its *current* form. That's where my position fits in, for example, although I haven't thought about it in detail yet; so far, I think I'm in favour of copyright as long as: a) it's limited to a sensible amount of time (14 years?), b) it's not renewable or extendable, c) it does not automatically transfer to relatives etc. (i.e., it resides solely with the creator), d) it only affects commercial copying, not non-commercial copying, where "non-commercial" is defined as "no money's changing hands" and e) it is ensured that the "source" (including but not limited to the source code for computer programs) is placed in escrow and released to the public upon expiry of the copyright in question. Furthermore, I think that interference with fair use and/or access to a copyrighted work after its copyright term expires needs to be made illegal - so no DRM, for example.

      This would be a copyright system I could support - but of course, it's also a system that is vastly different from the current one.

      --
      butter the donkey
    22. Re:Abolishing copyright abolishes GPL by The_Noid · · Score: 1

      Sure, but without copyright only one person would need to buy MS's version and redistribute it and we all would be able to use it. Microsoft would have to change it's business model.

    23. Re:Abolishing copyright abolishes GPL by The_Noid · · Score: 1

      True, without copyright anyone can take your "GPLed" code and use it in their commercial product. But once someone buys that product, that person can give you and everyone else a copy.

      You then have a binary, and part of the source for that binary (the bit you made). So I guess we would then quickly see reverse compilers that can use partly available source to get all sorts of useful information from binaries.

      If the commercial programmer changed so much that the binary is unrecognisable he would lose the advantage of using your code, as he would then have to spend a lot of time maintaining his copy.

      So in the end I don't think it would be that much of a problem.

    24. Re:Abolishing copyright abolishes GPL by gunnarstahl · · Score: 1

      And what mechanism do you think will prevent me from just taking, building and selling your un-copyrighted sources?

      If you give up copyright you give up your right to what you created. And this is, in my humble opinion, a very bad idea.

      Yt, Gunnar

    25. Re:Abolishing copyright abolishes GPL by Anonymous Coward · · Score: 0

      They are not only outside its scope they are unenforcable in law! Thats the point.

    26. Re:Abolishing copyright abolishes GPL by evilviper · · Score: 1

      No, but you could theoretically build a new GPL on top of something which wasn't copyright but provided the protections that the GPL needs.

      In other words: ...if copyright was replaced by something that is almost exactly the same as copyright...
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    27. Re:Abolishing copyright abolishes GPL by TheVelvetFlamebait · · Score: 1

      You would have all the rights to use whatever code you wanted or could get hold of.
      How will you get a hold of the source? There's no regulations saying that the source has to be provided. I predict that most of the rich pool of open source code will eventually trickle away into the sea of binary blobs.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    28. Re:Abolishing copyright abolishes GPL by Bronster · · Score: 1

      *) Shorter term
      *) Not able to be unconditionally assigned to others - i.e. original creator retains control and nobody can gain an exclusive licence such that the original creator is unable to do other things with their creation.

      This would still allow a company to create an amalgamation of many different authors' work and sell it, but would not allow them to stop the author from ever doing the same thing again (as there have been cases with musicians selling the rights to their own compositions so they aren't even allowed to perform them any more!)

    29. Re:Abolishing copyright abolishes GPL by RobBebop · · Score: 1

      kfogel, I enjoyed you essay... and thought you made some excellent points.

      Feel free to browse some of my posts, as I enjoy discourse on this topic.

      it is not necessarily good that an author be able control the distribution and use of their work.

      Good point, but how do you deal with the dual-edged sword of an author who produces his work in exchange for the opportunity to earn a living? This type of author has a notion that he needs to control his work, or else it is no good for him.

      I think the root of the issue is in the misconception of work=>paycheck=>survive. With the enormous gains in production from the progress of the 20th Century, I argue that survival of billions can be accomplished by production from millions... or by a very slight production from everybody. This arguement usually gets dismissed as communist or wishful-thinking... though the root of communism and Open Source are both one-and-the-same, COMMUNITY. The value of the whole is greater than the sum of the individual parts.

      The other root of the problem is that the production of goods and services is, by and large, controlled by organizations that need their ownership rights of control to perpetuate their own relevance... so when you say "it is not good that the author control" you are indirectly including "authors" like Microsoft, Oracle, Adobe, IBM, and Google. These "authors" aren't about to let you (or the legislature) tell them that they don't own the code they produce (unless it serves their own internally motivated needs).

      Does that make sense? If you can answer those points (and realize that I agree with you), then there would be significantly more worth to the "abolishionist" movement.

      --
      Support the 30 Hour Work Week!!!
    30. Re:Abolishing copyright abolishes GPL by starfarer42 · · Score: 1

      In a world without copyright, the GPL (and most other open-source licenses) would need to be turned on its head. Instead of granting permission to distribute copies (provided certain conditions are met), it would have to restrict your rights (except when certain conditions are met). What's the difference? The latter case is essentially a EULA, taking away rights you would otherwise have. This is still a very grey area in the law because it raises the question: If someone is caught distributing your work, how do you prove that they are bound by the EULA? With the current situation, anyone caught distributing your work *must* have agreed to your license, because nothing else grants them permission to make copies. I hate the way media conglomerates are abusing copyrights too, but the solution IMHO is to strengthen the fair use provisions of copyright law and update them for the digital age. As several others have pointed out already, abolishing copyright would force authors to seek out other protections for their work. That would probably mean trade secrets which are antithetical to the whole open source concept.

    31. Re:Abolishing copyright abolishes GPL by jkabbe · · Score: 1

      Ok, fine, so I should have said "use my work in a particular way that is outlined in the GPL." I know how the GPL works. Being nitpicky on this point is unrelated to the overall issue and doesn't really add to the conversation at all.

  5. In other words by Anonymous Coward · · Score: 0

    Nu-uh!

  6. Great by Anonymous Coward · · Score: 0

    Because the most appropriate response to blog meta-wankery is MORE blog meta-wankery.

    Seriously, I agree that the piece yesterday was quite flawed, but sometimes the most effective response is none at all. Responding formally just generates buzz and makes it more likely that Slashdot will continue propagating that kind of crap.

  7. fix the article title, then by SEAL · · Score: 2, Informative

    "I'm submitting 'Supporting Open Source While Opposing Copyright' as a response to Greg Bulmash's piece from yesterday.

    Then why not make the title of this article: "Supporting Open Source While Opposing Copyright", instead of repeating the same title from the previous article?

    People who just scan titles, esp on RSS, are going to think this is a dupe.

    1. Re:fix the article title, then by Bob54321 · · Score: 5, Funny

      People who just scan titles, esp on RSS, are going to think this is a dupe.

      I almost did. But then I remembered that Slashdot has editors to prevents such horrible things as dupes and that this must have been a legitimate follow-up to the previous article.
      --
      :(){ :|:& };:
    2. Re:fix the article title, then by civilizedINTENSITY · · Score: 1

      The title (currently) is "You Can Oppose Copyright and Support Open Source" with 13 comments posted. If they changed it (if it ever was different) they changed it *fast*!

  8. do we really need to hear this again by Anonymous Coward · · Score: 5, Insightful

    Richard Stallman puts it so much better. I disagree with a lot of what Stallman says, but the man has thought about his message and tries not to waste words. I respect that.

    I tire of the "here are 10-15 different arguments on my side, if any of them sticks then I win" style of debate.

    1. Re:do we really need to hear this again by Anonymous Coward · · Score: 0

      ...tries not to waste words.

      I had no idea there was a shortage. Good thing I recycle...Now let's see. The clean ones go into the green bin. The dirty ones, into the brown...seems logical to me.

  9. If you GIVE it to me all, who cares about "copyrig by Anonymous Coward · · Score: 0

    If you GIVE it to me all, who cares about "copyright"? Muuuuuwwhhaahahhhh

    Which means I agree 110 percent. (C) is for losers.

  10. Abolishing common sense abolishes GPL by Anonymous Coward · · Score: 0

    Maybe the better question should have been, "why are some trying to seperate open source from copyright"?

  11. Different brands of freedom? by RalphBNumbers · · Score: 2, Insightful
    Quoth TFA:

    imagine if we had laws that did away with most prohibitions against sharing, but that enforced crediting and permitted authors to enforce GPL-like provisions requiring sharing.


    So basically it seems like this guy doesn't want to do away with copyright, he just wants to change it so that any non-GPL-style license is prohibited.

    The previous article suggested libertarian style freedom (free as in free to shoot your neighbor if he steps on your land), while this guy suggests communist style freedom (free as in "show your papers to get in line for free bread comrade").
    --
    "The worst tyrannies were the ones where a governance required its own logic on every embedded node." - Vernor Vinge
    1. Re:Different brands of freedom? by shark72 · · Score: 3, Insightful

      "So basically it seems like this guy doesn't want to do away with copyright, he just wants to change it so that any non-GPL-style license is prohibited."

      You can see the appeal here. All the free music and movies you want, but nobody gets to mess with your FOSS project in a way you don't want. Since most of us are coders, and not musicians or moviemakers (or, we're more likely to have friends who are the former, not the latter), it's an attractive idea to many Slashdotters.

      --
      Sitting in my day care, the art is decopainted.
    2. Re:Different brands of freedom? by Anonymous Coward · · Score: 0

      I'm all for that part about shooting your neighbor. Maybe I can shoot my neighbor too. Never did like the SOB. Damn dogs barking all night. Chickens stinking up the place. Kill 'em all, I say. Then give them a free plot. That's as libertarian, and communist as you can get.

    3. Re:Different brands of freedom? by Anonymous Coward · · Score: 0

      Not really. Authors are still free to make up all sorts of weird and wonderful licenses for their works. The only difference is that other people are free to ignore them. That's *more* freedom, not less.

    4. Re:Different brands of freedom? by kebes · · Score: 1

      Creative people who work on music and movies benefit from access to other people's source material (and enforcement of share-alike licenses) just as much as programmers benefit from source code and the GPL provisions.

      I think there is a massive amount of creative potential that has never been unleashed because the masses have never had access to the right (nor the source material) required to actively remix and participate in prominent creative projects.

      I can think of dozens of movies that I thought were crap... but I bet if some intrepid, creative individual had access to the lost footage (that ended up on the cutting-room floor), and had the legal right to re-edit and then redistribute the movie (with credit to the original movie, of course), then a "better" version of the movie might appear.

      Imagine a world where dozens of creative people are all competing (in the FLOSS sense) to create the "best version" of a movie. Of course different people might prefer versions made by different groups. It would be a rich creative environment.

      Note: I understand the worry that in such an environment, the original footage wouldn't even have been shot. However my present point is merely that there is massive creative potential being untapped, and moreover that artists of all types (musicians, authors, movie-makers) would benefit creatively from a copyright climate that had lots of share-alike material. Whether it is feasible to encourage or enforce such a climate is, of course, a harder question.

    5. Re:Different brands of freedom? by Microlith · · Score: 1

      Why does it seem to me that without copyright, all we'd get are remixes of existing content?

      Is that all people want to do? Are people truly not creative enough to come up with original material?

      Or is it just that it's expensive, and they can't afford it?

  12. if only... by Anonymous Coward · · Score: 0

    If only there were a way to point out flaws and fallacies in a discussion about the original post. Maybe some way to comment on the validity of the argument or something. I'm sure the slashdot editors can come up with some method...

  13. the real issues by bcrowell · · Score: 5, Insightful

    It's a little pointless arguing what copyleft would be like in a world without copyright, because we're never going to live in a world without copyright.

    Let's focus on what we might really be able to achieve:

    1. Under the Sonny Bono Copyright Term Extension Act, US copyrights will start expiring again in 2017. We need to make sure that when that day comes, there isn't yet another copyright extension.
    2. We need to work against software patents, business method patents, and abuse of the patent system. We need to work for institutional change in the US patent office so they'll start rejecting completely bogus patents.
    3. We need to repeal the DMCA.
    4. We need to work to keep fair use legally healthy, and prevent it from being more and more circumscribed and forgotten.
    5. We should work to change the law so that orphaned works can't remain copyrighted for a century, during which nobody is allowed to publish them.
    1. Re:the real issues by corsec67 · · Score: 1

      Under the Sonny Bono Copyright Term Extension Act, US copyrights will start expiring again in 2017. We need to make sure that when that day comes, there isn't yet another copyright extension.

      Or, how about Copyright laws revert to something reasonable, like 15 years. The copyright length was originally 14 or 28 years, per United States copyright law. If 28 years was enough time in the late 1700s, when printing was a slow process, and dissemination of information was slow, why on EARTH would we need authors life PLUS 70 years, when a work can be distributed across the world in seconds?

      The point of copyright was that you would get a legal monopoly for a limited term, and then it would join the body of works that anyone could use without restriction, benefiting culutre as a whole, not that you would get an indefinite right to prevent anyone from using something from their grandparent's childhood!

      --
      If I have nothing to hide, don't search me
    2. Re:the real issues by civilizedINTENSITY · · Score: 1

      Especially we need to repeal the DMCA!

    3. Re:the real issues by Anonymous Coward · · Score: 2, Interesting

      We can dance around the issue and pretend that it's about credit or whatever, but we're all adults here and can just say: The reason copyright exists is because property is still valuable. Had Lewis Caroll or someone else had a life+70 on their work, imagine the potential riches their estate would have.

      The speed of getting information out has nothing to do with how valuable it is.

      The crux of these sorts of arguments seems to be that after your suggested 15 years JK Rowling should just be told that anyone can publish as many copies of Harry Potter book 1 as they like so long as they put her name under it (no payment necessary, meaning no incentive to pay her) because it "benefits culture" as a whole.

      This is roughly equivalent to saying "you have the exclusive right to whatever you buy for 15 years, but from then on anyone can use it." It's great for that DVD player that's going to break down every few years, or the car that you can squeeze a decade out of, but in 15 years when the public decides that your wife's diamond engagement ring is better off as part of a laser or a drill bit, or in 15 years when your house gets opened up "for the benefit of society."

      Thanks to dynasty trusts, you can tie your property up as far as the rule of perpetuities will allow, and sometimes later still, some trusts tying property up for hundreds of years but you would never argue that in 15 years you should lose your legal monopoly on your real or personal property. Instead, you'd argue for at a minimum, life plus the right to pass it on to someone else (who can the do as they like)

      I'm going to stop the argument here and get a drink, but the next step in this argument is either

      (a) intellectual property isn't real or personal property - to which the counter is "are you saying that because I created my own property, I have less rights to my property than someone who buys it?"
      (b) violating intellectual property isn't at all like theft - to which the counter is "it's depriving someone of something (the right to exclusively choose the method and means of distribution of property without their permission. How is that different than depriving you of the right to exclusively choose who enters your home?" - to which the counter is "I paid to maintain my home, while someone who creates IP just does it" - to which the argument is "someone who creates IP consumes resources in generating it. That book they wrote happened because they paid to maintain their writing environment.

      Of course, there's more argument chains to go down, but I'm a little tired now.

    4. Re:the real issues by fooDfighter · · Score: 1

      I have to disagree. Owning property is one thing, but property rarely generates a continuous source of income for its owner, especially without any active participation. Unlimited (or extremely long) copyright allows for just that kind of a situation.

      Obviously the author should retain the credit for his works, this would be akin to owning property, however the right to profit from the redistribution of said work should be limited by some mechanism.

    5. Re:the real issues by Eivind · · Score: 1
      That is a very uncomfortable point for the MPAA/RIAA et al.

      Fact: Copyrigth exists at all in order to "promote the progress of science and the useful arts".

      So, the relevant question is, if we cut copyrigth to say 15 years, would that actually result in less progress in science and the useful arts ? That is, is it likely that production of creative works would actually be seriously harmed by this ?

      For software, the answer is a pretty definitive "no". There's no way in hell anyone will write a new program -- because of 100 years copyrigth, while not being able to do the same for 15 years copyrigth.

    6. Re:the real issues by Anonymous Coward · · Score: 0

      Never say never, mr. Realist.

    7. Re:the real issues by QuantumG · · Score: 2, Interesting

      One thing that does produce a continuous revenue stream and always have is land.

      You only have to look at the difference between US and European land laws (in particular, squatting laws) to see the way the US has a much greater tendency to disregard the public good. As copyright is all about the public good, and the US dominates international copyright treaties, it is pretty clear why copyright is so fucked up.

      So much so, that any copyright law is guaranteed to change into this total travesty that we have today.

      --
      How we know is more important than what we know.
    8. Re:the real issues by Nazlfrag · · Score: 1
      This is roughly equivalent to saying "you have the exclusive right to whatever you buy for 15 years, but from then on anyone can use it."

      That is far from equivalent. It is more something like "you have the exclusive right to whatever unique works you create for 15 years, but from then on anyone can copy the work." Copyright as we have it is a joke, with works that will never enter the public domain. I would say five years is plenty, and fifteen more than adequate, but to perpetuate the copyright even when the creator is deceased is absurd. America is meant to be the bastion of free market capitalism, yet such excessive copyright is highly uncompetitive, and basically a legalized monopoly. It should be kept to the shortest reasonable time so that both the creator can profit and the public can eventually reproduce the work, and everyone can still benefit positively from copyright without the absurd situations we have, ie. Disney owning perpetual rights to centuries old children's tales from around the world.

    9. Re:the real issues by mpe · · Score: 1

      Or, how about Copyright laws revert to something reasonable, like 15 years.

      Or even some shorter time period.

      he copyright length was originally 14 or 28 years, per United States copyright law. If 28 years was enough time in the late 1700s, when printing was a slow process, and dissemination of information was slow, why on EARTH would we need authors life PLUS 70 years, when a work can be distributed across the world in seconds?

      You can easily send a live broadcast to the entire planet with a maximum "lag time" of well under a second. Even with a physical media you can transport it to anywhere on the planet within hours. The likes of newspapers use a combination of multiple printing places and internal combustion engine vehicles to do this routinely.
      In the 18th century the fastest vehicles were wind propelled ships, assuming the wind was blowing in the right direction at the time... The fastest land transport was a galloping horse, horses also have a rather limited "range".

    10. Re:the real issues by mpe · · Score: 1

      That is a very uncomfortable point for the MPAA/RIAA et al.
      Fact: Copyrigth exists at all in order to "promote the progress of science and the useful arts".


      At least according to the US Constitution. As the MPAA/RIAA are US based entities that is highly relevent.

      So, the relevant question is, if we cut copyrigth to say 15 years, would that actually result in less progress in science and the useful arts ? That is, is it likely that production of creative works would actually be seriously harmed by this ?

      15 years is still much longer than the useful commercial lifespan of many works. Indeed having a limited copyright term may provide more incentive for publication than having one which is to all intents and purposes unlimited.

      For software, the answer is a pretty definitive "no". There's no way in hell anyone will write a new program -- because of 100 years copyrigth, while not being able to do the same for 15 years copyrigth.

      There's also the issue of how much software, etc is produced because of copyright in the first place.
      Another question which needs to be asked is if current copyright laws are actually impeding "the progress of science and the useful arts". Something which definitly appears to be the case with the DMCA.

    11. Re:the real issues by Eivind · · Score: 1
      I think some software needs copyrigth (or something similar) to flourish. Basically thats true for anything shrink-wrap. Which last I heard accounts for 5-10% of all software-development.

      It'd be hard to finance Ratchet&Clank without copyrigth, or some other similar reward-mechanism.

      I can see other better models though. For example, I'd be in favour of a flat fee, distributed according to how users want.

      Instead of selling Playstation games, Sony could sell $X/month subscriptions to Playstation-network or whatever, and have 80% of that redistributed to game-developers based on user-voting or whatever.

      Copyrigth is harmful because it limits access to finished works. Useful because it (in theory anyway!) stimulates the creation of new works. If you could stimulate the creation of new works *without* restricting access to existing works, that'd be much better.

    12. Re:the real issues by chainLynx · · Score: 1

      It's not pointless. A) We could live in a world without copyright. Copyright, with the instantaneous, global, perfect distribution of information that the Internet provides, has become unenforceable. What makes you think that current trends of violating copyright will not continue and the content owners will throw in the towel (or, more likely, the government forces them to because it sees they are a bane on society and the file-sharing majority is against them)? B) Even if that world is not here, or far off, it's still useful as a thought exercise, with the possibility that this world might arise.

    13. Re:the real issues by cpt+kangarooski · · Score: 1

      Obviously the author should retain the credit for his works

      Why? Don't just assume that it must be so; that's a lot of what's gotten us into this situation. Justify it and consider reasons against it.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    14. Re:the real issues by Anonymous Coward · · Score: 0

      Property rarely generates a continuous source of income for its owner: Stocks, bonds, cash deposited into a bank account, CDs, rental property, artwork (although it's unrealized income for tax purposes until sold), collectibles.

    15. Re:the real issues by Anonymous Coward · · Score: 0

      Just saying that something is a joke, that a certain time frame is plenty, adequate or absurd, that copyright is excessive does not make it so.

      You say that copyright should be short so the creator can profit and the public can eventually reproduce the work. Making copyright life plus 50 does that as well. Life plus 100 too. The creator profits and can use that profit to support their family, to establish foundations, whatever the creator wants and then, when the creator is done with it, the public can have it.

      It just boils down to you saying that this person shouldn't be able to do what they want with the property as long as they want (which also involves you understanding that sometimes people want their property to be treated a certain way after they're dead) because there's a nebulous "good" to come from public reproduction.

      Free market capitalism is intrinsic to copyright. These people created something, the rights to which they are able to sell for whatever price they choose. If they don't get the price they want, they are able to sit on their property, hoping that the scarcity will drive up price (think first editions of desirable out of print books, or even as a modern example certain DVDs that have gone out of print and started reaching $100 or more on the secondary market) and when and if the market is willing to pay what that person wants for their property, they sell certain rights to the property.

      If you want to put something in the public domain, you simply need to pay what the creator and rights owner wants for it. You will pay for the rights that you want, a concept so key to free markets.

      If you're so upset that Disney owns the perpetual rights to centuries old children's tales (which is a chronic myth since they don't, they own the rights to their particular imagining. You can make a story and call it Cinderella and have it tell Cinderella's story. You can NOT make a story, using Disney's stylistic Cinderella, complete with all the twists and character art they generated for it, and call it Cinderella) then you get up a ball of money and ask them to sell. That's the free market, someone with an item can decide to sell it at whatever price they want, and if they want to sell it bad enough, they'll have a low enough price, and if they don't, they won't.

      Sticking through with the Disney motif though, let's use an example. Disney spent (according to most reports) 90 million dollars on producing Finding Nemo. On your 5 year timeline, you're suggesting that next year Nemo should enter the public domain. The money Disney still makes on DVD sales, and will continue to make with each successive release/vault/release cycle should end. They've got enough. I can put out a bunch of cheap books with the Nemo logo and sell them to desperate parents because Disney can't stop me. And you may be able to justify that in your mind because a lot of people seem very comfortable with the rather socialist idea that there should some level of equity and if a company makes some arbitrary sum deemed "enough" they should be estopped from further profit.

      Now try telling Dan Brown whose book would also hit public domain next year that you think he's made enough money off his idea and it's better for others to get a chance at it. Of course some people will still say "yeah, he's made millions, that's enough, cut him off!" but please, don't shatter my faith in the basic good will of people by trying to tell me that you don't see anything at all wrong with going up to successful people and telling them that they have enough money (generally more than you) and because of that you're going to take away what makes them money. You have to understand that at that point, it's all a matter of perspective. Perhaps the single mother making 14k a year thinks you in your middle class lifestyle makes too much and so your salary should be capped or something similar.

      Of course, then the argument becomes that you work x number of hours a week, while Dan Brown has already written

    16. Re:the real issues by d34thm0nk3y · · Score: 1

      The crux of these sorts of arguments seems to be that after your suggested 15 years JK Rowling should just be told that anyone can publish as many copies of Harry Potter book 1 as they like so long as they put her name under it (no payment necessary, meaning no incentive to pay her) because it "benefits culture" as a whole.

      This is roughly equivalent to saying "you have the exclusive right to whatever you buy for 15 years, but from then on anyone can use it."


      Congratulations, you just figured out what the words "limited time" mean.

      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;

  14. Miss the obvious by Spazmania · · Score: 3, Insightful

    Both of you miss the obvious.

    Bulmash misses the point that without copyright, I can find the appropriate place in your machine code to insert my functions and then distribute the modified versions to my friends. That's 90% of the GPL right there... And the right redistribute everything is probably more valuable than being able to see your sloppy undocumented source code anyway.

    Kfogel misses the point that without copyright the computer industry would have grown an entirely different direction from way back in the '70s. Without specific protection for the software component, companies would have tied software to the hardware. Think: dedicated Pac Man machines in the arcades. You can copy the Microsoft Office ROMS all you want, but it uses the registers and I/O devices only present on the patented Microsoft Office machine. No *general purpose* computers... Copyright is what made the general purpose computer sociologically possible. That world, by the way, would suck.

    --
    Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.
    1. Re:Miss the obvious by civilizedINTENSITY · · Score: 1

      "Bulmash misses the point that without copyright, I can find the appropriate place in your machine code to insert my functions and then distribute the modified versions to my friends. That's 90% of the GPL right there..."

      Yes! Someone who gets it! It would make for a very different world.

      I'm not sure about your second point, though, because I think that the efficiency of having universal computing devices would be enough to (eventually) bring about convergence. We certainly didn't have to let criminals become as rich as God Himself to establish de facto standards (that disregard de jure standards).

    2. Re:Miss the obvious by Spazmania · · Score: 1

      I think that the efficiency of having universal computing devices would be enough to (eventually) bring about convergence.

      Maybe. But consider that even here it took 20 years for someone to write MAME, software for a general-purpose computer that could run the original Pac Man code instead of requiring a rewrite from scratch. That was with improvements in general-purpose computer hardware being driven primarily by the development of commercial copyright-protected software. Hobbyists contributed little to Moore's law.

      The prospects for my ficticious non-copyright world are not good. It would probably make an interesting backdrop for a dystopian science fiction novel.

      --
      Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.
    3. Re:Miss the obvious by Temporal · · Score: 1

      I can find the appropriate place in your machine code to insert my functions and then distribute the modified versions to my friends. That's 90% of the GPL right there... And the right redistribute everything is probably more valuable than being able to see your sloppy undocumented source code anyway.

      You're kidding, right? Can you point to any significant improvement made to a binary-only program ever by this method? Surely if it is reasonably easy to do, people would have done it, right? (No, copy protection cracks don't count; those don't add new features.)

    4. Re:Miss the obvious by Anonymous Coward · · Score: 0

      Can you point to any significant improvement made to a binary-only program ever by this method?

      TTDPatch

    5. Re:Miss the obvious by Anonymous Coward · · Score: 0

      Ms. Pac-man is an obvious one, since it is a binary patch to Pac-man that builds on the existing game and AI routines. I have to have admiration for the guys who did that with the tools of the day.

    6. Re:Miss the obvious by Technician · · Score: 1

      You can copy the Microsoft Office ROMS all you want, but it uses the registers and I/O devices only present on the patented Microsoft Office machine. No *general purpose* computers...

      We are moving back in that direction with DRM, Trusted Computing, & High Definition. Your hardware is a dongle nowdays with single machine tethered DRM software.

      --
      The truth shall set you free!
    7. Re:Miss the obvious by Spazmania · · Score: 1

      Every "no-cd" game crack every made? What, are the l33t crackerz mad skillz too far beyond you? I doubt it.

      Third-party level editors for the early FPS games like Doom? Technically I guess that modifies the reverse-engineered data rather than the code. Still, not too big a step to add code mods to handle new data types.

      Its tough to name more significant mods. Why would anyone spend the time when they can't legally redistribute the changed code?

      --
      Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.
    8. Re:Miss the obvious by Raenex · · Score: 1

      You miss the obvious. One of the basic tenents of GPL is that you get access to source code. That is why the original article picked on the GPL so much as requiring copyright. It says as much right on the front page of http://gnu.org/:

      "The freedom to study how the program works, and adapt it to your needs (freedom 1). Access to the source code is a precondition for this."

      Being able to hack binary blobs is better than nothing, but having the source makes a world of difference.

    9. Re:Miss the obvious by chainLynx · · Score: 1

      "Kfogel misses the point that without copyright the computer industry would have grown an entirely different direction from way back in the '70s. Without specific protection for the software component, companies would have tied software to the hardware. Think: dedicated Pac Man machines in the arcades. You can copy the Microsoft Office ROMS all you want, but it uses the registers and I/O devices only present on the patented Microsoft Office machine. No *general purpose* computers... Copyright is what made the general purpose computer sociologically possible. That world, by the way, would suck." So the entire open-source movement, and indeed the desire to tinker/hack/explore/create/whatever, is predicated on copyright? Please, you know that's not the case. I'm sure there would have been a slightly different route to take to get us to the point we are today.

    10. Re:Miss the obvious by Spazmania · · Score: 1

      So the entire open-source movement, and indeed the desire to tinker/hack/explore/create/whatever, is predicated on copyright?

      The open-source movement is predicated on the mainstream general-purpose computer. The mainstream general-purpose computer is predicated on copyright allowing software to have commercial value independent of the hardware. A begets B begets C.

      The desire to tinker, hack, etc. considerably predates open source and would surely have had an impact in any world we can imagine. But would an open-source-like movement have been able to achieve critical mass when faced with a chicken-and-egg problem where open source needs a general purpose computer but the already existing open source provides the only financial impetus to make a general purpose computer? Eventually. Maybe. But we'd only now be shifting from hobbyist kit computers to machines like the TRS-80.

      --
      Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.
    11. Re:Miss the obvious by Spazmania · · Score: 1

      One of the basic tenents of GPL is that you get access to source code.

      That's primarily politics. Like Catholics at confession, providing the source code is the author's act of contrition that demonstrates he truly subscribes to the idea of improve-use-and-share. If improve-use-and-share was a right rather than a priviledge (as it would be in a world without copyright), the act of contrition would hold less importance.

      Hasn't Microsoft's "shared source" pretty well proven this to you? The source code by itself means nothing.

      --
      Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.
    12. Re:Miss the obvious by Raenex · · Score: 1

      That's primarily politics. The shared source tenent of the GPL isn't politics. It is driven by a practical concern to, as you say, "improve-use-and-share". You can read up on how Stallman was traumatized (comical but true!) by not being able to modify a printer driver without access to the source. Most coders aren't binary specialists, and even those who are would be much more productive with source code. Hell, even the OpenBSD guys aren't happy with binary blobs. Actually, the want they specs, not just source code.

      If improve-use-and-share was a right rather than a priviledge (as it would be in a world without copyright), the act of contrition would hold less importance. I don't understand. I think you had it right in your original post. If there were no copyrights, binary blobs with DRM hardware would be the norm. And even forgetting DRM, there's still the practical matter that modifying binaries is a pain, so the "right to improve" part is pretty constrained.

      Hasn't Microsoft's "shared source" pretty well proven this to you? The source code by itself means nothing. It means nothing because they have copyright to prevent you from doing anything useful with it. The whole point of GPL is to stop this from happening to source code. GPLv3 goes even further to plug the latest loopholes.
    13. Re:Miss the obvious by chainLynx · · Score: 1

      "The open-source movement is predicated on the mainstream general-purpose computer."
      I grant that a lot of open-source development, if not the majority, happens on and for general purpose computers. However, there are more platforms than just that. Tivo and the new Linux-based Nokia to name a couple (yes, I know that both of these are based on linux and therefore indebted to the general-purpose computer open-source movement). The point remains -- open-source goes beyond a specific platform. I guess I'm just much more optimistic about the drive/motivation/creativity/originality of people to hack whatever the situation than you.

    14. Re:Miss the obvious by Temporal · · Score: 1

      Every "no-cd" game crack every made? What, are the l33t crackerz mad skillz too far beyond you? I doubt it.

      As I said in my original post, those don't count. They usually come down to modifying a single branch instruction, which is not difficult. Adding new code is difficult.

      Third-party level editors for the early FPS games like Doom? Technically I guess that modifies the reverse-engineered data rather than the code. Still, not too big a step to add code mods to handle new data types.

      Reverse-engineering a data format and adding to it is a hell of a lot easier than adding new logic to a binary.

      Its tough to name more significant mods. Why would anyone spend the time when they can't legally redistribute the changed code?

      You can legally redistribute your patch. People make and distribute game mods all the time. People can and do produce binary patches on old NES games like Super Mario Bros. 3, but NES games are much simpler than modern software and even then people have only managed to modify data tables and make very minor logic changes. If it were reasonably possible to add significant new logic to compiled binaries, people would be doing it. But they aren't.

      Have you ever even tried to do what you are claiming is so easy?

    15. Re:Miss the obvious by Spazmania · · Score: 1

      Have you ever even tried to do what you are claiming is so easy?

      Not recently, but yeah I've added new logic to binaries. I added my new compiled code to the end and then inserted branches in the appropriate places -- an activity you deemed "not difficult," and I concur.

      Large scale changes would probably be easier to do by disassembling portions of the binary, changing the assembly code and then reassembling it. For a popular program, folks would tend to disassemble and comment sections of it so that others could add functionality too. Not as easy as tweaking and recompiling C code, but not excessively difficult either.

      --
      Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.
  15. Sigh by DTemp · · Score: 5, Insightful

    You can support copyright and NOT support ABUSE of copyright. Its the ABUSE of copyright that pisses people off.

    As a professional photographer, if I take a good photograph, I don't want someone putting my picture up on their website and saying someone else took the photo. This is NOT me abusing my copyright.

    If, however, a newspaper ran my photo on the front page, but I refused to allow anyone to cut out the photo and hang it on their refrigerator, and went from house to house inspecting refrigerators... THAT would be abusing my copyright. Sound vaguely similar to the MAFIAAs?

    I hope you see the difference. Copyright is actually a good thing when not abused.

    1. Re:Sigh by spud603 · · Score: 4, Insightful

      You may have misread the article:
      kfogel argues the distinction between "the right to be credited for a work, and the right to control distribution of that work." So under his paradigm, in a world without copyright folks would still be breaking the law for posting your picture uncredited or miscredited, but they'd be allowed to post the picture on their site with your name under it. I'm not sure if this would still bug you, properly credited, but that's the gist of TFA.

    2. Re:Sigh by iminplaya · · Score: 1

      Oh jeeze, I promised myself I would stay away from this. Must be an addiction...

      I don't want someone putting my picture up on their website and saying someone else took the photo.

      That would be plagiarism. An entirely different animal. Copyright is a distribution issue. Something which nobody has a right to control.

      --
      What?
    3. Re:Sigh by blibbler · · Score: 1

      I don't want to speak for the original poster, but he probably also wants to be compensated for his work. If I were a professional photographer, and a newspaper ran my photo on the front page, I would probably want to be paid for it.

      At the moment there is nothing inherently illegal about putting up a photo without attribution or with a misattribution... so long as you have the rights. If you have the rights to a photo, you can say it was taken by whomever you want.

    4. Re:Sigh by blibbler · · Score: 1

      Plagiarism is not illegal. If a university student copies an essay and hands it in under her name, she has broken no laws. She cannot be arrested, fined or gaoled. She can (and should) be kicked out of university as well as lose any kind of academic credibility.

    5. Re:Sigh by Anonymous Coward · · Score: 0

      That is not the gist of TFA. That is just one nit he picks from the original, Trying to make himself look better by sniping at the trivial details of the first article.

      Not trying to be snippy, but the writer of this artice is "not even wrong".

      Instead of saying "We should change copyright laws to make them more like open source licenses", which seems to be what he's getting at, he spends his time attacking Bulmash and making bad arguements supported by thin air. TFA could have been half the length and still have said twice as much.

      He actually sums up his point at the end, one of the few clear (if incorrect) sentences he uses:

      "my point is just that copyright abolitionists are being consistent when they use the open source movement as an example."

      1. But wouldn't abolishing instead of radically changing existing copyright law invalidate the licenses that enforce open source principles on created works?

      2. How can one be consistent when wanting to abolish copyright while supporting open source copyrights?

      3. An example of what?

      Quote:
      "Claiming that copyright abolitionists depend on copyright for enforcement of their principles is just playing a name game".

      Oh, silly me. So my saying that the rights granted/reserved in the GPL, Creative Commons,etc... depend on copyright law for enforcement is just me playing a name game.

      I feel really bad about playing a name game, I really thought that copyright governed this type of thing.

      Of course the author anticipated my confusion, and explains why these "principles" do not rely on copyright:

      "The real question is whether their principles actually require today's copyright for enforcement, and I think the answer is that they don't: they could be enforced by means that few people would label "copyright", if come to with no preconceptions. The fact that copyright law is the tool available today doesn't change that."

      So let me see if I got this right:

      Open source does not depend on the law that governs created works called "copyright", because we could use another, different, law that governs created works, but not call it copyright.

      Even shorter:

      Open source don't depend on "copyright" because we are going to call our new law "notcopyright". It's going to be way different.

      Ugh.. This guy accuses other people of name games?

      It's like me saying that I don't need a body of contract law to enforce my agreements with clients because I can imagine some vastly different law that would make them hold up their end of the bargain. Law that govern agreements is contract law. No matter how different the implimintation. If I ABOLISH contract law, then I can't have enforcable written agreements.

      So if I were to say:

      I want to abolish contract law, because I don't like my cell phone contract, but I think consulting agreements like the one that customer X and I signed should be enforcable.

      I would be inconsistent

      To ABOLISH copyright law is to remove all laws that govern the "right to copy" (distribute, change, recieve the source code of,etc...) a created work. Everything would basically be in the public domain. The creator would not be able to limit those activities in any way once the work left his/her hands.

      As soon as a law, whatever it is called and whatever form it takes, adresses in any way the "right to copy", you have a copyright law, therefore copyright law has not been abolished, only changed.

      Contrary to the tortured logic of TFA I'd say it is not consitent to want to abolish copyright and still have open source principles enforcable.

      I think there are good points in this article, but the writer seems so intent on trying to make the other guy seem wrong that his logic becomes tortured.

    6. Re:Sigh by Raenex · · Score: 1

      Sound vaguely similar to the MAFIAAs? No, it sounds like you get pissy over your copyrights, but don't care about big industry's. RIAA gets their leads from p2p networks that share copyrighted music. They don't go door-to-door. How else are they supposed to go after people using p2p sites to illegally copy?

      I imagine if you found your stuff in a p2p site you'd probably try to think of a way to stop it.

    7. Re:Sigh by iminplaya · · Score: 1

      Goes to show how backward it is. It's the only thing that actually matters. Oh well...Just means the law has nothing to do with protecting the creator and it's all about protecting the business.

      --
      What?
    8. Re:Sigh by RightSaidFred99 · · Score: 1

      His argument is retarded. The idea of "creditright", which is make believe, derives solely from the right to dictate copyright. One derives from the other, end of story.

    9. Re:Sigh by Anonymous Coward · · Score: 0

      If, however, a newspaper ran my photo on the front page, but I refused to allow anyone to cut out the photo and hang it on their refrigerator, and went from house to house inspecting refrigerators... THAT would be abusing my copyright. Sound vaguely similar to the MAFIAAs?

      Actually, no. That would be annoying people outside of copyright law. They're not making copies of your work. They're hanging up a copy they aquired when they bought their paper.


  16. Not at all. by EmbeddedJanitor · · Score: 3, Insightful

    The difference between BSDL and GPL is that GPL forces other (linked) code into the open. You need some sort of property rights (ie copyright) to stake a claim on your code and assert this bargaining power. With no copyright you would not have rights and thus not have the bargaining power and GPL would be dead.

    --
    Engineering is the art of compromise.
    1. Re:Not at all. by sveinungkv · · Score: 2, Interesting

      You still would have bargaining power before you distributed. You could simply have the receiving party sign a contract like the GPL + Copyright in order to get the code. It would of course also require that if the code is redistributed, the contract would have to be signed by the next receiver. Then all that is needed is to add a clause about linking, and it would be strong copyleft. The rest of the GPL could also be reimplemented like that.

      --
      Spelling/grammar nazis welcome (English is not my first language and I am trying to improve my spelling/grammar)
  17. Abolishing rules abolishes GPL by Anonymous Coward · · Score: 0

    And in what way would these "base rules" NOT resemble copyright.

  18. If you are against copyright,you SHOULD oppose GPL by iamacat · · Score: 1

    Once you accept that restrictions on private business, weather having sex or exchanging information, between two people is unnatural, how can you require people to distribute source to their work if they don't want to? Only if we accept copyright it makes sense to require the owner to release the source after a while so that other people can create derivative works in exchange for accepting the restrictions for limited time. But if you give away the binary without any obligations, neither should you have any towards others. Even today people who just release a binary compiled from GPLed source into public domain shouldn't be subject to any requirements to release the source.

  19. Straw man fallacy. by Anonymous Coward · · Score: 0

    "Supporting the GPL" does not mean "Insisting that it remain entact and enforcible as-is even if copyright law is reformed."
    "Opposing copyright law" does not mean "Wanting to get rid of copyright law without also getting rid of the GPL."
    These are both logical straw-men.

    The GPL makes good use of a bad law.

    Inasmuch as there is copyright law, I support the GPL as a good way to make the best of a bad situation. However, I would happily give up the GPL if doing so would mean getting rid of copyright law (or at least reforming it to my satisfaction).

    So I oppose copyright law and I support the GPL, and there is no contradiction here.

    The ultimate goal of the GPL is to ensure that free software remains free. In order to do this, the GPL relies upon some copyright restrictions.

    Yes, if there were no copyright law, those copyright restrictions could not be enforced, and therefore the GPL would not exist. However, if there were no copyright law, then free software would remain free anyway, so the GPL would not be necessary.

    This is not a self-contradicting position, and it is not hard to understand.

  20. copyright abolitionists? by Anonymous Coward · · Score: 0

    copyright abolitionists That is truly precious my friend. Hijacking a word every literate adult associates with anti-slavery to advance your IP pirating agenda. I truly have heard everything now. Good luck with that.

  21. Just what do you mean by "oppose copyright" by Anonymous Coward · · Score: 1, Insightful

    Sorry, but am I the only one who gets a little stuck on the part, "You can oppose copyright...."?

    Yes we've all seen Megacorp decide to use someone's code and then incorporate it into their program. Or just use something in a commercial sense when it's clearly limited for personal use only. We've seen companies take advantage of contracts where anything an employee creates becomes fair game.

    But likewise, I have a problem with those who believe that nothing should be copyrighted and we should just all share and share alike. Well, I'm totally for giving back to the community, but I don't find anything inherently evil about wanting to get paid for your work either. I think that also it doesn't help the open source community--it makes it appear that open source = long-haired, pot smoking communists to anyone outside the loop. It also makes businesses jumpy as to what remains theirs vs. what becomes public domain should they tinker with the code.

    I do think there should be copyright reform. Just like you can't copyright a particular group of words...such as a title, you shouldn't be able to take a code snippet and declare "it's mine and mine alone." However, if you write a full program--just like if you write a story or a book--you should be able to copyright it.

    Frankly I'd rather see something on, "You can support open source and copyrights at the same time."

    1. Re:Just what do you mean by "oppose copyright" by grolschie · · Score: 1

      Yes we've all seen Megacorp decide to use someone's code and then incorporate it into their program. Or just use something in a commercial sense when it's clearly limited for personal use only.
      I am sure the execs at Megacorp would find your post most slanderous, buddy! :-)
  22. Reviewed... By People Who Already Agree by nick_davison · · Score: 4, Funny

    "I'm submitting 'Girls Are The Ones' as a response to my sister's piece, 'Boys Have Cooties,' from yesterday. I think there were a number of flaws and mistaken assumptions in my sister's reasoning, and I've tried to address them in this rebuttal, which has undergone review from some colleagues in the 'Girls Have Cooties' community."

    While easier to get reviewed by people who already broadly support your viewpoint, review tends to gain its power when those idealogically opposed to you review it and still can't find flaws in it.

    1. Re:Reviewed... By People Who Already Agree by Gregory+Cox · · Score: 1

      Great idea! To get a wider review, I suggest putting it up on the internet, and then maybe submitting it to a news-gathering site so more people can debate it.

      What do you think?

      --
      If you all Google Slashdot, will it Slashdot Google?
    2. Re:Reviewed... By People Who Already Agree by gbjbaanb · · Score: 1

      na, they'll just argue the toss whether GPL is better than BSD :)

  23. GPL not Needed in a world without Copyright by RobBebop · · Score: 1

    Bulmash had some interesting points, but what ties the counterarguement together is pointing out how the definition of copyright would be different if computer information was treated freely (as in speech). If Copyright were abolished, the GPL would be a moot point. One point buried in yesterday's /. discussion thread included points about having ownership over your code to "feed your family", the idea being that there is a need earn money, lest the entire Open Source community (and their kids) will end up starving itself. This, in my unpopular opinion, is a fallacy that keeps the rich on top, and the worker bees content with their lots in life. You work to be able to afford to put food on the table, true. But what if there was a national or global shift that removed the economic ideology from food distribution in a way that provided people the opportunity to go to the foodmarket and take what they need? This is an oversimplified example, but it drives at the overall point - remove corporate ownership rights universally and so long as the system keeps its pace, you can continue to feed your family without greedily hoarding your source code. The key (of course) isn't freedom for consumption, but rather the opposite. Make production free, and the rest begins to fall into place.

    --
    Support the 30 Hour Work Week!!!
    1. Re:GPL not Needed in a world without Copyright by jlarocco · · Score: 1

      What you described is basically a communist utopia. It's an interesting idea in theory, but in practice greed ruins it every time. Greed isn't going away any time soon, so might as well take it into consideration.

    2. Re:GPL not Needed in a world without Copyright by RobBebop · · Score: 1

      You don't need to point out the definition of what I've described. I'm well aware, and equally aware of the issue of greed.

      Thanks for not outright flaming, which many are prone to do when the mention of something so controversion is mentioned.

      And like I said, the example was oversimplified. The less simplified explanation would discuss things like greed and the human nature of taking advantage of a free ride, when one is available... but that would take more time to write than a simple /. post.

      --
      Support the 30 Hour Work Week!!!
    3. Re:GPL not Needed in a world without Copyright by Hognoxious · · Score: 1

      "But what if there was a national or global shift that removed the economic ideology from food distribution in a way that provided people the opportunity to go to the foodmarket and take what they need? This is not only an irrelevant analogy, but also a load of airy fairy wishful thinking and, magic aside, it's never going to happen"

      Fixed.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  24. Seems to be a misunderstanding by DaveAtFraud · · Score: 4, Insightful

    As with a lot of "there is no such thing as property" groups, QuestionCopyright.org* seems to not understand the purpose of copyright. Copyright is a legal construct created to encourage authors and other creative types to make their works public (e.g., published, performed, broadcast, etc.) by letting them retain legal control of the work. The import point is the person who creates the work gets to control its use.

    People are motivated to create such works for any number of reasons. Some want the money that comes from charging for copies or viewing a performance, others just want credit. In any case, copyright is what lets the author determine who can access his or her works and under what terms. If we, as a society, don't give authors this control, there is a reasonable likelihood that a number of people who would otherwise create such a work will not because they don't want to see the fruits of their labor taken advantage of by others in ways they don't approve.

    This brings us to open source software (OSS) and copyright. Some people license their work under a BSD license, some people put their work into the public domain, some license their work under the GPL and there are a number of other possible licenses. That there are a number of different OSS licenses and developers freely choose which license to release their project under means that the developers are making a conscious choice as to what kinds of restrictions they want on what they have created. This brings us to the GPL and similar licenses.

    The GPL isn't just about attribution. People who just want attribution publish under a BSD license or something similar. The GPL is about creating a body of free software that stays free. As a number of court cases have demonstrated, there are all too many people out there who are more than willing to abscond with GPLed source for their proprietary products. Copyright law is what gives the GPL teeth to prevent this.

    You can have free software without copyrights but it's going to be "free as in beer" software. Unfortunately, just like with beer, when the beer runs out, it doesn't matter if it's free. You still can't have any. If people aren't willing to develop without some level of control of the work after it's released, there won't be much free software. Copyright and the GPL means that at least some software will be "free as in speech" and, chances are, developers who continue to contribute to what they see is a greater good.

    I guess I should rephrase what I said and say that you can have free software without copyrights but just not for very long. Lots of developers won't put up with having their work taken advantage of and will simply no longer create. Thus, the argument comes back to where I started, protection of an author's work is what incentivizes an author to create. Even if that incentive is just recognition by the developer community and knowledge that what they have created will stay free.

    Cheers,
    Dave

    * I will give them a point for at least being philosophically consistent. Once you grant anyone the right to restrict the use of a creative work then it becomes difficult to draw a line as to when a restriction is benign or even beneficial (e.g., the GPL) and when it's not (please remit $0.25 (aka, two bits) to me for enjoying the above discourse).

    --
    They that can give up essential liberty to obtain a little temporary safety deserve neither safety nor liberty.
    Ben
    1. Re:Seems to be a misunderstanding by civilizedINTENSITY · · Score: 3, Insightful

      You left off the all important "for a limited time." Copyright wouldn't be such a problem if it lasted for 6 months to a few years, and source code had to be deposited at the time you applied for the copyright (to then be made public.)

    2. Re:Seems to be a misunderstanding by Anonymous Coward · · Score: 0

      Come now. Do you seriously think that they don't understand this? Is it such a complicated concept that only the supporters of copyright can comprehend it? I think that these groups do understand it and are still against it.

      Many people say: "copyright is OK, it's just the abuse of it that is wrong". But copyright is not some abstract concept disconnected from reality. It is what it is because it gets implemented. There isn't copyright the concept and copyright the implementation. It's one package! And we propose that this package be abolished. The same package that *always* favors big coorporations over individuals. The same package that the RIAA uses to sue 7-year-olds. How can anybody defend this?

    3. Re:Seems to be a misunderstanding by dltaylor · · Score: 1

      This statement is utter "pferd merde": "I guess I should rephrase what I said and say that you can have free software without copyrights but just not for very long." It is not only disproved by more than three decades' experience (yes, there was free software for the PDP-11), but false in concept. While some inventors (flight, rockets, cars, radio, software) and artists are motivated by money, or, at least, would like to be able to "make a living" doing what they enjoy, there are also more than sufficient examples of those who would do, and have done, creative work for the pleasure and/or prestige of doing so. Music existed long before copyright (or patronage). Research was conducted by hobbyists and university students/professors in the fields previously listed without recompense, other than "bragging rights" (and grades and tenure). Free software was distributed through users' groups, BBSs, and USENET long before the GPL. Linux, itself, was not created in order to make Linus rich, but to save a university student money that he would have had to pay to buy an incredibly overpriced copyrighted operating system.

      Nothing falling under copyright (or patent) law done by, or released through, businesses required the law to enable their creation. IMO, both should be abolished. Whatever "A" doesn't want to create without being paid will be created by "B", given that there are so many of "B" available, or it wasn't that important, anyway.

    4. Re:Seems to be a misunderstanding by xero314 · · Score: 1

      The same package that *always* favors big coorporations over individuals. You are out of your mind. Copyright is far more beneficial to the individual than to the big corporations. Without copyright the only people who would be able to earn revenue on creative works would be corporations. They may earn less than they do now but it would be infinitely more than the individual would earn. With out copyright any artistic work could be sold by anyone who could reproduce it, and not a bit need go to the original artist. With copyright the original artist choses how their work is distributed and who can earn from it. With copyright you can say that something is free for all and that no one can profit from it if you like, there is nothing stopping you. Musicians get to decided how much the sell the rights to their music for, and it so happens that the acceptable rate of many musicians is far less than people are willing to pay for it so the major labels decided with there resources they could extract that extra amount from the consumer. Without copyright the going rate of written or recorded music that an artist could charge would be exactly nothing. Major corporations would reproduce and market the work and still make money, while the individual would make squat.

      I'm all for limitations on copyright and copyright reform, or even the abolishment of copyright, I just don't fool myself into believing that removing copyright is some how going to benefit the individual more than a large collective such as a corporation.
    5. Re:Seems to be a misunderstanding by DaveAtFraud · · Score: 1

      Whatever "A" doesn't want to create without being paid will be created by "B", given that there are so many of "B" available, or it wasn't that important, anyway.
      So that means the book I've written will eventually be written by someone else even though it's based on my unique experience and observations? I don't think so.

      I remember when /usr/contrib had lots of interesting programs and how programs like awk and grep got their names. I also remember the BBS days of shareware and crippleware and everyone trying to make a buck by publishing proprietary software. BSD Unix came as close as anything to what you suggest (it was originally even based on a lot of the free software from the /usr/contrib days) but it was and still is a niche player. A lot of its popularity now would disappear if various GPLed programs hadn't been ported to it. People would still use it for firewalls, servers and such but you wouldn't hear about people considering it as a desktop operating system.

      Given BSD's history and head start, Linux should never have happened if you are correct. There may be three decades of free software but it wasn't until Linux and the GPL attracted enough developers that FOSS actually became a viable contender for use on the desktop. Obviously something like the GPL is driving Linux faster than the BSD license drives BSD. Could be that the people who will contribute to a GPLed project won't release their work under a less restrictive license. If you look at the efforts to further tighten the GPL in GPLv3, you'll see that, if anything, contributors want to make sure that even quasi-legal use of their efforts like TiVo aren't allowed.

      TiVo provides a really excellent example of what I'm talking about. With TiVo, you can do whatever you want to the source code; it just won't run on your TiVo if you modify it in any way. This meets the letter of the GPL but not the intent. A lot of the people who wrote the code that TiVo got for free don't like that. What makes you think that these same people will suddenly decide to freely donate their efforts to TiVo? They won't all just disappear if usage like TiVo or worse is allowed but the whole argument over how to prevent "TiVo-isation" pretty clearly indicates that the people who create GPLed code don't want to see it used in ways they don't approve of. Absent that control and a lot of them will simply just not bother writing FOSS code.

      Cheers,
      Dave

      --
      They that can give up essential liberty to obtain a little temporary safety deserve neither safety nor liberty.
      Ben
    6. Re:Seems to be a misunderstanding by Anonymous Coward · · Score: 0

      Aren't you ignoring contract work now? My guess is that this makes up most of the software and web industry, and it certainly doesn't depend on copyright. Movie production could be converted into contract work funded collectively by movie theatres and TV stations. As for sculptures and paintings, even currently only the physical object created by the original artist has any significant value. Authors can be funded by book stores collectively.

    7. Re:Seems to be a misunderstanding by fooDfighter · · Score: 1

      What happens when a company decides that it would rather not fund any artists, but just copy whatever is being funded and then sell that in a shinier package (since they save money on funding)?

    8. Re:Seems to be a misunderstanding by Eivind · · Score: 1
      Copyright is a legal construct created to encourage authors and other creative types to make their works public (e.g., published, performed, broadcast, etc.) by letting them retain legal control of the work. The import point is the person who creates the work gets to control its use.

      Uhm. No. Try again. Copyrigth allows the copyrigth-holder to control *copying*. (honestly, the name is a dead give-away, amazing you didn't get that. It's called *COPY*-rigth for a reason !) The creater gets to control copying, and some related activities such as public performance of the work. (really a sort of "copying", inthat it makes a work accessible for a larger group of people)

      It most definitely does NOT allow the creator to control use.

    9. Re:Seems to be a misunderstanding by Jah-Wren+Ryel · · Score: 1

      Thus, the argument comes back to where I started, protection of an author's work is what incentivizes an author to create.
      That is the heart of your argument, and it is categorically wrong.

      Ignoring the people who create for creation's sake, as you have, what really incents creation is the opportunity for compensation for the work done. Copyright protection is one possible way to provide an opportunity for compensation.

      It may not even be the best way, it certainly has its downsides, not the least of which is that it requires considerable risk on the creator's part - he has to invest in the creation completely up front without any guarantee of compensation, just the chance that he will be able to resell it afterwards. This extremely high risk directly lead to the creation of "venture capitalists" like movie and music studios that will shoulder (some of) that risk for the artist in exchange for total control of the creation. Thus the current copyright model actively encourages the creation of cartels such as the RIAA and MPAA.

      The economic model that preceded copyright was simple comissioned works. The people most directly to benefit from the creation would hire the creator. With a contract in hand, the risk to the artist was reduced and the consumers of the creation could get exactly what they wanted. No middle-men cartels.

      It is entirely possible for a modern comission model, making use of the connectivity of the internet to bring together thousands or even millions of patrons to comission the creation of any sort of digital creation, to provide equal or even better incentive than copyright protection does without the downsides of copyright. Thus not only incenting the creation of Free as in liberty software as much as copyright does today, but possibly going even further and producing a n internet cottage industry of creators not just for software, but music, video even real-world designs like 3D cad templates in conjunction with companies like mymachineshop.com.

      The opportunity for creative incentive in a copyright-free world is vast, we just need for enough people to climb out of rut of the last 200 years of pre-internet creation.
      --
      When information is power, privacy is freedom.
    10. Re:Seems to be a misunderstanding by dltaylor · · Score: 1

      Mostly, this is circular reasoning. The GPL is needed BECAUSE we have copyrights.

      > So that means the book I've written will eventually be written by someone else even though it's based on my unique experience and observations? I don't think so.

      I could suggest that A: your experiences may not be as unique as you think and B: if it were never written, would it matter? Perhaps it really would, but lots of writing, whether in book or electronic form, will happen, regardless of copyright.

      > Given BSD's history and head start, Linux should never have happened if you are correct.

      Which is exactly my point. BSD was copyrighted and expensive for a large part of that history, including when Linus began coding. There would have been no need for it if Linus could have just used BSD without a huge (to him) expense. What he came up with wasn't really enough better than BSD was then to justify its creation from scratch. It was just (monetarily) free.

      > There may be three decades of free software but it wasn't until Linux and the GPL attracted enough developers that FOSS actually became a viable contender for use on the desktop.

      The GPL and really powerful desktop computers arrived at about the same time, so that is not a valid assumption. Correlation is not causality. Gosling's emacs, the proverbial straw that led to the GPL, was written for glass teletypes.

      > Obviously something like the GPL is driving Linux faster than the BSD license drives BSD.

      Another false assumption. Linux is growing faster on the desktop, at least some significant part, because the various *bsd developers don't usually give "a bit of string or a dead budgerigar" for the desktop. Look at their mission statements.

      > Could be that the people who will contribute to a GPLed project won't release their work under a less restrictive license. If you look at the efforts to further tighten the GPL in GPLv3, you'll see that, if anything, contributors want to make sure that even quasi-legal use of their efforts like TiVo aren't allowed.

      Some developers might just take the attitude "If some PHBs and marketdroids are going to profit from my code, I want to be there and get paid, too.", and I have no problem with that. Absent copyright, however, nothing stops me from decompiling a TiVo, tweaking it to my taste, and publishing the result. The source code could then either be reused on TiVo hardware, or used to build a work-alike (if I couldn't reverse-engineer away the existing protocol impediments) on a PC or Mac platform. In fact, I'd really like to rework the software in both my DVRs, if I had the time, and publish it back to the 'net, but I doubt either of the vendors would be pleased.

      But, again, we use GPL to try to force corporate sharing, when it is copyright law that prevents us from reuse of THEIR code, so you're back to the circular argument.

    11. Re:Seems to be a misunderstanding by Anonymous Coward · · Score: 0

      1 thing i tend not to understand with this "for a limited time" is why as an author who has created something create that people want, should i give up my right to charge for that creation in 6 months ? Why should i not be able to charge for it longer ?

      But I do agree that something needs to change in the way in which copyrights & patents are given out.

      I feel if you truely create something then it is really up to you to decide when it belongs in public domain.

    12. Re:Seems to be a misunderstanding by cliffski · · Score: 1

      I am an individual, and also a one-man corporation. In your reasoning, do I get lumped with the evil mafiaa and accused of terrorizing 7 year old girls because I supprot copyright law and fight against people who would abuse my copyright?
      I have no idea why you cannot see the difference between a concept and its implementation. I strongly support copyright and believe it should be enforced much more effectively than it currently is, but I also believe in a quicker term of expiration, and a beefier definition of fair use, including format shifting. See... it's easy.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    13. Re:Seems to be a misunderstanding by cliffski · · Score: 1

      "I could suggest that A: your experiences may not be as unique as you think and B: if it were never written, would it matter? Perhaps it really would, but lots of writing, whether in book or electronic form, will happen, regardless of copyright."

      holy fuck, thats the most lame attempt to try and defend an obsessive attack against copyright I have ever heard.
      Yeah, I'm sure that Iain Banks and Neal stephenson have no appreciable talent, and that if they had not written anything, but kept to thier day jobs to earn a living, that someone else would have written exactly the same novels, that would be just as good, and of course, done so in their spare time, because your dreamy copyright-free world means they woulnt earn a bean from them.

      It's always people who do not work full time on creating copyright-protected content who wheel out this shit about "it will get made anyway". By WHO? YOU? if you are not working full time creating such works now, how likely is it you will suddenly start doing it when you won't earn any money from it? Try asking some authors how they feel about copyright. Not amateurs, ones who write full time. Better still, write to your favorite 3 authors and ask them.

      I don't want 'lots of writing', I want GOOD writing, by talented people who can make money from their books under copyright, and thus enable them to write full time.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    14. Re:Seems to be a misunderstanding by esme · · Score: 1

      I don't think anyone is confused about the purpose of copyright. Even if certain courts don't think that part is relevant, it's clearly To promote the progress of science and useful arts....

      But science and the arts were encouraged and promoted for centuries before copyright was invented. Mostly by patronage in one form or another. Many works were commissioned by governments and the aristocracy in general, many staff positions were created to support scientists and philosophers, etc. This worked out relatively well, and not all that differently than today in many cases (many scientists are supported by universities and government research grants, many works of art are commissioned by governments, foundations, and the wealthy).

      Performing arts have a different model, where the live experience is crucial. Plays, music and film work this way. The artists the RIAA is constantly "protecting" actually make the vast majority of their income from live performances, and have a net loss on recording sales once the RIAA recoups all of their expenses.

      Copyright was meant to provide protection for machine-reproducible works -- in the age when copyright was invented, this was only books -- which had a large upfront investment that was being undercut by rival presses churning out unauthorized copies. Music and movies (and to a lesser degree photography, painting and other flat art) became reproducible in the intervening centuries and were handled the same. But the problem comes in the last few decades when the cost and overhead of reproducing these works has dropped to almost zero.

      If the patronage and performance models work to create the original (book, song, film...), and the cost of reproduction and distribution is virtually zero, why do we need copyright again?

      -Esme

    15. Re:Seems to be a misunderstanding by TuringTest · · Score: 1

      why as an author who has created something create that people want, should i give up my right to charge for that creation in 6 months ? Why should i not be able to charge for it longer ? Because that right is not yours as a divine gift, but because the rest of society allows you to have it. If we don't see benefits in respecting your right any longer, we won't.
      --
      Singularity: a belief in the "God" idea with the "demiurge" relation inverted.
    16. Re:Seems to be a misunderstanding by Shados · · Score: 1

      Its quite hard to use something without either: A) have the original, or B) copy it. If the copyright holder doesn't allow you to copy the work, you have to have a way to get the original out of him or her, which most likely fall under the laws of physical properties (you need the harddrive, the original disk, the original painting, etc).

      So yeah, it only controls copying, because thats 99% of what you need to control the entire work.

    17. Re:Seems to be a misunderstanding by dltaylor · · Score: 1

      I am, but shouldn't be, sometimes amazed that otherwise possibly intelligent people fall for the "without copyrights (patents), nothing good would ever be written (invented)" nonsense. The evidence does not support the hypothesis.

      Copyrights are a rather late concept, started because the London book publishers wanted control of and profit from this new thing called a "printing press". Did any of THEM pay patent licenses? Of course not. Similarly, British factory owners cranked up the patent system to be used by themselves.

      Did Euripides have copyright law to protect his plays? Aristotle, patent law to protect his inventions? Was there no music before copyrights?

      Nearly all of the advances in rocketry, up until the Second World War, were made by tinkerers and hobbyists. Look at all of the work leading up to powered flight that was done by determined amateurs. Dig back through the USENET, and other archives, and see how much software was created and distributed FOR FREE, often because "I needed this, so I wrote it.". For that matter, how much of the Gnome/KDE development is simple "in your face" from one camp to the other? Yes, I know there are commercial entities involved, but how much work is driven by pay and how much by passion?

      Copyright and patent are tools of the age of mass production, intended to provide profits to those with the capital to PRODUCE, not create. A creator may make a bit from it, since the producers need to have something to produce and there are enough people on the planet that almost anything produced will find some audience, but royalties are only a side effect, to be minimized whenever possible with creative accounting.

      There are other ways of funding creative activity, although most of these examples have been distorted by current law and practice.

      An author/composer may have a position at a university, where publishing is essentially a mandatory task, so their salary "pays them" to create. Respected (and/or popular, which is rarely the same thing) authors will find offers to move to other universities (or raises at their current post), and bring their prestige with them because it attracts students and alumni support. Researchers and engineers can experience the same phenomenon. MIT, CalTech, Princeton, etc. could find themselves bidding to host the development team of some package at their campus.

      We could offer government grants or public works contracts, which dropped a sou or two into M. Rodin's pocket.

      Subscriptions have been used to provide prepayment for creative works. If you, and a few hundred thousand others, get an email offering a chance at a first edition of some author whose work you admire, the author will earn all of the subscription fees payed less the cost of production (placed by competitive bid, if the author has any sense) and distribution of that first edition, regardless of how many knock-off copies are created later.

      Sometimes, the wealthy pay for creative works, simply for bragging rights, to ease their consciences, or because they really do want to see some creator's work accomplished.

      Copyright is simply not required to have quality works created, but it is required for the marketdroids and lawyers to skim off a lot of money while contributing nothing. And, no, they don't help us find new, good creations nearly as often as passing along mediocre, or worse, because they are able to control the output of the artists, the advertising, and the production.

    18. Re:Seems to be a misunderstanding by Eivind · · Score: 1
      Complete nonsense.

      In the case where the creator never gives anyone a copy, copyrigth is irrelevant in any case, certainly he controls what is done with an object (or file) that only he himself has.

      The moment he gives or sells someone else a copy (or for that matter the original) copyrigth becomes relevant. It restricts *certain* actions of the recipient. Even *IF* I give or sell you a copy of some creative work I made, you can't legally copy it or perform it in public.

      Other than that though, I've no control over how you use the work. You can rent a video and show it to 10 friends, there's nothing the copyrigth-hodler can do to prevent you from this. (10 friends ain't a "public performance") If you bougth a DVD, but you're tired of it. You can sell it on Ebay. Again, copyright-holders have no say in the matter. If you are particularily unfond of Ayn Rand, you are free to use paper from Atlas Shrugged as toilet-paper, though I'd advice against it as the paper-quality ain't rigth.

      *someone* will have to copy a work for you to be able to use the copy. Copyrigth restricts the actions of those people. Doesn't mean it restricts you. (except for the part about copying and public performances)

    19. Re:Seems to be a misunderstanding by The_Noid · · Score: 1

      They will be late to market. It takes a lot of time to copy and reprint a book that you bought in a store. So the original publisher has that set time to ask for a high price. Once that time is over the original publisher will probably still make more money then copycats because of brand loyalty. Read http://levine.sscnet.ucla.edu/general/intellectual /against.htm for a nice discussion about it.

    20. Re:Seems to be a misunderstanding by mpe · · Score: 1

      This statement is utter "pferd merde": "I guess I should rephrase what I said and say that you can have free software without copyrights but just not for very long." It is not only disproved by more than three decades' experience (yes, there was free software for the PDP-11)

      Even longer than that. The reason that Richard Stallman came up with the GPL concept in the first place is that what we now call "open source" had been the established model for much software distribution. Note that 20 odd years ago there was much debate about if copyright was even applicable to computer software.

      While some inventors (flight, rockets, cars, radio, software) and artists are motivated by money, or, at least, would like to be able to "make a living" doing what they enjoy,

      For this to actually happen tends to take a mixture of both talent and luck.

      there are also more than sufficient examples of those who would do, and have done, creative work for the pleasure and/or prestige of doing so. Music existed long before copyright (or patronage). Research was conducted by hobbyists and university students/professors in the fields previously listed without recompense, other than "bragging rights" (and grades and tenure). Free software was distributed through users' groups, BBSs, and USENET long before the GPL.

      Sometimes people can wind up making a lot of money from a creative work without that having been their motivation in the first place. e.g. I don't recall JK Rowling ever saying that she wanted to be the best selling author in the history of publishing.

    21. Re:Seems to be a misunderstanding by cliffski · · Score: 1

      "We could offer government grants or public works contracts" great, government approved music, TV and mvoies. are you trying to be funny? you can kiss films like farenheight 9/11 goodbye right away, same with an inconvenient truth.

      Its silly to compare modern times with hundreds of years ago. You couldn't click a button and make perfect copies of a piece of work and distribute it globally why you slept then. This is flipping obvious.
      Let me guess, you don't actually make a living from creating digital content do you?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    22. Re:Seems to be a misunderstanding by idesofmarch · · Score: 1
      To put it mildly, your position is not very well thought out. You are citing evidence from 2000 years ago? There was not even a printing press back then. If you wanted to experience a play, you did not read it, you had to go out and see it. I am sure if there were DVDs and CDs and mass printing in those days, talk would have come around to how to protect intellectual property.

      And are you really suggesting we let the government take control of allocating resources to creative work? Because that works so well with the DMV and the post office and FEMA and, hell, just about anything else the government decides to take on.

      Look, the bottom line is that NO ONE is saying that without copyright, nothing will get written. That is not the point. The point is that a lot less stuff will get written. All of your examples require a lot more coordination from a lot more parties to get anything done. Let me give you a practical example. Right now there are many talented writers just giving it a go trying to write a screenplay or a first novel with the intent of producing something dynamite and being able to sell it. There are no other parties involved - just them and their word processors. They just do it, knowing that something may come of it. Under your scenario, they probably would not even bother, unless they secured some kind of grant or government contract or university position or some other bullshit that you made up that may get them a "sou or two". You see how much simpler it works under the current system? People just do stuff. It's like capitalism versus communism.

      One final bit about copyright. It's a good way to allocate payment according to how much value the creative work actually has. Under most of your made-up scenarios, the writer may get the same amount of money whether his book sells 100 copies or 100,000 copies. Not so under copyright. And shouldn't someone be paid more if his work is worth more?

    23. Re:Seems to be a misunderstanding by chainLynx · · Score: 1

      "As with a lot of "there is no such thing as property" groups, QuestionCopyright.org* seems to not understand the purpose of copyright." Three strikes. First, I guarantee the author of the original article knows more about copyright than you. If you don't believe me, read this: http://questioncopyright.org/node/1 Second, this is not a "there is no such thing as property" post. This is not a communist rant, rather one that seeks to point out that copyright is not some divine right but a privilege granted by society. Third, you're not seeing the big picture. Forget about GPL/BSD/etc for a minute and broaden your scope a little. This isn't about the problems that the open-source community faces, but a larger societal problem. Copyright is an institution that touches many, many aspects of today's life, especially online.

    24. Re:Seems to be a misunderstanding by Anonymous Coward · · Score: 0

      Thus, the argument comes back to where I started, protection of an author's work is what incentivizes an author to create. Even if that incentive is just recognition by the developer community and knowledge that what they have created will stay free.

      While I agree with much of what you've said in your post, my experience with creative types makes me question your statement above. I do not think that most truely creative people are primarily motivated by the details of how much protection and control they will have over their work. They seem to be much more motivated by the challenge of creation, or a need to express themselves. Businessmen, on the other hand, are mostly motivated by the details affecting compensation. But creative types are typically not good businessmen - they are more often are "starving artists" who are willing to suffer for their art. So, in any event, I don't think the vagaries of copyright will have much impact on the desire of creative types to continue creating. It may affect those motivated only by profits, however.

    25. Re:Seems to be a misunderstanding by xero314 · · Score: 1

      Aren't you ignoring contract... [which] certainly doesn't depend on copyright. Contract work does depend on copyright, at least for creative works. Being contracted to create a work of art is done for one of a very few reasons, and even less reasons if we are talking about a work for hire. The reason works for hire are done today is because the person who contracts the work gain control of the intellectual property associated with the work. Without copyright there is no stopping someone from reaping the benefit of a work of art someone else paid to create. Using your example of a contracted movie work, where a number of theaters collectively contract a movie to be made, there is nothing to stop an unassociated theater from running the same movie after it has been created and receiving the same funds for showing the movie with a much lower cost, having reduced their overhead to be reproduction and display. This gets even worse when looking at music and writing, both of which are cheap and fast to reproduce. So now the original theaters have no reason to fund a project since they can just wait for one of there competitors and what you end up with is a situation where the first person to buckle and contract the work to be made pays the full cost and only gets a small share of the resulting revenue. In a world with easy and cheap reproduction and distribution, where survival is based on extraction of revenue, the removal of copyright would mean the end of, or at least a great reduction in, creative and purely intellectual endeavors.
    26. Re:Seems to be a misunderstanding by dltaylor · · Score: 1

      Lying about what I wrote is not well thought out, either. EVERY ONE of my examples of alternative payment systems happened and/or happens. None of them were "made up", and those were just a few of the possibilities.

      Your arguments, OTOH, are mostly fantasy. The producer-dominated filters that you conveniently do not mention are every bit as egregious as any public works filter. The criteria are not "is this important/new/artistically valuable? (according to whom, BTW)", but "what's the ROI?" So we get manufactured mediocre music, stale rehashing of movies that weren't that interesting in the first place, and more drivel than even the fastest reader could wade through. Yes, there are a few gems, here and there, but those exceptions, in and of themselves, do not justify the systems that produce mostly dross.

      Creators may just "do stuff", but they then spend a lot of time trying to find some producer's factor who will put it into production. Their work does not magically appear in retail outlets, just because it was created. Further, there is a lot of work that never makes it to retail, not because it is not worthy of notice, but because it doesn't meet the producers' formulas currently in vogue.

      Your final paragraph distorts the reality, as well. Writers that have not yet established popularity do not always get paid more for additional sales, but may receive only a flat payment for the rights, and the amount is based on whatever guesstimate the producer has for the volume to assure their return on investment.

      We live in an "internet age", so the cost of production could well be nil (or just the cost of bandwidth). Your "them and their word processors" (or instruments) could put samples of the work-in-progress in a blog or MySpace page (examples, not a complete list), both of which have demonstrated the ability to spread "buzz", selling subscriptions to the finished piece, and deliver the content electronically, rather than having to schlep through the rounds of "please, sir, publish for me". Even for those of us who prefer our books bound, the subscription could include a higher price for that. Despite the ??AA claims, subsequent unpaid distribution does not terminate the payment stream. Apple still sells songs that have been shared as MP3s. Nothing prevents me from buying an electronic form of a work after the subscription, and some people (not most, but how many of the others have the money, or would pay anyway?) do support artists, even after the work has been "cracked". OTOH, once a production run (book, CD, DVD, ...) is finished, I cannot buy a new one, ever (or until the producer is no longer bound to pay royalties), so the creator is denied my contribution. Simple example: where can I buy an AUTHORIZED boxed set of MTV's "Daria" television series? As with the creators that get larger payments for subsequent works from the producers now, they would have larger subscription bases for those works, so more payment.

    27. Re:Seems to be a misunderstanding by idesofmarch · · Score: 1

      Here is the bottom line - I am not trying to take away your method of distribution. What you want already exists and I am fine with it. If you want to write a book and put it out on the Internet for free - fine. You want to get a patron, or a government grant or whatever - fine. Just don't take away my method of livelihood. If you don't want to pay for my copyrighted work, then don't buy it. No one is forcing you.

  25. the real issues:ignorance, greed, etc by Anonymous Coward · · Score: 0

    "It's a little pointless arguing what copyleft would be like in a world without copyright, because we're never going to live in a world without copyright."

    We're going to continue to have this discussion as long as either people don't understand copyright, or continue to believe that they would benefit from throwing the baby out with the bathwater.

    1. Re:the real issues:ignorance, greed, etc by iminplaya · · Score: 1

      ...they would benefit from throwing the baby out with the bathwater.

      That's not a baby. Somebody threw a turd in there almost 300 years ago. It would be advisable to throw it out, instead of trying to wash and polish it. Underneath the veneer it's still a turd.

      --
      What?
  26. Why is this concept so hard to grasp? by Garwulf · · Score: 1

    From the article:

    "All these problems can be seen at once in a paragraph near the opening of his article:

            "The problem with a large part of the anti-copyright crowd is that they don't understand or won't admit what copyright entails as a concept. That is the right of the creator of a work to exert some control over how it's used, who can copy and distribute it, and a right to have their authorship acknowledged.

    "Notice the rhetorical sleight-of-hand there: he presents copy control as a natural and uncontroversial "right" -- and then accuses his targets of simply not understanding (or refusing to admit) that copyright entails that right! But it is precisely this so-called "right" that copyright doubters are questioning in the first place. If he wants to argue that it should be a right, that's fine, but instead he just asserts the right as though it's a fact of nature, beyond reasonable dispute. And again, he conflates control of distribution with acknowledgement of authorship."

    Except there is no rhetorical slight of hand - Bulmash was summarizing the Berne Convention, which is the basis for most of the copyright laws in the western world, and a similar model exists in the United States. No slight of hand at all - those are the rights granted by the letter of the law.

    This reminds me of a scene in Erik the Viking where the island of Hybrasil is sinking, and all of inhabitants are standing on the last little bit of land, earnestly declaring that the island isn't really sinking as it sinks beneath the waves.

    I honestly don't understand why the concept of a right is so hard for guys like this to understand. Seriously, if the law states that you have a right to X, you have a right to X. This is not an obtuse concept. There aren't even shades of gray in this concept.

    Sometimes, particularly when reading an article like this, I really feel like I'm living in an episode of South Park.

    --
    Robert B. Marks
    Author, Demonsbane in Diablo Archive
    1. Re:Why is this concept so hard to grasp? by r6144 · · Score: 1

      He disagrees with the law (including the Berne Convention), period. There is no inconsistency in this.

    2. Re:Why is this concept so hard to grasp? by chromatic · · Score: 1

      I honestly don't understand why the concept of a right is so hard for guys like this to understand.

      I think you misunderstand. The point is that copyright is not (or may not be) a natural, inalienable right in the sense of life, liberty, and the pursuit of happiness. It's a right by fiat, de jure, and that may change. Perhaps it should change.

      If, however, copyright is a natural right, then it's a grave mistake to abolish that right, and freedom-loving people should revolt against any ruling body which denies that right.

    3. Re:Why is this concept so hard to grasp? by Attila+Dimedici · · Score: 1

      That is because you and he have different concepts of what a "right" is. In the conception of the framers of the U.S. constitution, a "right" is something that everyone has, regardless of what the law says. Under this concept, any law which attempts to restrict that "right" is immoral and unjust. The author of the article seems to share this view of "right" and says that clearly "copyright" is not such a "right"(I can think of a line of argument that would say he is wrong on this last, although I am not sure that I agree with the argument). You seem to be saying that a "right" is something that the government(law) gives you. Part of the problem is that the word "right" is used in both of these meanings. You have the right to freedom of speech. You have the right to use my car (because I gave you the keys and asked you to drive me home).

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    4. Re:Why is this concept so hard to grasp? by Garwulf · · Score: 1

      "He disagrees with the law (including the Berne Convention), period. There is no inconsistency in this."

      Disagreeing with the Berne Convention would mean that he's saying that it shouldn't be there. He's saying that it isn't there.

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
  27. Re:If you are against copyright,you SHOULD oppose by smitth1276 · · Score: 1

    Only if we accept copyright it makes sense to require the owner to release the source after a while...

    How... totalitarian of you. The government has no business forcing people to give away source code for something they spent their time and money developing. If someone wants to write a clone of it, that's a different situation.

  28. Offtopic, but please read by bdjacobson · · Score: 0, Offtopic

    Could someone post a story about what's going on with ABC?

    Deleting posts from their message boards and then deleting posts asking ABC to explain why they're deleting perfectly legitimate posts...

    Heck, we don't need a government to pull off 1984, they media's doing quite well.

    1. Re:Offtopic, but please read by StrahdVZ · · Score: 1

      TBH this looks like a publicity attempt to reap what digg sowed... so I clicked "Bury" on the digg website. ;)

  29. Why are people opposed to copyright? by Omega · · Score: 1

    I really don't understand why people are opposed to copyright. I'm opposed to the Scalia definition of copyright length (i.e. anything less than infinite is copyright for a "limited" term as required by the Constitution), but I'm not opposed to the idea of copyright in general. I think if you write a story, or a song or even a software application you're entitled to control ownership rights of it. Why shouldn't you be? I'm generally curious why authors shouldn't be allowed to have ownership of their works.

    Software patents are something else entirely. To me, software is like math or music -- you can own the representation but not the process. I can't claim ownership to Mickey Mouse, but I can still make a cartoon about a mouse. I can't make a web store look like Amazon, but I should be able to offer 1-click checkout. The claim for the need for patent law is to promote innovation. But I think the open-source movement has shown that software innovation doesn't need patent protection to flourish. Quite the contrary, innovation is often stifled by patent squatters.

    I also agree with Bulmash's premise that the GPL cannot exist without copyright -- it can't. I'm no lawyer, but as far as I know there's no legal framework that can support GPL style software freedom absent copyright law. It's not just about being "free as in beer" and decompiling a program is certainly not the same thing. Compulsary redistribution of modified sources helps free software thrive. Without copyright law, there could be no GPL. And without the GPL where would the GNU tools be? Where would Linux be? Where would software innovation be?

    1. Re:Why are people opposed to copyright? by RobBebop · · Score: 1

      I think if you write a story, or a song or even a software application you're entitled to control ownership rights of it. Why shouldn't you be? I'm generally curious why authors shouldn't be allowed to have ownership of their works.

      Good questions...

      Ownership vs. credit, were part of the focus of the article. Authors, I believe, care more about credit than ownership. I personally care mainly about credit. Ownership is a byproduct of the economy, but read on to see if my personal situation can shine some light on your curiosity...

      ===

      Last summer I drove across country with a video camera and produced the trip into a series of chapters that were authored into a DVD that I gave to friends and family. I also posted this to Google Video and explicitly slapped a by-sa/2.5 Creative Commons into each of the credit reels. The production is better than typical family movies, though by no means professional. I did make it a point to add music to the soundtrack that was covered by similar licenses.

      Do I expect anybody to care that my work was released the way it was? No. Do I expect to draw any financial benefit from the work I did? Also, no. It was a labor of love. And I still watch the movies from time to time, because they are awesome (for me). And twenty years from now, I'll still watch them. Additionally, I'm glad to have given 2,500 people the opportunity to see a full video depicting the eruption of Old Faithful (by far, my most popular movie... though in my opinion, not the best).

      On the other hand, I also write. I've written a good 80% of a novel, and I admit that I am truly conflicted about selling it. I *want* to quit my day job so I can concentrate of writing fulltime. On the other hand, I don't want to turn over my rights to a publishing company (which is what one does, when they get published). I truly want my work to be available, though in order to mobilize myself to a position to lose the day job, giving it away isn't feasible.

      That is why I favor free (as in speech) software, but also free (as in beer) tangible goods.

      --
      Support the 30 Hour Work Week!!!
    2. Re:Why are people opposed to copyright? by PylonHead · · Score: 1

      Haven't you figured this out yet?

      They want us to do work for them. We should write them music. We should write them software. We should act in movies. We should spend weeks creating elaborate special effects.

      For their entertainment. For their amusement. Tools for them to do business with. Games for them to play.

      But they don't want to compensate us. They should have it all for free.

      Because they want it. Because they decide what they should pay us for our labor. And they decide they don't want to pay at all.

      --
      # (/.);;
      - : float -> float -> float =
    3. Re:Why are people opposed to copyright? by MorePower · · Score: 1
      I think if you write a story, or a song or even a software application you're entitled to control ownership rights of it. Why shouldn't you be? I'm generally curious why authors shouldn't be allowed to have ownership of their works.

      I have two major problems with copyright. The first is philosophical - nobody else gets to control their works after they've sold them. If build a chair and sell it to you, it is legally and morally yours, I gave up any claim to it when I sold it. Only in the realm of information can you sell me something and still exercise control over it.

      The second problem I have is cultural. I want to encourage derivative creations. Why re-invent the wheel every time you want to tell a story (or whatever) when we have abundant cultural references and materials already? As an example, think of all the King Arthor books/movies/stories around. They would be much more cumbersome if each of these stories had to start from scratch with new characters and establish "this one is noble, that one is pure-hearted, this other guy is a mysterious wizard, oh and King Fred is wise and nobel but he made a tragic mistake and slept with his sister and is trying to atone for it, yada, yada, yada." Since there is no copyright on Arthian legends, you just have to name the character King Arthor and everyone knows what he's basically about. Could you even make Monty Python's "Holy Grail" if you didn't already know what Lancelot was supposed to be like and see it contrasted with the silly, overdamatic Lancelot in the spoof?

      And as a coralary to my second point, how do you think stories like King Arthor were formed? I would submit that story tellers added, moddified, and embellished stories over generations. Different versions cropped up (for example did Aurthor get Excaliber from the Lady of the Lake, or did he pull it out of the stone?) and much like open source software, the more popular forks of the story got developed further while the crappy versions died out. I would like to see this sort of iterative creativity in our culture too - how about Star Wars Prequels without Jar-Jar ("The Phantom Edit") or with non-stupid dialog supplanting the George Lucas vesions?

      I can accept that this is not a perfect world, and that a short-term limited copyright may be an acceptable compromise. But thats all it is, a compromise with harsh reality, not the ideal situation.

    4. Re:Why are people opposed to copyright? by Bastard+of+Subhumani · · Score: 1

      The Arthurian legends - about King Arthur - are already public-domain. So there's no need to try and protect yourself with all the wierd spellings.

      --
      Only three things are certain; death, taxes, and apocryphal quotations - Ben Franklin.
    5. Re:Why are people opposed to copyright? by Mr2001 · · Score: 1

      I think if you write a story, or a song or even a software application you're entitled to control ownership rights of it. Why shouldn't you be? I'm generally curious why authors shouldn't be allowed to have ownership of their works. If I go to the park and rake some leaves, should I be allowed to have ownership of that part of the park? After all, I put effort into it, and I should be allowed to own the fruits of my labor, right?

      But of course, that's not how it works. The park is a public resource, shared by everyone in town. No person can own any part of it, and I can't change that just by doing some unsolicited work on it. Similarly, ideas are a public resource. No person can own an idea, a concept, a number, or a piece of information.

      There are a few arguments for why ideas shouldn't be owned, but my favorite is simply that there's no scarcity there, and ownership exists solely as an answer to the problem of scarcity. If a car can only be in one place at a time, it makes sense to assign ownership to someone so he can decide where it should be at any given moment, because someone has to. But an idea can be used by everyone simultaneously, and one person's use can't interfere with anyone else's. Assigning ownership of an idea is unnecessary and only serves to harm everyone who isn't the owner.

      I'm no lawyer, but as far as I know there's no legal framework that can support GPL style software freedom absent copyright law. It's not just about being "free as in beer" and decompiling a program is certainly not the same thing. Why not? You only need to decompile it once, and then everyone is free to clean up the source and contribute their own changes, until your decompiled source eventually becomes as good as the original source code. I agree that it's inconvenient to have to do that, but abolishing copyright would still provide most of the usefulness of the GPL.
      --
      Visual IRC: Fast. Powerful. Free.
  30. What is a licence? by mdsolar · · Score: 1

    A licence is permission. Usually is is used when some activity could be dangerous if done poorly, such as driving or practicing medicine. It can also be permission to use something, like a fishing licence. I think that an EULA is like a fishing licence, permission to use enforced scarcity. The GPL is more like a licence to preach where one has to be reasonably free of heresy to be granted the licence, it is basically about competence.

    It is the same word, but the sense can be quite different.
    --
    Solar power for what you pay your utility now: http://mdsolar.blogspot.com/2007/01/slashdot-users -selling-solar.html

  31. Stealing time... by Bill_the_Engineer · · Score: 2, Interesting

    First of all, I support the GPL. I think that the concept of community supported software is great. I also like how someone can make modifications to code and be obligated to give back to the community.

    Having said that, I think people who preach that we should abolish copyright are basically lazy and cheap. Oh sure they will serve us some leftist bullshit to legitimize their position, and they will throw some "Well it's not stealing because even after giving a copy of some software to a friend, the original owner still has the use of said software - NO HARM, NO FOUL!"

    Of course this is Slashdot and I will get some hostile replies, but face it people who preach that we should abolish copyright are proclaiming that GPL doesn't work. They are frustrated that they don't have the time or money to make a commercial quality software, so they just want to be able to legally steal it. Basically these people rather spend their time trying to accomplish something that will never happen, rather than putting effort in a legitimate movement like GPL.

    It all boils down to this. If you believe software should be free, then nothing is preventing you from using GPL license software. Hell, if you really believe software should be free, then create a GPL program. If you can't code and you can't find the software that you need, then I guess you'll have to spend money. Sponsor someone to write your GPL program, or just break down and purchase a legitimate licensed copy.

    But if you just plain pirate all your software, then your just a leech and offer nothing to support your cause.

    What we should be concentrating on is abolishing software patents...

    --
    These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
    1. Re:Stealing time... by Anonymous Coward · · Score: 0

      So you litter your post with terms like "leftist bullshit", tell people with ideals they are idiots, label all people who want to abolish copyright as thieves and whine that these people detract attention from your own pet causes and you are expecting hostile responses? I wonder why you get hostile responses with such eloquently worded, emotionally moderate posts like that? Perhaps I should just dismiss you as a Microsoft shill and an astroturfer. Sauce for the goose is good for the gander eh?

    2. Re:Stealing time... by MadUndergrad · · Score: 1

      I think people who oppose copyright fall more into two categories:

      1) People who just don't want to have to pay for software/music/movie, i.e. leeches. These people would probably whine loudly if most of the content went away because no one was paying for it. Others may be willing to put up with the resulting economics of this, which would be the fall of any industry relying on copyrights. They may prefer this to the current state of affairs.

      2) People who are so used to copyright being abused as a matter of course by large soulless corporations that they're reaction is an overreaction compared to what it would be if copyright abuse weren't so widespread. I think if copyright abuse weren't so abused these days there would be far fewer people opposed to a reasonable copyright. Again, some or most of these people would probably prefer the consequences of large content-producing industries dying from lack of copyright, or think they would.

      Personally, I think a max of 10-15 years from date of publication would be fine in terms of copyright. Plenty of moneymaking opportunity there but still an incentive to produce new works rather than just live off the fruits of your earlier labors.

    3. Re:Stealing time... by chainLynx · · Score: 1

      First of all, it would be nice if you actually understood the position of copyright abolitionists before you attacked it. It's not "leftist bullshit" and it's not based on the "NO HARM NO FOUL" principle. Copyright is not about the GPL or any other free software license. It's about what others can and can not do with creative works. Now, with copyright, you need to ask the permission of the copyright holder if you want to distribute their work, make money from it, use it in a work of your own, sometimes just even use it. In a society without copyright, this would all change. Imagine 1) never having to pay for a school textbook anymore 2) never being in fear because you feel the RIAA might come a knocking at your door 3) using whatever picture you had access to for whatever you wanted, whenever you wanted 4) various other freedoms that would not be possible under a copyrighted society.

    4. Re:Stealing time... by Bill_the_Engineer · · Score: 1

      It's not "leftist bullshit" and it's not based on the "NO HARM NO FOUL" principle. Copyright is not about the GPL or any other free software license. It's about what others can and can not do with creative works.

      Ok I am trying to see your point... So you are saying it's not leftist bullshit, because it is not just stealing someone else's work. But then you say:

      Now, with copyright, you need to ask the permission of the copyright holder if you want to distribute their work, make money from it, use it in a work of your own, sometimes just even use it. In a society without copyright, this would all change.

      So it is about using someone else's work as your own, rather than producing your own work? You're passionate about your belief, maybe I need to read your comment further...

      Imagine 1) never having to pay for a school textbook anymore

      So instead of publishing a text book under creative commons, let's just copy the current ones without the publisher's permission (leech). I agree textbooks are too expensive, but I blame the schools just as much as the publishers.

      2) never being in fear because you feel the RIAA might come a knocking at your door

      So your saying that with copyrights, you live in fear that after leeching music files from friends that you may get caught and sued? Maybe you should listen to independent artists that distribute their songs for free.

      3) using whatever picture you had access to for whatever you wanted, whenever you wanted

      So you are saying photographers should work for free, and you should be allowed to leech their work?

      4) various other freedoms that would not be possible under a copyrighted society.

      What freedoms? Being able to devalue someone else's sweat equity? hmmm..

      Honestly, I think you were trying to provide a counter-point to my parent comment but all I see is things that I've already said. You took offense to me using the word "Leftist Bullshit" but you haven't told why the leftist position is more than anarchy and looting of other peoples work. Maybe some are just to transfixed about sharing files, they just don't care about the wishes of the creator of the file. Sounds pretty selfish to me.

      I worry more about corporations who use patents to stifle competition, then I do about RIAA going after people for swapping song files. Go figure...

      --
      These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
    5. Re:Stealing time... by Anonymous Coward · · Score: 0

      It looks like you haven't received any decent responses (from my POV) so I thought I'd jump in. I'm for the abolition of the legal construct that information can be treated like material goods. All of our physical property rights stem from the fact that physical property is limited and therefore we must devise a system where property is distributed in a way which is efficient and/or right. Information is unlimited and any attempt to make it limited will fail.

      If you write a novel it is bound in physical property which you control and your only problem is how to make a profit out of it without copyright. Depending on your goal I see lots of possibilities: you can sell it for an advance to a publisher, you can release it to the public to build up your reputation and be able to make money of subsequent works.

    6. Re:Stealing time... by chainLynx · · Score: 1

      "So it is about using someone else's work as your own, rather than producing your own work?"

      See the article's distinction between attribution and use. He addresses exactly this fallacy.

      "So instead of publishing a text book under creative commons, let's just copy the current ones without the publisher's permission (leech). I agree textbooks are too expensive, but I blame the schools just as much as the publishers."

      No! You're missing my point. I'm saying that this would be the case in a country where copyright laws had been completely abolished. With no copyright, there is no need to ask for permission because no one holds the exclusive right to distribute the work -- it's in the public domain and anyone can use it for any purpose. In our current situation, where we do have copyright laws, one does need to ask permission before copying and distributing a copyrighted work for it to be legal.

      "So your saying that with copyrights, you live in fear that after leeching music files from friends that you may get caught and sued? Maybe you should listen to independent artists that distribute their songs for free."

      I absolutely agree with your stance of listening to artists that don't claim to be represented by the RIAA. However, most of the artists that I listen to, unfortunately, are. But my point is not about what is the case, but what COULD and SHOULD be the case. What seems more productive to you -- a society where anyone can share any art with anyone else, or a society in which certain sharing is disallowed because a gatekeeper wants to skim some revenue off the top and sue those that don't comply, thus hampering the distribution of art amongst and within the society? The RIAA and the labels they represent are no longer necessary in an Internet-enabled society. An artist can publish and distribute his work for near nothing... why do we still have the label middlemen? Support of copyright is hindering this transition.

      "So you are saying photographers should work for free, and you should be allowed to leech their work?"

      Well, yes. This is the logical conclusion for photographers. You're really hung up on the word "leech" and it's framing the way you think about these things. Try and see things from a different perspective.

      "What freedoms? Being able to devalue someone else's sweat equity? hmmm.. "

      Freedoms such as the freedom to reuse an artist's original work in your own work. And I have yet to see a case in which the use/distribution of art somehow "devalues" that art... can you provide one to support your assertion? Withholds copyright revenues, sure. But that's what we're assuming isn't the case here. If you're talking about some kind of classic supply and demand model, this really doesn't apply because there is infinite supply. There is no scarcity on the Internet. If I copy your file (say, a music file) that you are sharing with me over kazaa or whatever, that doesn't devalue your copy of the work at all. In fact, because of the network effects, it might even increase its value to you because now you have someone to talk about the artistic work, among other things.

      "Honestly, I think you were trying to provide a counter-point to my parent comment but all I see is things that I've already said. You took offense to me using the word "Leftist Bullshit" but you haven't told why the leftist position is more than anarchy and looting of other peoples work. Maybe some are just to transfixed about sharing files, they just don't care about the wishes of the creator of the file. Sounds pretty selfish to me."

      I guess it is anarchy, in a way. Let me provide a contrast for you. When I steal your car, you are no longer able to enjoy it. When I "steal" your music file, we can both enjoy it. It's information, perfectly copied in a transaction that you consented to (as opposed to the car, which I took rather rudely). As for the wishes of the author, what kind of artist produces work only

    7. Re:Stealing time... by mshurpik · · Score: 1

      How about #3, the major corps who would suddenly become the new media pirates by selling YOUR book with YOUR name and without giving you any money?

      After all, the whole way that corps "abuse" copyright is by forcing the author to sign it away! Now we're going to abolish it - what a coup for the publishing industry!

  32. sure.. by danielk1982 · · Score: 3, Insightful

    The author is playing with words. At the end of the day a viral license like the GPL cannot exist without laws that acknowledge the "specialness" of intellectual property. You can't GPL a hammer.

    >Imagine if we had laws that did away with most prohibitions against sharing, but that enforced crediting and permitted authors to enforce GPL-like provisions requiring sharing.

    Considering that copyright law has no prohibition against sharing (after all, releasing your work as creative commons is as simple as cut-pasting a line of text) and thanks to GPL and similar licenses, copyright can have provisions to enforce sharing - I think I can imagine a world such as this - we live in it. What the author is arguing is that every work should be released with a mandatory GPL-like or maybe Creative Commons-type license.

    >Thus, to say that the GPL depends on copyright is like saying that reading depends on scribes.

    No.. the GPL is a license tested in court and found wholly within the realm of current copyright law.

    >The basic argument of copyright abolitionists is that people should be free to share when sharing does not result in any diminution of supply.

    I understand that argument even though I don't agree with it, but there's another point here. Is "free to share" the same as "forced to share"? After all, people are free to share MIT licensed code, but are forced to share GPL licensed code (provided that they made changes to it and distributed the binary .. yadda yadda..). The former doesn't need any copyright law, the latter certainly does. I think "copyright abolitionists" are trying to have it both ways here. The author certainly looks like a guy who is trying to reconcile something like the GPL (which I'm sure is perceived as a very good thing in the circles he hangs out) with his ideological beliefs about copyright. At the end of it all, it comes off as a clumsy argument.

    1. Re:sure.. by dircha · · Score: 1

      "The author is playing with words. At the end of the day a viral license like the GPL cannot exist without laws that acknowledge the "specialness" of intellectual property. You can't GPL a hammer."

      No no no.

      The GPL is not the objective. Free Software is the objective. The GPL is convenient tool functioning within current copyright law to provide and enforce proliferation of Free Software. Free Software is something very specific. It is software that satisfies the 4 essential freedoms of software users as outlined by the Free Software Foundation.

      No one is "for the GPL" per se. The FSF is *for* Free Software.

      The GPL utilizes a technique called Copyleft to enforce the *proliferation* of Free Software, but the definition of Free Software does not require enforcement of proliferation. The definition of Free Software is completely independent of Copyright and makes no mention of it. There are many non-Copyleft Free Software licenses.

      Someone who is both anti-Copyright and pro-Free Software would advocate the elimination of copyright in exchange for enshrining the 4 essential freedoms of software users in law, which IF YOU HAD READ THE ENTIRE ARTICLE you would have seen is explained by the author.

    2. Re:sure.. by danielk1982 · · Score: 1

      >Someone who is both anti-Copyright and pro-Free Software would advocate the elimination of copyright in exchange for enshrining the 4 essential freedoms of software users in law

      Which is why I said the "copyright abolitionists" are trying to have it both ways.
      On one end they're arguing that the act of "sharing" or "copying" doesn't hurt anyone (a dubious statement to begin with considering the cost of certain arrangements of bits, like Lord of the Rings movies, can run into hundreds of millions of dollars), and essentially argue for the lifting of all restrictions governing intellectual property.

      On the other hand, it isn't enough for them to simply lift the restriction and in the case of software, have it be governed by an MIT style license as they want to imbue IP with provisions and restrictions that enforce sharing (like the GPL-type licenses currently do). One of the big reasons for the existence of GPL is that by forcing changes to be released, you're not taking advantage of the community that might have done most of the work - in FSF-speak, GPL ensures you're not taking the "freedom" to study and improve the program away from anyone. So in the end it seems like this group does in fact acknowledges that completely unrestricted sharing does hurt someone.

  33. And.. by Twigmon · · Score: 1

    And..

    They would be able to take your picture, chop it up, make it into something else and sell it... as long as they included your name in the 'credits'. The people who buy it would be able to give it away/sell it/etc - as long as they include your name, and your 'art copier's' name in the credits.. etc etc etc...

    This world would not be nice.. I could walk into a museum, take photos of all the art, get it printed with (this painting was by....) and then sell/give away those photos. Why would anyone pay full price when I can sell them a (fully credited) version for far less?

    Pfft.. Copyright is a good thing. People just get annoyed when intellectual property becomes valuable (sometimes because of restricting supply/demand).

    1. Re:And.. by Tim+C · · Score: 1

      I could walk into a museum, take photos of all the art, get it printed with (this painting was by....) and then sell/give away those photos. Why would anyone pay full price when I can sell them a (fully credited) version for far less?

      No offence, but that's a really, really bad example. Art galleries and museums already do essentially that, and lots of people buy them. Some people still buy hand-painted reproductions, and the extremely wealthy few buy the originals. Each "higher grade" brings its own unique qualities, making it more (or less) desirable to those that can afford it.

      If I were a billionaire, would I want a well-taken photograph of The Scream, or the original?

      (That's assuming you mean the original when you ask why people would pay full price. Your example is flawed anyway, as the museum would still be at liberty to prevent photography on its premises, that has nothing to do with copyright law)

    2. Re:And.. by Twigmon · · Score: 1

      The difference is that the original artist is paid (either with money or exposure/etc).

    3. Re:And.. by mpe · · Score: 1

      This world would not be nice.. I could walk into a museum, take photos of all the art, get it printed with (this painting was by....) and then sell/give away those photos. Why would anyone pay full price when I can sell them a (fully credited) version for far less?

      Maybe people would want to see the original or look at it from a different position/under different lighting conditions from your photo (the latter especially if you used a flash). Anyway many museums/art gallaries already use photographs to advertise their collections.

    4. Re:And.. by chainLynx · · Score: 1

      As one of the other responders points out, this is a really bad example... it's already done. Not to mention this is the world we live in now. If you don't put up your art for others to use, other artists will use something (CC-licensed or public domain or whatever) that they can use. Your art will be left in the dust, as far as people seeing it and appreciating it and building new works upon it goes. If you just want to spend all day taking pictures and admiring your own work by yourself in the privacy of your own home, then shoot away. Just don't be disappointed when you wake up and realize the internet is here, which allows and encourages the kind of distribution that you fear (without giving you licensing fees).

    5. Re:And.. by MikeBabcock · · Score: 1

      In fact, those paintings you see in museums have well-expired Copyrights. You can forge those paintings all you like yourself and people will still pay millions of dollars for the originals because they're innately valuable, not because Copyright forces them to.

      --
      - Michael T. Babcock (Yes, I blog)
  34. Open Source != GPL by definate · · Score: 1

    Just because a project is open source, does not imply GPL. I for one abhor copyright and patents, and applaud open source software.

    The problem people seem to have in saying that it's a contradiction, is implying that if a company took your work and sold it, then that would be wrong.

    No regulation will be able to accurately compare one work to another, to find out whether it is a copy or not and as such will leave it open to abuse by anyone.

    Now given that a company is profitable, wouldn't they have more power to use copyright laws to suppress the open solution than the open solution would have to suppress the business?

    Protectionism such as this, is sold to people under some weird "moral" guise, and will only ever benefit the large companies that produce the works, and never the end user of the works, and as such should not be regulated.

    Think of it this way... if someone else is able to sell a good or service for less price than you are able to, and sustain their business, then this implies that more end users (the people who count) are receiving benefit from it, and therefore shouldn't that be the moral high ground? That one company is benefiting people more than another.

    --
    This is my footer. There are many like it, but this one is mine.
    1. Re:Open Source != GPL by Anonymous Coward · · Score: 0

      Protectionism such as this, is sold to people under some weird "moral" guise, and will only ever benefit the large companies that produce the works, and never the end user of the works, and as such should not be regulated.

      I think you go too far there. Anyone who has ever created something they have invested themselves in has benefited from copyright law. I don't know how someone can propose to do away with that and expect creative people to want to contribute their works to society. You are right that copyright isn't a 'right', but it is an important priveledge granted by an ordered society in order to allow individuals to determine under what terms their creative produce is used. To me thought this priveledge is as fundamental as any other human right (all of which are priveledges granted to you by the society you live in). If you can automatically 0wn anything I create that basically makes me your slave, and that is a situation that can never stand.

      And yes I happen to agree that most people who are directly opposed to copyright as a concept are the kind of people who sit around all day creating valueless art or nothing at all. If you can't understand the concept of not wanting your work abused, that's fine - just wait until you produce something that has real value. Even someone like Wierd Al Yankovic, who creates mainly derivative works, needs copyright and obeys its laws.

      Anyway I do agree with the point that you can oppose copyright as in wanting it to change, but that's just being dramatic in order to start an argument. In general I agree with your viewpoint, I just think you went too far to claim that only the few can benefit from protection of authors' rights, even as it stands today.

      (c) Aaron Oxford 2007

  35. Greg Bulmash is right by Anonymous Coward · · Score: 0

    This guy has it wrong.
    freedom 3 of the free software definition could simply not be enforced without copyright.
    what he calls "creditright" has nothing to do with the issue.

  36. Where copyright fails... by huckamania · · Score: 1

    You can't copyright something which is not yours to begin with.

    As an example, if you create a static data structure constructed from information from a published standard, you can not copyright the static data structure. The copyright holder is, ta dah, the publisher of the standard. Adding curly braces, commas and quotes does not magically transfer ownership of the data contained in the static structure.

    I can think of a few open source, gpl software projects that do this or something similar. Take something that is not theirs to begin with, slap some formatting around it, put it in a .h and slap a copyright notice on the top.

    Now, imagine you are in court trying to enforce your copyright on some code. The defense lawyer is going to have a field day, picking apart every instance of anything borrowed. The average jury is not going to convict somebody because, ta dah, their confusion is reasonable.

    This leaves only one avenue for y'all... public humiliation. If there is an example of anything else but PH working, feel free to flame me.

    1. Re:Where copyright fails... by tomstdenis · · Score: 1

      Everything that is new is old. If only truly new and 100% original works were copyrightable nothing would be copyrightable.

      You're saying that if I take a table from [say] an NIST crypto spec, then wrap it in 100K lines of my own code, I can't copyright the entire package?

      Well, I have yet to see a book which is 100% in its own language with it's own grammar, style, lingo, etc... So by your logic no books should have copyright status.

      Tom

      --
      Someday, I'll have a real sig.
    2. Re:Where copyright fails... by huckamania · · Score: 1

      You can attach a copyright to anything you see fit. What I am saying, quite clearly but apparently not clearly enough, is that ultimately this is a legal matter. What I am also saying, again not clearly enough, is that I have yet to see a case argued in court that enforces a software copyright.

      Finally, the big point is that you cannot copyright something which is not yours to begin with. Taking your example, if you have the NIST table encoded somewhere in your code, you have not invalidated or surplanted the original copyright that covers that table. If someone else copies your code, or maybe just that table, and you try to enforce a copyright, their lawyer is going to take you to task for your copyright infringement. This will put a considerable amount of doubt (possibly reasonable) in the minds of the jury and you're going to lose.

      Taking your book example, if person A were to take Harry Potter, or a section of it, and do nothing but add spaces, braces, commas and quotes and then person B was to copy it, person A is going to have a hard time enforcing a copyright.

      I could be wrong, I'll admit that, but so far there is no evidence to support it. I'm not attacking you or the GPL, I'm just keeping it real.

  37. Pretty soon everyone has a better hammer by crabpeople · · Score: 1

    "fruits of their labor taken advantage of by others in ways they don't approve."
    Lets see. How can you take advantage of a book? Other than ignoring it, burning it, restricting it or fraudlently stealing and selling the manuscripts. Sure it would be bad if neohitler loved your book, but theres really nothing you can do about that.

    How is music or movies any different? who loses but me if I dont see a movie? The creator already has seen his creation come to life. That should give him emmense joy. Its not a trivial thing making a work of art for and that the world would enjoy. Restricting it is akin to a selfish god. One day we will have nanoforges. Please think ahead.

    --
    I'll just use my special getting high powers one more time...
    1. Re:Pretty soon everyone has a better hammer by Anonymous Coward · · Score: 0

      How is music or movies any different? who loses but me if I dont see a movie? They really don't teach economics in your shithole of a country, do they?
  38. You're close but have missed the point a little by syousef · · Score: 1

    Copyright abuse is not about crediting work vs. the control of that work. RIAA/MPAA couldn't give a shit about actually controlling the work except as a means to an end. The struggle is actually about monetary compensation for the work. This is why they're willing to throw people into jail for 5 years for backing up their damned DVD - it takes away their potential profit.

    What we need is a system that:

    1) Financially compensates the creator, not the middle man. Make it unprofitable to be a middle-man and institutions like RIAA/MPAA go away. There should be a cap on what anyone else can make from selling a person's creation.

    2) Does not allow an artist/inventor/creator to control distribution or use of the work. Seek compensation proportional to losses, yes, but have to prove that what they're asking is reasonable. Suddenly the whole problem of patented drugs and treatments being overpriced and people dying as a result goes away. Even more beautiful, if someone's able to distribute a creation more efficiently than the creator, they can do it. This also takes care of sharing work creatively where no profit is derived (ie. creating remixes, "mashups" and the like).

    3) Removes unreasonable punishment for copyright infringement. 5 years for backing up a damned DVD is not reasonable. Heck doing that with the whole collection shouldn't land you in jail.

    Unfortunately a lot of very powerful people and their allies stand to lose big time if such fairness came to pass. It would also be quite difficult to set up a system that administered these principles fairly and was resistant to corruption. So I agree wuith others when they say it's unlikely to come to pass. Pity, because all of the above is achievable.

    --
    These posts express my own personal views, not those of my employer
    1. Re:You're close but have missed the point a little by shark72 · · Score: 1

      Those are some interesting ideas. I have a question for you:

      "What we need is a system that financially compensates the creator, not the middle man. Make it unprofitable to be a middle-man and institutions like RIAA/MPAA go away. There should be a cap on what anyone else can make from selling a person's creation."

      One of my favorite sites right now is istockphoto. It's really great -- I can buy some often really great quality work for a buck or two an image, which is far less than Corbis and the rest charge. And, the artist gets about half of the money from the sale. If I understand you correctly, your system would be the death of istockphoto, because they're a middleman. This would suck for me, because I really like this site and it's enabled me to find -- and compensate -- artists that I could not before. It would suck for the artists as well, as they would be left to their own devices to find potential customers.

      "2) Does not allow an artist/inventor/creator to control distribution or use of the work."

      I think istockphoto would run afoul of your new system here, too. One can buy either a standard license (in which each item starts at a buck) or an extended license, which is a bit more. The extended license allows you to do more things, like put the image on t-shirts. I like this two-tier system, since it allows me to get stuff cheaply.

      In short... I love istockphoto, it's hugely popular with photographers and artists (and they are paid fairly), and if the guy who launched the site makes a zillion dollars, then more power to him.

      If your copyright system were put into place, it would be a loss for istockphoto, the artists who use it, and customers like me. Can you explain how istockphoto exemplifies what's broken about today's copyright system?

      --
      Sitting in my day care, the art is decopainted.
    2. Re:You're close but have missed the point a little by chainLynx · · Score: 1

      No, what we need is a system that (my numbers try and address your numbers' points, respectively): 1) Doesn't compensate any rights holder. This is the only thing that makes sense in a society connected to the internet, where distribution of information such as creative works is global, perfect, and instantaneous. Otherwise, we get a cumbersome system of "rights management" -- RIAA, MPAA, HFA, etc. 2) Provides attribution for work. (see the author of the second article's distinction on attribution vs. control) 3) There is no punishment for distribution. To the contrary, distribution of art should be a net gain for society and should be encouraged. Yes, some would lose out. MPAA executives and copyright lawyers would be out of jobs. I don't feel too sorry for them, though. All musicians except the megastars, however, make most if not all of their money off performance, anyway. Problem solved... abolish copyright!

    3. Re:You're close but have missed the point a little by syousef · · Score: 1

      So let me get this straight. You've got one example of a site that you believe isn't abusing the current copyright system that you happen to like. On this basis you wish to keep the existing system despite the overwhelming amount of abuse? We're talking human rights issues when you're willing to throw someone in jail for protecting their work. That's irrational.

      Nothing under my proposed ideas prevents a site from distributing an artists work or even selling it. It would just mean if a competing site popped up, selling the same works, they couldn't be sued.

      By the way I'm an avid amateur photographer myself and find the current copyright laws draconian. If I take a picture at the local zoo, and it's absolutely stunning, I can't legally sell that picture because the zoo claims intellectual property rights over the animals and enclosures which it will vigorously assert if you try to do anything commercial with the photos you take. They're not even interested in buying people's photos because they have exclusive arrangements with the artists.

      I'm also a flight simulator enthusiast. If I wish to use music as a backing track to a recording and put it up on YouTube I have to pick from a handful of unknown tunes released as open source. The reality is most good music (and all recognisable music) is copyright in such a way that to use it legally in my own work require negotiating with a record company for large sums of money, and most of the time those record companies aren't interested in any case about some bloke doing a limited distribution YouTube video. I refuse to risk years in prison or publicly break the law like that so I end up with no backing tune. (I simply don't have the time to write my own music, or find an unsigned artist and commission the work)

      Don't even pretend for one minute that the existing laws are condusive to artistic creativity. They're not. Any kind of change would require sites like your pet favourite adapt. It would also leave them with genuine competition for the first time in history, so yes some of them would die. That's a good thing. Breaking a monopoly and stimulating competition would give you new options. No one would make zillions running these sites - instead they'd make an honest living.

      --
      These posts express my own personal views, not those of my employer
    4. Re:You're close but have missed the point a little by syousef · · Score: 1

      If you don't compensate the rights holder in some way, you remove a major incentive for the artist to produce work, and you pretty much wipe out the professional artist since all but a handful of independently wealthy artists would need a job to pay the bills which is unrelated to their art.

      I think you can in fact compensate the artist without giving them control over how their work is used. I believe this is important, and I don't think these ideas are incompatible with a fair system where people's everyday activity is not criminalised.

      --
      These posts express my own personal views, not those of my employer
    5. Re:You're close but have missed the point a little by chainLynx · · Score: 1

      "If you don't compensate the rights holder in some way, you remove a major incentive for the artist to produce work, and you pretty much wipe out the professional artist since all but a handful of independently wealthy artists would need a job to pay the bills which is unrelated to their art."

      Following that logic, no artists existed before the creation of copyright. However, we know that that just isn't true. Musicians and actors derive their main source of revenue from performance, with the exception of megastars like Britney Spears. It all comes down to a fundamental choice we have to make as a society... who would we rather see flourish -- Britney Spears, or many artists that could prosper in a post-copyright society for the same (perhaps even less) amount of monetary input?

    6. Re:You're close but have missed the point a little by shark72 · · Score: 1

      "So let me get this straight. You've got one example of a site that you believe isn't abusing the current copyright system that you happen to like. On this basis you wish to keep the existing system despite the overwhelming amount of abuse? We're talking human rights issues when you're willing to throw someone in jail for protecting their work. That's irrational."

      Yes, you understand me exactly. I want to throw people in jail for protecting their work!

      Forgive me if the hairs on the back of my neck stand up a little when people want to reform copyright by preventing "middlemen" from making a profit by selling copyrighted works. Leaves the door a bit too wide open for declaring bookstores to be in violation of the new utopian copyright system. Yes, perhaps it would ultimately be better for authors and consumers alike if we do so, but it's all a bit too Randian for me. And, when people talk about changing the law to give artists fewer rights, it makes me sad.

      I am sorry that your local zoo (like many, many businesses) has a policy which prevents you from taking commercial photography on their private property, and that the music provided by unsigned artists isn't of good enough quality for you to use in your videos. I am sorrier still that you consider this to be a human rights issue.

      --
      Sitting in my day care, the art is decopainted.
  39. good thing i pirated it by Anonymous Coward · · Score: 0

    Cause its lost to google. Seriously, google a line. (o the irony)
    I read it on slashdot...

    Seriously though, I'm sure that a lot of people think the way this guy thinks. It's an easy mistake to make, especially if you look at software as being analogous to physical property. The analogy breaks down pretty quickly if you look at it. I like to use the example of the "magic hammer".

    If I attach a rock to the end of a stick to make a real-life hammer, and I give it to you, now I don't have a hammer anymore. With software, I can sell the hammer to you, and I still somehow have an identical hammer (that's how Microsoft makes the big bucks). With open source software, I give you the hammer with instructions on how to make it. I haven't really lost anything by giving you the hammer - I still have my copy, and copying it took about 3 seconds. You are encouraged to share the hammer with your friends (and you don't loose anything by doing so either). You can also make improvements to the hammer. Only an enterprising few will do this, but the effect is cumulative. When someone forges a brass head for the hammer, poof! Everyone's hammers are now better. Steel head? Poof! Claw on the back for pulling nails? Poof! It doesn't take long before everybody has a really good hammer.

  40. Did you read the same article I did? by Fred+Ferrigno · · Score: 1

    The linked article seems to me to be trying to defend theft of the hard work of others, and that's not cool. The article I read had nothing to do with copyright infringement. It was simple pointing out that the GPL (or something like it) could exist in a legal framework outside of copyright. I don't recall any portion of it that advocated violating legally valid terms of use.

    If you don't like the rules you can work to change them or find somewhere else to live. No one doubts that copyright is currently the law of the land. In the meantime, this is what working to change the rules looks like.
  41. obviously wrong. by twitter · · Score: 1, Troll

    Without specific protection for the software component, companies would have tied software to the hardware. ... You can copy the Microsoft Office ROMS all you want, but it uses the registers and I/O devices only present on the patented Microsoft Office machine. No *general purpose* computers... Copyright is what made the general purpose computer sociologically possible. That world, by the way, would suck.

    That's so backward - general purpose computers are more valuable without copy restrictions than they are with them. There are plenty of patents on them but no computer maker would ever limit the use of their hardware with those patents. Copy restrictions are responsible for the dominance of Intel i386 and all companies have twisted their hardware to work with M$ junk and is close to the M$ Office machine you mention. Useful hardware like PowerPC and other general purpose hardware is not available for home normal use. In a world without copyright, one where Bill Gates was stoned to death at an early hacker meeting, M$ would never have existed much less made hardware even suckier than it is today.

    --

    Friends don't help friends install M$ junk.

  42. Re:If you are against copyright,you SHOULD oppose by iamacat · · Score: 2, Insightful

    Every law is about forcing people and every law except those concerning violence, global destruction/environment damage or close personal possessions is optional and should only be passed if it benefits most people. If I am forced to accept copyright, the copyright owner should have some obligations in return.

  43. Copyright law under pins everything by OdinOdin_ · · Score: 2, Insightful

    Copyright law under pins all legal protection over the rights on a piece of work. By attaching Copyright to a piece of work you are also staking a claim to ownership to be able to then license the use of the work from that legal vantage point.

    The concept of "Public Domain" only exists from the vantage point of the original Copyright holder accepting continued legal liability for any future plagerism claim that may occur in relation to that piece of work (by puting their name to it); but then explicitly granting a free for all license on its distribution and use. There is no such entity as an "anonymous Public Domain" piece of work, since if no one stakes their claim to ownership then its legally possible for anyone to make that claim (as Mr Anonymous won't be able to defend himself in a court of law).

    Why is "Copyright law" a bad thing for society, it seems a very passive law that grants the creator rights over ownership of a piece of work. From that legal vantage point the Copyright holder may do anything / license anyway they choose, being the "Copyright holder" they are granted that power by law. It makes no sense for any creator of work not to involve themselves in this process, since its costs them nothing and grants them everything.

    1. Re:Copyright law under pins everything by vidarh · · Score: 1
      You ask "why is copyright law a bad thing for society", and then answers why it isn't a bad thing for the creator of a work.

      And at the same time you pointed out exactly why it can be a bad thing for society if not properly balanced: It places restrictions on the public dissemination of works of the mind.

      I'm not opposed to all use of copyright. However, the stated intent of modern copyright law is to promote the arts and sciences by making it attractive to publish new works. However, if the publics access to those works are severely restricted, and the ease of obtaining copyright (merely publishing something) reduces the volume of freely available works below what it would otherwise be, then one can legitimately ask the question at what point copyright, at least in it's current form, becomes a net negative for the public.

      Personally I think a drastically reduced term (say 10 years), possibly combined with a requirement for renewal after an even shorter initial term, would be a huge improvement.

    2. Re:Copyright law under pins everything by OdinOdin_ · · Score: 1

      All your bases belong to me, is simply not true of any resource. I owe you nothing. I may choose out of my charity to provide you with something. The decisions in this process are 100% my perrogative.

      You still fail to explain why placing a copyright on "public dissemination of works of the mind" (as you call it) is a bad thing for society. You also fail to explain how your interpretation of my comments "pointed out exactly why it can be a bad thing" as I can't see the bad part that you can.

      Everybody is free to use their own time, effort and mind to create their own dissemination, there will obviously be influenzes from exposure to similar work but the end result should be a unique enough implementation of the idea/concept to warrent a free and independant copyright. I have nothing against people re-inventing the idea/concept emboied in the work providing they did so at their own expense.

      "Copyright Law" is the mechanism society provides to facilitate the right to withhold your implementation of a work from others, which is a pretty inallienable right in most cultures and political systems.

  44. You can do that, but you can't do this: by CrazyJim1 · · Score: 1

    You can't deny IP(not support copywright) and criminalize open source. After all, if everything is free, how can you make it a criminal act to use one free chunk of software to make another free chunk of software?

    1. Re:You can do that, but you can't do this: by Anonymous Coward · · Score: 0

      Ok, seriously Jim. It's Copyright. c-o-p-y-R-i-g-h-t. For someone who continuously asks how to patent your ideas, you should at least learn to spell the word.

  45. Arnold says "Stop whining!" by leereyno · · Score: 4, Funny

    I oppose discussions of copyright and open source period.

    Copyrights are a good idea when applied in moderation.

    Open source is a means to an end, not an end unto it self.

    Neither are particularly interesting to read about on Slashdot because both issues are plagued with juvenile whining by 35 year old virgins who still live with their parents.

    --
    Muslim community leaders warn of backlash from tomorrow morning's terrorist attack.
    1. Re:Arnold says "Stop whining!" by revengebomber · · Score: 1

      I'm only 32, you insensitive clod!

      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
      45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
    2. Re:Arnold says "Stop whining!" by dangitman · · Score: 1

      I oppose discussions of copyright and open source period.

      Which period are you talking about? The period after which copyright expires? The time it takes to develop an Open Source application?

      --
      ... and then they built the supercollider.
  46. If you're SCO by Anonymous Coward · · Score: 0

    You don't even have to have the code to claim it is copyrighted, whether BSD or not. So no, BSD is not like "no copyright". With the BSD you still have to have "(c) USL" or whatever. Without copyright, you don't have to do that.

    The GPL isn't needed under "no copyright" (actually, now that software patents are being allowed, you still have a problem with patents, but that isn't removed if you remove copyrights, so it's moot). That it has no legal weight is irrelevant, so being against copyright and for GPL is not inconsistent.

    As for the shakespeare, you own copyright on the collection and the annotation if it is sufficient UNTO ITSELF for copyright protection but someone can take shakespeare and annotate it too. If their extra work is similar to yours, you have no right to restrict it because you are both annotating the same work.

    It isn't quite the same with software because people now get only the binaries not the source. That the GPL requires source code distribution is one reason why it is MORE FREE than the BSD (which doesn't require the source so you may lose the code even if it hasn't been changed: if the original is lost or too hard to find you only have the propriatory binary and if you work out the code from that you can be accused of infringement when there has been none and you have no proof you are clean).

  47. Here is a thought by dosboot · · Score: 1

    Here is a radical thought, why not just dust our hands and call what your wrote "the system". If I may put myself in your shoes for a moment I believe you wrote that thinking that this would not work until someone come up with an idea for ensuring that the creator actually gets compensated.

    Let's say we do what you say but rely on the honor system for compensation. The creator sticks an address or paypal account or such on the work for you to pay him/her. You make it another rule that you have the reproduce this information in each copy. Not following any of the rules (breaking the honor system, if you will) would be illegal and have reasonable penalties.

    There isn't anything in the system that makes people think they will be caught, but how is that any different from regular copyright? Do you ever fear the Feds busting down the door when you photocopy pages from a book? When you download a video game rom? When you download a torrent?

    Maybe this isn't a radical idea and such a system would never work. In this case, the lesson is that if there was a way to make a new copyright akin to what you wrote (and what many like us would like to see) and make it enforceable, then it would be possible to make the current copyright system enforceable.

    Hopefully someone will respond to this with additional insight. I've been thinking a lot about copyright recently and can't find any satisfactory solutions.

    1. Re:Here is a thought by syousef · · Score: 1

      I never said anything about relying on the honour system, or anything that stems from that little argument. What you've shot down isn't my ideas but your own, that you'd already discarded. It's a classic straw man.

      All of what I've put forward is possible and could be enforced without resorting to an honour system only type approach. It wouldn't be perfectly enforceable but neither is copyright law as it stands - not by a long shot. We'd be no worse of on enforceability. You'd need new checks and balances, like new reporting systems for income derived from copyright (to prove that say 10% is all the profit you've made instead of 99%). That doesn't mean it can't work better than the current system.

      What I don't have is a solution as to how to change from the existing system which a lot of powerful people profit from. You'll always encounter incredible resistance from a few wealthy and powerful people who'll block any move towards this that you try to take.

      --
      These posts express my own personal views, not those of my employer
    2. Re:Here is a thought by chainLynx · · Score: 1

      Someone? How about the article's author: http://questioncopyright.org/node/1

    3. Re:Here is a thought by dosboot · · Score: 1

      I hope you don't think I was trying to put words in your mouth. I thought it was clear that the honor system was an idea I was dreaming up, and I was just trying to be even handed with myself by casting doubt on it. Whatever.

      If you have worked out any of your ideas on how to make a new copyright system enforceable I'd like to listen. Also I'm curious if you are thinking that the new system should replace copyright or be an alternative to it. Replacing the current copyright system (or changing it) will be hard like you said. However no one can stop you from coming up with your own system, and if it is a better system artists will use it.

  48. Don't do it then by Anonymous Coward · · Score: 0

    There's no coercion FORCING you to produce for us. Produce or not. There is no compensation. Under that scheme, you will not (I take it) be producing any new creative works. Fine. Get a job as a plumber or whatever. But don't expect 0.5c every time someone flushes the toilet you fitted for 95 years.

    1. Re:Don't do it then by PylonHead · · Score: 1

      So you own no commercial music? no commercial games? no commercial software? don't watch commercial movies?

      You won't even be a little sad after you've destroyed that world?

      --
      # (/.);;
      - : float -> float -> float =
  49. That's not possible by EmbeddedJanitor · · Score: 2, Insightful
    And that is going to be Open Source? How? Requiring signatures and, essentially, NDAs, would make this not at all like the GPL. It makes the code private.

    You'd end up essentially saying "You are obliged to both freely distribute this code and keep it secret" which seems a bit of a challenge. Frankly I think your idea is broken.

    It is only copyright law that allows us to publish the code and defines the terms of use at a level that suites the copyright holder. This allows us to have various licenses.

    Without copyright the writer has no rights and there are only two levels: secret (proprietary) and published (BSDL-like use as you wish).

    --
    Engineering is the art of compromise.
    1. Re:That's not possible by sveinungkv · · Score: 1

      Try to think about laws as forced contracts. You can copy all parts of such a contract into a real one, except that you can not force people to sign it. Then the issue becomes what contracts should the state force on us all. That you (as an individual) should not be allowed to murder another human except in self defense I think we can all can agree on should be forced on everybody. But should copyright?

      Yes, people would have to sign a contract in order to get the software, but it would not be worse than todays situation where we are all forced to "sign" copyright. You could even create two contracts: one to emulate copyright law, and then a GPL license (using the copyright emulator contract instead of copyright law).

      --
      Spelling/grammar nazis welcome (English is not my first language and I am trying to improve my spelling/grammar)
    2. Re:That's not possible by EmbeddedJanitor · · Score: 1
      That's just the point. If you remove copyright law, then there is no "forced contract", as you term it. This means that you would not be able to openly publish code and still retain rights over it (as you can with copyright). You'd only be able to publish that code within a controlled environment where all participants were bound by the "copyright contract". In essence you have just recreated a society with copyright law. In countries with no copyright law, the GPL is essentially null and void, until you try ship derived works back into a country with copyright law..

      The murder analogy is a good one. Imagine if murder was just limited by a regular contract rather than a law. If you didn't sign the contract then you could kill anybody, for any reason and not get punished. People would soon feel unsafe and enter into closed communities where you'e have to sign the murder contract to become a member.

      --
      Engineering is the art of compromise.
  50. Narrowed the question too much by Anonymous Coward · · Score: 0

    so that you will HAVE to be right. However, I have a counter-argument to your istockphoto: Corbis.

    From your own mouth:

    "can buy some often really great quality work for a buck or two an image, which is far less than Corbis and the rest charge. And, the artist gets about half of the money from the sale."

    Without copyright, Corbis and the rest cannot charge so much and they cannot control their artists' content so much as to cut off most of the profit.

  51. Copywrite is not about encouraging Authors by anandsr · · Score: 1

    Copyright, when it was created, was not created with the view of giving control or even encouraging authors. It was created for the express purpose of giving publishers an incentive for publishing works. At the time (as now), typesetting and proofreading was a major expense. Although printing was also a big expense but still the publisher would have to amortize those costs over a large time. This required that the publisher have some control on the work. It used to happen before copywrite law that a publisher would publish a work and immediately another one would make a copy of it. Making a copy was much cheaper because proofreading and other creative issues could be simply copied.

    The copywrite law did allow the author to be able to sell his work to a publisher, because that was the only way to arbitrate who got the write to publish the work. At that time Copyright was necessary for getting a work published. But now Copywrite is posing a big problem with the dissemination of works because the landscape has changed and authors can be publishers. The publisher as a separate entity is not required.

    I also agree that a limit of 10 years for copyrights would be OK provided that it is necessary to register copyrights (no automatic copyrights), and the copyrighted work would be provided with the copyright office. Also it would be necessary to re-register before 5 years are passed with the copyright office. I would think that re-registrations should be made quite expensive, so that only works that are really profitable should be re-registered.

  52. RTFA / Mod down! by Anonymous Coward · · Score: 0

    kungfujesus - you should have read the article!
    moderators - mod him down!

  53. The author missed something.... by Targon · · Score: 1

    As a part of the GPL, the software you have written also can not be SOLD for financial gain. That is the copyright section here. Most people who support Open Source do it because they want it to be free, as well as open so that improvements can be made by others. But pretty much every person I've talked to over the years has no desire to see a company like Microsoft adding your code to a commercial product and then charging due to code you have provided.

    So, copyright. You, the copyright holder place RESTRICTIONS on the duplication and use of the code. Others are not allowed to sell the work YOU have done. Public domain on the other hand says you give the code away without any restrictions. As the copyright holder, you are entitled to set the terms of copying and use of the software, so just because you have chosen to use the GPL doesn't mean you "only want credit for your work", you don't want others to profit from your work without your permission. Without copyright, you KNOW there would be people selling $40 boxed versions of OpenOffice 2.2 and pretty much any other large/useful piece of code.

    1. Re:The author missed something.... by Shados · · Score: 1

      Before someone else says it: nothing stops you from selling GPL code. Its just that the people you sell it to have to get the source, and can then resell it, so you need to be creative and add value to it (like Redhat, etc).

      Totally agree with the rest of your argument though.

  54. Myopic . . . by Dausha · · Score: 1

    The author's essay misunderstands copyright and accuses the prior article of slight-of-hand while subtly acknowledging the fundamental premise of the prior article.

    GPL is a license under current copyright law. Conversely, absent copyright law's enforceability, GPL is unenforceable. Abolition of copyright law does not result in GPL---it results in all works immediately entering public domain. This strips all control from the author.

    There is a subtle nod in the OS community that discourages code forks for the sake of forking code. I'm involved in a community where a member of the community is presently engaging in a sort of "embrace and extend." He claims his enhancements make the underlying core code better, but at the same time radically change its behavior. When challenged, he implicitly admits his plans. This results in a response from the community to check his attempt to fork the code. The point is, even though there is GPL, OS people try to avoid derivations unless necessary. The contra example is X11 and XORG---the former stagnated and the latter breathed new life.

    The original intent of copyright law is one of reward and fairness. The first to articulate an idea should profit somewhat from that articulation. Modern copyright law abuses that fairness by extending the limits of copyright protecting too far. What is wanted is reform of copyright, not removal.

    That said, if you look at the development of American copyright, it has become abusive in response to copyright laws of the Continent; especially France---where the creator can enjoy moral rights for grossly long periods of time. What we need to do is embrace our Anglo-American legal heritage and not French law.

    --
    What those who want activist courts fear is rule by the people.
  55. Copyright is necessary by kalidasa · · Score: 2, Insightful

    Without *some* kind of copyright protection, there would be no financial incentive to create content, and we'd be subjected to a whole world of reality TV and groupsourced "literature" and wikipedias - or all premium content would be "members only" and something like copyright would be enforced on a case-by-case basis with individual contracts that would have even worse terms than existing copyright laws. The problem is that copyright has been perverted into a dead hand; we need to reform the terms of copyright, not eliminate it. We also need to reform patents.

    1. Re:Copyright is necessary by chainLynx · · Score: 1

      The other responser's point is right on. I would like to add... why do you think this new world would be so horrible? Do you like paying for textbooks (keeping in mind that studies have shown that wikipedia has more accurate entries than encyclopedia britannica)? Do you like paying for music? Do you like living under constant fear of "rights management" organizations like the MPAA and RIAA? I don't know where you get the case-by-case idea... I've never heard of that before and I don't see where that comes into play at all. There would be nothing to negotiate if there were no copyrights to begin with.

    2. Re:Copyright is necessary by kalidasa · · Score: 1

      *A* study claimed that Wikipedia was *as* accurate as Encyclopedia Britannica, and the methodology of that study has been completely discredited. For one thing, they counted all errors as equal, and compared cut-and-paste jobs from Britannica to cut-and-paste jobs from Wikipedia. They also made no effort to disentangle Wikipedia content created by experts recruited by Nupedia and content seeded from the Britannica 11th edition from genuinely wiki-created content. There were selection effects in their choice of Wikipedia articles. They also did not do enough to confirm the judgments of their reviewers, many of whom made basic mistakes (for instance, one reviewer marked down an article from Britannica because he did not know there were multiple valid spellings of the name of the town Crotone).

    3. Re:Copyright is necessary by chainLynx · · Score: 1

      Interesting... can you point me to your source?

  56. No it isn't. by jotaeleemeese · · Score: 1

    And I frankly do not understand how it can be put any clearer in the English language.

    The GPL is an intermediate practical solution using the current legal framework that approaches as much as possible a situation in which copyrights will be minimal or non existent.

    Most geeks and nerds (are they synonymous terms?) should read Nelson Mandela's autobiography, he talks about how any revolution should start first trying to subvert the order of things using the tools provided by the existing legal system. That gives your struggle legitimacy and the moral high ground you could not attain if recurred to means of fighting the system illegally.

    --
    IANAL but write like a drunk one.
  57. You don't understand the issues. by jotaeleemeese · · Score: 1

    No legal system has ever considered stuff protected by copyright "property".

    Thus the rest of the argument is frankly completely intrascendent.

    --
    IANAL but write like a drunk one.
    1. Re:You don't understand the issues. by Anonymous Coward · · Score: 0

      You do this a lot. You post something vague indicating some broad (generally incorrect) knowledge of law, then disregard everything else. You actually tend to insult the parent poster at least once though.

      Most legal systems treat the stuff protected by copyright "property." That's why there's possessory interests, protected rights, and more. It's a different type of property in that it can often be easily reproduced and transmitted, and that it often lacks a physical form, but it's treated as property nonetheless.

      Typically the argument that intellectual property isn't property stems from the argument that there is no deprivation of the original owner's usage due to reproduction (theft of intellectual property) but that disregards the right to exclusive ownership (if my sense of enjoyment stems from the fact that I am the only man on earth to own this painting, I use this painting as a status symbol, then someone making cheap knock-offs so everyone can have a near identical copy definitely deprives me of usage.)

      I think this goes back to the grandparent post's argument that use is ill-defined.

  58. You need copyright by gunnarstahl · · Score: 1

    Whenever you create something like an application, a picture, a poem, a scientific article or whatever, it is your own creation. Copyright gives you the legal means to make sure that no one can take away your creation from you.

    In the current world the copyright says that one can only copy a product if he complies with the restrictions imposed by the copyright owner. Therefore in this world we life in the very concept of open source would not exist without a licenses like the gpl, bsdl and such. These licenses rely heavily on the fact that someone owns the copyright to the creation in question. All these licenses define the way in which you are allowed to copy the product.

    In a situation in which copyright as a concept doesn't exist you would have no more rights to your own creation. Sure, you're still the creator of it. But this wouldn't be relevant anymore. Everyone and his dog could take your creation and exploit it commercially. Cause there is no need anymore to respect you as creator of your creation.

    In such an imaginary un-copyrighted world you could license an application you created under the gpl or whatever license you like. But you couldn't enforce it anymore, since you wouldn't have the right to control who copies it. I just could take your precious application and sell it.

    And believe me, in such a world the greed of commercial companies would very very fast outperform the good natured os-activists.

    Yt,

    Gunnar

  59. one of the two arguments was screwed up by jimstapleton · · Score: 1
    but honestly, I think it was the one this is in reply to...

    This mixes up two completely different concepts: the right to be credited for a work, and the right to control distribution of that work. Attribution and copying are not the same thing: those who download songs illegally from the Internet do not typically replace the artist's name with their own, after all, and yet the RIAA is still filing lawsuits. So attribution is not really the issue here (and in general, letting data be copied freely actually helps prevent plagiarism, a topic covered in more detail here). In any case, no one objects to laws that protect credit. By all means, let's prevent the megacorporation from distributing your work without crediting you proportionally. But it would be a misnomer to call such protection "copyright" law, because it wouldn't have much to do with controlling copying. It would be a creditright, because it would simply enforce proper crediting.

    OK, that handles /half/ the argument. So credit right isn't a problem. Removing copyright still lets the company take and distribute a GPLed piece of software (or software derived from GPLed software) in binary only format, without source.

    That passage also shows a larger problem in Bulmash's piece, which is that, circularly, his language often assumes the very points he's arguing for. He talks of "theft" and "stealing", as though when the megacorporation gets your work, you somehow lose the work. Again, if he had objected to the theft of your credit, that would be perfectly reasonable, since the degree to which someone else claims credit for your work is exactly the degree to which you lose credit. But he's apparently talking about the theft of the work itself, and this makes little sense when applied to works of the mind. If I steal your bicycle, now you have no bicycle; if I copy your computer program, now we both have it.

    Actually, this very much goes to the difference between the BSD and GPL licenses, and why many like GPL and hate BSD. Namely, they consider the use of the open source software without keeping the source open, akin to theft. Yes, the original owner and the original source are not lost to the public, but in no way is the source of the derived software available to the public, except the parts of the original software kept unmodified.

    Now, if I read the next part, the author then goes on to say there is no natural right to recieve compensation and control the distribution of ones works that can be copyrighted, especially when said distribution does not actually take the original work from the author or distributor

    The author of a piece of work put a lot of time and effort into that work. They do have a right to recieve compensation by the people who use the work. Maybe not as much as they think in some cases (*cough* [insert many corporation names here], but the right is there. If you make it, you should have the right to choose how to distribute it; because you can always chose /not to/. It may not be natural, but it is a valid option. A few of my favorite authors write books. I would be *VERY* mad if I saw their books illegally disributed online, or if they lost the ability to make money from the profession because the books couldn't be distributed for a fee. Why? Why would I not like getting my favorite authors books for free? Simply put, because they would have less time to write, needing other jobs, and they would produce less books for me and the other fans to enjoy.

    And also people don't have to use the piece of work, they can use the alternatives, if they don't like the cost of your work.

    That's not to say that there aren't issues with the system - certain things shouldn't be allowed (i.e. situations where you have something similar to the 'Microsoft Tax' for example).

    Oh, and if copyright laws made copying permissible under most circumstances as described in this article, they would still be

    --
    34486853790
    Connection too slow for X forwarding? Try "ssh -CX user@host"
  60. The lazy and cheap are many copyright holders. by jotaeleemeese · · Score: 1

    Specially the least succesful ones.

    Everybody and his dog have to work day in day out to make a living, but many people doing copyrightable works want to be benefitted for a piece of work for the rest of theri lives, the lives of their children and a bit more of their grandchildren.

    Now again, tell me who are the lazy ones.

    --
    IANAL but write like a drunk one.
    1. Re:The lazy and cheap are many copyright holders. by Bill_the_Engineer · · Score: 1

      The ones who don't make a similar competing work, and rather just use someone else's work without permission. Unlike patents, copyrights allow for competition by functionally similar software...

      --
      These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
  61. Not all conclusions is the same by Anonymous Coward · · Score: 0

    Read through this thread and you'll realize the abolishment of "control" (which IP is) would affect far more than just weither one would get free music or not.

  62. How do you know? by jotaeleemeese · · Score: 1

    For the best part of human history there was no copyright wahtsoever.

    People wrote music, poetry, books.

    You point is frankly mooth.

    People could become popular by giving away work and then the good ones on their field would be comissioned for ad hoc work. Also performing could come back with a vengeance (good poets nowadays make lots of dosh in poetry recitals for example).

    It is called patronage, and you would not need to be rich to join the game.

    1000 people paying 10 bucks could encourage a writer to write a new book for this group of patrons.

    --
    IANAL but write like a drunk one.
    1. Re:How do you know? by Microlith · · Score: 1
      You seem to have an overly generous view of humanity.

      It is called patronage, and you would not need to be rich to join the game.

      And many great works from before copyright were paid for by kings, to artists who jealously guarded their works.

      1000 people paying 10 bucks could encourage a writer to write a new book for this group of patrons.

      Assuming you want your authors to live at minimum wage or worse. And an un-established author won't get any support at all, as you'd risk spending money on something that could easily be bad. The willingness to take risks would be stripped.

      No one intelligent has said that without copyright the creation of works would stop. What they have said, and slashbots like to ignore, is that it would fall to a trickle and like the GP said, all we'd get is a deluge of reality TV and super-restrictive contracts.

      Yes, you'd get nothing but more SURVIVOR and AMERICAN IDOL, because it's cheap, has guaranteed ratings, and only holds its value up until the point that it's watched. Not the kind of intellectual environment I'd enjoy seeing domniate the airwaves when so much better could be had for a minor tradeoff.

      The tradeoff, however, needs to be fixed.
    2. Re:How do you know? by kalidasa · · Score: 1

      I have a degree in history and literature, so believe me, I know exactly how copyright came about. The patronage system began to fall apart, and modern copyright developed, with the invention of movable type because there was no incentive to pay for works of literature that one had no exclusive rights to: kings paid writers to create works they could perform in their courts, to increase their prestige. When they realized that every schmuck with a shilling could enjoy the same books, hot off the press, they lost interest in patronage. If the subscription system came back (see e.g. Johnson's dictionary as a product of the subscription system), without the printing press to create a concrete commodity as a reward for one's subscription, and with the ability to simply download the text of the book for free, there would be no incentive to pay for the subscription. (By the way, $10K is not much money for the work of a year or two or three or even more - for non-academic writers (including most poets and other literary writers with "academic writers" because that's the way things are nowadays, and the only way in which a patronage system seems to work in modern cultures: by restricting access to the poets' or wrtiers' less formal speech by encapsulating them as "classes") it will not be enough of an incentive. Certainly the big-bang Hollywood motion picture would evaporate completely in a patronage model.

      By the way, I know poets who give readings, I've organized them myself, and most poets do NOT make "lots of dosh" from readings - most do the readings as a form of PR for their *print* books, and only get paid a small nominal fee by the venue (usually less than $500 - which might sound like a lot for a single reading, but is less than many political speakers earn in a *minute*), while the publisher covers their travel. Face it, creative works do *not* adapt well to open source methodologies. I think that increasing the term of copyright every 20 years is a manipulative strategy that only benefits megacorps, and oppose that entirely, but I absolutely support the idea that some kind of limited-term copyright is an economic neccessity.

  63. Abolishing copyright ignores history. by Anonymous Coward · · Score: 0

    "The whole point the copyright abolitionists are trying to make is that it is not necessarily good that an author be able control the distribution and use of their work. I know that seems unbelievable, almost immoral, to many people, and yet it is how creativity was for most of human history."

    Well since we're using history to make our point. History also tells us that the creative arts didn't proliforate as well untill technology changed that. History also tells us that there was a form of DRM back then when it came to ideas (Leonardo's notebooks, alchemy recipes, etc). The abolitionists not only don't know their history, they think it was some kind of creative utopia back then. Say what you will about the post copyright world, but results speak louder than "pie in the sky" ideology, and the present system has given far more than it's taken away.

  64. copyright, yes, RIAA, hell no by whitroth · · Score: 1

    There are two related problems: first and foremost, the multinationals have shoved through draconian copyright laws. The original idea of copyright is for the author/creator to get paid for their work, and to retain control. The original in the US was something like 17 years. It's now what, the lifetime of the author *plus* that? And who gets the money for it? Arlo Guthrie says that it took him *30* years to get paid for his records from his recording company.

    Go back to the original, I say. And add some languages that forces the companies to pay the creators "in a timely manner".

            mark

  65. Constitutional right != natural right by Garwulf · · Score: 1

    "I think you misunderstand. The point is that copyright is not (or may not be) a natural, inalienable right in the sense of life, liberty, and the pursuit of happiness. It's a right by fiat, de jure, and that may change. Perhaps it should change.

    "If, however, copyright is a natural right, then it's a grave mistake to abolish that right, and freedom-loving people should revolt against any ruling body which denies that right."

    Unfortunately, I'm too much a historian to accept the idea of a constitutional right as a natural right. A constitutional right certainly is at a higher legal level than a legal right (a right guaranteed by law rather than the constitution), but neither one is natural.

    The concept of individual rights is a relatively new one in Western society (I know that ancient Persia had the first human rights code, but Western culture isn't descended from them). In ancient Greece, you had philosophers who speculated about what a person should have, but the value of an individual was determined by how well they met the obligations of society, not by how they operated as an individual (and, Greece and Rome being shame-based cultures, if you stepped out of the group-think mentality, you would become an object of laughter - I know this because I'm co-writing a book on ancient Greek and Roman humour that's due to be published later this year, once the contract is finally signed - the Greek word for the "quack" who steps out of line and acts in a humorous way is "alazon"). For example, in ancient Athens, if you were part of the voting class, you didn't have the right to vote - you had the OBLIGATION to. Failing to show up to meet your obligation could result in severe sanctions, and even expulsion from the city.

    The concepts of society and individual rights only really start to co-exist at the end of the Middle Ages, and even there it's an uphill struggle for them (the Magna Carta, for example, is a step in the right direction, but it's a codification of the obligations of the monarchy towards the Barons, not the rights of the individual). What made the U.S. Constitution such a remarkable document in part was that it not only said that everybody should have individual rights, but that they would be protected under the highest law of the land. So, you could write pamphlets disagreeing with the government, and - gasp - NOBODY could lock you up! These rights didn't exist in Europe at the time, and they only start to appear during the French Revolution (which is why a lot of British Romantic authors are writing from France - they had free speech there, and they didn't have it in England).

    I find a couple of things in this discussion very ironic.

    First, the concept of copyright pre-dates the US Constitution by several decades (the first copyright law appears in 1709/1710), and the concept of intellectual property goes back about two hundred years before that, so the concept of a creative work as property actually is far older than the concept of free speech as an inalienable right.

    Second, as has been pointed out several times on Slashdot, copyright is in the original draft of the US Constitution, so in the United States, it IS protected on the same level as freedom of speech.

    Is copyright a natural right? Well, I look at the fact that half of the world's population lives under oppressive regimes, and so I would say that while there are rights everybody should have, there is nothing natural about them - like any right, they were fought and sometimes died for. But, in the United States at least, it is a constitutional right.

    --
    Robert B. Marks
    Author, Demonsbane in Diablo Archive
    1. Re:Constitutional right != natural right by chromatic · · Score: 1

      Unfortunately, I'm too much a historian to accept the idea of a constitutional right as a natural right.

      Me too. I could support property rights as natural to some degree, but not copyright (and especially due to the explicit language in the Constitution explaining why copyright and patents are important). A natural right would seem to need no such explanation.

    2. Re:Constitutional right != natural right by Garwulf · · Score: 1

      "Me too. I could support property rights as natural to some degree, but not copyright (and especially due to the explicit language in the Constitution explaining why copyright and patents are important). A natural right would seem to need no such explanation."

      I agree mostly to that, although I would say that property rights aren't really natural - they don't exist before civilization, and civilization is something made. When it comes down to it, the right to anything isn't natural - it's a protection under the law, and therefore constructed.

      And...um...well, I can't really add anything more here. It's nice to be replying to somebody who is intelligent and understands the issues, though.

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
  66. HA HA OH WOW by Ayanami+Rei · · Score: 2, Insightful

    You really didn't read the article, did you. You read it up until the point where you confirmed the position you thought it was taking, and then assumed the rest to be bollocks or whatever.

    THE POINT was that the GPL would need to be changed if copyright laws were changed. The spirit of the GPL (Cohesion and Continuity, per the article) would be enforced by other clauses that would be created in light of whatever law takes the place of copyright, again per the article, "... be enforced using laws so drastically different from our laws today as to be unrecognizeable".

    His position is that we can't just get rid of copyright, but we would have to replace it with something more modern. Something 21st century. Something that can be used to prove right of authorship and prevent plagaristic forms of derivative works, without limiting scope of distribution by the public, by default.

    And the GPL would have to evolve to fit in that environment.

    --
    THIS THING CAN TURN ON A DIME, MACROSSZERO STYLE ALSO FUCK BETA, ~NYORON
    1. Re:HA HA OH WOW by evilviper · · Score: 1

      His position is that we can't just get rid of copyright, but we would have to replace it with something more modern.

      In other words, something that isn't copyright, but exactly like copyright...

      That part of his argument is a complete straw man... The original article is about people advocating the ABOLITION of copyright, not "updating" copyright.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  67. Misnomer by j00r0m4nc3r · · Score: 1

    copyright-reform community

    I like that. I'm not a pirate, I'm a copyright-reformist.

  68. Re:If you are against copyright,you SHOULD oppose by marcosdumay · · Score: 1

    Well, the laws concerning global destruction/environment damage should only be there it they benefit most people too.

  69. Re: Fair Use by MikeBabcock · · Score: 1

    Lobby your representatives that you want laws passed to protect *all* aspects of Copyright law, including Fair Use. You want any software or device that claims to protect or enforce Copyright to enforce it accurately and permit fair use of the material in question. Any software or hardware that does not would be illegal.

    My DVD player *should* allow me to easily record an accurate digital copy of some of the original material for use in a commentary on the video in question. I should not have to bypass hardware or software to do so. I have a legal right to use the material in ways the device prohibits, and this must end, DMCA or no DMCA.

    In fact, most of us wouldn't care much about the DMCA if it enforced provisions like the above and didn't prohibit the publication of research on bypassing security.

    --
    - Michael T. Babcock (Yes, I blog)
  70. semantics aside, the bottom line? by mythar · · Score: 1
    i think a lot of people here are simply arguing semantics. creditright? wtf? let's just make up a new word because we don't understand the old one. and, let's abolish copyright and make up something entirely new and different, like say... droit d'auteur! i don't understand frênçh, but that sounds totally cool, and it's completely original !

    the bottom line is: if you talk about how much you love gpl, then turn around and download spider-man 3, then you are a hypocrite. agree/disagree?

    1. Re:semantics aside, the bottom line? by Creepy+Crawler · · Score: 1

      ---i think a lot of people here are simply arguing semantics. creditright? wtf? let's just make up a new word because we don't understand the old one.

      That is one of the bad things about English: words do get lost in translation or are never properly ported to our vernacular.

      ---and, let's abolish copyright and make up something entirely new and different, like say... droit d'auteur! i don't understand frênçh, but that sounds totally cool, and it's completely original !

      Rather than the "cool" aspect, renaming something like Copyright a nonsensical name removes any emotional atttachment on the old name. After that, we can then proceed to argue more clearly.

      ---the bottom line is: if you talk about how much you love gpl, then turn around and download spider-man 3, then you are a hypocrite. agree/disagree?

      We can focus on many different values or changing situations, but I prefer something a bit different. I ask myself these questions...

      1. If I copy this, who do I hurt?

      (Some will call it duplicitous morals, but those of humongous companies dont mind jipping their own people. I dont care about them. However, I do support the small studios and independents, in that I would miss them if they couldnt afford to survive)

      2. Have they created quality media prior to this?

      (The last thing I wish to do is run somebody into bankruptcy if they are a valuable member of the creating arts. If I value them, I will pay. If, instead, they leech on the public domain without return, or act in general plain revolting to citizens, I will have no compunction to let them rot. In essence, have they proved their worth?)

      Rules under GPL is a sort of optional, selectable commune that one can readily remove themselves from. If you want to bask in the fruits of others, you will also share what you have created with our help. At any time, one can drop the GPL, but one must also drop their derivatives. There is always commercial software. You do not accept Copyright, in so much that is the default license mandated by the government. The GPL is the substitution allowed by law that allows one to use freely under terms of contract.

      Downloading a movie (ex. Spider Man 3) constitutes a copyright violation. There is no other license to fall back on, nor do they offer statutory copyright payments. Downloading a movie that is currently in the theater without watching said movie is immoral if you like the show. I would like to buy a copy of the show when I go to the theaters, but that is not "allowed" by purely profit-based constraints.

      Later on, when it comes to HD media, is it also immoral to download it if you cannot crack the key? By evidence from the majority of /.'ers and Diggers, no, its not.

      Even later on if the show is on broadcast TV, is it immoral to copy it to DVD from broadcast stream? I dont think so either.

      You can argue my morals and ethics of why or why not so, but the argument is clear: There are millions of people sharing their collections. They all know it is "wrong", but they do it anyways. The majority has spoken about copyrights and is against them. There is no congress(wo)man running anti-copyright or reform-copyright. There are no representatives for the people in this regard, so we must make our collective voice clear.

      --
  71. Understanding copyright my ass by Garwulf · · Score: 3, Interesting

    "The abolitionists are perfectly aware of what copyright law *is* today, they're just trying to change that."

    Bullshit. I'm a professional writer - part of my job requires me to have a working understanding of the law and what it does. My academic training is primarily that of a historian - and that gives me some insight as to how societies develop. And, frankly, I read your article very carefully (both of them, in fact), and you failed to understand copyright law on the reading comprehension level. I'm not surprised that you haven't thought through it. And, frankly, denying that it's there when somebody has simply summarized the letter of the law is one hell of an ostrich impression. You're the one who should be discussing whether it "should be there." Arguing that it isn't there when it's protected under the US Constitution from the get-go, has a history of case law, is recognized by international treaty, and has several other pieces of legislation that have passed in every western country in the world, is just embarrassingly stupid.

    I've been reading Slashdot now for a couple of years, and I've seen lots of misconceptions from the copyright abolitionists - so you're not alone. These aren't arguments against the law, or against the theory of the law - and most of these are failures on the reading comprehension level. Here are a few of the more interesting ones, and they're all bullshit:

    1. That having something under copyright keeps it away from society.

    This one I find rather funny - there are abolitionists out there who really think that authors sit around creating work under copyright, and then cackle as they put them in a box and never let anybody see them. If you're a pro writer, it's publish or perish.

    Sometimes, they expand this to mean that something can go out of print and then is harder to get your hands on, but what they keep missing is that this has to do with book sales, not with whether the book is under copyright or public domain. In most, if not all cases, royalties to an author make up very little of the total cost of printing the book. Contacting the author or his/her estate tends to be easy - the recluse author that nobody can contact is pretty much an urban legend at this point. The fact is that when a work enters the public domain, whether it gets printed is dictated by whether it will be profitable to print it, and that is dictated by how well it has stood the test of time. So, life of the author + 50 years in the here and now has very little impact on availability of a work.

    (And, don't get me started on fair use, which is guaranteed under copyright law.)

    2. That you can copyright an idea.

    The sad thing is that while the first one at least is a take on a speculative issue (and, I will concede, possibly not a failure on the reading comprehension level), this one is disproven just by reading the SUMMARY of the law. You cannot copyright an idea (it's PATENT law that allows you to lay claim to an idea). For that matter, in the entire three hundred year history of copyright law, you have never been able to copyright an idea. So anybody who thinks this has obviously never read the law, or failed to understand it on the reading comprehension level.

    3. That copyright is more artificial than any other right.

    This one requires people to have little or no concept of history. Or current events. The people who claim that "life, liberty, and the pursuit of happiness" are natural rights seem to be missing the fact that at least half of the world's population lives in places without those rights. They're also missing the fact that the US Constitution was a remarkable document because it DID enshrine those rights in the highest law of the land, making them inalienable in the United States - and that hadn't happened anywhere in the Western world before the American Revolution.

    To make things even more ridiculous, the concept of a work of literature as a property protected under law pre-dates the US Constitution by arou

    --
    Robert B. Marks
    Author, Demonsbane in Diablo Archive
    1. Re:Understanding copyright my ass by roscivs · · Score: 1
      I don't have any beef with your claims that the OP doesn't comprehend copyright law, nor am I an abolutionist myself per se, but I wanted to respond to a few of your points to maybe give you more of an idea where abolitionists are coming from.

      1. That having something under copyright keeps it away from society.

      This one I find rather funny - there are abolitionists out there who really think that authors sit around creating work under copyright, and then cackle as they put them in a box and never let anybody see them.

      This seems like a straw man to me. Are there really abolitionists who really think this?

      When abolitionists say "having something under copyright keeps it away from society," I think they typically mean that the copyright reduces the number of copies that would otherwise be available for people to enjoy, as well as reducing the number (and probably quality) of derivative works. Both of these are costs to society due to copyright. The size of these costs and whether or not the costs are worth it are, of course, debatable, but I haven't seen anybody question the idea itself.

      2. That you can copyright an idea.

      The sad thing is that while the first one at least is a take on a speculative issue (and, I will concede, possibly not a failure on the reading comprehension level), this one is disproven just by reading the SUMMARY of the law.

      I'm not quite sure what the OP wrote that you are responding to here, but it's true that, for example, no one can write a story that takes place in a Star Trek universe due to copyright restrictions. Derivative works cover at least part of what a layman would term as "copyrighting an idea". But again, I'm not quite sure what the OP wrote that you're responding to.

      3. That copyright is more artificial than any other right.

      This one requires people to have little or no concept of history. Or current events. The people who claim that "life, liberty, and the pursuit of happiness" are natural rights seem to be missing the fact that at least half of the world's population lives in places without those rights.

      Here I have little sympathy for your case. While it's true that "life, liberty, and the pursuit of happiness" are artificial rights, they're certainly not "just as artificial as copyright". Copyright is something that we can (and should) gladly take away, limit, or extend as it benefits society as a whole. It's more along the lines with "the right to health care" than it is "the right to life" or "the right to free speech".

      5. That because an abusive organization says copyright law is X, it must be X. ... Everybody knows that the RIAA is dishonest - so what does it make the abolitionists who actually take the RIAA at its word about what copyright is?

      I haven't seen anything the RIAA has said about copyright that isn't at least somewhat supported by the law. That doesn't mean it's right, of course, but it does mean that abusive organizations have tremendous amounts of control over what the law is.

      6. That copyright guarantees an income (and that all an author has to do is write one book and s/he's set for life).

      I'm right with you on this one. I don't see this one very often, but it is indeed an extreme fantasy.

      7. That abolishing copyright will get rid of all the barriers to pushing the culture forward.

      Ditto here.

      The short answer to this is as follows: the most important aspect of copyright law is in regards to protecting the work during the submission process to a publisher and prior to publication. It's copyright law that prevents a publisher from looking at a work, telling an author "no thanks," adding a bunch of fluffy bunnies to it, and publishing it under another name. Or accepting the book and removing all the c

      --
      ~ roscivs
    2. Re:Understanding copyright my ass by Garwulf · · Score: 1

      "I don't have any beef with your claims that the OP doesn't comprehend copyright law, nor am I an abolutionist myself per se, but I wanted to respond to a few of your points to maybe give you more of an idea where abolitionists are coming from."

      I took a look at your site and what you wrote, and I have to say that while I do not agree with your stance - I think the problem is clearing up the abuse of copyright and the paranoia that you see in the DMCA, etc. - it's good to be talking with somebody who actually understands the issues.

      I'm not sure your graph is right, though - being inside the industry, most of what I've heard is that publishers are having a lot of trouble because they're just being swamped with submissions. I'd go as far as to say that it's the media that makes the difference rather than the law, because right now we're getting more and more swamped with content.

      "> This one I find rather funny - there are abolitionists out there who really think that authors sit around creating work under copyright, and then cackle as they put them in a box and never let anybody see them.

      "This seems like a straw man to me. Are there really abolitionists who really think this?"

      Boy...I wish I could say no to that. One of the more bizarre debates I had on here in regard to copyright issues involved somebody accusing me of being part of a copyright conspiracy (I am not making this up) to create an underclass of people who have no access to content. Even now, I'm, well, not quite sure that to say to it - South Park doesn't tend to get that bizarre...

      "I'm not quite sure what the OP wrote that you are responding to here, but it's true that, for example, no one can write a story that takes place in a Star Trek universe due to copyright restrictions. Derivative works cover at least part of what a layman would term as "copyrighting an idea". But again, I'm not quite sure what the OP wrote that you're responding to."

      Although I'm not allowed to look at fanfic now (now that I get paid to write, there are creative contamination issues), I still remember the quality of Trek fic being...well...not that high. Are you SURE not being able to write it is a bad thing?

      Talking seriously, though, I was talking about misconceptions in general, not the OP's - he didn't mention copyrighting ideas in his article or his post. But, I've heard the charge more times than I can count from abolitionists, and therefore it makes it onto the list.

      As far derivative works go, it's a fine line. You can't copyright an idea, but you can copyright the exact implementation of an idea. So, I can't write a Star Trek story, but I can write a story about a starship in the 23rd century with an alien first officer on a mission of exploration, so long as it isn't the Enterprise, Vulcans, or the Federation. Speaking pragmatically, I think that's a pretty good way of doing things - you create your own world, and if you want to share it with other writers you can, but you don't have to.

      "Here I have little sympathy for your case. While it's true that "life, liberty, and the pursuit of happiness" are artificial rights, they're certainly not "just as artificial as copyright". Copyright is something that we can (and should) gladly take away, limit, or extend as it benefits society as a whole. It's more along the lines with "the right to health care" than it is "the right to life" or "the right to free speech"."

      Now that is a whole can of worms - the problem is this: some rights are rights that everybody should have. Life, liberty, and the pursuit of happiness I would agree on. But property rights are also on that list, particularly when you've made the property with your own hands - or in the case of a novel, your own fingers and mind. So where do you draw the the line between the rights of the individual and the benefits of society? The most horrific crimes in history have been committed on the grounds that it was for the good of all - hence the need to protect the rights of t

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
    3. Re:Understanding copyright my ass by Mr2001 · · Score: 1

      You cannot copyright an idea (it's PATENT law that allows you to lay claim to an idea). For that matter, in the entire three hundred year history of copyright law, you have never been able to copyright an idea. The distinction between "idea" and "expression" is a fiction used to dance around the free-speech implications of copyright.

      The number 5 is an idea. The 09F9 number we're all so familiar with is an idea. All numbers are ideas, and that means all information is ideas. If you want to prevent me from sharing Hit Me Baby One More Time, you have to prevent me from sharing the idea that if you run this particular sequence of bytes through an MP3 decoder, you'll hear a familiar song.

      Furthermore, as another poster pointed out, copyright extends to characters. You can write a novel about a wizard school, but you can't have Harry Potter in it, even if you use your own words to describe him. Copyright is preventing you from using the idea of Harry Potter. Drawing a line between "an idea" and "the implementation of an idea" just doesn't work here - a character is an idea.

      The people who claim that "life, liberty, and the pursuit of happiness" are natural rights seem to be missing the fact that at least half of the world's population lives in places without those rights. [...] So, abolitionists may not LIKE copyright, but according to history, it is at least as "natural" as their right to complain about it. You're confusing "natural" with "not violated".

      Life, liberty, and the pursuit of happiness are "natural" rights in the sense that to violate them, you have to come over and interfere with someone. To take away my right to life, you have to murder me. To take away my right to free speech, you have to muzzle me. To take away my right to own property, you have to yank that property out of my hands.

      Copyright, however, is not one of those rights. Copyright doesn't say that no one can mess with your copies - no one wants to do that anyway. What it does is give you the right to mess with everyone else. You get to muzzle them if they're speaking your copyrighted words. You get to prevent them from selling a CD if it contains your copyrighted data. You get to interfere with someone who's just sitting at home, using his own computer and his own internet connection, who hasn't come near you or asked you for anything, and who you wouldn't even know existed if you weren't searching the P2P networks for people to mess with.

      So for publication to remain sustainable, there has to be a profit model of some sort. Get rid of the legal protection that allows you to make the attempt to make a profit (which is exactly what the abolitionists are talking about destroying), and you deal the distribution channels a massive blow - and that takes the content out of the hands of readers. No one is stopping you from selling your services as an author. A barber doesn't need to "own" the hair he cuts in order to make a profit. An accountant doesn't need to "own" the tax forms he fills out. Why should an author need to "own" the sequence of words he writes? Writing is a service like any other, and if people want something written, they can pay a writer to do it.
      --
      Visual IRC: Fast. Powerful. Free.
    4. Re:Understanding copyright my ass by roscivs · · Score: 1

      I took a look at your site and what you wrote, and I have to say that while I do not agree with your stance - I think the problem is clearing up the abuse of copyright and the paranoia that you see in the DMCA, etc. - it's good to be talking with somebody who actually understands the issues.

      Likewise; like most people, I most often talk with people whose views are more closely aligned with my own, so discussing the topic with someone well-educated and well-spoken, but with wildly different views, is a pleasant breath of fresh air.

      I'm not sure your graph is right, though - being inside the industry, most of what I've heard is that publishers are having a lot of trouble because they're just being swamped with submissions. I'd go as far as to say that it's the media that makes the difference rather than the law, because right now we're getting more and more swamped with content.

      I'm not sure what part of my graph you're considering inaccurate. Certainly it wasn't meant to be exactly perfect, but rather a general description of the basic idea that many abolitionists disagree with: more copyright restrictions result in more creative works being published. It's also meant to show the general principle that the increase you get is much more drastic from "no protection" to "very small protection" than it is from "very large protection" to "a little bit more than large".

      Or, in other words, there are lots of people who will create works with one year copyright protection who wouldn't if they had no copyright protection at all. There are similarly lots of people who would create works with five year copyright protection who wouldn't if they only had one year copyright protection. However, I don't think there are very many people at all (if any) who would create works with a 100 year copyright who wouldn't create that same work with only an 80 year copyright.

      Is there any part of this that you question the accuracy of?

      Boy...I wish I could say no to that. One of the more bizarre debates I had on here in regard to copyright issues involved somebody accusing me of being part of a copyright conspiracy (I am not making this up) to create an underclass of people who have no access to content. Even now, I'm, well, not quite sure that to say to it - South Park doesn't tend to get that bizarre...

      That is quite bizarre. Although I agree that stringent copyright (with perfect or near-perfect enforcement) would result in an underclass of people with significantly restricted access to content, I certainly don't believe there's any "conspiracy" involved.

      Although I'm not allowed to look at fanfic now (now that I get paid to write, there are creative contamination issues), I still remember the quality of Trek fic being...well...not that high. Are you SURE not being able to write it is a bad thing?

      ;-) On a serious note, of course, one of the reasons why the quality is poor in general is likely due to the fact that if an author is good enough to get recognized and published, they can't spend their time writing "illicit" material.

      Now that is a whole can of worms - the problem is this: some rights are rights that everybody should have. Life, liberty, and the pursuit of happiness I would agree on. But property rights are also on that list, particularly when you've made the property with your own hands - or in the case of a novel, your own fingers and mind.

      Property rights are also on that list only, in my opinion, because property is scarce. If I spend days painstakingly carving a chair out of wood, then when someone takes that from me they're depriving me of something real. But if I spend days painstakingly carving a chair out of wood, and someone makes an exact copy of it instantaneously with a Star Trek-like device, they haven't deprived me of anything. I may think it's unfair, since I spent days of hard work to get the chair and they got an

      --
      ~ roscivs
    5. Re:Understanding copyright my ass by Garwulf · · Score: 1

      "Likewise; like most people, I most often talk with people whose views are more closely aligned with my own, so discussing the topic with someone well-educated and well-spoken, but with wildly different views, is a pleasant breath of fresh air."

      Well, that's the true joy of debate - and at the end, if it's done properly, both people have insights they didn't have before.

      "I'm not sure what part of my graph you're considering inaccurate. Certainly it wasn't meant to be exactly perfect, but rather a general description of the basic idea that many abolitionists disagree with: more copyright restrictions result in more creative works being published. It's also meant to show the general principle that the increase you get is much more drastic from "no protection" to "very small protection" than it is from "very large protection" to "a little bit more than large".

      "Or, in other words, there are lots of people who will create works with one year copyright protection who wouldn't if they had no copyright protection at all. There are similarly lots of people who would create works with five year copyright protection who wouldn't if they only had one year copyright protection. However, I don't think there are very many people at all (if any) who would create works with a 100 year copyright who wouldn't create that same work with only an 80 year copyright."

      Oh - that would be my bad - I thought it was tracking works of art created over time. Okay, I feel silly now.

      ";-) On a serious note, of course, one of the reasons why the quality is poor in general is likely due to the fact that if an author is good enough to get recognized and published, they can't spend their time writing "illicit" material."

      I'm not sure that's the case - when I came up through Doctor Who fanfiction, there were a lot of really good fanfic writers there, people who could go pro if they wanted, and they never did (actually, come to think of it, a lot of the Doctor Who fanfic was an abnormally high quality - perhaps that's just my bias, but it seemed to attract a lot of good writers). They just weren't interested in publishing beyond posting something on a newsgroup.

      And, once you're good enough to get paid, most of the media properties that people write fanfiction about also have professional fiction as well, and if you've got the skill, it can be a good place to break into the business (my first professionally published fiction was a Diablo e-book, for example). Also, there is some merit to an implication of your idea - that once a fanfic writer gets good enough and they want to go pro, they move on and start doing their own thing. I used to call fanfic a training ground for new writers.

      I think the reason you tend to see the low quality isn't because there's more amateur fiction being written, but instead because the Internet makes it easy to "publish" it (the quotation marks are to differentiate between amateur publication and professional publication). So, I think the same proportion of people who would write crap before are writing crap now, but because they don't have to get past the filter of a submissions editor, they can now inflict their crap on us much more easily.

      "I think once we get down to "rights" that you can violate without ever being on the same planet as a person or affecting that person at all, I think we've pretty much left the realm of inalienable rights."

      Well, I'd argue that what makes any right inalienable is a statement in a legal document like the US Constitution that it is so - too many people in the world today live without a lot of the rights we consider to be "inalienable" in our society. But, at this point on this particular subject, we're starting to move in circles, I fear.

      "'m not sure that I would call "exclusive rights to copy" a "literary legacy," but terminology aside, do you believe that copyright should be lifelong because of some inherent right, or because it is useful to society for it to last that long?"

      Damn - that is such a g

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
    6. Re:Understanding copyright my ass by roscivs · · Score: 1

      Well, that's the true joy of debate - and at the end, if it's done properly, both people have insights they didn't have before.

      Wait ... I thought the point of debate was to win?! And make the other person know that you're smarter than them, I think you get bonus points for that one. What's this stuff about both people gaining insights? ;-) I must be new here ...

      I'm not sure that's the case - when I came up through Doctor Who fanfiction, there were a lot of really good fanfic writers there, people who could go pro if they wanted, and they never did (actually, come to think of it, a lot of the Doctor Who fanfic was an abnormally high quality - perhaps that's just my bias, but it seemed to attract a lot of good writers). ... So, I think the same proportion of people who would write crap before are writing crap now, but because they don't have to get past the filter of a submissions editor, they can now inflict their crap on us much more easily.

      I think you're right on this one. There's a lot of quality writing out there. Back in my first post when I was talking about the costs of copyright, I mentioned "perfect enforcement". If there was perfect enforcement, none of this could have existed, right? That seems like a definite loss to me. (p.s. I'm not really a reader of fanfic, but I think you're probably biased. Star Trek may have been a poor example, but a lot of my friends who are big fans of other genres say that there's lots of high-quality stuff out there.)

      Well, I'd argue that what makes any right inalienable is a statement in a legal document like the US Constitution that it is so - too many people in the world today live without a lot of the rights we consider to be "inalienable" in our society. But, at this point on this particular subject, we're starting to move in circles, I fear.

      Perhaps so. In any case, the constitution doesn't ever mention any sort of "monopoly on duplication" as a right, much less an inalienable one. The closest it gets is mentioning "securing exclusive rights for limited times to authors and inventors", which it explicitly states is for "to promote the progress of science and useful arts," not because of any inherent right a creator has with regards to exclusive rights to copy.

      Damn - that is such a good question, and I had to think very long and hard to answer it. But, here I go - I'm actually going to answer "both," with qualifications:

      If we create a basic property right, then one of the associated rights must be to control what happens to your own property. Otherwise, it isn't your property. To take the chair example I love so much (this must be some sort of strange fetish), if the moment you finish making the chair some stranger drives up with a truck and takes it to the local community centre without so much as a "by your leave," then you have lost a basic right towards your property.

      Now, a novel isn't property like a chair - well, yes, actually, it is, but it has that extra dimension beyond the manuscript beside the proverbial typewriter (and it drives me crazy that I know exactly how it is different and yet still property, but I can't put it into words - the best I can do is that it is more than the sum of its parts - I feel like you need a poet to describe it), but a lot of the same things happen in general terms that happen when creating the chair. You have planning, construction of a sort, refining at the end, and once you're finished, you've created something tangible that wasn't there before. If you then say that having created this thing, you have limited rights to say what happens to it, then you have restricted a property right. If one property rights are lifelong, then you can't go and put restrictions on certain types of property.

      (Damn, that's such a hard thing to explain - I hope I did a good job.)

      I think I understand what you're s

      --
      ~ roscivs
    7. Re:Understanding copyright my ass by Garwulf · · Score: 1

      Well, I don't know if we can keep this going more than a couple of posts longer (if for no other reason that on my side, these replies take a while to write and I actually have writing work to do, and as a bonus, I AM getting paid by the hour - yipee!), but I am really enjoying this, and you have raised some points I hadn't thought of before.

      "There's a lot of quality writing out there. Back in my first post when I was talking about the costs of copyright, I mentioned "perfect enforcement". If there was perfect enforcement, none of this could have existed, right?"

      I've definitely got to concede that point. Further, I'd add that a few amateur authors who went pro (like myself) might not have been able to do so. So enforcement is certainly a matter of shades of gray.

      "Further highlighting the stark difference between copyright and a "basic property right" is the idea of fair use. It would be ridiculous to say that you can own a piece of property like a tractor, but other people can take it without your permission as long as it's for educational purposes, or as long as they only use it for a very short amount of time, or as long as they're only taking it for criticism. But fair use provisions for education, news reporting, parody, and research are basically telling people, "you can infringe on this person's basic property right, as long as it's on the list of things we think are okay." This makes perfect sense if you think of copyright as a tradeoff between the public and the author, with the intent of "promoting the useful arts," but seems completely backwards if you view copyright as a basic property right. This is one reason I think people like Jack Valenti tried so hard to get rid of fair use exceptions--they felt (rightly so, I think) that in a paradigm where copyright is a basic property right, fundamental to the act of creating a work, fair use exceptions simply don't make sense."

      Well, you've highlighted some stuff I've been trying to bash into some of the abolitionist's heads for some time, albeit from a different direction than I often start from. You're right that copyright isn't a basic property right, but I would say that it has to start from that point. I think the big distinction, when it comes down to it, is that copyright is a property right for a property that is shared. Therefore, much of it comes down to where you draw the line between the rights of the owner and the rights of the person it is being shared with. To make matters even more complicated, it is a form of property that specializes in the transmission of ideas, and while I don't mind giving somebody credit for coming up with an idea first (a la a much less insane form of patent law for inventions), that makes it another line that needs to be drawn.

      I think, ultimately, we're both seeing eye to eye on what a copyrighted work actually is - it seems to me that where we diverge is on whether copyright law strikes a balance that works. I think it does, and the problem right now is the abuse of it, which itself may be more temporary than I feared, considering the latest news with the RIAA's lawsuits.

      "I haven't heard anyone seriously suggest this. All abolitionists demand is that, if I legally obtain a copy of a creative work, I should be legally allowed to duplicate it. Nobody is forcing authors to sell (or give) me a copy of that creative work, however."

      Okay - I should have made this a bit clearer - mea culpa - this was a new thought experiment on my side. Basically, it went like this:

      Copyright abolitionists want an unlimited right to copy, so with copyright abolished, how would they get it?

      The first issue they'd run into, at least as I thought it out, is that while they got rid of copyright, they also got rid of public domain (the two concepts run in tandem; public domain tends to be this umbrella term for those things that aren't in copyright) - so now what's left is a mass of creative works, software, etc., that has no law governing it at all. As well, you haven't actuall

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
    8. Re:Understanding copyright my ass by roscivs · · Score: 1

      Well, I don't know if we can keep this going more than a couple of posts longer (if for no other reason that on my side, these replies take a while to write and I actually have writing work to do, and as a bonus, I AM getting paid by the hour - yipee!), but I am really enjoying this, and you have raised some points I hadn't thought of before.

      Likewise here. And Slashdot isn't exactly the best forum for lengthy discussions like this. If it makes it any easier we can take this into email--that both makes it easier to compose responses and come back to them later, as well as makes it easier to stretch the conversation out for a longer period of time. If you only respond once a week, it takes much less time away from your writing. (My email address is my slashdot username at the domain name in my URL.)

      I've definitely got to concede that point. Further, I'd add that a few amateur authors who went pro (like myself) might not have been able to do so. So enforcement is certainly a matter of shades of gray.

      I'd say it's not enforcement that should be a matter of shades of grey, but rather that those "exceptions" should be built into the law itself as fair use provisions. I think the world would be better off if derivative works such as fan fiction, sampling (music), and other derivations that require a significant amount of creative input were legal for noncommercial use. I don't see any reason why this sort of provision is not enshrined in US Code.

      This is one reason I think people like Jack Valenti tried so hard to get rid of fair use exceptions--they felt (rightly so, I think) that in a paradigm where copyright is a basic property right, fundamental to the act of creating a work, fair use exceptions simply don't make sense."

      Well, you've highlighted some stuff I've been trying to bash into some of the abolitionist's heads for some time, albeit from a different direction than I often start from. You're right that copyright isn't a basic property right, but I would say that it has to start from that point.

      Why does it have to start from that point? Or, rather, why does it make sense to start from that point? It abandons the entire history of copyright and changes the concept radically. From the earliest privileges for publishers to the Statute of Queen Anne, there was never any idea that the author had some special right to control his work--it was always a purely economic concept. Publishers couldn't make money publishing books if everyone could publish equally as well, so they ceased to publish quality books. Because of this, special privileges of exclusivity were granted to the publishers in order to allow quality books to actually be published. But if there were some other way to achieve the same ends (increase the quantity and quality of published works), exclusive right to copy might never have been invented.

      The United States copyright laws are clearly patterned after this paradigm--the constitution itself says, "promote the progress of the useful arts," pointing exactly to this same historical purpose of copyright. So why, then, does it make sense to start out with the idea that the exclusive right to copy is somehow a basic property right of an author of a work? It's a tempting concept for authors, I realize. (I myself make a living through copyright, although I would gladly see a world without copyright despite the effect it may have on my salary.) But is there any historical or logical reason for the idea? It seems to be driven by an understandable desire to control one's creative output (much like the "moral right" sense I mentioned yesterday, which the US doesn't recognize), a desire which while I think is understandable, is not one on which we should base our copyright laws (and is not one on which they have been historically based).

      I think, ultimately, we're both seeing eye to eye on what a copyrighted work actually is - it seems t

      --
      ~ roscivs
    9. Re:Understanding copyright my ass by Garwulf · · Score: 1

      I think taking it to email would be a good idea - I've just sent you a brief one to open up the lines of communication, and we'll continue it there...

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
    10. Re:Understanding copyright my ass by David+Rolfe · · Score: 1

      The issue that I find really fascinating, and that we haven't covered at all, is abandonware - what happens when the copyright owner goes missing? I don't know if it should go directly into the public domain (I mean, copyright is sort of pointless if, for example, the software is owned by a company that went out of business five years ago, and never moved the copyrights on - there's no owner to enforce the law for), as the owner could appear again under certain circumstances. But, at the same time, if a creative work is abandoned by its owner, you actually do get the problems that the abolitionists are complaining about, where a creative work has functionally been removed because nobody can get the permissions to publish it.

      Obviously this problem is solved by getting rid of copyright completely. :) But are there any good ways of getting around the issue even with some sort of copyright? I think mandatory registration for copyrights (as there once were) might help solve the problem; then you could allow anyone to "ping" the registered copyright holder, and if say five years go by without a response, the work falls into the public domain. Or, like the sandbox idea you mention, duplicating a work after doing some due diligence to find the copyright owner (and failing) could be made a fair use provision.

      I think the solution here is, as you mention, registration of copyrights as a provision for extention or protection. "Pinging" the creator wouldn't be necessary if the copyright term wasn't so indefinite and works were registered (you'd be able to bank on the date they become PD and that date wouldn't be 120 years away). Further, the 'sandbox idea' isn't reasonable as long as the current litigation regime is still in place, i.e., you'd still be infringing until found not-infringing (as with Fair Use). Worse, you might be responsible for unimaginable damages if your copying had gone on for years before a rights-holder stood up to make a claim (and then sued you). That situation would be reminiscent of submarine patents, and so is best avoided.

      The best solution to 'abandonware' in either definition (the rights-holder really is gone or the rights-holder is just sitting on a monopoly they don't intend to use) is to use a very short initial term, of say 14 years, with mandatory registration along with a small fee (even a token fee of $1) for an extension of any length. First the short initial term (if it must be Berne-style "copyrighted by default") allows for the commercially biased to extract nearly all its wealth. Second, registration for extention prevents all the stupid posts on the Internet, and every other utterance, 4-note whistle, and napkin drawing from being copyrighted forever (or as long as lobbyists can buy term-extension legislation), but also allows for works with any value at all to continue to extract wealth at the expense of the public domain. Finally, the small registration fee forces rights-holders to make a cost-benefit analysis before extending the protection on a work. If the fee is X for a Y year extention, can I squeeze X out of this one work in the next Y years? This question allows the long-tail to be a completely new free market, competing on quality, price, value-add, etc. for all the material that is "abandoned" by rights-holders. Additionally, large holding companies would have to determine which is more profitable: extending all of their copyrights or letting some pass into the PD. Finally, the registry permits creators and businesses to know with certainty when a work enters the public domain, as the date is on file with the USCO.

      I think adding this externality back into "expression monopolies" would go a long way towards growing the public domain and as a result fostering the creation of new derivative works (progress in science and useful arts) as well as new markets in authentic reproductions of PD material and new markets in derivatives. E.g.

      --
      Read Heinlein's 1953 Revolt in 2100, now more than ever.
    11. Re:Understanding copyright my ass by roscivs · · Score: 1

      The best solution to 'abandonware' in either definition (the rights-holder really is gone or the rights-holder is just sitting on a monopoly they don't intend to use) is to use a very short initial term, of say 14 years, with mandatory registration along with a small fee (even a token fee of $1) for an extension of any length. First the short initial term (if it must be Berne-style "copyrighted by default") allows for the commercially biased to extract nearly all its wealth. Second, registration for extention prevents all the stupid posts on the Internet, and every other utterance, 4-note whistle, and napkin drawing from being copyrighted forever (or as long as lobbyists can buy term-extension legislation), but also allows for works with any value at all to continue to extract wealth at the expense of the public domain.
      This approach seems reasonable, although I'd prefer a much shorter initial term. 14 years still allows for a lot of works (especially in the digital age) to be lost before they're copyable. How about 5 years for the initial term, and 15 for the renewal? That seems reasonable in terms of solving the abandonware problem. (I'm still not sure this would be optimal in terms of getting works created, but it does seem like a good solution for abandonware in general ... although it doesn't seem to be a good solution for the related problem of copyright as censorship--a company can refuse to license a creative work, renew all copyrights, and just let the work rot on the shelf, despite demand for it.)

      Since you taken the discussion off-line, maybe you'd be interested in his comments to me: You might be interested by Garwulf's previous refutation of derivative works in response to one of my comments: http://slashdot.org/comments.pl?sid=233553&cid=190 07351 (note the same arguments, "derivative works suck, so why encourage them!" and his "societies change, so of course copyrights have to be longer than ever!"). I don't have the energy you do to debate it.
      I am amused at Garwulf's continual insistence that the person whose argument he is attempting to refute is ignorant of copyright law, having no idea how it works, framing his rebuttals as "history lessons" ... when it is clear that his interpretation of copyright (that it's reasonable that an author "actually gets to keep the thing he creates and do with it what he will, and even leave it as a legacy for his children") is in fact a very modern approach to copyright, with little or no basis historically.

      Of course, given the high quality of discourse generally found on Slashdot, I can't say I blame him for the occasional histrionics, but it is indeed amusing to watch.
      --
      ~ roscivs
  72. Generally worthless argument by Registered+Coward+v2 · · Score: 1

    After acuusing the original author of making a weak argument, this ones goes one to argue semantics and claim he discussing a concept.

    For example:

    "We probably would not call such laws "copyright", since they wouldn't prohibit copying. Even if we did call them "copyright", the word would mean something so different from what it means today as to render Bulmash's arguments inapplicable. Indeed, the GPL today doesn't really prohibit people from copying, it merely imposes certain requirements on those who make and distribute derivative works. If you just want to copy and use a GPL'd work yourself, or even make a private derivative work from it, you're free to do so, and many organizations in fact do that. The GPL's requirement is just that if you want to share, you must enable others to share likewise.

    This runs completely counter to the modern notion of copyright, and could be enforced using laws so drastically different from our laws today as to be unrecognizeable. Thus, to say that the GPL depends on copyright is like saying that reading depends on scribes.

    (snip)

    Claiming that copyright abolitionists depend on copyright for enforcement of their principles is just playing a name game -- it's thinking with words instead of with concepts"I>

    First he confuses the meaning of the word copy in copyright; then assumes somehow without current copyright laws the gGPL would be enforcable.

    "Put bluntly: a future law that merely allows authors to enforce sharing need have little in common with today's laws that allow the restriction of sharing. Since these two things are more opposite than alike, calling them both "copyright" doesn't make much sense."

    Except that current laws do nothing of the sort - they give the creator teh right to decide how it may be distributed.

    "But that is what Bulmash does, when he implies that the current copyright regime (or something structurally similar to it) is the only way the GPL could be enforced."

    How can you enforce the GPL if you don't give the creator the right to determine licensing terms; as is what current copyright does? Assume people will do teh right thing all the time?

    In fact, current copyright law lets you distribute a work any way you want - you can release code with new restrictions, and ask pleople to comply with the GPL *IF THEY WANT TO.*

    --
    I'm a consultant - I convert gibberish into cash-flow.
  73. Supporting free software != maintaining the GPL by matt+me · · Score: 1

    Free software is an issue of ethics. Shouldn't man be allowed to help his neighbour if he were to asked to share his knowledge? Or his computer software? In a humane society, would the men be punished or rewarded? Is a hierarchical system of knowledge/information acceptable? (Akin to the medieval feudal society, where an elite possess a wealth of information, and subjects are abandoned to poverty of education). Whereas the distribution of wealth (and books) has always been unjust because of their finiteness, for the distribution of knowledge today there exists an opportunity to share limitless information equally between everyone.

    In such a free society, there would exist neither 'open-source' or 'closed-source', and they would require no copyright to protect them. The GPL exists as it does, protected by copyright, because Richard Stallman knew that this would be the most successful method to protect free software within the present system.

  74. Mod parent down by Anonymous Coward · · Score: 0

    4 Informative my ***. This is not information, but disinformation, as eloquently demonstrated by several of my sibling and other posts.

  75. I had no idea... by Garwulf · · Score: 1

    "In a society without copyright, this would all change. Imagine 1) never having to pay for a school textbook anymore"

    Incredible! I had no idea that copyright was responsible for the costs of paper, ink, glue, bindings, and shipping! Can you get rid of gravity by repealing trademark law, because that would just be cool...

    --
    Robert B. Marks
    Author, Demonsbane in Diablo Archive
    1. Re:I had no idea... by chainLynx · · Score: 1

      Incredible! You can distribute books in PDF (or your format of choice) on the Internet???

      Yes, ink, glue, bindings and shipping are non-information goods and thus must be paid for. Why do you need it printed out?

    2. Re:I had no idea... by Garwulf · · Score: 1

      "Yes, ink, glue, bindings and shipping are non-information goods and thus must be paid for. Why do you need it printed out?"

      You mean besides the fact that most people don't want to read full length books on a computer, that a paper book requires no electricity, is easier to read, can be read anywhere there is light, and is generally easier to bring into a classroom?

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
    3. Re:I had no idea... by chainLynx · · Score: 1

      "You mean besides the fact that most people don't want to read full length books on a computer, that a paper book requires no electricity, is easier to read, can be read anywhere there is light, and is generally easier to bring into a classroom?"

      I agree, those are all advantages of dead-tree format books for the end user. For the ink, paper, and profit (and perhaps some tax) for whoever is printing it for you, however, you will have to pay. Contrast this with getting a book for free over the Internet... reading books online looks more appealing all the time, wouldn't you say?

    4. Re:I had no idea... by Garwulf · · Score: 1

      "For the ink, paper, and profit (and perhaps some tax) for whoever is printing it for you, however, you will have to pay. Contrast this with getting a book for free over the Internet... reading books online looks more appealing all the time, wouldn't you say?"

      You know what? If you take away all those other factors, in theory it looks like you might be right - except that I know beyond a shadow of a doubt that you're wrong, for two reasons:

      1. Around 2000, the publishing industry hopped on the e-book bandwagon, thinking that with the lower costs to produce, and the lower price point that could be offered, it would be the next big thing. A couple of years later, many, if not most, of them hopped back off the bandwagon - because the sales had been abysmal. I know because I was there. My first book, Demonsbane, was an e-book. It had the Diablo franchise name, it was a good book, and it had good marketing, and at last count, I think it's sold all of 250 copies - and that made me the most successful e-book author at the time in Canada, beating out Robert J. Sawyer.

      2. The book I'm co-writing right now is a textbook on ancient humour, and it has been tested for two terms now in my co-author's class. In both cases, it was provided as a free PDF for download. When we asked for comments, we got quite a few, some positive, and some complaints - almost all of which were that the book wasn't a print book. Some even went farther, saying that the way they preferred to study was to write notes in the margins of the textbook, and they couldn't do that with a PDF.

      The e-book has its place, but considering the benefits of the print book, and what the market wants, I doubt it will ever be anything but a secondary market for books, and a small one at that.

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
    5. Re:I had no idea... by chainLynx · · Score: 1

      To respond to your first point, I agree that online distribution is a tricky if not impossible medium for distribution for a publishing company. But you miss my essential point which is I AM TALKING ABOUT A WORLD IN WHICH THERE IS NO COPYRIGHT. Therefore, no one would ever buy a book (at least, the PDF... as I stated earlier, perhaps they would pay for printing, but that is something different because it's not information and can not be digitally distributed) because anyone could distribute copies of any artistic work, including books, for free. This would eliminate the need for a publishing company.

      To respond to your second point, you've already made this point but I appreciate the elaboration. Perhaps there is something undeniably appealing about having a bound paper book in your hands. However, I think that over time this attitude will change as online distribution of information becomes more prevalent and more people become more comfortable with computers and doing more things with them that they previously had done without them (such as reading books). As for the inability to make comments on the side, that strikes me as more of a user interface issue. If Adobe Reader (or whatever PDF-viewing program) that the students used did a better job of integrating that feature (and making sure they knew about it -- this feature might already exist) then that reason for not reading a book online would be eliminated.

      You're still thinking in terms of our world today, in which most artistic works are copyrighted. Try to think in terms of a world without copyright, and then apply your arguments. It seems the logical conclusion of instantaneous, perfect distribution of information over the Internet (which is currently being hindered by copyright laws) that online distribution of books will be second to none in terms of how we get things to read, including full-length (text)books.

  76. kfogel tries to manipulate... by RVT · · Score: 1

    and I don't like it. In the first paragraph he explains how gbulmash misunderstands what copyright is. He tries to make his point by mis-explaining what was said. To me it is clear what the OP meant.

    The OP did not 'conflate' copyright with 'creditright'. He just used a popular, well understood example.

    If I take your red Ferrari, paint it green, and sell it as my own: that's stealing.

    If I *copy* your software, remove all hints that it is yours, and sell it as my own: that's stealing.

    Removing of credit is just a means of concealment of crime, and does not mean the OP 'conflates' copyright with 'creditright'.

    The rest of the 'rebuttal' is of similar quality.

    In my opinion kfogel is either unethical or stupid. I really don't care which.

    1. Re:kfogel tries to manipulate... by kfogel · · Score: 1

      I merely meant to point out that the OP argues as if control of distribution must always travel together with proper attribution, whereas in fact they're separate: we could (and should) enforce proper attribution without placing restrictions on who can copy. Furthermore, we could enforce viral sharing (like the GPL) without placing restrictions on sharing. We'd do this by placing restrictions on when someone can refuse to share instead, which is in a way the opposite of standard copyright.

      I agree with you that "If I *copy* your software, remove all hints that it is yours, and sell it as my own: that's stealing.". But it's stealing because of the "remove all hints that it is yours" part, not the "copy your software" part. You put two separate actions into one sentence, as if they're one action, and then apply the label "stealing" to the combination. This is exactly what I was trying to rebut in Bulmash's post. Only one of those actions is stealing; the other one is... well, copying :-).

      Best,
      -Karl

      --
      http://www.red-bean.com/kfogel
    2. Re:kfogel tries to manipulate... by RVT · · Score: 1

      But it's stealing because of the "remove all hints that it is yours" part, not the "copy your software" part. I respectfully disagree. The sale of the copy is the crime. "remove all hints that it is yours" is just concealing the fact a crime is being committed.

      If you sell pirated copies of Windows, you certainly do not remove every reference to Microsoft from the media. Last time I looked Microsoft still considered that a crime.
    3. Re:kfogel tries to manipulate... by kfogel · · Score: 1

      I didn't say it wasn't a crime, I said it wasn't stealing. It would be, under current law, a crime, but many things that are legal today were once crimes, and many things that are illegal today will not be crimes in the future. I'm proposing that most copying go into the latter category! :-)

      --
      http://www.red-bean.com/kfogel
    4. Re:kfogel tries to manipulate... by mshurpik · · Score: 1

      >we could (and should) enforce proper attribution

      Well, I'm just dropping in here but I wanted to point out that copyright and attribution are essentially the same thing. The essence of copyright is being able to say that you are the author. You should be opposing 99-year copyright terms, which is a legal artifact and not quite the same thing as copyright itself.

      >without placing restrictions on who can copy.

      Afaik the original term of copy control was something like 7 years. Back in the days of the printing press and horse-drawn mail, you could argue that 7 years was actually quite brief. Again, 99 year terms are the oddity.

      Abolish it? Then you're allowing plagiarism. What's to stop Knopf, EMI, or Universal Pictures from cutting an author/musician out of the deal?

    5. Re:kfogel tries to manipulate... by kfogel · · Score: 1

      Regarding: "The essence of copyright is being able to say that you are the author."

      No, that's not true. The reasons it's called copyright is that it's the exclusive right to make copies. If I took a public domain work (say, the Illiad by Homer), and claimed that I wrote it, I would not be guilty of copyright violation. Nevertheless, everyone would still correctly accuse me of plagiarism.

      This is why even public-domain open source software (yes, there's plenty of it) does not generally suffer from plagiarism. Crediting and copying are two different things.

      It sounds like you're imagining some firm connection between an author getting credited and that author getting paid. While I'm completely in favor of both of those things, they're two different things. You can have one without the other, in either direction. This is exactly what happens with a ghostwritten book, for example: the author is paid, but not credited.

      --
      http://www.red-bean.com/kfogel
    6. Re:kfogel tries to manipulate... by mshurpik · · Score: 1

      Crediting and copying are two different things.

      OK, granted. But they seem to be flip sides of the same coin. Credit is the positive claim on a successful work. Copy control is how you keep your work suppressed. Between the two, you have total control to push or pull.

      What's the motivation for separating these two concepts?

      Likewise, with total control, money is not an issue because we are free to negotiate our own contracts.

      Copyright is a personal right, why would I give that up?

  77. My FOSS longs to be free by Anonymous Coward · · Score: 0

    I support the right of people to ignore the GPL.

    If someone is going to create something and give it away for free, they need to let it go. The idea that they are giving it away but still owning it... that's pretty stupid.

  78. Sad thing is these are already answered! by Anonymous Coward · · Score: 0

    If anyone bothered to read the GNU philosophy section, you'd see that RMS has long had great essays on how the GPL derives its legal authority from copyright law, but its moral authority from the fact that, if you violate the GPL, you're trampling peoples' freedom.

    Alas, I can't remember which of the articles it is on the GNU philosophy page, but it clearly covers this exact ground.

    So yes, I realize that the GPL uses copyright law and that weakening copyright law will weaken the legal underpinnings of the GPL. But it will also make them less necessary and it will never weaken the moral underpinnings of the GPL—no change in law could ever do that.

    In other words, yes Virginia, you can use copyright as a means to a better end, while simultaneously advocating copyright reform that would make the laws the GPL relies upon (or even the GPL itself) unnecessary! After all, just what need would any of us have to add the GPL to our works if, for example, the law required that all software be distributed with GPL-like permissions to begin with (this is just an example; there are better ways to reform copyright law)? You'd be moving the language guaranteeing the four fundamental freedoms from the GPL into some neocopyright law.

    Now, I'm not holding my breath waiting for that to happen, but I still intend to work towards copyright reform wherein the scope and duration of copyright are reduced to something more livable, so that you can't go around terrifying grandmothers and small children with the specter of copyright infringement lawsuits, even if they don't own a computer and are clearly innocent.

    But in the mean time, don't be surprised if I hold the current copyright regime in contempt. The GPL is forced to use it as a means to an end, but I believe that we'd be better off destroying the current system and building something which accomplishes the same end by a better means than our current laws.

    1. Re:Sad thing is these are already answered! by iminplaya · · Score: 1

      Somebody hasn't been comprehending my posts on the subject very well. I've covered all the legal aspects you speak of. And my suggestion of everything being in the public domain covers the moral aspects. However, I don't believe in "must share" any more than I do in "can't share". They are both unacceptable, and for the same reasons. I believe I've been very consistent on this. These things have been answered, partially by me, many, many times. And there are plenty who have answered in the same way. No offense, but it appears you haven't been paying attention. No license is the best license. They can share if they wish, and don't share if they don't wish. And they have no right to complain if somebody else shares it for them. That's what public domain is all about. You can only keep it out of public domain if you keep it entirely to yourself and don't tell anyone about it. The moment you do, it's free for all. And if you do keep it completely to yourself, more than likely somebody else will come up with the same thing or similar, and they might share it. When there's no chance of profit or other advantage from exclusivity, the chances of it being shared openly are much greater. There be no incentive to keep it to yourself. You would gain nothing by it. This is why the pro-copyrighters have it so backwards. Their point of view is that of the bean counting economists. They completely fail to see other motivations for what we do. To them only the profit motive is what brings progress. It is a 19th century railroad tycoon way of thinking. They are loons. And most them are very greedy trying to cash in. They're getting nervous that the easy money might start to dry up as more people become aware of the law's true intent. So now they're on the attack, disparaging abolition as complete lunacy, among other things to confuse the public. What I shall not do is to claim somebody else's work as my own. That would indeed be wrong on all counts. I'm a tiny bit confused by your post. It seems that we agree on some things here, but I'm not really sure which way you're leaning. When it comes to information, I'm a complete anarchist. Keep it or share it, it doesn't matter. But absolutely nobody has a right to control it once it's out. It must flow completely unimpeded by arbitrary restrictions. In the absence of copyright law, the GPL would be just that.

      --
      What?
  79. Re:If you are against copyright,you SHOULD oppose by iamacat · · Score: 1

    Although individual animals may not have the same rights as humans, it's prudent to give them a right to survive as species and enjoy healthy genetic diversity.

  80. The original article is a strawman too. by Ayanami+Rei · · Score: 1

    If you read the comments posted in response to both articles, interested readers who have opinions on the issue do not, in general, actually believe that we should abolish copyright and leave a vacuum. Because we all know (with the exception of a few utopia-ists) that many businesses would fall apart and in general it wouldn't be very good, especially for anyone in IT.

    And would such a poorly thought-out change in law even come about short of armed uprising?

    In any case, I think the point is that the original article's author was addressing a viewpoint that few actually have, save the most vocal mouthbreathers and me-tooers on various forums and blogs. When I read it when it first came up, I skipped the slashdot discussion because I thought it was "obvious" flamebaiting since it assumes that no one has considered the duality before (current ironic situation vs. where you ACTUALLY want to be with respect to IP law)
    I don't know, I've seen that discussion done to death on Slashdot a million times before, so apparently we've thought about it a little.

    And this guy just wanted to poke a beehive to get the Google AdSense traffic... and this other guy is calling him out on his arguments (they're not incorrect, they just miss the point... it's like, why are we even talking about this?)

    Blargh. I hate the blogosphere, for just this reason.

    --
    THIS THING CAN TURN ON A DIME, MACROSSZERO STYLE ALSO FUCK BETA, ~NYORON
    1. Re:The original article is a strawman too. by evilviper · · Score: 1

      interested readers who have opinions on the issue do not, in general, actually believe that we should abolish copyright and leave a vacuum.

      I thought the same thing, at first... But I DIDN'T skip the /. discussion of the first article. Sure enough, there were HUNDREDS of people claiming exactly that copyright should be completely abolished.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  81. slashdot is full of mouth-breathers? by Ayanami+Rei · · Score: 1

    nt

    --
    THIS THING CAN TURN ON A DIME, MACROSSZERO STYLE ALSO FUCK BETA, ~NYORON
  82. Actually, on further thought... by Garwulf · · Score: 1

    I think something I wrote wasn't quite right:

    "Further, I'd add that a few amateur authors who went pro (like myself) might not have been able to do so."

    The more I think about this, the more I think this is actually wrong. All of the writers I know are people who will write no matter what - if they can't write one thing, they'll write another. So, I don't think harsher enforcement of copyright in regards to fanfic, etc. would actually stop them writing - I think they'd just move on to writing something different.

    --
    Robert B. Marks
    Author, Demonsbane in Diablo Archive