Webcasters Call Bunk on SoundExchange DRM Ploy
RadioFan writes "The settlement between webcasters and SoundExchange is starting to come apart at the seams, because everyone is realizing that SoundExchange wants to force DRM on Net Radio. DiMA, one of the largest Net Radio lobbyists, has fired back at Sound Exchange, calling them out for leveraging high royalty fees to push through DRM requirements that they failed to obtain in Congress via broadcast flag and anti-recording legislation. Was this whole thing a ruse to get DRM on net radio?"
How in the hell could DRM prevent this?
But, then again, look at what I'm criticizing! I challenge anyone to list one technology or product that DRM has successfully 'worked' on (in that it prevents piracy). This is laughable and brings the phrase "defective by design" to whole new levels I never thought possible. Not only will it be defective, use cycles and memory on your machine but it will probably make the quality worse. Bravo, DRM, bravo.
Nothing I've found on this lays out the implementation so here's my prediction. SoundExchange wants the minimum offer/DRM model in place. Then they can prove it's possible to still streamrip. Then where does that put the web radio sites? At the mercy of SoundExchange, of course, because they implemented something that didn't satisfy a contract.
My work here is dung.
Surely the obvious solution is for the net radio stations to move their server out of SoundExchange's reach. I hear hosting in Russia isn't too expensive these days.
"Welcome to our world. We are the wasted youth. And we are the future too." Yes, I know these are stupid lyrics.
Noticed this reaction from one ripping software company. Used the software before, works petty good... and I agree with a lot being said on this about the latest in this mess.
I've said it before: the RIAA wants to hobble net radio, because it represents a huge threat to the control they currently hold over what people listen to. They dictate to the terrestrial stations which artists will get airplay, something that is impossible to do when any schmuck can start a web site and stream music. That's why the terrestrial stations don't pay this "performance royalty." They're the "good guys."
Net radio gives opportunities to unknown/independent artists to reach potential fans, and this simply does not serve the interests of the "big five" (or is it "big three" now?) record companies who are responsible for all the crappy music, cross-fading and talking over we get on commercial, FM radio these days.
So, sure, they want to introduce DRM to net radio, as well as crippling fees that only allow big companies (like AOL, for example) to play. Anything to wring a few more dollars out of unsuspecting music fans and prolong their control over the choices available to us.
I don't care why you're posting AC
I listen to a local Clear Channel station online while at work. The week of July 4th, the stream suddenly stopped playing in Winamp. They had implemented a DRM scheme that requires you to play it through their web player (WMP10).
So...I'd say it's already here.
ACs are modded -6. I don't read you, I don't mod you, I don't see you. Don't like it? Don't be a coward.
That comment reads (in ROT13):
We just encrypt everything with Rot13? It benchmarks favourably in terms of security with such industry standards as CSS and WMA, both of which are broken.
I reply - even better, we have the DMCA already on the books; so legally ROT13 is just as secure as any other protection mechanism, if you break it, you can be sued. This is the case, I propose DRM move to Double-ROT13. ROT13 is an old method, and like DES moving to TripleDES (3DES), ROT13 should update to 2ROT13 for increased security AND performance - even better, it works out of the box on existing players - zero compatibility problems, no need to worry about whiny users with old or new technology.
Returned Peace Corps IT Volunteer
Yes. Next.
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