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The New School of Videographers

Provataki writes "This editorial discusses the impending explosion of hobbyist artistic videographers, in the same way that happened with digital photography just a few short years ago. The article claims that it's time camera manufacturers create camcorders equivalent in principle to the cheap DSLRs that we currently enjoy. Some beautiful HD footage, shot by amateurs, is shown too."

4 of 103 comments (clear)

  1. An interesting counterview by Anonymous Coward · · Score: 5, Funny

    Are digital cameras (and even worse, camcorders), really a good thing? This well-written and thoughtful article argues that the answer is no.

  2. But do they know how to write? by EtoilePB · · Score: 5, Interesting

    This was just on the cusp of being A Potential Big Deal when I was doing my master's in film school (finished in 2005). But honestly, the failure of most amateur and professional narrative (fiction -and- nonfiction) films is not the framing or the filming or the colors or the shots or the material. The failure is that not nearly as many people are as funny or as clever as they think they are. They don't have good senses of timing, of editing, of rhythm, or of narrative structure.

    Over the coming next few years it'll be really interesting to see what *does* happen with more technology and less expense in the hands of amateurs and of professionals and of the "aspiring" class stuck between the two. But for now, YouTube ahoy.

  3. Great technology, but you still need talent. by tinrobot · · Score: 4, Insightful

    Cheap and good audio equipment won't make you a better musician, cheap and good digital cameras don't make you a better photographer, cheap and good electronic publishing don't make you a better writer. The technology doesn't make the art, but it does open doors to people who have the talent, but not the money.

    The same goes with video. A cheap and good HD camera will not make you a better filmmaker, it will simply allow those with filmmaking talent more opportunity to explore and hone their craft.

    All this technology is great, and it's very democratizing. It allows more people to pursue their creativity, and also offers the truly talented more opportunity to rise to the top.

  4. The quick answer? No. by Ralph+Spoilsport · · Score: 4, Insightful
    Why?

    A variety of reasons:

    1. the most important part of a video is? The Audio. You can take something that was shot on a fischer-price pixelvision camera, and if you finesse the audio - it can "look" awesome. Audio matters in a first rank kind of way.

    1. the other most important part of a video is? Storytelling. If it doesn't tell a compelling story, or an interesting story in a compelling manner, nobody gives a flying fuck. The wasteland of 20th century "experimental" cinema is proof. Andy Warhol did a 24 hour film of the Empire state building, and it was a pointless waste of filmic Koolaid that the avant garde sucked right down. Kubrick, Wenders, Herzog, and even into documentary filmmaking - the list is long - and it all proves one thing: Storytelling matters, and is tied with Sound for #1 importance.

    2. Editing. Editing is #2, and it's a close 2.Editing won't fix a broken story, and it won't make something sound better. But it can take a mediocre story and make it more compelling. So editing is #2.

    3. Acting. Assuming one is not doing straight nature documentary, Acting is required. There are a variety of vagaries around this - charisma is hard to pin down. But it is necessary, if one is going to make a compelling video or film.

    4. Lighting. Lighting DOES matter, but it can be "worked" - sunlight is fine, if variable - but it helps to have a light bounce around to add some clarity and reduce shadows a bit. As a consequence, Lighting is a definite 4th. It doesn't usually break something, but it can make something.

    5. Catering. If you have a crew that consists of someone other than yourself, FEED THEM. Seriously.A well fed crew and actors are a happier bunch who can do good work. If everyone is scampering off to feed themselves, you lose control of the set, esp. in an amateur / non-union production.

    So - ALL of these things exist outside of the HD format, and they exist solely in the field of pre and post production. So: now we come to amateur productions in HD:

    The sound? Sucks - built in camera microphone. Arf. You can hear the camera whirring. It's tinny and lame.

    Story? What story? Cat poops on bed! Ewwww! end of story. that's a great use of technology. Or: the "avant garde" film maker who sits and shakes the camera while a naked woman reads the phone book. Great. That's something I'll remember forever. After I beat the crap out of the filmmaker for wasting 10 minutes of my life.

    Acting? My sister was an understudy for her high school production of 1776! She's GREAT! Not.

    Lighting? Hey - those CFLs are GREAT!

    etc. etc. etc. Putting ever higher technology in the hands of citizens does NOT guarantee higher quality work, except in the narrow and meaningless sense of it being in some precise and lovely format that is de facto to the technology itself.

    It's not bad that they have access to the tech, it's just no promise of quality.

    RS

    --
    Shoes for Industry. Shoes for the Dead.