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Disney Video Used to Explain Copyright

Recently a pretty amazing video surfaced that used clips from Disney films to explain copyright law. It was created by Eric Faden of Bucknell University and must have taken an insane amount of time to assemble. Now you have to wonder how long before someone gets sued over it. Also here is a corel cache version as well as a link to the original page.

234 comments

  1. Wow by KinkoBlast · · Score: 1, Offtopic

    Comments are being promoted to stories now? Maybe this one will be!

    1. Re:Wow by tsa · · Score: 1

      Looks like it. I posted this one in a comment here. That's plagiarism, that is! Oh well, I got a +4 Interesting ;-)

      --

      -- Cheers!

    2. Re:Wow by jZnat · · Score: 1

      Nah, we're just trying to keep up with reddit's hot stories from yesterday. ;)

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    3. Re:Wow by rajkiran_g · · Score: 3, Informative

      Here is an alternate URL for the video as the original one seems to be slashdotted.

  2. Corel? by Anonymous Coward · · Score: 2, Funny

    Also here is a corel cache version as well as a link to the original page.
    Interesting, I wasn't aware that Corel was offering a caching service. Unless he was actually referring to the "coral cache" we all know and love...
    1. Re:Corel? by UberHoser · · Score: 0

      Can not find server or DNS. WTG /.

      --
      Guns are for wimps... Use a crossbow.. this way you can pin them to their chair when you go postal.
  3. Description, please! by Anonymous Coward · · Score: 0

    Anyone care to describe/transcribe this for those of us who can't render video?

    1. Re:Description, please! by Anonymous Coward · · Score: 0

      The video is hundreds of pieces of disney films, spliced together, using very very short clips from each peice at a time to make a story, the story is about the nature of copyright (which the video probably ingringes).

    2. Re:Description, please! by smilindog2000 · · Score: 5, Informative

      It's a short video (about 5 min) composed almost entirely of super-short clips from Disney films. Each clip typically has one or just a few words spoken by a Disney cartoon character, but the words when strung together describe copyright law, and makes a reasonable argument that it should have shorter, rather than longer duration. It also describes fair use. The film starts out with a potential violation, with Disney's film opening (the castle, and tune that goes with it). This was shown as something that can be copyrighted, and clearly does not diminish it's value, so they may be able to argue that it was fair use. I suspect this was done on purpose to pose a challenge to Disney. It ends with full disclosure of the authors, and lists each segment that was borrowed under "fair use". The film says that the original copyright law allowed for only 17 years of protection, but that today the duration is your lifetime plus 70 years for an individual, and over 100 years for a corporation. Personally, I think your works should become public domain after you die, and that corporations should have similar time-periods, let's say about 50 years.

      Personally, I hope the authors achieve some success in swaying public opinion in favor of reasonable restrictions on copyright length.

      --
      Beer is proof that God loves us, and wants us to be happy.
    3. Re:Description, please! by kwanbis · · Score: 0

      it's actually 10 mins.

    4. Re:Description, please! by cpt+kangarooski · · Score: 2, Insightful

      It's annoying to watch. Rather than redub the animation, or frame it in a dialogue, he uses extremely short clips of various Disney cartoons to recite his script by using one clip per word (generally), and since the tones of voice, speed at which they're talking, etc. all vary, it sounds jarring as hell. There's a lot of repetition, too. I didn't even get to the middle of it.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    5. Re:Description, please! by Dr_Mic · · Score: 2, Interesting

      50 years? BLEH!
      With the acceleration of culture and technology, shouldn't the modern duration of copyright (and other intellectual property rights) be shorter than the original 17 years, rather than longer? The video makes the excellent point that all new works borrow from existing materials (culture), and so should revert to the culture (public domain) after the owners and/or creators have had reasonable opportunity to profit from their works.

    6. Re:Description, please! by OECD · · Score: 4, Informative

      The film starts out with a potential violation, with Disney's film opening (the castle, and tune that goes with it).

      Disney's logo is shown, while additional text above it says, essentially, "this is not endorsed or created by..." No potential confusion there, so the trademark (not copyright) is used appropriately.

      Oh, and the original copyright term was fourteen years, not seventeen. Personally, I can't comprehend why the digital age needs longer copyrights than the founders thought appropriate in the age of crude printing presses. It should be more like seven, these days.

      --
      One man's -1 Flamebait is another man's +5 Funny.
    7. Re:Description, please! by Anonymous Coward · · Score: 0

      ..and ADD claims another victim.

    8. Re:Description, please! by smilindog2000 · · Score: 1

      I think 17 years is plenty long enough for a patent on technology. However, I think an artist should be able to profit on all their work for longer. Artists don't all keep creating great art as they get old. I think a great artist who devoted his life to his work should continue to profit during retirement... most artists I know barely get by while in their prime, so they have no savings by the time they reach retirement.

      --
      Beer is proof that God loves us, and wants us to be happy.
    9. Re:Description, please! by BakaHoushi · · Score: 2, Insightful

      Curiously, could you provide an example of a "modern great artist," and a great work he/she/they have created? I mean, we certainly aren't in the age of Leonardo da Vinci. What construes a "great" work today? Thinking of movies and music, most of those make the most money they ever will by far in their first year. I mean, how much money is the average movie going to make after 10 years?

      Me, I think of Looney Toons. Most of those cartoons were made in the 30's, the 40's, the 50's, etc. It's been over half a century, and the characters and acts have been ingrained into our culture. Look at Star Wars as well. It's been, what, 30 years since episode IV came out? Star Wars jokes and parodies and tributes are all over mass culture. Should George Lucas still have a firm grip on those works, just to alter them and repackage them to sell them over again?

      I don't know. Stuff like that just does not sit well with me. I mean, if Lucas WANTS to repackage it and sell it, sure, let him. But shouldn't the original be available to the public? Of course, the means of making it available are rather difficult to think of.

    10. Re:Description, please! by smilindog2000 · · Score: 1

      I tend to think more of local artists who didn't make millions, photographers, writers, musicians and such. Many artists have such passion for their art that they live essentially in poverty to pursue their art. I think if they spend their productive years making the stuff, they should benefit during retirement.

      --
      Beer is proof that God loves us, and wants us to be happy.
    11. Re:Description, please! by BakaHoushi · · Score: 3, Interesting

      Hmmm. Well, perhaps then, the length of copyright should be inversely proportional to the income it makes? (Like a tax bracket)

    12. Re:Description, please! by kimvette · · Score: 1

      Curiously, could you provide an example of a "modern great artist," and a great work he/she/they have created?


      Roger Waters

      Great works:

        - Dark Side of the Moon - a timeless concept anyone can relate to. One of the biggest money-making albums even today, over 30 years after its debut, and it KEEPS popping up in tbe billboard 200 after all this time. 741 consecutive weeks in the top 200 after its debut, and has reappeared many times, for a total of over 1,500 weeks. Not made in Waters' first year.

        - The Wall - a concept album dealing with psychosis, social engineering, fascism, emotional barriers, and the futility of war. Again, not made in Waters' first year.

        - the final cut - a concept album confronting the futility of war, relationship issues. Again, not made in Waters' first year, and while sales were considered disappointing for a Pink Floyd album (what, it went "only" double platinum? Yes, what a miserable failure that was.)

        - Ca Ira - a FANTASTIC operatic composition about the french revolution. Not Waters' typical style but it certainly ranks up there with great classical works. Waters is a fantastic composer and while I haven't bought the album because I am loathe to fork money over to Sony, I've listened to the stream from the web site. Fantastic work. I'll eventually give in and buy it, but will check for used copies first. No, I have not downloaded it, FYI, aside from the streams from the official site.
      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    13. Re:Description, please! by kimvette · · Score: 1

      It's obviously intentional; they were using Disney's own rules to convey the intent of copyright, going well out of their way to piss Disney off and bait them into a landmark, precedent-setting case. You should watch it, because the fallout of this video will likely affect all of us and our descendants, hopefully positively by bringing Copyright back into sync with sanity and our Founding Fathers' original intent (encourage contribution to the public domain by the granting of a limited monopoly on the implementation of an idea in an artistic form)

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    14. Re:Description, please! by smilindog2000 · · Score: 1

      Possibly... Maybe company copyrights should be shorter than individual? 17 years seems like enough for a movie, but not for a book. My argument for supporting retired artists doesn't hold for companies.

      --
      Beer is proof that God loves us, and wants us to be happy.
    15. Re:Description, please! by Anonymous Coward · · Score: 2, Funny

      Oh great! So the current difficulties we have determining the copyright status of a work can be augmented by the inspired clarity of the modern tax code!

    16. Re:Description, please! by Danse · · Score: 4, Insightful

      Curiously, could you provide an example of a "modern great artist," and a great work he/she/they have created?


      Roger Waters


      Interestingly enough, the greater an artist is, the less they need a long term of protection. As others have pointed out as well, people turn a profit on their work much faster than ever before in our history. The vast majority of works earn very little after only a few years of turning a profit. Then you have the long tail of earnings dropoff. A relative handful of works will continue to be profitable, but those works will have made so much money already that the creator will hardly be starving (unless he gets lost for a week in one of his mansions). The astoundingly small fraction of works that make little money up front, and a lot later, are an aberration, and not something to base the law on when compared to the public need to have access to our culture to reshape and use to express new ideas. Setting the copyright term to something that is at least defensible, maybe 20 years like patents, would help to balance the interests involved here. If the public is going to grant a monopoly on something, then the public should be getting something back from that deal. We used to, but we haven't gotten anything back for decades now.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    17. Re:Description, please! by Anonymous Coward · · Score: 0
      Personally I think the term of copyright should be reduced to 2 years, 5 after renewal.

      New developments are occurring so quickly now - new technologies, faster computers, denser storage, more media, reconstructed media, instant communications. People are ripping, mixing and burning at a great rate. Cultural memes come in a matter of days. Why should movies, music and software be locked up and hoarded until your grandchildren are old?

      This is the time to give up the artificial scarcity of artistic works and allow them to evolve, to educate and entertain all of humanity. The long tail should belong to the people, not the heirs of the creators (and not Disney).

    18. Re:Description, please! by Suzumushi · · Score: 1
      Hear hear. The idea of copyright was to protect and allow property rights holders to profit from their work before it entered the public domain and therefore became impossible to profit from. I wholeheartedly agree that 7 years is plenty of time to recoup costs and make profit in this day and age.

      The problem is, it's somewhat socialist to prevent someone from profiting on their work indefinitely. This goes against our free market ideologies. When is enough profit enough?

      Personally, I think 7 years is plenty long enough. Try to get a small business startup loan for a business plan that doesn't show a profit after 5 years. Same thing goes for movies and music. They make most of their money in the first year or two, so why the need to continue withholding it from the public in the name of greed?

    19. Re:Description, please! by FLEB · · Score: 1

      As an interested re-user, just imagine trying to look that up. Now, even once you tracked down the owner, you have to determine who is the legal money-maker, how much money they're making, and how much of it is a result of that work.

      --
      Information wants to be free.
      Entertainment wants to be paid.
      You just want to be cheap.
    20. Re:Description, please! by Blkdeath · · Score: 1

      Anyone care to describe/transcribe this for those of us who can't render video?

      Can't render video? As in your computer can't? I find it hard to believe that anybody in the targeted region of the world has a computer that can't render video. Is it a technical limitation or one of choice, I wonder?

      --
      BD Phone Home!

      Shameless plug. Like you weren't expecting it.

    21. Re:Description, please! by DrSkwid · · Score: 1

      It can take longer than 2 years for a script to go from paper to cinema. What you are suggesting means that your copyrighted work (the script) could be out of copyright before the edit is even started.

      What about Knuth's books. A lifetime's work with no means of sustenance. Great, just what's required.

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    22. Re:Description, please! by DrSkwid · · Score: 1

      mp4

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    23. Re:Description, please! by Blkdeath · · Score: 1

      mp4

      Codec? Stop being obsessive about "OSS or die!" and use another player?!?

      --
      BD Phone Home!

      Shameless plug. Like you weren't expecting it.

    24. Re:Description, please! by Libertarian001 · · Score: 1

      I read your last line, "It should be more like seven, these days." as "It should be more like seven days." I'd be ok with that. :) But seriously, I agree with the technology argument. The more advanced the tech, the easier it is to distribute material and also allows greater profit potential (larger available audience, both in absolute terms from 200+ years ago as well as more people that can be reached). Copyright is a good thing, but it should be shorter today than what the Frounders envisioned.

    25. Re:Description, please! by bkr1_2k · · Score: 1

      Good grief! Why is it slashdotters only think in the digital realm? Just because more is being produced today doesn't mean everything is digital. Copyright doesn't apply just to digital IP. It applies to written word, digital media, photographs and any other number of things. Yes, 50 years is even too long, but 2 to 5 years is a bit ridiculous. There are plenty of books that I have every intention of reading, but haven't gotten around to yet. Should the author be penalized because I happen to have a long list of books to read and his/her work isn't at the top of my 5 year long list? I don't think so.

      The problem is copyright shouldn't be the same for every medium. Maybe a couple of years on certain digital creations, and somewhere between 10 and 12 years for written word, or say 20 years for photography. I don't know the right way to fix it, I just know it's broken. There are plenty of people smarter than I who can fix it.

      --
      "Growing old is inevitable; growing up is optional."
    26. Re:Description, please! by Anonymous Coward · · Score: 0

      Is it a technical limitation or one of choice, I wonder? Neither. It's a computer over which I have no administrative control.
    27. Re:Description, please! by Haeleth · · Score: 1

      However, I think an artist should be able to profit on all their work for longer. Artists don't all keep creating great art as they get old. I think a great artist who devoted his life to his work should continue to profit during retirement...
      Most people don't get to continue to profit from their work once they retire - why should artists get special treatment? They should save or invest their earnings instead, like everyone else has to.

      Of course, you anticipated that response:

      most artists I know barely get by while in their prime, so they have no savings by the time they reach retirement.
      But this isn't an argument for long copyrights, it's an argument for giving artists more money.

      If we as a society value what artists do, we should be willing to pay them well for doing it. Then we should keep copyright short, to give them an incentive to keep on doing it for as long as they can. Finally, since we have paid them well, they have put by ample savings, so they can live well after they retire. Artists get rewarded for their work, the public gets provided with lots of art and entertainment, and the public domain remains free and open for the next generation of artists to plunder for inspiration - isn't this a win/win situation?

      Of course, the problem is that most people want new entertainment without having to pay artists what they're worth. In previous generations this was solved through patronage, which led to a small number of the best artists doing very well, but the majority suffered. In the late 20th century it was solved through increasingly draconian copyright laws instead, which had similar effects (the main difference being that instead of causing the rich people who supported art to become slightly poorer, it has caused them to become immensely richer).

      We haven't found a 21st-century solution yet. I pray that we find it soon, because if copyright law gets much more repressive it's going to start stifling artistic innovation, and wind up killing the very thing it was invented to protect.
    28. Re:Description, please! by whopub · · Score: 1

      As others have pointed out as well, people turn a profit on their work much faster than ever before in our history. The vast majority of works earn very little after only a few years of turning a profit. Then you have the long tail of earnings dropoff. A relative handful of works will continue to be profitable, but those works will have made so much money already that the creator will hardly be starving (unless he gets lost for a week in one of his mansions). And since someone mentioned Waters, Dark Side of the Moon stands out as one of those exceptions. Although released 34 years ago (1973) it still sells around one million copies every year! Some new bands don't sell that in their entire careers. I know people who own more than 10 legit copies of Dark Side of the Moon from various origins and flavours. Bottom line: if the record companies put out quality releases they will sell.
    29. Re:Description, please! by Haeleth · · Score: 3, Insightful

      The problem is, it's somewhat socialist to prevent someone from profiting on their work indefinitely. This goes against our free market ideologies.
      I'd say it's the other way round. What, exactly, is "capitalist" about government-imposed monopolies? How, exactly, does arbitrarily restricting what goods people are allowed to produce and sell fit into the "free market"?

      It's not even as though a work entering the public domain, even after a mere seven years, would stop its creators from profiting from it! They could carry on selling it, and people would carry on buying it, because people are as loyal to brands as they are to price. Has Coca-Cola stopped being profitable, even though cheaper brands of carbonated sugar-water are available?

      And if they wanted more guaranteed profit, they could, uh, work for it. For example, only Disney would be able to record new commentary tracks from people who worked on the old film (which, being new, would then be covered by that limited copyright once more). Only Disney would be able to pull new footage out of their unpublished archives (assuming limited copyright was timed from first publication, which seems reasonable). Heck, assuming trademark law remained in force, you could even reasonably propose that only Disney would be able to use the original name for the film, and other distributors would have to change the title screen and so forth accordingly - the key thing being, after all, not that people could watch Mickey Mouse for free, but that the work itself could be used in new creative endeavours.

      Sadly, it seems Disney et al. are more interested in destructive solutions, lobbying for ever-more-draconian punishments for the very people who love their work the most, than in constructive solutions, exploring creative possibilities for monetising entertainment in a digital age. Let's hope they come to their senses soon.
    30. Re:Description, please! by Anonymous Coward · · Score: 0

      Oh, in that case, STOP READING /. AT WORK!
      People from all the damn companies I buy products from wasting the money I give them for their products here!
      Earn that paycheck! Fucking loafers, it's worse than welfare!

    31. Re:Description, please! by mrsbrisby · · Score: 1

      It can take longer than 2 years for a script to go from paper to cinema. What you are suggesting means that your copyrighted work (the script) could be out of copyright before the edit is even started.
      So what?

      The vast majority of Disney's fortune is built on scripts and stories that are in the public domain (or that they just ouright stole). In fact, I can only think of five "original" theatrical works by Disney, and in that there might only be one original idea in there.

      Now Disney isn't the only one to make movies from public domain stories- The Little Mermaid and the Jungle Book for example, have been made into movies by lots of people. Nevertheless, Disney's own is still the most recognizable, and the most profitable.

      The objection is that Disney is ruining the public domain for everyone. Our country's founders certainly believed it was wrong, and any moral person can see that it must be the same for Disney to use the public domain, so must the public be allowed to use Disney.

      Disney has lobbyists. And money. And confused individuals like youself. So videos like this are designed to get people talking about this, so that you'll understand exactly how it is that you are wrong.

      A lifetime's work with no means of sustenance
      Copyright doesn't make people pay for your work; it doesn't make you a better writer, or grant you greater knowledge. Knuth's TAOCP stand on the sholders of other mathematicians and programmers, and are great not because of copyright but in spite of it: By rewriting the ideas formulated by other authors and collecting them into one place Knuth has done others a great service. If those copyrights had expired and that work was in the public domain, Knuth could've simply spent more time on other things.
    32. Re:Description, please! by Haeleth · · Score: 1

      It can take longer than 2 years for a script to go from paper to cinema. What you are suggesting means that your copyrighted work (the script) could be out of copyright before the edit is even started.
      No, all you have to do is start the clock ticking when the work is actually published, not when it's written. In the case of a movie, for example, the work would come out of copyright N years after the premiere, not N years after the writer started work on the script. So you would be able to take as long to prepare the work as it took, and still have exclusive rights for a limited time when you were ready to sell it.

      I don't know about American law, but British law already has a provision similar to this; an out-of-copyright work that has never been made public can gain 25 years of protection when it is eventually published (source).

      As for Knuth, I had always assumed his work was funded more by academic grants than by sales of his books. Since he makes drafts available for free online as they're completed, I'm guessing he doesn't worry too much about people pirating his work...
    33. Re:Description, please! by GigG · · Score: 1

      Personally, I think your works should become public domain after you die, and that corporations should have similar time-periods, let's say about 50 years.

      I understand why you might think that but let's take as an example a novel written and published today. It shoots into the best sellers list and is making a ton of money and offers to buy the movie rights are pouring in. The author leaves his house to go pick up his four children from school and gets hit by a bus. Should that work go public domain as his body cools?

      --
      Is buying a Harley Davidson as your first motorcycle since you were 16 at age 49 a midlife crisis issue?
    34. Re:Description, please! by smilindog2000 · · Score: 1

      I would say yes... that's a good reason to have life insurance. I understand your point, though. It's the same reason many people are against any inheritance tax. It's also a reasonable argument for having something like 18 years after death, but I don't really see why 70 years makes any sense at all.

      --
      Beer is proof that God loves us, and wants us to be happy.
    35. Re:Description, please! by Mountaineer1024 · · Score: 1

      VLC played this mp4 and many others flawlessly.
      http://www.videolan.org/
      Open Source, includes all the codecs internally, and (if you're an American) probably breaks dozen of patent laws. :)

    36. Re:Description, please! by Anonymous Coward · · Score: 0

      I think if they spend their productive years making the stuff, they should benefit during retirement.

      It is called a pension plan. Everyone else who is paid for their work has to make provision for their retirement.

      Anyway, the truely passionate artists never retire, they just keep working until they die.

    37. Re:Description, please! by cpt+kangarooski · · Score: 1

      No, I get why he was using the clips. I disagree as to the importance of this particular video. But what I was saying was that the clips are really annoying. The movie uses another clip for each word. I found this unpleasant. I think it would've worked better as a dialogue. Let there be a narrator who carries most of the weight, with the characters responding to him with clips that consist of whole sentences, rather than single words. Right now, it's just unwatchably bad. The premise is fine, it's the execution of it that I dislike. It's like the video equivalent of a ransom note.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    38. Re:Description, please! by OECD · · Score: 1

      The author leaves his house to go pick up his four children from school and gets hit by a bus. Should that work go public domain as his body cools?

      The entire point of granting a copyright (remember, it's a positive right) is to encourage the production of new works. Once you're dead, no amount of encouragement can wrest a new work out of you.

      Sucks if you're the child of a bus-smitten author, but no less than if your're the child of a bus-smitten general contractor.

      --
      One man's -1 Flamebait is another man's +5 Funny.
    39. Re:Description, please! by GigG · · Score: 1

      But if you are a bus-smitten general contractor who say has just finshed a building but has an agreement with the buildings owner to be paid for the building over time then the children would still receive the income from the agreement.

      --
      Is buying a Harley Davidson as your first motorcycle since you were 16 at age 49 a midlife crisis issue?
    40. Re:Description, please! by OECD · · Score: 1

      An author who had a similar contract would fare as well. The difference is that a general contractor's kids and grandkids don't get to collect rent from, or deny housing to, anyone in a similar building.

      The point is that copyright is an incentive for production, not a welfare program.

      --
      One man's -1 Flamebait is another man's +5 Funny.
  4. Amazing? Amazingly criminal... by g051051 · · Score: 0, Flamebait

    This little exercise seems to violate the intent of Fair Use pretty much in every way. From the illegal use of the Disney logo (with animation and music) to the repeated and unnecessary use of actual Disney dialog and video, it seems that the creator missed the point entirely.

  5. Oh Mickey you're so fine... by packetmon · · Score: 4, Funny

    Mickey: Hi kids do you know what copyright is? Kids: Is that when you sued my dead grandmother Mickey? Mickey: That's right kids...

    1. Re:Oh Mickey you're so fine... by gEvil+(beta) · · Score: 0, Offtopic

      Packetmon, do you have some sort of weird obsession with grannies or something?

      --
      This guy's the limit!
    2. Re:Oh Mickey you're so fine... by hal2814 · · Score: 3, Funny

      I preferred the Uncle Remus version:

      Remus: Zip-a-dee-do-dah, Zip-a-dee-a. If you're watching this movie in the US, you've obtained it illegally. Plenty of lawyers comin' your way. Zip-a-dee-do-dah, Zip-a-dee-a.

  6. The Pig and the Box :) by giggls · · Score: 1
  7. Re:Amazing? Amazingly criminal... by elrous0 · · Score: 1

    He also fails to acknowledge trademarks (i.e., the Disney logo) as a separate issue from "copyright." There is no "fair use" of trademarks like there is with copyright.

    --
    SJW: Someone who has run out of real oppression, and has to fake it.
  8. YouTube Link by mgabrys_sf · · Score: 1, Informative

    Geez guys - even BoingBoing could find this one....

    http://www.youtube.com/watch?v=CJn_jC4FNDo

    enjoy.

    1. Re:YouTube Link by madsheep · · Score: 3, Funny

      This URL you posted has an uncanny resemblance to the one posted in original posting.

    2. Re:YouTube Link by mgabrys_sf · · Score: 0, Offtopic

      Curses - foiled by another well-worded summary!

    3. Re:YouTube Link by evilviper · · Score: 3, Funny

      This URL you posted has an uncanny resemblance to the one posted in original posting.

      You forgot a few:

      poster
      postable
      postface
      posthaste
      postdate
      postdigestive
      etc.

      The more "post" and the less of any other words, the better. Please try to work more variations of "post" into your next... err... submission.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    4. Re:YouTube Link by Anonymous Coward · · Score: 0

      Thanks man, my first thought was for a youtube video, fuck Coral Cache. Fucking editors.

    5. Re:YouTube Link by HolyCrapSCOsux · · Score: 1

      The postable URL that you, as poster, posted has an uncanny resemblance to the one posted in the original posting posted by another poster.

      The other words are merely prefixed and don't have anything to do with posting.

      --
      0xB315AA8D852DCD3F3DCA578FD2E0BF88
    6. Re:YouTube Link by suitepotato · · Score: 1

      The op works for the Department of Redundancy In Repetition Department. Cut him some slack.

      --
      If my grammar and spelling are off, I am [distracted/tired/careless] (take your pick)
  9. BitTorrent Anyone ? by ccandreva · · Score: 1

    Maybe someone who managed to get the mp4 file before this went live could make a torrent of it ?

    1. Re:BitTorrent Anyone ? by i.r.id10t · · Score: 3, Funny

      Sure, but that would be breaking the creators copyright...

      --
      Don't blame me, I voted for Kodos
  10. Re:Amazing? Amazingly criminal... by Anonymous Coward · · Score: 5, Funny

    Naturally a random slashdotter knows more about copyright than the people at Stanford's law center...

  11. Re:ummm....fair use by julesh · · Score: 1

    That might be the point, but it doesn't mean it *is* fair use. It's an edge case that I wouldn't want to have to decide about. It might be fair use, but then again it might not. The google decision recently reported will be a trivial case compared to this one, if it ever gets contested.

  12. Re:Didn't really think this through... by gEvil+(beta) · · Score: 0, Offtopic

    Maybe you should watch the video. Something the summary didn't say (but really should have) is that the video's creators exercised their fair use rights to create a video that explains copyright and fair use. But that would be too much effort for an "editor" like Taco...

    --
    This guy's the limit!
  13. that was tedious by gelfling · · Score: 2, Informative

    Even for the 65 seconds I could bear to watch it.

    1. Re:that was tedious by Anonymous Coward · · Score: 0

      You seem to have a very short attention span. Maybe try Ritalin?

    2. Re:that was tedious by Anonymous Coward · · Score: 0

      It's not about a short attention span, it's that the constant switching in voice, tone, tempo and visual is distracting and jarring.

    3. Re:that was tedious by paleo2002 · · Score: 1

      Actually, I think its the opposite problem. A person with a short attention span is more likely to absorb or at least tolerate rapid changes in background, setting, context. This might actually be a good way to teach children with attention problems to focus.

    4. Re:that was tedious by twitchings · · Score: 1

      Wow i totally agree..... I couldn't finish watching it ...... extremly annoying. Well done and with a very good message. But such a message gets lost in all the repetition and clutter. Subtitles would have really helped. -Keep the faith, fight the power and shit on the Man

  14. Didn't like it. by Spy+der+Mann · · Score: 1

    I expected something along the lines of "posting and you". Instead i got a bunch of video cuts that, even when they were brilliant, the words weren't clear enough. If he only had used subtitles...

    1. Re:Didn't like it. by kimvette · · Score: 1

      That is why they repeated most of the important points. It was extremely clever, having Disney tell us how Copyright Law SHOULD work, in Disney's own words. This is sure to raise Hell at Disney today and prompt a landmark law suit. This will be a fun one to watch.

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    2. Re:Didn't like it. by RockModeNick · · Score: 1

      What kind of sound card do you have, and what kind of speakers/headphones? I found that while the jitteryness of the compound words was highly evident, every word was perfectly clear, so it only took a second afterwards to process each sentence.

    3. Re:Didn't like it. by kimvette · · Score: 1

      An ancient Hercules Game Theater XP

      It's been 14 seconds since you hit 'reply'.

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    4. Re:Didn't like it. by RockModeNick · · Score: 1

      Ahh, I have an older audigy, but it's hooked up to the main input on a sansui 9090 receiver, and then piped into ipod headphones.

  15. Re:Didn't really think this through... by Aoreias · · Score: 2, Informative
    Clearly you missed the entire point of the video, which was to explain and demonstrate fair use at the same time. There's no trademark infringment because it is *clearly* not associated with Disney (not only is there a message clearly disclaiming it, the message is up 5 seconds before the trademark even appears).

    The video falls under fair use as it makes brief use of copyrighted works in an educational manner, and doesn't devalue any of the material that it uses in its clips.

    I wouldn't be surprised if they weren't hoping for a DMCA takedown notice by Disney.

    --
    We've upped our standards. Up yours.
  16. Re:Amazing? Amazingly criminal... by Anonymous Coward · · Score: 2, Informative

    There's no fair use of trademarks in the sense of leading people to endorse something, but you sure as hell can use them in a criticism. And indeed, that's a damning and accurtate criticism of copyright, which Disney led the charge in twisting. Ironically that success has lead to their stagnation and need to aquire other companies rather than produce there own content internally.

  17. Re:Amazing? Amazingly criminal... by Anonymous Coward · · Score: 0

    Jesus. You're dense. You didn't bother to watch it or you would have understood why they used Disney. They texplain it all at the end. It certainly IS fair use.

  18. Re:Amazing? Amazingly criminal... by Inverted+Intellect · · Score: 3, Insightful

    IANAL, but as stated in the video, fair use isn't a right, it's a legally defensible position, which the video itself is supposed to occupy. The use of short segments of copyrighted material for purposes of commentary and comedy is categorized as fair use. I'm pretty sure the video is a comedic commentary, and it also only uses short segments.

  19. Mirrordot by asninn · · Score: 3, Informative

    The coral cache link isn't working for me at least, but mirrordot seems to have caught it. Just be sure to chop off the first 3635 bytes of HTML prepended to the file.

    --
    butter the donkey
  20. Video as a Test by madsheep · · Score: 4, Insightful

    Well if you watch through the whole video you will see that they reference this video as basically being an experiment. If the creators of the video are understanding and interpreting everything they think they should be protected from the law. The only problem is that the law still allows someone to sue you even if they are wrong. Going to court and defending yourself isn't free, even if your attorney is...

    Honestly, I would be quite interested in what Disney does on this one. This would be nice to track.

    1. Re:Video as a Test by johnny+cashed · · Score: 4, Insightful

      If Disney is smart, they'll ignore it. They don't want to encourage public discourse on copyright. Sometimes any publicity is bad publicity.

    2. Re:Video as a Test by Compholio · · Score: 1

      The only problem is that the law still allows someone to sue you even if they are wrong.
      The law allows someone to sue you even if you haven't broken any laws, and if they're convincing enough they can even win.
    3. Re:Video as a Test by swillden · · Score: 4, Insightful

      Honestly, I would be quite interested in what Disney does on this one. This would be nice to track.

      Disney will do absolutely nothing. There's negative value to Disney in even issuing a DMCA takedown notice, much less suing the creator of this video.

      If they were to sue or issue a takedown, the very best that could happen (from their perspective) is that the video would be taken down. There's virtually no chance of any kind of monetary judgement, and none at all that they could be awarded and collect an amount of money that Disney would actually care about.

      The worst that could happen, on the other hand, is that the whole thing could garner huge amounts of publicity and get mainstream columnists and pundits talking about the issues, the concept of Fair Use, questions about appropriate copyright durations and the purpose of copyright, etc.

      It's also possible that the court's ruling could establish some broad precedent, either strongly reaffirming and expanding Fair Use, or undermining and limiting it, but both scenarios are very, very unlikely. This video targets the exact center of Fair Use -- it's criticism and education, for non-profit purposes and its almost complete lack of entertainment value ensures that it's no threat to the commercial success of the films it uses. A court would have to completely gut Fair Use to rule that this video is infringing, and that's not going to happen. To expand and strengthen Fair Use, a court would have to not only rule that this video is non-infringing, it would have to voluntarily add sweeping statements defining Fair Use. Courts don't do that, they strive to keep their rulings as narrow and precise as possible.

      No, Disney won't see any value in pursuing this to set a favorable precedent, won't get anything significant from attacking it and would risk significant negative publicity. They'll do nothing.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    4. Re:Video as a Test by dpilot · · Score: 2, Insightful

      Disney MUST get the video taken down. They have a history of requiring strict compliance with copyright law, perhaps defining it even more strictly than Congress. If they allow this to pass, it sets a precedent. Maintaining copyrights and trademarks requires due diligence, and getting this taken down is part of that due diligence.

      No doubt somewhere in the Halls of Disney, lawyers are examining this video very carefully. If they think they can win, they will send the takedown notice, because if they don't it sets a precedent too. Of course in their eyes the worst case is to send a takedown and lose in court. But leaving it stand is second-worst.

      --
      The living have better things to do than to continue hating the dead.
    5. Re:Video as a Test by CodeBuster · · Score: 1

      Honestly, I would be quite interested in what Disney does on this one. This would be nice to track.

      If I were Disney then I would do nothing, at least this time. There is already plenty of precedent to support the case that Disney has not abandoned their copyrights and trademarks (i.e. the characters, movies, songs, drawings, etc...) so why take the bait in what is obviously a trap just so that some guy who would otherwise toil in obscurity suddenly comes into the public spotlight and shines rather brightly on some questions that Disney would rather people not ask? The best move for Disney, from a PR and legal standpoint, is to simply do nothing. This will fade back into obscurity soon enough and life will continue on...now those DVD pirates in China are a *different* story, but they are in a whole different league both in volume and in their copying of material which is still commercially viable.

    6. Re:Video as a Test by mlush · · Score: 1

      Disney MUST get the video taken down. They have a history of requiring strict compliance with copyright law, ... and it only needs one trigger happy attack lawyer to go off and things start getting interesting. No doubt somewhere in the Halls of Disney, lawyers are examining this video very carefully. If they think they can win, they will send the takedown notice, because if they don't it sets a precedent too. Of course in their eyes the worst case is to send a takedown and lose in court. But leaving it stand is second-worst. The posts you see when you don't have a +1 insightful to hand :-(

    7. Re:Video as a Test by swillden · · Score: 1

      Maintaining copyrights and trademarks requires due diligence, and getting this taken down is part of that due diligence.

      Trademarks yes, copyrights no.

      If they allow this to pass, it sets a precedent.

      A social precedent, perhaps. Maybe. But I doubt it. Allowing it to pass sets absolutely no legal precedent, however.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    8. Re:Video as a Test by dpilot · · Score: 1

      Oh, I dunno. Let's say a link to the YouTube video was posted for instance, here: http://www.lessig.org/blog/

      At that point I'm not sure that it isn't a legal precedent, because it's knowingly in the hands of someone with the capability to recognize it as such.

      When Lessig (or someone else in similar station) knows it, and Disney knows that Lessig knows it, it's a precedent.

      --
      The living have better things to do than to continue hating the dead.
    9. Re:Video as a Test by swillden · · Score: 1

      When Lessig (or someone else in similar station) knows it, and Disney knows that Lessig knows it, it's a precedent.

      Not in court.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    10. Re:Video as a Test by Xeth · · Score: 1

      Disney will do absolutely nothing. There's negative value to Disney in even issuing a DMCA takedown notice, much less suing the creator of this video.
      Indeed, and no company or organization has ever committed a major gaffe by administering a takedown notice.
      --
      If your theory is different from practice, then your theory is wrong.
    11. Re:Video as a Test by Pharmboy · · Score: 2, Insightful

      What Disney has done before regarding a Copyright means nothing. Copyright requires no due diligence, no prior trying to get infringing removed, nothing. You can sue Company A for infringement and not Company B, even if they did the exact same thing, and it has no bearing on the infringement.

      Only Trademarks require enforcement and equal treatment or the trademark goes into the public domain.

      Copyright != Trademarks != Patents

      Oft confused, but the law is very different for these types of intellectual property.

      --
      Tequila: It's not just for breakfast anymore!
    12. Re:Video as a Test by JimDaGeek · · Score: 1

      Maintaining copyrights and trademarks requires due diligence
      No, only trademarks require due diligence to maintain them. I could let one person use a copyrighted work of mine for free while requiring another to pay.
      --
      General, you are listening to a machine! Do the world a favor and don't act like one.
    13. Re:Video as a Test by swillden · · Score: 1

      Disney will do absolutely nothing. There's negative value to Disney in even issuing a DMCA takedown notice, much less suing the creator of this video.
      Indeed, and no company or organization has ever committed a major gaffe by administering a takedown notice.

      Obviously, they could just make a stupid mistake. Given the nature of this particular video, however, I will be surprised if that happens.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    14. Re:Video as a Test by dpilot · · Score: 1

      My original thought was that Lessig (or someone else) is now equipped to say, "YouTube kept this video around for XXX days with not takedown notice from Disney, and we know that they are aware of its existence. (This latter point may be a tough one, even if someone sends a link to "Disney", it's got to go to a knowledgeable/responsible party.) Therefore Disney has tacitly approved of its existence.

      I get the impression from others on this thread that it is perfectly permissible to "selectively enforce" copyright. That sounds a little off to me, because it could also be construed to be discriminatory, which doesn't generally fly too well in court.

      --
      The living have better things to do than to continue hating the dead.
    15. Re:Video as a Test by F34nor · · Score: 1

      What can we do? We can do the one thing all creative people fear. We need do to exactly what the small minded Disney fans or bitchy soccer moms would do if they saw a cowboy smoking a cig in a cartoon. We need to write a shitload of letters. Not e-mails you internet addicted shit for brains, but letters. Letter on paper head! Letter on grammer school ruled paper writen with crayons! Letter on card stock! Letters even on Cranes paper with water marks. Yes my basment dewlling friends, we need lots and lots of letters telling Disney that we the stock holders, we the movie buyers, and even we than fans demand that Disney's lawyers get to the bottom of this affront to what we love and sue the shit out of "A Fair(y) Use Tale" by Eric Faden. Now go do the voodoo that you do soooo well!

  21. Very well thought through thinking... by Nymz · · Score: 4, Interesting

    On the contrary, Disney is the perfect target. What other company has benefited so much by taking from the public domain, yet continuously refuses to release anything back.

    1. Re:Very well thought through thinking... by Anonymous Coward · · Score: 0

      That reminds me of a software company who borrowed an IP stack. . .

    2. Re:Very well thought through thinking... by darthflo · · Score: 1

      Apple?
      (I know, BSD/GPL isn't quite Public Domain, but sometimes to some it comes quite close.. ;))

    3. Re:Very well thought through thinking... by kimvette · · Score: 2, Insightful

      Apple gave quite a bit back to the KHTML project, FWIW. Sure, there were some bumps in the road in the beginning but they cleaned their act up.

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
  22. Re:Didn't really think this through... by john-da-luthrun · · Score: 1

    Maybe you should watch the video.

    Maybe I should (dang internet filtering at the office). But my point was more: "I hope this person knows what they're letting themselves in for..."

    Even if this does fit within "fair use" - I've no idea, I'm not an American, and UK copyright law is far more restrictive about this sort of thing - the creator had better be prepared for the possibility of a legal fight to establish that. That's all I was saying.

  23. Ummm... copyright is civil by Excelcia · · Score: 2, Insightful

    Actually, if you want to get picky... if it were a copyright violation (which it isn't), then it would be a civil breach, not a criminal one.

    And your post, which some might think* should be criminal, is really just indicative of a low watt bulb.

    * This author does not disclose what he believes on this subject on the grounds that he would absolutely incriminate himself.

    1. Re:Ummm... copyright is civil by Albanach · · Score: 3, Interesting

      In the United Kingdom Copyright is both a civil and criminal offence. So if someone breaches your copyright, say alters your GPL program and redistributes without the modified source, you could complain to the police. Useful if you don't have the resources to fight a copyright battle yourself. Equally, if you breach copyright law in the UK you could go to jail.

    2. Re:Ummm... copyright is civil by slashqwerty · · Score: 1

      This is true in the United States as well, but the law is rarely enforced. The FBI generally won't get involved unless there is a substantial amount of money involved.

  24. classic by poadshaw · · Score: 4, Funny

    The public domain is a disgrace to the forces of evil

    1. Re:classic by David.R.Benham · · Score: 1

      That was a funny line in the movie, but this comment really exposes people bias against copyright holders. Copyright (in principle) isn't only about money. The protection of one's ideas from misuse is the larger issue. Often, in our society, this protection has monetary motivation, but it doesn't have to be limited to this. Take the New International Version of the Bible for example. It is copyrighted, but I doubt the reason was to protect some organization's monetary interests. Besides, for evangelistic reasons, most Christian organizations don't try to make obtaining the word of God difficult for others as a matter of principle. But the NIV Bible is copyrighted to protect the integrity of the work from possible misuse or misquotation, just in case. The NIV has a reputation associated with it, and a tool by which they can protect themselves from harm is copyright.

    2. Re:classic by neomunk · · Score: 1

      No no no. Most people here aren't against copyright, they're against goofy companies using their copyright like a baseball bat against citizen's skulls. Fair Use, and the steps being taken to nullify it, are whats at issue here.

      And really, I'd like to know if you think something can be 'misuse' if the Fair Use defense is applicable. Usage of the Fair Use defense (I think, but IANAL) requires that there is no doubt that the possible offending material is an original work. I think that makes any misuse or misquotation no longer a copyright issue, libel or slander maybe, but nothing to do with copyright anymore.

    3. Re:classic by tepples · · Score: 1

      But the NIV Bible is copyrighted to protect the integrity of the work from possible misuse or misquotation, just in case. The NIV has a reputation associated with it, and a tool by which they can protect themselves from harm is copyright. Trademark law is intended for expressing reputations, and it appears to be an appropriate tool for ensuring the integrity of a work. If an inaccurate quotation appears next to "(NIV)", then International Bible Society would have grounds to accuse the perpetrator of trademark infringement. See also "Certification mark" on Wikipedia.
  25. Re:Didn't really think this through... by john-da-luthrun · · Score: 1

    As I've said in another reply, I'm well aware what the purpose of the video was. My point was more that the creator had better be ready for a legal fight to demonstrate that it is fair use. I can't see Disney shrugging their shoulders and saying, "Meh. It's fair use. What's the point setting our lawyers onto them?"

  26. Re:Didn't really think this through... by gEvil+(beta) · · Score: 2, Informative

    Well, considering this was released in conjunction with Stanford Law School, I'm betting they're very prepared to stand up to Disney should it come down to it.

    --
    This guy's the limit!
  27. I don't think they figured they needed to explain by Excelcia · · Score: 1

    ...something that was pretty much laurel-and-hardy-slap-in-the-face implied by the video.

  28. Next up by $RANDOMLUSER · · Score: 2, Funny

    Episode V: "The Disney Empire Strikes Back".

    --
    No folly is more costly than the folly of intolerant idealism. - Winston Churchill
  29. Re:Amazing? Amazingly criminal... by Anonymous Coward · · Score: 2, Funny

    Of course. At slashdot, we know more about just about anything than those klutzes outside our IT departments. That's also why we don't even have to read the articles. We already know this stuff. And being at slashdot, you should know it too, instead of making sarcastic remarks.

  30. Re:Amazing? Amazingly criminal... by cpt+kangarooski · · Score: 5, Informative

    Actually there is a fair use doctrine in trademark law, and it's called fair use, but it's quite different from the fair use doctrine of copyright law, which can lead to some confusion if you end up talking about both. Usually you end up having to qualify which one you mean.

    I found the quick cuts too jarring to allow me to watch more than a minute of it, but as for the use of the logo in the beginning, he has a decent position. Nominative use is allowed -- how can he say he's not affiliated with Disney if he can't say the name 'Disney' in the disclaimer? But the use of the entire animated logo and music would need to fall under the overall parody, which had better be non-commercial in nature, as this one appears to be. His position isn't airtight; he'd've done better to just simply say that he wasn't affiliated with Disney, rather than to use the logo animation, but he has a decent argument in his favor.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  31. Bravo! by Excelcia · · Score: 4, Insightful

    All I can say about this is... wow. What a piece of editing that was. Just the shear workforce-hours involved documenting the needed phrases within Disney works. The dripping irony of using Disney clips is too precious for words.

    I'm not one to waste space with a "me too" post that is essentially just the noise of me clapping, but this video deserves a standing ovation.

    1. Re:Bravo! by Dan+East · · Score: 5, Interesting

      Not to belittle the effort that went into this, but it would actually be extremely simple to locate the words you want. The Closed Captioned text of all those movies and TV shows is available, thus you just search those documents to find the words you want (like "seventeen"), and then you watch the actual source material at that timestamp to see if it will work.

      So not as much effort went into this as the story poster intoned. It's not like someone manually scanned through these movies and TV shows to watch and listen for the needed words.

      Dan East

      --
      Better known as 318230.
  32. Re:Amazing? Amazingly criminal... by QuickFox · · Score: 4, Funny

    Naturally a random slashdotter knows more about copyright than the people at Stanford's law center... Of course he does. You must be new here.
    --
    Terrorists can't threaten a country's freedom and democracy. Only lawmakers and voters can do that.
  33. Re:ummm....fair use by tsa · · Score: 4, Insightful

    What is it with all the name-calling on /. lately? We're sliding towards the Digg-level here... Please moderate your language people!

    --

    -- Cheers!

  34. Re:Amazing? Amazingly criminal... by kebes · · Score: 4, Insightful

    I have to disagree.

    The use of the Disney logo doesn't violate trademark law because it was accompanied by a "this movie is not endorsed by:" line. The purpose of trademark law is not to prevent people from reproducing imagery, but rather to avoid consumer confusion. I don't think many consumers would be confused by a large disclaimer stating "this is not affiliated with Disney!" (anymore than they would think that my post is endorsed by Disney, simply because I use their name in my post).

    Furthermore, the entire video is both a massive comedic parody, and a commentary on the current state of copyright. As the video points out, these are two things which are supposedly protected by fair use. You are allowed to use clips in order to criticize something and/or for satire.

    Another bit of irony is that the author of the video threw in some clips from Aladdin, where the genie was performing satire. If you've ever watched Aladdin, you'll know how many jokes in that movie revolved around the genie making reference to all kinds of movies and actors. Many of the genie's lines are taken verbatim from other movies, for instance.

    So, if Disney is protected by the satire/parody clause in copyright, why isn't this short, informative, humorous video? If a video like this is not protected by fair use (does it reduce the economic potential of Aladdin to show 8 clips, each 0.8 seconds long, from that movie?) then the law is ever more broken than I previously thought.

  35. Buzz "Copy" Lightyear by Tachys · · Score: 3, Funny

    Seriously, is Buzz Lightyear the only character to ever say the word "copy" in any disney animated film?

    1. Re:Buzz "Copy" Lightyear by gEvil+(beta) · · Score: 2, Funny

      Knowing that Disney gets many of their ideas from the public domain and other sources, I'd say that it's verboten to use the word "copy" in a Disney film. ; )

      --
      This guy's the limit!
    2. Re:Buzz "Copy" Lightyear by Anonymous Coward · · Score: 5, Interesting

      Hi Tachys,

      I'm Eric Faden the director of the film . . . and yes, Buzz provided the only clear enuciation of the word "copy" that we could find. The Monster's Inc. enuciation at the end of the film couldn't be isolated clearly enough. It was quite interesting to see what words Disney films avoided like the plague: "copy" "piracy" "artist" (very interesting) "creativity."

      As an FYI, there will be a director's commentary on the MEF DVD release (in June) that talks about the ideas and challenges of putting the film together.

      And thanks to everyone at Slashdot for the great comments . . .

      best,
      e

    3. Re:Buzz "Copy" Lightyear by Anonymous Coward · · Score: 0

      Sounds like someone has laser envy.

    4. Re:Buzz "Copy" Lightyear by kimvette · · Score: 2, Funny

      As an FYI, there will be a director's commentary on the MEF DVD release (in June) that talks about the ideas and challenges of putting the film together.


      Does thepiratebay have an early leak of that commentary yet? ;)
      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    5. Re:Buzz "Copy" Lightyear by Anonymous Coward · · Score: 0

      Hi Kimvette,

      I doubt there's a commentary on thepiratebay because I haven't recorded it yet. Patience . . .

      best,
      e

    6. Re:Buzz "Copy" Lightyear by kimvette · · Score: 1

      It was a joke. . .

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    7. Re:Buzz "Copy" Lightyear by neomunk · · Score: 1

      e,
      comment and a question:

      I loved the video, funny, educational and, I think, effective critique. I don't think they're going to touch you with a 10 foot pole, but that leads to my question...

      I noticed that the video was produced in association with Stanford Law, or something like that. How far does this association go? Are they going to back you legally in case things DO get hairy over this? Are they 100% committed to defending this work?

      Alrighty, that's more than 1 question, but they're at least related. :-)

    8. Re:Buzz "Copy" Lightyear by TheBackburner · · Score: 1

      Hey Professor Faden, I'm a former student of yours (took ENGL 130 freshman year...gah, that was 4 years ago now) and I just wanted to say that I loved the film. I was really excited to see you on Slashdot this morning. If you ever do something like this again, you should use Warner Brother's clips to list all of AOL/Time-Warner's holdings. You read all of that to us for class once and I think it took a full 10 to 15 minutes. Again, great work. Give my best to the University. Jeff Dykstra

      --
      -It's the music that we choose...
    9. Re:Buzz "Copy" Lightyear by Anonymous Coward · · Score: 1, Funny

      You underestimate the powers of the Pirate Bay! Rather than going to the effort of making your commentary, it's much easier to wait for a copy to appear on the Pirate Bay then just download a copy for yourself and distribute it. That's what Disney does, and its why they are so keen to keep the rest of us from Pirate Bay, so we don't discover the secret of their success. It's the same theory that allows a computer to bootstrap itself from a cold start and the universe to start from a big bang. ;-)

    10. Re:Buzz "Copy" Lightyear by Anonymous Coward · · Score: 0

      Hi Neomunk,

      Yes, Stanford has a program for defending documentary filmmakers (called "The Fair Use Project") who employ copyrighted material into their work under fair use. They've taken only a few films under their wing thus far (the program just started last year) but they've been amazingly supportive.

      Best,
      e

    11. Re:Buzz "Copy" Lightyear by Anonymous Coward · · Score: 0

      Hi Jeff,

      Thanks for comment. And yes, I actually have a film that will be out later this summer that deals with media consolidation a bit more broadly. Look for it at UCLA's MEDIASCAPE.

      Take care,
      e

  36. Worth the effort? by tcdk · · Score: 4, Insightful

    A lot of hard work must have gone into this. But, well, the results are less than stellar. But in a ways it's more like a piece of bait for the legal department of Disney. It's not so much the message of the movie itself, but it's ability to force a reaction, that exactly the point of the message itself, that's interesting.

    Viral marketing payed by the legal department of Disney, if you want. If it works. If Disney can't find a quiet way to kill it. On the otherhand, if they do not try to kill it, a small piece of fair use got got accepted, and will set a precedence. A win-win situation, as far as I see it.

    --
    TC - My Photos..
    1. Re:Worth the effort? by swillden · · Score: 1

      But in a ways it's more like a piece of bait for the legal department of Disney.

      That is precisely what it's intended to be. Unfortunately, it's not very good bait. It's a piece of rotten meat visibly coated with arsenic.

      On the otherhand, if they do not try to kill it, a small piece of fair use got got accepted, and will set a precedence.

      It won't set any legal precedent. Precedents aren't set when people choose not to bother bringing a case to court, precedents are set when cases are decided by courts.

      What might be interesting is a series of videos, each one slightly further out of the bounds of Fair Use, until one is so clearly not Fair Use that Disney decides it needs to respond. Then if the author of the videos could arrange for the whole series to be brought into court, the court might have to decide where, exactly, to draw the line. It's not clear to me how the whole series could be brought in, though. It seems more likely that the court would confine its analysis to the specific video that Disney complains about.

      --
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    2. Re:Worth the effort? by jZnat · · Score: 1

      IANAL of course, but I thought the only way to set legal precedent was in a court of law, generally in the appelate courts or higher. If so, what the hell are you talking about? "Officer, I wasn't speeding; I was just following the precedent set by the driver in front of me. Maybe if you could go catch that speeder first and prosecute him, then I can be indicted of a crime. In the meantime, I've got precedent, so nyah-nyah!" ...

      --
      'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    3. Re:Worth the effort? by tcdk · · Score: 1

      I didn't say "legal precedent" - and there's a reason.

      This... fight is fought in several fronts. Some in the courts, some in the perception of what the terms like fair-user means. If Disney doesn't DMCA (or whatever) this, it sets a precedent on what you can get away with without being sued.

      Speeding is a question of hard numbers. Understanding of a term like Fair Use is something different and a lot more bendable. As the FUD compaigns of the Intellectual Property prove.

      --
      TC - My Photos..
    4. Re:Worth the effort? by tepples · · Score: 1

      It's not clear to me how the whole series could be brought in, though. It seems more likely that the court would confine its analysis to the specific video that Disney complains about. The technique is called "binary search".
  37. Ignore it... by Animaether · · Score: 2, Insightful

    ...that's what I would do anyway. Oh yes, it's funny. It's uhm.. hilarious. Look at that.. snippets from Disney productions used to explain the evils of copyright. Yeah. So what else is on?

    Seriously, watch the thing.. What.. /is/ COPY.. rrrright? COPY COPY.. rrright? IT! /is/.. a.. rrright! by the COPY!.. rrright OOOwner... etc. Would you like your newspaper to be written in the style of a 'ransom note'? Sure, it'd be interesting for a day, it might even enter history as a landmark publication.. but you wouldn't want to read it again. And more likely than not, you're not going to remember what the thing read. I don't even remember what this video was trying to tell me, exactly.. just that it annoyed the crap out of me - in a bad way. Quite unlike commercials for tampons and such which are very annoying as well, but I sure remember that they now come in a silky smooth and curved lines-variant for ease insertion from Tampax.

    So if Disney is smart.. they'll ignore it, and it'll go away faster than the SONY 'rootkit' outrage.

    A much better video would have used snippets of the first Mickey Mouse adventure etc. with clear and concise narration, law references, case references, and so forth - it would hold attention much better.
    imho anyway - perception is a personal thing after all

    1. Re:Ignore it... by nacturation · · Score: 1

      Seriously, watch the thing.. What.. /is/ COPY.. rrrright? COPY COPY.. rrright? IT! /is/.. a.. rrright! by the COPY!.. rrright OOOwner... etc. Would you like your newspaper to be written in the style of a 'ransom note'? Sure, it'd be interesting for a day, it might even enter history as a landmark publication.. but you wouldn't want to read it again. Much like embedding the decss.c source code as the words of a song, the point isn't "ooh... check out that C code". It's like making an image of an anti-pornography advocate out of thousands of pornographic thumbnails. Sure, you could complain that the thumbnails are too small to jerk off to, but you'd be missing the point entirely.
      --
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  38. Disney irony by D3 · · Score: 5, Insightful

    The fact that Disney is working so hard to extend copyrights to an indefinite amount of time is rather ironic considering their biggest hits are from public domain stories. In fact, I hope a good EFF or other lawyer gets to point out in court that basically Disney would not likely exist if it weren't for the public domain.

    --
    Do really dense people warp space more than others?
    1. Re:Disney irony by pla · · Score: 1

      considering their biggest hits are from public domain stories.

      Don't forget they've also ripped off plenty of anime as well...

    2. Re:Disney irony by sootman · · Score: 4, Interesting

      Exactly. To me, there's nothing worse than being a hypocrite. Disney built their empire largely on the backs of non-copyrighted works, especially their earliest and biggest hits. A very short list*: Snow White, Cinderella, Sleeping Beauty, Beauty and the Beast, The Jungle Book, Robin Hood, The Little Mermaid, and most of (all?) the music from the Fantasia movies.

      For fun, compare
      http://en.wikipedia.org/wiki/Category:Public_domai n_characters
      and
      http://en.wikipedia.org/wiki/List_of_Disney_animat ed_features

      --
      Dear Slashdot: next time you want to mess with the site, add a rich-text editor for comments.
  39. How does it stack up on the "four-factor" test? by dpbsmith · · Score: 4, Informative

    Strictly ignorant lay opinion here, but I'd think it would be OK according to the informal fair-use guidelines widely referenced by universities and libraries, e.g. the University of Texas system.

    "Factor 1: Character of the use:" seems to me that in their first column it's nonprofit, and arguably educational. In the middle, it's criticism, commentary, and most bodaciously "transformative."

    "Factor 2: What is the nature of the work to be used?": Imaginative and published, somewhere in the "doesn't tip the balance" part of University of Texas' scale.

    "Factor 3: How much of the work will you use?" Only a small amount is being used for each work. I'm not sure what the total amount used from any individual work is, but it's tiny.

    "Factor 4: If this kind of use were widespread, what effect would it have on the market for the original or for permissions?" I find it impossible to believe that a person with a copy of this video would show it to their kids in lieu of any of the Disney films from which the clips were taken. And I don't believe the Disney organization is currently making any money at all licensing clips for use in videos like this one.

    1. Re:How does it stack up on the "four-factor" test? by lilomar · · Score: 1

      "Factor 4: If this kind of use were widespread, what effect would it have on the market for the original or for permissions?"
      I also happened to notice a comment on the video where someone said "Wow, makes me want to go watch all those disney films." So you could say that it actually increased the market by just a little bit.
      --
      The creator of this post (Jacob Smith) hereby releases it, and all of his other posts, into the public domain.
  40. You didn't think your post through by SuperKendall · · Score: 1

    Fair use allows for editorial or teaching use of segments of works - which is what this video is.

    Furthermore it makes use of content from the company that you could argue has benefited the most of anyone from works in the public domain - Sleeping Beauty, Snow White, etc. etc. Is it any wonder the quality of Disney movies has declined since this source or original creativity to base stories on has dried up thanks to longer copyright terms?

    Use of Disney works to give this lesson is genius, and makes a number of great points all at once. It's not like they would be sued anyway, it would just be taken off YouTube.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  41. Re:ummm....fair use by Anonymous Coward · · Score: 2, Funny

    Shut up, poopyhead.

  42. Re:Amazing? Amazingly criminal... by Tribbin · · Score: 2, Insightful

    "It seems that the creator missed the point entirely."

    Or you missed the intentional joke of finding the edge of what the creator can/can't do.

    --
    If you mod this up, your slashdot background will turn into a beautiful sunset!
  43. Re:Didn't really think this through... by master0ne · · Score: 1

    maby YOU should have watched the video... then you'd know its not fair use "right".... they exercised their fair use legaly defendable position.....

    sorry... had to point that out....

    --
    Noone writes jokes in base 13!
  44. an insane amount of time to assemble? by Anonymous Coward · · Score: 1, Insightful

    "It was created by Eric Faden of Bucknell University and must have taken an insane amount of time to assemble. "

    It's brilliant, and all credit to Mr. Faden for his great work.

    But re: "it must have taken an insane amount of time to assemble"... Just to point out how it looks from the other guy's point of view, I'd estimate (as a filmmaker) that it'd take me a couple of days to cut something like this together, plus a couple of days research. i.e. four days or so for one person. Please compare and contrast with the 3-4 years it took hundreds if not thousands of people to make any of one the movies shown in the montage.

    Now that's "an insane amount of time to assemble".

    I'm not defending unfair copyright -- but please remember, this stuff doesn't grow on trees.

    1. Re:an insane amount of time to assemble? by Neeth · · Score: 1

      but please remember, this stuff doesn't grow on trees

      But is does! Metaphorically speaking, ofcourse. In the old days companies like Walt Disney were the only ones to create content as marvellous as this, and it took years of hard labour. But now *a lot* of independant artist, filmmakers, musicians create wunderful stuff as wel and publish it through the internet. Things are different these days. And the way we consume and produce is very different than 70 years ago.
      Now, that doesn't mean there shouldn't be legal protection like copyright, but IMHO there should be other forms of protections and regulations.

      --
      Yes, I am the one with the legendary sig.
  45. Re:ummm....fair use by porcupine8 · · Score: 1

    And we all know that no corporation has ever sued anyone over something that's covered by fair use. Getting sued and winning the lawsuit are two different things.

    --
    Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
  46. Re:Amazing? Amazingly criminal... by g051051 · · Score: 1

    He could refer to Disney and use the Disney name without any problem, but the wholesale use of the logo, animation, sound is over the line for fair use.

  47. Make sure... by yakumo.unr · · Score: 4, Informative

    you actually read the green screen FBI warning, it's not your ordinary copyright notice :)

  48. Corel?? by Anonymous Coward · · Score: 1, Funny

    Since when did Corel enter the web mirroring buisness?

  49. Re:Amazing? Amazingly criminal... by Red+Flayer · · Score: 1

    Satire is fair use.

    Given Disney's stance on extending copyright indefinitely, it seems to me that was the author's intent.

    As for use of the logo, there could be trademark issues, but satire is, of course, fair use for trademark as well.

    --
    "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
  50. funny by Ep0xi · · Score: 0

    look quietly when the girl says "i don't have any money sir"

    --
    ?
  51. If disney doesn't blow a gasket with that by jollyreaper · · Score: 1

    Here's two more chances.

    Ariel is a dirty mermaid
    http://www.youtube.com/watch?search=&mode=related& v=K4b7o4CJDdw

    and Jasmine is a dirty princess
    http://www.youtube.com/watch?v=YqpD4zX7Sw0&mode=re lated&search=

    Original animation with the songs redubbed...holy crap, funny! Disney's Nazgul are already riding, the creators will be dragged back to Mouschwitz for sure.

    --
    Kwisatz Haderach
    Sell the spice to CHOAM
    This Mahdi took Shaddam's Throne
  52. The Pirates come to the rescue ;-) by MSZ · · Score: 2, Informative

    Original page and coral cache seem to be already slashdotted, so the only way to get it is that eeeeviiil torrent thing.

    --
    The moon is not fully subjugated. I demand a second assault wave preceded by a massive nuclear bombardment.
  53. Re:Didn't really think this through... by Anonymous Coward · · Score: 0

    ...the video's creators exercised their fair use rights to create a video that is a farce about Disney and copyright and fair use.

    There, fixed that for you.

    May the Farce be with you.

  54. WTFV by Anonymous Coward · · Score: 0

    Watch the F[reaking\|ine\|air-use] video.

    Oh wait, this is /.

    Nevermind.

  55. Re:Amazing? Amazingly criminal... by Ucklak · · Score: 1

    I love the "The public domain is a disgrace to the forces of evil" at 4:58

    --
    if you steal from one source, that is plagiarism, if you steal from many, well, that's just research.
  56. On poking gorillas with sticks. by Mahjub+Sa'aden · · Score: 2, Insightful

    The video, as far as I can tell, is like exploratory surgery.

    Tangentially, actually watching it much like surgery, as well.

    --
    What is is all that is. Isn't that obvious?
  57. Re:ummm....fair use by Anonymous Coward · · Score: 0

    Fair Use is not a defense against getting sued. It's a defense you can use at the trial once you do get sued. Disney is pretty touchy about their copyrights, and are likely to sue either in a belief that fair use doesn't apply here, or just as a bludgeon against people who can't afford to defend themselves.

  58. Re:Amazing? Amazingly criminal... by CyberLord+Seven · · Score: 3, Informative

    The entire piece, including the Disney logo, is satirical and therefore protected. The key element is that the entire piece is satirical. Don't try to pull one section from the rest and you will clearly see that the authors are using everything to point out how ridiculous the laws on copyright have become.

    --
    We have always been at war with Eurasia!
  59. Nicely done! by Anonymous Coward · · Score: 0

    Now we just need to get the EFF's protection and backing if this video is challenged in any way. How much egg in their face can they handle if they attempt to have this video yanked down? After all, it's all about education, parody and free expression and while all of its video and audio content is derived from Disney cartoons, the bits and pieces are so small that it's unquestionably small enough to be within fair use rules. And does it diminish the value of the original work? I think "no" but that's probably the best angle for Disney lawyers to take.

  60. Re:Amazing? Amazingly criminal... by Maxo-Texas · · Score: 1

    To be fair- the average slashdotter has probably been arguing copyright law here (and lawyers are in the mix) for several years.

    So they at least more aware than the average populace.

    Of course some are complete loons or in denial of the actual law.

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  61. Re:Amazing? Amazingly criminal... by physicsnick · · Score: 1

    Of course he'd have legally done better to just say that, but then it wouldn't be as effective. The whole point is that companies fight against fair use, and will intimidate you into giving up your right to fair use (by, say, not using the whole logo) to avoid getting a lawsuit that will bankrupt you even if you're right.

    You should have watched the whole thing; it was much more than a mere explanation of copyright, as the summary claims.

  62. Don't criticize Disney!! by Siener · · Score: 3, Funny

    They are the defenders of copyright! If it wasn't for their lobbying efforts the copyright of Mickey Mouse would already have expired. Imagine the chaos! Anyone would be able to create Mickey Mouse material, effectively stealing money from Disney's pockets and removing all incentive for them to create anything new - it would give people free reign to steal their work.

    If copyrights expire then everyone could just profit from other people's work instead of having to come up with original material the way Disney has over the years. Imagine if Disney could just use works with expired copyright instead of creating originals like Snow White, Sleeping Beauty, Alice in Wonderland, Beauty and the Beast, Treasure Island (Planet), the Little Mermaid and hundreds more ...Oh, wait...

    1. Re:Don't criticize Disney!! by n6kuy · · Score: 1

      > Anyone would be able to create Mickey Mouse material...

      Hmm. I think that would fall under trademark law, not copyright law.

      Perhps you menat anyone would be able to use Mickey Mouse material.

      --
      If you disagree with me on social issues, then it's pretty clear that you are a narrow-minded bigot.
  63. Re:Didn't really think this through... by Ngwenya · · Score: 1

    I'm not an American, and UK copyright law is far more restrictive about this sort of thing


    It is in some ways, but not others. For instance, parodic use is not explicitly permitted under the fair dealing defence, but the Gowers review recommended that it be explicitly included - which HMG has accepted. The courts have repeatedly held that parody is generally acceptable. News reporting, criticism and education, however, are explicitly allowed as defences. This video would almost certainly fall under the second and third items of that list.

    But the real limiter in UK copyright is the actual damages provision. Unlike the USA, the UK courts require you to qualify and quantify the damages you or your company have suffered as a result of the infringement. Additional damages can be claimed for flagrant and generally commercial benefit from the infringement. But there's none of the absurdly inflated statutory damages that you see in US cases. This really does help to limit stupid de minimis cases clogging the courts, which sadly is not the case in the USA.

    Don't get me wrong - I'm more than a bit unhappy with UK/EU copyright regimes, but the Gowers report (and the howls of fury it caused from Big Copyright) gave me just a glimmer of hope that a sane discussion of copyright is at least possible in the EU. Then IPRED2 happened to crush even that...

    --Ng
  64. Assemble? by Anonymous Coward · · Score: 0

    "It (...) must have taken an insane amount of time to assemble."

    If I were to do such a video, I would rather automagically cut and assemble it with a quick and dirty parser, the subtitles, and a few scripting for instance: nothing much complicated.

  65. Re:Amazing? Amazingly criminal... by Sax+Maniac · · Score: 1
    Where is satire protected?

    Parody is protected because it's a criticism of the work itself. Using works to make a comment on something else (e.g., copyright law) is a key element of satire, but I don't think it's necessarily protected because it is satire.

    --
    I can explanate how to administrate your network. You must configurate and segmentate it, so it can computate.
  66. Disney could still sue... by MojoRilla · · Score: 2, Informative
    Although the film's content is most likely protected by fair use, Disney could probably sue and win with the anti-circumvention provision of the DMCA.

    According to Sec. 1201 (a)(1)(A) of the DMCA:

    No person shall circumvent a technological measure that effectively controls access to a work protected under this title.
    Disney can probably argue that all forms of media released for some of these films contained technological measures to control access to the work. So VHS versions probably contained Macrovision copy protection, and DVDs contained CSS. And therefore the author of this film circumvented the technology measure to create this work. Although another part of the authors intent here might have been to show that the DMCA's anti-circumvention provision unduly burdens fair use.
    1. Re:Disney could still sue... by Random832 · · Score: 1, Informative

      (note: IANAL) Actually, Macrovision doesn't control access as such. The reason DVD CSS "controls access" is not its role as copy protection, but its role as region enforcement. Macrovision does not aim to render the video unwatchable to anyone in possession of the legitimate original physical media. This provision was probably originally meant to apply to stuff like cd-key based enforcement of software licenses.

      --
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    2. Re:Disney could still sue... by mr_matticus · · Score: 1

      It doesn't matter because the DMCA itself includes exceptions for non-profit and educational purposes, not to mention that as part of Title 17 it is subject to fair use exceptions.

      The difference being that it actually fits the four-prong test for fair use, unlike most of what the Slashdot crowd claims is fair use (and actually is not).

    3. Re:Disney could still sue... by Teancum · · Score: 1

      From an engineering/technical side, you are flat out wrong here. The CSS "controls access" has absolutely nothing to do with region enforcement, but has everything to do with the ability to "copy" a bit stream from a DVD disc.

      My reference: The DVD-Video specifications, Parts 1-7, versions 0.9-1.2

      Before you start spouting a "fact" of this nature, make sure you can back that up.

      Macrovision was originally set up for use on VHS video tapes, and the system was continued onto DVD players. The point is that the company, Macrovision, places into the video and audio signals an extra low noise pattern that can be detected by other video recording equipment that also uses the Macrovision filters to make sure that generational losses occur... even with digitial recording equipment. Eventually, all you will end up with if you keep makings copies of the copies is a bunch of white noise. In theory, once a video recording device picks up the Macrovision signal from another device, it is supposed to completely block the signal from getting onto the recording medium.

      For the above reasons and more, many "purists" don't understand why some companies want to deliberately destroy the video and audio signals coming from their equipment, and there are many other detractors and critics of the Macrovision process. This has absolutely nothing to do with the region encoding process on DVD discs.

      Oh, there is region encoding, and that is something that many DVD discs have employed, but is a part of the DVD-Video standard itself. And the standard specifications require enforcement of the region code according to the licensing process that allows the device manufacturers to use the "DVD-Video" logo or even claim that it is compatable with DVD discs at all. The actual region code is but a single byte in the VIDEO_TS.IFO file that is a bit field for each region of the world (the 8th bit is ignored as "reserved"). It is up to the content producers themselves to decide if they want to restrict what they make to only one region, or allow it to be seen everywhere in the world.

      Some DVD players are multi regional (especially outside of North America), but that is technically a violation of contract rights. And any software DVD players that don't employ the region coding may have to face a patent license violation (again... a contract tort issue, not a criminal violation) or some other contract violation. And it is impossible to create a valid open source software package that does not violate patent laws of some sort. It is impossible completely to maintain the terms of GPL and legitimately create a DVD-Video player. Anybody who has tried is in a state of delusion and denial, and has not read the GPL but is presuming that because they live in some obscure country (aka not EU or USA) that these sort of patent laws don't apply to them.

      But Macrovision was not a part of determining the region code, nor does any of their equipment have any impact on device manufacturer for video playback machines. Except perhaps some minor code to help manufacturers comply with the DVD Forum's contract and patent licensing requirements that is non-exclusive and can be done by others.

    4. Re:Disney could still sue... by Danse · · Score: 1

      It doesn't matter because the DMCA itself includes exceptions for non-profit and educational purposes, not to mention that as part of Title 17 it is subject to fair use exceptions.


      I'd love to know what part of the DMCA makes an exception that allows you to circumvent copy protection, for educational purposes, or any other reason for that matter. I don't recall ever seeing such an exemption. Yes, fair use exceptions are applicable in those cases, but only to the use of the works, not to circumventing their protection schemes.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    5. Re:Disney could still sue... by mr_matticus · · Score: 1

      "The DMCA" isn't a statutory law. It is a set of amendments and insertions to Title 17 of the US Code. Exemptions and exceptions to copy protection measures are referenced at Title 17, s. 1201 (a)(1) et seq. and (d)(1). Whether these clips were obtained via breaking DVD encryption through an illegal means has not been determined. My only point is that there are exceptions allowed to break copy protection where necessary for specifically authorized purposes (simply obtaining clips is not categorically one of them). See also copyright.gov for the recent added exemptions to the DMCA.

    6. Re:Disney could still sue... by Danse · · Score: 1

      My only point is that there are exceptions allowed to break copy protection where necessary for specifically authorized purposes (simply obtaining clips is not categorically one of them). See also copyright.gov for the recent added exemptions to the DMCA.

      My point is that the DMCA alters the US Code to prohibit the circumvention of copy protection mechanisms, and that it doesn't really make the exceptions you are talking about. Certainly not even close to being in line with normal fair use parameters. Try the Exemptions section of the Wikipedia article. The closest thing to an education exception is this, "Audiovisual works included in the educational library of a college or university's film or media studies department, when circumvention is accomplished for the purpose of making compilations of portions of those works for educational use in the classroom by media studies or film professors. (A new exemption in 2006.)" That's a pretty narrow exception, and hardly seems like it could be considered a general educational use exemption. I don't see anything in that article, or in the text of that section that allows for a non-profit exception, other than for library evaluation purposes. Aside from that, only security research seems to be a valid defense. So really, anti-circumvention rules seem to trump fair use.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    7. Re:Disney could still sue... by mr_matticus · · Score: 1

      I'm not citing Wikipedia. I'm citing the US Code. The use of this material is not a copyright violation. As I said, whether or not copy protection was circumvented via an illegal method is not known. There are legal methods of obtaining such short sections for parody and educational use. The law as construed cannot be used against you. The mere existence of said clips in said configuration is fair use. Without additional data to prove that the clips were obtained through illegal circumvention, there is nothing here to say that there is an issue.

      You are permitted to use the clips in this capacity per section 107. You are permitted to break encryption to access software content if there is no legal means of doing so while preserving said encryption per chapter 12 (primarily infra 17 USC 1201). Anti-circumvention does not trump fair use. The reason it appears so is because most of the uses Slashdot users wish to call "fair use" are, in fact, utterly lacking in legal precedent. Anti-circumvention certainly trumps pseudo-fair use, but exceptions to copyright law for fair use are spelled out in chapter 1; the DMCA is integral to copyright law and thus subordinate to the provisions of chapter 1.

    8. Re:Disney could still sue... by Danse · · Score: 1

      I'm not citing Wikipedia. I'm citing the US Code. The use of this material is not a copyright violation.

      I'm citing US Code as well. I included the Wikipedia entry because it was the easiest place to find the most currently enacted exceptions to the circumvention clause, as established by the Library of Congress. I never claimed that the material itself was a copyright violation. I said that the circumvention clause does not make exceptions for fair uses, such as news reporting, criticism, parody, etc. Those aren't "pseudo-fair uses", they have been well-established.
       

      You are permitted to use the clips in this capacity per section 107. You are permitted to break encryption to access software content if there is no legal means of doing so while preserving said encryption per chapter 12 (primarily infra 17 USC 1201).

      You are permitted to use the clips in this capacity, but I don't know what part of chapter 12 you think allows you to circumvent the protections for that purpose. Can you cite a specific paragraph?
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    9. Re:Disney could still sue... by mr_matticus · · Score: 1

      17 USC 1201 (a)(B):

      "The prohibition contained in subparagraph (A) SHALL NOT APPLY to persons who are users of a copyrighted work which is in a particular class of works, if such persons are, or are likely to be in the succeeding 3-year period, ADVERSELY AFFECTED by virtue of such prohibition in their ability to make NONINFRINGING uses of that particular class of works under this title, as determined under subparagraph (C)" (emphasis added)

      where 17 US 1201 (a)(C) contains a juridical test including such factors as:
      "...(ii) the availability for use of works for nonprofit archival, preservation, and educational purposes;
      (iii) the impact that the prohibition on the circumvention of technological measures applied to copyrighted works has on criticism, comment, news reporting, teaching, scholarship, or research..."

      In other words, if the appropriate copyright-protected sections are not made available in another form for these purposes, the prohibition on bypassing the security system does not apply (limited solely to that material for that single use; no storage of "cracked" protected content is permissable outside the final form used for criticism, teaching, and scholarship).

    10. Re:Disney could still sue... by mr_matticus · · Score: 1

      PS - the "pseudo-fair use" I referred to is the overly broad and permissive definition that Slashdotters tend to use. For example, Linux DVD playback, which is not covered by fair use. In the DMCA revision committee, it was specifically discussed and dismissed because there ARE legal Linux DVD players--they're just proprietary software a la Adobe Flash player, etc. Pseudo-fair use is also "breaking encryption to format shift" which is specifically disallowed since digital media is distributed for specific platforms and is not licensed universally. The copy protection on those files is a direct component of the low price (and yes it is low, compared to what people were paying per-track for album singles in decades past [adjusted for inflation, of course]), and as such, format-shifting where there are specific prohibitions tied to the content license is NOT fair use in any courtroom in this country.

    11. Re:Disney could still sue... by Danse · · Score: 1

      In other words, if the appropriate copyright-protected sections are not made available in another form for these purposes, the prohibition on bypassing the security system does not apply

      No, (a)(C) contains the tests used by the Library of Congress to grant exemptions to the clause (which are reviewed every 3 years), but those exemptions (which I linked to earlier in the Wikipedia entry) do not cover typical fair use scenarios, but only a few select and very narrow scenarios. This is the text of that clause:
       

      `(C) During the 2-year period described in subparagraph (A), and during each succeeding 3-year period, the Librarian of Congress, upon the recommendation of the Register of Copyrights, who shall consult with the Assistant Secretary for Communications and Information of the Department of Commerce and report and comment on his or her views in making such recommendation, shall make the determination in a rulemaking proceeding on the record for purposes of subparagraph (B) of whether persons who are users of a copyrighted work are, or are likely to be in the succeeding 3-year period, adversely affected by the prohibition under subparagraph (A) in their ability to make noninfringing uses under this title of a particular class of copyrighted works. In conducting such rulemaking, the Librarian shall examine--

      Then it goes on to list the things that are to be considered in making the exemptions.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    12. Re:Disney could still sue... by mr_matticus · · Score: 1

      Right. And if you follow the trail to the Copyright website where the Librarian publishes those exemptions as per that section, you see number 1:

      "1. Audiovisual works included in the educational library of a college or university's film or media studies department, when circumvention is accomplished for the purpose of making compilations of portions of those works for educational use in the classroom by media studies or film professors."

      You asked for where in the US Code the authority for said exemptions were granted, not where the exemption was explicitly named.

    13. Re:Disney could still sue... by Danse · · Score: 1

      Right. And if you follow the trail to the Copyright website where the Librarian publishes those exemptions as per that section, you see number 1:

      "1. Audiovisual works included in the educational library of a college or university's film or media studies department, when circumvention is accomplished for the purpose of making compilations of portions of those works for educational use in the classroom by media studies or film professors."

      You asked for where in the US Code the authority for said exemptions were granted, not where the exemption was explicitly named.


      Now we're right back where we started. I said that there are no exemptions for the typical fair use scenarios. The one you point out is a very narrow educational exemption, that doesn't provide the sort of coverage that is accepted for use of unencrypted works in an educational environment for educational purposes. Nor are there any exemptions for parody, criticism, etc. That was my point. The anti-circumvention clause prevents you from circumventing DRM even for uses that would be considered fair use if the content wasn't protected by the DRM.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    14. Re:Disney could still sue... by Danse · · Score: 1

      The copy protection on those files is a direct component of the low price (and yes it is low, compared to what people were paying per-track for album singles in decades past [adjusted for inflation, of course]), and as such, format-shifting where there are specific prohibitions tied to the content license is NOT fair use in any courtroom in this country.

      I agree with you that most format-shifting is not considered fair use. I think the methods that the content industries are using to sell the works in various formats while prohibiting people from converting them from one format to another violate the spirit of copyright law (but then again most of copyright law these days violates the spirit of copyright law as it was conceived). Besides, singles have always been horrifically overpriced. You pay most of the cost of a new release album for a track or two and a remix or two if you're lucky. We should compare track prices with the per-track cost of an album. Otherwise we're simply allowing ourselves to be cheated. They don't even have to produce a physical product when you buy online. No CD, no case, no liner, none of it. Where's the savings?
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    15. Re:Disney could still sue... by mr_matticus · · Score: 1

      I thought we were talking about this particular video and whether or not it was a permissible violation of the DMCA. It is.

      If you want to talk about copy protection and fair use generally, here's the story: your noninfringing fair use rights are guaranteed. If you cannot achieve those rights without bypassing copy protection, you are legally entitled to bypass it if you follow the appropriate steps. The DMCA is a component of Title 17--fair use rights apply to ALL works. You have three basic avenues for defense of this right: 1) obtain written permission to use the copyrighted material (the way we used to do things) 2) include a license disclosure indicating how your use of the material is considered fair use and no free alternative exists (a la Wikipedia--this will help cover your ass as long as your usage actually IS fair use). 3) sue preemptively for a court order granting you access to the material in a DRM-free format or for official authorization to use a DVD ripping tool.

      In any case, your right to the material is not altered by the copy protection provisions. Your path to the material might well be different--but what people seem to forget is that once upon a time, if you wanted quality footage, you had to get it from the copyright holder. That changed with DVD, and suddenly everyone expected to be able to use that cinema-quality information directly. The exemptions for parody and criticism are GUARANTEED as fair use exemptions to copyright law, and that INCLUDES works protected by DRM or other means. The use of an illegal tool to achieve those rights is a separate question, and it's not on topic for this video. However, you would be hard-pressed to find a court case where a clear fair use right was cast aside in favor of upholding CSS protection on a DVD, as fair use specifies a scenario in which copyright protections do not apply, and the "DRM" provision ONLY applies to works so protected.

    16. Re:Disney could still sue... by mr_matticus · · Score: 1

      The physical product has never been the primary component of the sales price. The license occupies the bulk of the price--cost savings by dropping the physical medium are essentially irrelevant to the industry, and certainly irrelevant to the Copyright office. The labels could claim that they're included the disc at no charge with the license of the content (n.b. "no charge" does not mean "no cost").

      I would also disagree that format restrictions violate the spirit of copyright law. Copyright law has traditionally had format restrictions as a de facto reality of technology. Now that technology has advanced to allow for this potential effortlessly, they have continued in their traditional approach of maintaining platform separation. That's the spirit as they see it. I have never seen anything in copyright law that has ever exhibited a "spirit" of "do whatever you want with the property of others." Copyright is nothing more or less than a secured method of transfer designed to encourage sharing of the arts with the public (and that sharing is only an effective mechanism if it includes controls and restrictions--it's not "sharing" if one party has no responsibility to the other; that would be "gifting").

      You can't compare with the per-track price of an album, because albums have inconsistent numbers and lengths of tracks, and the bulk discount mentality of an album applies. You don't have to imagine what the per-track price is, because it's clear that the labels have chosen to sell the singles at a high markup, as is their choice to make. Individual downloads tend to cost less than the per-track MSRP of the album--the labels simply have greater control over the pricing of online stores as opposed to retailers of CDs.

    17. Re:Disney could still sue... by Danse · · Score: 1

      The exemptions for parody and criticism are GUARANTEED as fair use exemptions to copyright law, and that INCLUDES works protected by DRM or other means. The use of an illegal tool to achieve those rights is a separate question, and it's not on topic for this video.

      Having to sue the creator of a work in order to get a DRM-free copy of the work that I have purchased in DVD format in order to criticize the work is not my idea of protecting fair use, as it constitutes an undue financial and time burden. I already bought the work in a format that would be suitable for extracting a clip, except that it's illegal for anyone to sell or distribute a tool to me for that purpose (trafficking clause), and illegal for me to do so without an explicit exception being granted by the Library of Congress. I really don't see how that is protecting fair use. Of course huge numbers of people violate these laws every single day, which leads me to believe they are simply bad laws to begin with.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    18. Re:Disney could still sue... by Danse · · Score: 1

      Copyright is nothing more or less than a secured method of transfer designed to encourage sharing of the arts with the public (and that sharing is only an effective mechanism if it includes controls and restrictions--it's not "sharing" if one party has no responsibility to the other; that would be "gifting").

      That's probably about the most optimistic (read: pollyanna-ish) description of copyright that I've seen in quite a while. The purpose is not to share the arts with the public. The purpose is to allow the largest copyright holders to extract the maximum amount of money possible from the public for a given work, which means re-selling the work in every possible format while simultaneously prohibiting people from converting it to other formats themselves, even though it would be trivial for them to do so. Copyright is supposed to protect a work from being distributed and/or sold by anyone other than the copyright holder, not to prohibit people from doing what they like with a work that they purchased so long as it doesn't involve re-distributing it. Copyright is continually being warped into a set of laws to increase profitability, not to increase availability.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    19. Re:Disney could still sue... by mr_matticus · · Score: 1

      You don't have to sue. That is merely one of your options for the exercise of your fair use rights. The financial burden is minimal--the process is simple and relatively straightforward. If you have an actual fair use defense, have been rebuffed in your attempts to obtain a DRM-free copy, it's basically a straight shot.

      Your "time burden" is unimportant. It's usually faster and cheaper to do something the illegal way--that's why people put effort into stopping illegal acts (if it cost more and took more time, there wouldn't be any criminals). Just as the Library of Congress states, if it's impractical to obtain permission in advance, just be sure that your use is truly defensible in a fair use context.

    20. Re:Disney could still sue... by mr_matticus · · Score: 1

      That's a bitter definition with a fatal flaw: the public isn't forced to consume from those who offer distasteful copyright terms.

      I don't disagree that many copyright holders are beyond greedy and that their behavior is unacceptable from my personal perspective. However, it is their content and they should have the legal authority to do with it as they see fit. People here treat copyright law as though it's some inescapable black hole in some all-or-nothing battle to the death. You, as a content creator, do not have to offer draconian terms to your customers. My clients certainly don't. You, as a consumer, don't have to pay those distasteful individuals for terms that you dislike. I know I won't buy an CDs with copy protection and I won't buy anything Sony Media ever again.

      The various forms of licensing available form a pretty comprehensive continuum of options. Not everyone offers the ideal combination of license type and content, but that's life. They created it, financed it, and decided to share it in a limited capacity. I can't find fault with that.

      The reason these "bad copyright holders" succeed is because the general population is willing to admit, by the simplest of market gestures, that they find the terms acceptable for the price. This isn't a utility company gouging poor families in the desert on their water bill. It's an entertainment service financing the production of some content and then choosing to sell it under restrictive, but fully legal, terms. The simple solution is just not to buy it.

      What I think is most interesting here on Slashdot is that people seem to be more angry that these companies are successful at selling to the public, and there aren't enough people who don't like the terms to have an effect. People aren't stupid, though, and except for some of the worst kind of DRM cockups, everything works perfectly as it was sold to them. There's nothing terribly wrong with that. I'm not saying you're in that camp, but I just find that "just don't buy it" is the perfect solution, but people get upset anyway--must be two conflicting desires.

    21. Re:Disney could still sue... by Danse · · Score: 1

      I don't disagree that many copyright holders are beyond greedy and that their behavior is unacceptable from my personal perspective. However, it is their content and they should have the legal authority to do with it as they see fit.

      Only because we have deemed it useful to allow them to have a (supposedly limited) monopoly on distribution of that content. Unfortunately, copyright law isn't something that most people outside of the "copyright industry" pay attention to, and it has been massively expanded in duration and scope over the years, without giving any more compensation to the public in exchange for that monopoly. In fact, it's questionable whether anything that has been copyrighted since the 70s will ever fall into the public domain in the future if things keep going as they have been. On the positive side, as online distribution has gained popularity, copyright law is starting to get dragged out into the light so that people can see how hideously disfigured it has become. I'm hopeful that we may be able to get some changes for the better in the near future.
       

      The reason these "bad copyright holders" succeed is because the general population is willing to admit, by the simplest of market gestures, that they find the terms acceptable for the price.

      Actually, I think it has more to do with the ease of breaking the law without getting caught. I actually think it might be pretty wonderful if the industry ever manages to implement truly unbreakable DRM and gets their EULAs enforced. The backlash from people realizing that they are allowing this industry to run roughshod over the public's interests should be fun to watch. When they can no longer easily get what they want the way they want it without paying extortionate prices or agreeing to ridiculous licensing terms, I think people will finally start questioning our great leaders about why we are giving these jerks so much power and getting practically nothing in return.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
  67. Re:Amazing? Amazingly criminal... by iocat · · Score: 1

    There's a collary there. A typical slashdotter knows more than whoever the expert is in the story only to the extent that he has not RTFA.

    --

    Dude, I think I can see my house from here.

  68. Parent is a troll by Scrameustache · · Score: 1

    This little exercise seems to violate the intent of Fair Use pretty much in every way. From the illegal use of the Disney logo (with animation and music) to the repeated and unnecessary use of actual Disney dialog and video, it seems that the creator missed the point entirely. Maybe if you, I dunno, listened to the words he spliced, you'd know that you're completely, unmitigatedly, and utterly wrong? In every way, shape, form and intent.

    It's educational, non-profit, and only uses small portions of copyrighted works to make it's point. If that's not fair use, then snalshdot isn't a website.
    --

    You can't take the sky from me...

    1. Re:Parent is a troll by insanecarbonbasedlif · · Score: 1

      If that's not fair use, then snalshdot isn't a website. http://snalshdot.org/
      http://snalshdot.net/
      http://snalshdot.com/

      Server not found
      Firefox can't find the server at www.snalshdot.org.
      • Check the address for typing errors such as
        ww.example.com instead of
        www.example.com
      • If you are unable to load any pages, check your computer's network connection.
      • If your computer or network is protected by a firewall or proxy, make sure that Firefox is permitted to access the Web.
      Who knows, maybe the sites were snalshdotted.
      --
      Just because I doubt myself does not mean I find your position compelling.
  69. No Value In Disney's Movies by Nonsanity · · Score: 1

    Is it just me, or was the word "value" missing from ALL of the movies sampled so that someone had to put the word into Gantu's mouth to make this video? That was the only clippette that seemed to be dubbed. Does that mean there's no value in Disney's movies to to change though fair use to begin with? :)

  70. Re:ummm....fair use by Anonymous Coward · · Score: 0

    Calling CmdrTaco a moron is not a good way to become popular on Slashdot. Do some fucking research and find out who he is before you post.

  71. Disney Video Used to Explain Copyright by JackSpratts · · Score: 1
    Very nice work.

    Opera users who view the YouTube stream will find the 29 MB .TMP file already sitting in their cache where it's easily converted to a 49MB .MPG with Batch FLV Converter (for those who can't play .FLVs directly).

    Anyone else can download the 71 MB .MP4 directly from here: http://www.filmspot.com/users/jrgreenmd/show_blog_ entry.php?topic_id=m-100-25002790

    No need to visit the PirateBay - unless you're ready to pounce on POTC III.

    - js.

  72. Disney Movies Utilized by Dan+East · · Score: 2, Informative

    According to the credits at the end of the video, it contains excepts from the following Disney Films:

    Aladdin
    Alice in Wonderland
    Atlantis: The Lost Empire
    Bambi
    Beauty and the Beast
    Dumbo
    The Emperor's New Grove
    Finding Nemo
    Hercules
    The Hunchback of Notre Dame
    The Incredibles
    Jungle Book
    Lilo and Stitch
    The Lion King
    The Little Mermaid
    Monsters, Inc
    Mulan
    101 Dalmatians
    Peter Pan
    Pinocchio
    Sleeping Beauty
    Snow white and the Seven Dwarves
    Tarzan
    Tarzan II
    Toy Story
    Toy Story 2
    Treasure Planet

    Dan East

    --
    Better known as 318230.
  73. Re:Didn't really think this through... by JimDaGeek · · Score: 1

    As someone pointed out, this video was "released in conjunction with Stanford Law School". Oh, you should have creators. The end credits had a bunch of names there.

    --
    General, you are listening to a machine! Do the world a favor and don't act like one.
  74. Dance? by Easy2RememberNick · · Score: 1

    I'm going to listen to downloaded music while downloading movies and dance a copyrighted dance all at the same time!

  75. Fair use is not a right by AlpineR · · Score: 4, Insightful

    Brilliantly written and edited. I was enlightened by the part that says fair use is not a right, it's a legally defensible position. It is legal to copy a copyrighted work for the fair use purposes such as critique and satire. But the author has no responsiblity to make that copying convenient.

    Movie studios have every right to make copying video discs difficult. They're not obligated to sell unencrypted data; they sell bits and we voluntarily buy bits. But it must not be made illegal for purchasers to circumvent that copy protection if they are able.

    And I truly wish that the creators and Congress would remember that there are two parts to the bargain of copyright: an unnatural protection of creative works from copying and a reasonable, limited duration for that protection. Congress might have the right to extend the copyright duration to forever and a day, but it's a stupid move because it stifles the creativity that copyright is meant to promote.

    AlpineR

    1. Re:Fair use is not a right by notamisfit · · Score: 1

      No, no, they can only extend it to forever MINUS a day. The Constitution calls for securing protection for a limited period of time. Other than that, I'm in agreement though. I'd say go for 40 years across the board for a decent compromise figure (it's all arbitrary anyways, and 6/17 years like I've heard here enough times makes about as much sense as a 95 year term). That gives them the initial release, and the ability to pump out a new "Special Edition" every few years, without being completely insane. I wouldn't set the creator's lifetime as the baseline, for the simple reason that it's not unheard of for an artist to make a last work so their wife and kids can live on it afterwards (A Clockwork Orange comes to mind, although Burgess fucked that analogy up by not dying when he was absolutely certain he was going to).

      Just my $0.02 on the matter.

      --
      Jesus is coming -- look busy!
    2. Re:Fair use is not a right by Teancum · · Score: 1

      Movie studios have every right to make copying video discs difficult. They're not obligated to sell unencrypted data; they sell bits and we voluntarily buy bits. But it must not be made illegal for purchasers to circumvent that copy protection if they are able.


      You nailed this one straight. Attempts by the federal government to prohibit me from building a RF receiver device (aka satellite dish) and "descrambling" the sequence of photons that are being sprayed onto my backyard makes no sense what so ever. Or to take a data feed sent through a common carrier or a piece of plastic that has been coated with a thin piece of metal and trying to figure out what the pattern of nearly invisible dots really represents.

      People who make this content can complicate the process to the point of absurdity, but if these attempts at copy protection stay out of the court room, these studios will eventually discover what software developers have known for decades: Copy protection is just a huge technological arms race that the "hackers" and "pirates" will eventually win anyway. A team of 20-2000 engineers can't possibly compete against the brightest 0.001% of a populations of 6 billion people who are likely smarter than that original team of developers who created the copy protection in the first place... especially on a mass produced product. And just like mass-produced software, any copy protection scheme (including "dongles" and other such nonsense) must eventually allow the "software" (including music and movies) to "run" on the devices. Otherwise nobody will buy it.

      I don't have a sure-fire solution, but quite a bit more could be done to shut down those who are encouraging and promoting blatant copyright violations, and are engaging in large scale duplication efforts. Unfortunately, I don't see the major media companies doing much to stop that, but are instead focusing on trying to make FUD for individual consumers regarding what are even legitimate reasons to be able to copy copyrighted content.
    3. Re:Fair use is not a right by runderwo · · Score: 1

      Anything that qualifies as a "Copyright protection measure" under the DMCA should be required to expire the day the copyright expires. There is no reason that archival should be so damn difficult. With current eternal copyright terms, this hardly makes a difference, but it should be a component of any copyright rewrite.

  76. Re:Another option for Disney by ender- · · Score: 1

    It wouldn't surprise me if Disney came at this from an entirely different direction.

    How did the author obtain those clips? Hopefully he just recorded them off the TV. If he circumvented the Macrovision on a VHS tape or the CSS encryption on a DVD to obtain those clips couldn't Disney come after them for DMCA violations? I know that the DMCA has provisions for educational uses, but based on the parts of the DMCA which I have read they would only apply in the following event:

    Every three years, the Librarian of Congress has to make a determination on whether persons who would like to use works in a non-infringing manor [ie. fair use] might be adversely affected by the protection schemes of the work stopping them from making use of the work.
    Then the Librarian has to 'publish any class of copyrighted works for which the Librarian has determined' would apply in that situation. [See http://www.copyright.gov/title17/92chap12.html ]

    So of the Librarian of Congress hasn't decided that Disney films might need to be used for non-infringing works, and published them for the current three year period, then from what I can tell, Disney would have the right to send a DMCA takedown notice, even though it is used for 'education' or 'critical' purposes, *IF* they believe that the author circumvented the protection schemes on VHS or DVD meda in order to obtain the clips they used.

    Then again, I'm just some schmo posting on Slashdot from work. What the heck do I know? :)

  77. Re:Another option for Disney by swillden · · Score: 1

    I'm also just a non-lawyer schmo posting from work, but I won't let that stop me, either :-)

    What you're saying is that if Disney argued circumvention, they could say that the video was infringing even if it was Fair Use. As I read the law, it doesn't work like that. Circumvention doesn't imply infringement, it's just another way to smack down people who make infringing copies, or who make or provide tools that others could use to make copies -- which may or may not be infringing. I think Disney might be able to convince a Federal prosecutor to indict Faden (the anti-circumvention parts of the DMCA are criminal law, so Disney can't do it directly. Yet) but the question of whether or not the video would stay on youtube would be unaffected. Disney can issue a takedown notice, and Faden can respond with a formal "it's Fair Use", and youtube would then be able to safely leave it up until a court decided if it really was Fair Use or not. IIRC, Title 17 even explicitly clarifies that the anti-circumvention statute does not limit Fair Use or other exceptions codified in the law.

    The big problem with the law is that it does not say that circumvention is allowed for legal usage. I think it's possible that Faden could be fined or sent to jail for circumvention, even though a civil court found that the video constituted Fair Use. So anyone who wanted to could legally distribute the video, but Faden would be in jail for making it.

    --
    Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
  78. Re:Amazing? Amazingly criminal... by fireboy1919 · · Score: 1

    Entire piece is also educational. So even if you argue that it isn't supposed to be satire (which it might not be), it's still specifically for the purpose of education.

    --
    Mod me down and I will become more powerful than you can possibly imagine!
  79. Re:Amazing? Amazingly criminal... by fritsd · · Score: 1

    Hey, some of us are amateur groklavians as well, you know..

    --
    To be, or not to be: isn't that quite logical, Slashdot Beta?
  80. On the benefits to the public domain/culture by notasheep · · Score: 2, Informative

    The video rightly points out that it is important for ideas to become part of the public domain, as new ideas are built upon the older ones, and as a whole, exposure to those ideas are beneficial to a culture. However, I'm not fully convinced modern copyright laws have a negative impact on those beneficial aspects. Not too long ago access to the works (containers of the ideas) was difficult to attain - works were expensive to reproduce and difficult to obtain. With the advent of the modern media, public library systems, the Internet, etc., the works are fairly easy to obtain - even difficult to avoid at times - and the ideas they contain flow pretty freely throughout our culture.

    So, even if a company like Disney were to obtain a copyright for 1,000 years how are the benefits to our culture reduced? Are we less off because we can't write "The Lion King 4" using the same characters/storylines from the movie? The ideas and themes in those movies are already reproduced in hundreds and thousands of works (both older and newer than the movies) - so what's the downside?

    Asking for a well-reasoned reply...and, yes, I know this is Slashdot... But I'd like to add to my thinking on this - which I realize may be lacking.

    --
    Your mind looks a little cramped. Why don't you stretch it a little?
    1. Re:On the benefits to the public domain/culture by Anonymous Coward · · Score: 0
      This is my take on the reasoning behind the US Constitution wording allowing a *limited* time for copyrights, as this promotes the advancement of art.

      There are several sides to this.

      • As the creator of some work, having a limited time where I can profit (own) a piece of work forces me to be creative in making new works of art. Otherwise I could just create my single master work, then sit back and reap the profits (and my successors for several years) without having to do anything new.
      • As a creator of work, having something in the public domain allows me to build upon other works. Where would Disney be today if the stories of Snow White, The Little Mermaid, Aladdin, etc. where copyrighted and tightly controlled.
      • As a consumer of some work, having the work fall into public domain allows me to utilize the work once the owner has lost interest to the work. If I look around at the shelves at my house, I can find books, music (in vinyl, cassettes, CDs, etc.) that I can no longer obtain because the publisher has decided not to re-release them. In one case the publisher has decided to actually destroy all their remaining copies of a book because they didn't want to have to warehouse them anymore.
    2. Re:On the benefits to the public domain/culture by rzanerutledge · · Score: 1

      Read Lessig's Free Culture http://www.free-culture.cc/freeculture.pdf for a large number of well-reasoned responses, as well as numerous examples of the culture-squashing nature of existing copyright law.

      "The Lion King 4" may or may not be a worthy work to hypothesize the existence of -- in the hands of one artist, it might be crap. In the hands of another, it might transcend all possible boundaries, far surpassing the Disney creation from which it was inspired. But unfortunately, no one will know until the year 2089 (1994 + 95 years). (That is, of course, unless the Disney Empire manages to get that extended further.)

      Within the span of, say, 7-14 years from a creation's origin, it does seems a bit hard to argue with the original intent of copyright. But I can imagine even your facetious example being quite differently perceived in another decade or two. Certainly in nine.

      I think the worst offenses on modern culture are probably against the youth remix/mashup community -- I've seen some incredible acts of creativity that basically can't be shared. They are for all practical purposes illegal, unless the artists go out of their way to claim "fair use" and take their chances with a lawsuit. The biggest offenses against legitimate fair use are the abuse of power and greed by these same corporations -- there are numerous documentarians who have not had the legal resources available to defend their fair use in court. Their creativity has been limited by corporate power in the name of copyright, even though their fair use is valid and legal. It's a matter of David and Goliath, and who knows what cultural significance we have lost when they are too afraid of being sued to create, or limit their vision out of the necessity of that fear. (The "Simpsons" clip incident in Lessig's book comes to mind, where Fox studio execs wanted $10,000 for a license to use a four-and-a-half second clip showing a episode of Matt Groening's "The Simpsons" on a tiny TV in the corner of a shot. Obviously fair use, yet squashed by the threat of legal action.)

      To answer you directly: There is really no telling what the impact on our culture has been -- how the benefits to our culture have been reduced since the extension of copyright. We can't really know what numerous works of creative genius we have been denied.

      Again, read Free Culture and see what you think after that sobering/insightful document.

    3. Re:On the benefits to the public domain/culture by Macgrrl · · Score: 1

      This short story was linked to an article yesterday in a discussion on perpetual copyright - I found it thought provoking: http://www.spiderrobinson.com/melancholyelephants. html

      --
      Sara
      Designer, Gamer, Macgrrl in an XP World
    4. Re:On the benefits to the public domain/culture by notasheep · · Score: 1

      Thanks for the link to the PDF, and for the great response. Though, I have to find some irony in the fact the PDF's license excludes commercial use for the duration currently afforded under copyright law. So I guess I'll have to wait 75 years after he dies to write the play to dramatize the paper...or pay him some money... ;)

      --
      Your mind looks a little cramped. Why don't you stretch it a little?
  81. Just imagine.. the copyright on 1984 by fritsd · · Score: 1
    If our governments don't take a turn for the worse and lengthen copyright yet again, then George Orwell's "1984" will already be in the public domain in only 13 more years! Doubleplusgood, proles!

    In a similar vein, Burgess' "1985" will be public domain in 2063, but I don't like that book anyway so I don't mind if I don't live that long.

    --
    To be, or not to be: isn't that quite logical, Slashdot Beta?
  82. Socialism and the public domain by MS-06FZ · · Score: 4, Insightful

    Hear hear. The idea of copyright was to protect and allow property rights holders to profit from their work before it entered the public domain and therefore became impossible to profit from. I wholeheartedly agree that 7 years is plenty of time to recoup costs and make profit in this day and age.

    The problem is, it's somewhat socialist to prevent someone from profiting on their work indefinitely.

    Limiting copyright doesn't prevent someone from profiting on their work indefinitely, it just removes a specific mechanism that grants them the exclusive right to do so. In other words, yes, you're taking something away from the artists - but the question is whether that level of exclusivity should have been given to them in the first place. Copyright is a fundamentally artificial thing - you can't "possess" an idea, once you've shared it with others - that doesn't make copyright wrong, but I personally feel it shouldn't be quite so extensive.

    For instance: suppose Aerosmith were to perform a song they wrote twenty years ago. Fine, they're still making money from their old work, good for them. Copyright isn't what grants them that ability - it's the fact that the audience recognizes them as the original performers of the song that makes their performance of the song notable. And if the song fell into the public domain, the loss of copyright control doesn't deny them the ability to do that, either. Other artists could cover the song if it passed into the public domain, or sample it for use in their songs. So long as they do a good job of it they, too, deserve a measure of financial reward.

    With something like a film it's more difficult, of course: when the film goes public domain, anyone can sell copies of it. The profitability of the movie is then rather limited once copyright lapses. Copyright could be re-asserted by creating a new version of the work, but that's about it. (for instance, suppose "Star Wars" had fallen into public domain by 1997: the "Special Editions" would contain the original film, of course, but would constitute a new work based upon it - meaning that if the audience wants the special edition rather than the original, the copyright control is effectively extended... though nothing prevents someone else from making their own "Special Edition" in this scenario...) Alternately, remakes, sequels, etc. could be made - since again, other people could do this as well, the creators would have to distinguish their works somehow - name-dropping (getting the original cast and writers back, or getting their endorsements, and making this known) would be one way, simply making a better film would be another.

    The recurring theme in either case, however, is this: During the copyright period you get exclusivity that increases your profits. Afterwards, you have to keep working if you want to keep getting paid. :) I don't think that's unreasonable. In this way, artists either must continue making new works, or be creative enough in how they milk their existing works that, copyright or not, people still want their version.

    There's nothing inherently "right" about the current length of copyright - it currently gives the creator enough exclusivity to give them a lifetime of profit from a single work, to maintain exclusivity through three generations worth of audience. That's enough time for a work to be not only a major hit, but a major cultural phenomenon - combining that kind of span with exclusivity gives the creator a lot of power - too much, perhaps.
    --
    ---GEC
    I'm but the humble pupil, seeking to snatch the scratchbuilt pebble from the master's fully articulated hand
  83. Re:Amazing? Amazingly criminal... by Haeleth · · Score: 1

    He could refer to Disney and use the Disney name without any problem, but the wholesale use of the logo, animation, sound is over the line for fair use.
    How do you know that? I was under the impression that in US law there is no statutory line: it's decided by the courts on a case-by-case basis.

    (I'm neither a lawyer nor American, so I may well be wrong, but I'd really like to see citations of actual statutes or case-law that state with certainty that this video will be ruled infringing if Disney decide to go to court.)
  84. Computer owned by a head of household? by tepples · · Score: 1

    It's a computer over which I have no administrative control. Oh, in that case, STOP READING /. AT WORK! Not all computers that have non-administrative accounts are owned by an employer. Some are owned by a head of household. It's possible for a 15 to 18 year old living with his or her parents to have a limited user account outside the group that can sudo.
  85. Schrödinger's parody by tepples · · Score: 1

    Parody is protected because it's a criticism of the work itself. Using works to make a comment on something else (e.g., copyright law) is a key element of satire A criticism of copyright is a criticism of all copyrighted works, and it is a criticism of lawsuits on copyright grounds. One might compare it to Schrödinger's cat: it both is and is not parody, but as soon as Disney sues, it becomes a parody.
  86. Re:Amazing? Amazingly criminal... by snarkbot · · Score: 1

    For the record, parent is correct, GP is not. Parody is generally protected, and satire is generally not. Someone should mod accordingly. (Still no -1; Wrong though.)

    Here is a treatment which I just found on the web, and so do not vouch for. Other descriptions are easy to find.

    -snarkbot

  87. After this video, no more Disney! by bill_mcgonigle · · Score: 1

    "Factor 4: If this kind of use were widespread, what effect would it have on the market for the original or for permissions?"

    Well after seeing this video, I'm never buying any Disney products again!

    (OK, I wasn't already)

    (OK, I've been a hypocrite for Studio Ghibli films)

    --
    My God, it's Full of Source!
    OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
  88. Don't mean to be a pedantic PITA by spoco2 · · Score: 1

    OK, maybe I do...

    But the video is 10 minutes long, and copyright used to be 14 years, not 17...

    But I agree with your stance, I don't see why a creator of a work shouldn't have copyright over that work for the length of their life... and a company should have copyright for the length of an average human life or so.

  89. Just think of the children... by NotQuiteReal · · Score: 1
    If the copyright on good old Mickey ran out, every Mickey Mouse item would say "MADE IN CHINA" on the bottom...

    Oh, wait. Nevermind.

    --
    This issue is a bit more complicated than you think.
  90. Sampling? Legal because non-commercial? by lpq · · Score: 1

    How is this, or "is this", different than "sampling"?
    I.e. -- in the audio industry, I had (have) the vague impression that one had to have permission to include samples of someone else's song as a component in a new song.

    Perhaps the legality hinges on this being a non-commercial work, whereas if it was commercial, Disney could be all over them?

    What a fine line.... and yes...it is a shame that our current congress gives special regard and protection to corporations at the expense of the "people" / society / "the public".

    Our society is that much "poorer" in that corporations have managed to "steal" their content from what used to be public domain (i.e. the time after the original 14 (17?) year copyright period).

  91. What's missing... by themushroom · · Score: 1

    Funny the video should not include Mickey Mouse (Steamboat Willie has exceeded its period) and Winnie The Pooh (a long legal fight over ownership has raged). Loved it nonetheless.

    "Copy..." - Buzz Lightyear

  92. Re:Amazing? Amazingly criminal... by cpt+kangarooski · · Score: 1
    How do you know that? I was under the impression that in US law there is no statutory line: it's decided by the courts on a case-by-case basis.

    Generally, this is not true. There are two bodies of law in the US, statutory law and common law. The statutory law is written law created by legislative bodies, such as Congress, state legislatures, administrative agencies, etc. The common law is somewhat more nebulous, and is created by the courts. Where they are in conflict, the statutory law overrides the common law. Courts routinely must interpret the law, whether statutory or common, in order to determine precisely what the language of the law actually means. There are often disagreements as to the meaning of the law, whether it is acceptable to look outside the law for clues as to the meaning (e.g. a contemporaneous statement by the lawmaker that goes 'What I meant, when I drafted this law was...,' if so what sources may be considered, whether a given possible meaning makes sense in the context of other laws, etc. To help settle these disagreements, courts will look to what other courts have interpreted the laws to mean in the past. This is useful for several reasons, not the least of which is consistency, i.e. if case A is like case B, a court will generally behave in deciding case A in the same way that it did in deciding case B. There are two parallel court systems: state courts, and federal courts. They don't outrank one another, save in certain circumstances (i.e. the federal courts are more authoritative at federal issues, and the state courts at state issue). There is also a hierarchy, where you have trial courts at the lowest level, appellate courts at the intermediate level, and supreme courts at the highest level. Any opinion by any court may be cited as precedent, but decisions made by a higher court are binding on the courts below it. There are also divisions along geographic lines. For example, there are several federal district courts (trial courts) serving different portions of the state of New York. All of them fall under the Second Circuit Court of Appeals (appellate court). And both the district courts and the circuit court fall under the Supreme Court, which is nationwide. Many, if not all states, do something similar with county courts and circuits over them.

    In many other countries there is a civil law system in which there's no precedents or common law. I don't know much about it, but it seems bizarre to me. I like what we've got.

    Or did you mean that fair use is decided on a case by case basis? This is absolutely true for copyright fair use. But trademark fair use is a bit more limited. Trademark fair use, found at 15 USC 1115(b)(4), is this:

    That the use of the name, term, or device charged to be an infringement is a use, otherwise than as a mark, of the party's individual name in his own business, or of the individual name of anyone in privity with such party, or of a term or device which is descriptive of and used fairly and in good faith only to describe the goods or services of such party, or their geographic origin


    It's a bit more of a bright line in some respects than copyright fair use. There's still the vague word 'fairly' which could be stretched or compressed as a court saw fit, but you have to get to that point by not losing on any of the more simple tests, e.g. that you're not using the mark as a mark.

    Still, the filmmaker is parodying Disney itself, which is infamous for its meddling with copyright and is taking strong steps to avoid confusion. I don't think that his position vis-a-vis the logo is as strong as it could be, but I don't think he's screwed.
    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  93. Re:Amazing? Amazingly criminal... by Virtual_Raider · · Score: 1

    (Still no -1; Wrong though.) And I hope we never get it because we would potentially miss on useful information like the one you provide in your reply. How would a -1 Wrong let me know what is wrong, why, and what would be correct? Only by posting like you did =) This is a discussion forum, not an assessment one. I am NOT trolling I didn't know one is protected and not the other, also I have moderator points but instead of modding you down I decided to practice what I preach. Cheers!
    --
    +Raider of the lost BBS
  94. Re:Sampling? Legal because non-commercial? by JurgenThor · · Score: 0

    It's allowed for purposes of teaching. This is an educational video.

    --
    GENERAL PUBLIC SIGNATURE (GPS) Any replies (derivatives) of this post must also use the GPS
  95. Re:Amazing? Amazingly criminal... by snarkbot · · Score: 1

    A good point, and doubly so because no one has ever taken the time to respond to my "-1; Wrong" snarks before and point out the downside of adding one. It just gets frustrating when the mod system hides the replies at 1 which correct the parent at 4 or 5. Not that I have a solution. :)

    Thanks!

    -snarkbot