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Internet Radio Will Go Silent on June 26th

Spamicles writes "Thousands of U.S. webcasters plan to turn off the music and go silent this Tuesday, June 26th, to draw attention to an impending royalty rate increase that, if implemented, would lead to the virtual shutdown of this country's Internet radio industry. In March, the Copyright Royalty Board announced that it would raise royalties for Internet broadcasters, moving them from a per-song rate to a per-listener rate. The increase would be made retroactive to the beginning of 2006 and would double over the next five years. Internet radio sites would be charged per performance of a song. A "performance" is defined as the streaming of one song to one listener; thus a station that has an average audience of 500 listeners racks up 500 "performances" for each song it plays."

12 of 250 comments (clear)

  1. Solidarity! by Anonymous Coward · · Score: 5, Interesting

    I'm not even in the music industry, but I'll be shutting down my web site (w/a notice explaining why & a link if someone has one) on that day to bring awareness to this issue.

  2. And in other news by MyLongNickName · · Score: 5, Funny

    .... five users wonder what happened to their favorite web site.

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  3. Ob by edittard · · Score: 5, Funny

    Thousands of U.S. webcasters plan to turn off the music and go silent this Tuesday, June 26th
    Coming up after the break, John Cage's estate launches biggest copyright infringement suit ever.
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  4. Re:What does this mean for... by Anonymous Coward · · Score: 5, Interesting

    Or would that be disallowed completely, even if the person wasn't broadcasting any music that they might have say over?

    Exactly. Soundexchange gets paid even for non-member music. The law says that if you can't pay them, you don't play the music.

    Now, there is one thing though, Soundexchange is required to allow artists and radio stations to contract directly and individually and is required to track all of these individual contracts so that they don't bill for those recordings. As creative commons grows, we might have a bit of a weapon to fight back with, if on our end we set up something more-or-less automatic for creating those contracts, it may turn out that we can swamp Soundexchange with them if they haven't already automated their end of the deal. If we can, and Soundexchange fails to keep up their end of the law, since they are "deputized" to operate the law, their failure might be prosecutable as malfeasance (if you can convince the Department of Justice to care about corporations), especially if it can be shown that at some step of the way they intentionally refused a contract or knowingly billed for a contracted performance.

  5. I wrote both my state sentators... by LinDVD · · Score: 5, Informative

    You want a politician to respond to you? Snail mail is *still* the best way. Take ideas from a template if you must, but make most of the stuff, if not all of it up yourself. Be concise, but be sure and make your point. Bitching about a situation is obviously easier, but I got a reply back from Senator Boxer about a week ago (with the original letter sent in late May), which stated the following:


    Thank you for writing to me regarding proposed changes to the assessment of royalty fees that Internet radio broadcasters pay to musicians and record labels. I appreciate hearing from you on this issue.

    As you probably know, the federal Copyright Royalty Board (CRB) has released its plan for charging online radio broadcasters for royalties. The Internet Radio Equality act of 2007 (S.1353), which was recently introduced in the Senate, would nullify the CRB's proposal and prevent the new royalties assessment plan from taking effect.

    S.1353 is currently being considered by the Senate Judiciary Committee. Please be assured that I will take your comments under advisement, should this legislation come before the full Senate.

    Again, thank you for writing to me. Please keep in touch with me about this and any other issue of concern to you.

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  6. Re:RIAA Wins and Loses at the same time by Anonymous Coward · · Score: 5, Insightful

    Exactly what do they think they've won here?

    Distribution Control.

  7. This is Just a Taste of What is to Come by Brad+Zink · · Score: 5, Insightful

    This issue is emblematic of a much larger phenomenon that is only going to increase over time. That phenomenon is the increasing gap between modern society and what the bureaucracy perceives it to be. The government had enough trouble when change was slow. Now as the speed of change gets quicker by the week, the out-of-touch nature of government becomes not just an issue to laugh about, but one to be of great concern. Political ideology combined with an insularity from change will stifle those who are the best and the brightest at the expense of those that are the most powerful.

  8. Re:Supply and demand by Attila+Dimedici · · Score: 5, Informative

    Yeah, but why does this apply to Internet radio and not broadcast radio? The principle you described is the model for broadcast radio, yet broadcast radio does not pay this way. This is about the record industry eliminating internet radio. The record industry controls what is played over broadcast radio, there are too many internet radio stations for them to get that kind of control over. The other problem is that the amount of the pay-per-listener fee exceeds what advertisers are willing to pay per listener.

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  9. SHH to Canada... by flyingfsck · · Score: 5, Funny

    The US stations could set up SSH tunnels to servers in Canada - 'internet underground railroad radio stations'...

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  10. Re:Retroactive? by idobi · · Score: 5, Informative

    I run idobi Radio. We're an alternative/rock station that's doing fairly well, in terms of popularity.

    The rates set by the royalty board is incredibly high and completely unfair. I agree I'm bias on the issue, but if the current rates are upheld, we would be required to pay $900,000/year just in royalties.

    The current rates, if applied to traditional radio, would require a station like KROQ in Los Angeles to pay $1.4 billion/year just in royalties. Last year, they mad $67 million in revenue. If one of the most successful traditional radio station cannot afford these royalties, how can any internet radio station that still developing a revenue base be able to?

    http://www.idobi.com/news/?p=25408

  11. Re:Retroactive? by ChicagoBiker · · Score: 5, Insightful

    I don't think you're getting the point of this law. The corporations who support it don't run internet radio and they don't want it to continue. This is the easiest way for terrestrial radio companies to make "Internet Radio" illegal. If it's too expensive for your to create and run "myradio.com" then everyone will be forced back to 97.9 FM and they can continue their monopoly of the airwaves.

  12. Re:does this affect SIRI/XM streaming by ClickOnThis · · Score: 5, Informative

    does this royalty regime apply to the streams from XM and Sirius?

    The short answer is "no." In fact, internet radio stations would much rather have it the other way around: they want to pay what satellite radio pays. Right now, they're paying twice the satellite rate, and the new increases would push internet radio rates astronomically higher, retroactive to January 1, 2006.

    In effect, the RIAA (through the Copyright Royalty Board) is trying to kill internet radio.

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