Slashdot Mirror


Copyright Alliance Presses Presidential Candidates

I Don't Believe in Imaginary Property writes "Not satisfied with the current copyright terms of life plus seventy years and huge financial liabilities for infringement, the Copyright Alliance is pressuring presidential candidates for stronger copyright laws. In particular, they want the candidates to promise to divert police resources to punish even non-commercial copyright infringement. After all, without copyright, what would become of the next Shakespeare, Michaelangelo, or da Vinci?"

57 of 291 comments (clear)

  1. Great Works by dintech · · Score: 5, Insightful

    I refuse to believe Shakespeare, Michaelangelo, or da Vinci's works would be any less great despite their copyright status. Don't those works predate copyright? Aren't they just proving the point that great works are most useful when they are free in the public domain?

    1. Re:Great Works by dintech · · Score: 5, Insightful

      I'd also like to add that those artists were successful in their own times. Maybe not mega rich, and maybe there were fewer people hanging off them getting rich from their talents. However their lives perhaps demonstrate a successful model for artist in the post copyright era. In the case of Shakespeare by having his work played in the public domain perhaps the future for bands? Also Michaelangelo being commissioned (and paid) for his art. I'm sure their are a few rich fans out there who would love to commission their very own Red Hot Chilli Peppers track for instance.

      Oh I'm sorry, I'm forgetting about the poor media execs...

    2. Re:Great Works by clubby · · Score: 5, Funny

      I'm no fan of copyright as it exists today, but just because I don't believe entertainers should necessarily be fabulously wealthy doesn't mean I want them to die broke and penniless, and that did happen a lot more prior to copyright.

      That said, the idea of diverting further police resources to prosecute people who listen to music they're not supposed to listen to is terrifying. Yikes! If I didn't already live in Canada, I'd move to Canada.

    3. Re:Great Works by arivanov · · Score: 4, Insightful

      They would not be less great. They will be in jail.

      Sir Isaac Newton wrote, "If I have seen farther than others it is because I have stood on the shoulders of giants".

      So did Shakespeare, Michaelangelo, da Vinchi, Bocaccio, Chocer and everyone else.

      If copyright was enforced at that time they would have been in jail.

      --
      Baker's Law: Misery no longer loves company. Nowadays it insists on it
      http://www.sigsegv.cx/
    4. Re:Great Works by Zeinfeld · · Score: 4, Insightful
      This is such an unattractive debate. I have less than zero sympathy for either pole.

      On the one hand we have media execs that demand tougher copyright laws "to protect artists" while having clauses inserted in the same bill to cheat them of their returned rights.

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.

      Copyright is a legislative issue. The chance of a Presidential veto of copyright legislation is quite small. The opinions of the candidates are pretty well irrelevant.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
    5. Re:Great Works by Tony · · Score: 4, Insightful

      . . . doesn't mean I want them to die broke and penniless, and that did happen a lot more prior to copyright.

      Many people died paupers, not just artisans and inventors. Even today, most musicians, authors, poets and inventors die without making much money from their art, while most other folks have a bit more income.

      --
      Microsoft is to software what Budweiser is to beer.
    6. Re:Great Works by dintech · · Score: 4, Insightful

      It was a different era, though. During that time, there were less people who aspired to be artists.

      This is true. However, I think the reason there are more artists is purely because there is more money. Not because the human race is suddenly more artistic. I'm sure if the money disappeared then so would the 'me-toos' that drown out the good works. The true artists would remain because they've always been there regardless of money.

    7. Re:Great Works by rolfwind · · Score: 2, Insightful

      Indeed, the great copyright myth as it is sold today covers the fact that the corporations benefit from it in the current state and they are only lobbying for more. Many famous artists don't even own their own songs in their entirety.

      We shouldn't be duped into thinking this corporativism is helpful at all for the artists. Frankly, I don't think any legislation - even well intentioned legislation - will ever help artist. What will help them is open distribution channels where they can retain control instead of signing it over to Megacorp - and that is what the internet is providing.

      Few mainstream muscians have gone that way (Radiohead, NiN), but hopefully it'll only be a matter of time until more realize this.

    8. Re:Great Works by belmolis · · Score: 4, Informative

      Sorry, the OP is right. The quote is not from Einstein. It is from a letter of Sir Isaac Newton to Robert Hooke dated 5 February 1675 (corresponding to 15 February 1676 in our calendar).

    9. Re:Great Works by Captain+Splendid · · Score: 2, Insightful

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.

      Man, I'm sick of this strawman argument. The only people who want everything free, forevah, are retarded 12-year olds. The rest of us just want to pay a fair price, which basically means premium price for new/popular stuff, and a lot less for everything else. You know, how the market works.

      --
      Linux, you magnificent bastard, I read the fucking manual!
    10. Re:Great Works by arivanov · · Score: 4, Funny

      Yep, Einstein goes straight to jail too. Quote is Newton's.

      --
      Baker's Law: Misery no longer loves company. Nowadays it insists on it
      http://www.sigsegv.cx/
    11. Re:Great Works by Quantam · · Score: 4, Interesting

      "On the one hand we have media execs that demand tougher copyright laws "to protect artists" while having clauses inserted in the same bill to cheat them of their returned rights.

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists. "

      I'm increasingly of the belief that the morality of file sharing is irrelevant. Right or wrong, I doubt even the government can stop it, as easy as it's become. And we're already at the point where companies' pursuit of profits are inhibiting the good of society, and stopping file sharing (if we are to assume that is even possible) would go much further than that, with a result a lot worse than starving artists and media executives.

      --
      You have tried to support your argument with faulty reasoning! Go directly to jail; do not pass Go, do not collect $200!
    12. Re:Great Works by Zeinfeld · · Score: 2, Insightful
      One important option is that the copyright should never be transferable - the creator shall always be in control. There may be multiple creators involved in a work, but that's still possible to handle.

      OK I have just finished writing a book. If copyright was not transferable I would have had no choice other than to self publish.

      OK so you didn't quite mean that I guess, you meant that the author's share is not transferable. But that means that I have no option other than to rely on income from royalties. I can't get an advance from the publisher because doing so would mean transfering the rights.

      Copyright only has a value to authors if it can be traded. If I have an annuity income stream from any reliable source I am going to be able to find someone who is willing to factor it and give me a lump sum.

      The fact that the labels and the studios take assinine positions on copyright does not mean that opponents should. There was relatively little wrong with the state of copyright law in 1950. Its only recently that it went pear shaped. The studios and labels made the mistake of making a land grab at the same time that new technology was threatening their traditional revenue models.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
    13. Re:Great Works by PopeRatzo · · Score: 4, Insightful

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.
      Zeinfeld, you're not paying close enough attention. I am anything but exceptional, yet I make great effort to support artists and innovators directly, completely circumventing the copyright system. As someone who makes my living with my intellectual property, I am qualified to give an opinion on the issue: Supporting the record labels, movie studios, Sony, Fox, etc., has absolutely zero to do with supporting artists. If they could get away with it, every one of those corporate vendors of art and media would do away with creative people completely. To them, we are nothing but superfluous content-providers. That's one reason you see all of the above throwing resources at "user-generated" content. They would love to turn every creative venture into nothing more than a delivery system for wealth from consumers to them.

      I am well-acquainted with the anti-copyright and anti-IP community. These are not people who "want to have everything for free", but generally people who put great value on innovation and creativity. We just believe that innovation and creativity are not being served by the current system, which is designed only to enrich people who have neither innovation or creativity. Most of us actually pay more, and put more energy into supporting artists and innovators directly.

      In particular, they want the candidates to promise to divert police resources to punish even non-commercial copyright infringement.
      This is evidence that the corporations who control content see themselves as above the law, and will go to extreme lengths to protect their immoral and tenuous hold on the flow of ideas. They are fighting on several fronts to keep themselves rich and powerful. They want to destroy the currently relatively neutral manner in which information moves on the internet. They are using every technical tool to try to lock-down content so that they keep complete control over it's movement and use. They want to destroy any publicly-funded spread of content such as libraries. They want to destroy and lock-down any uncontrolled use of content such as Internet Radio, Slingox and similar products, or P2P content sharing. And they will go so far as to destroy the Internet as we currently know it in order to achieve their goals. They will not stop until the Internet is nothing more than a metered, monitored and mediocre method of moving money from our pockets to theirs. They will go to any lengths, including subverting the constitution, bribing lawmakers, and using the police powers hitherto meant for public protection in order to save their wealth and power. Because without their pimping of the creativity of others, they have nothing to sell, no assets, and will disappear.

      I don't think it's hyperbole to say that the RIAA, their sponsors and others like them are the enemy of anyone that believes in liberty, creativity, and the free flow of information and ideas. If you support artists, creators of media, writers, inventors, innovators, or if you yourself are one of these, they are your enemy too.
      --
      You are welcome on my lawn.
    14. Re:Great Works by Zeinfeld · · Score: 4, Insightful
      I'm increasingly of the belief that the morality of file sharing is irrelevant. Right or wrong, I doubt even the government can stop it, as easy as it's become. And we're already at the point where companies' pursuit of profits are inhibiting the good of society, and stopping file sharing (if we are to assume that is even possible) would go much further than that, with a result a lot worse than starving artists and media executives.

      Society is not held together with technical security measures. It is held together by accountability and honesty.

      The critical mistake of the RIAA is that they engaged in a whole heap of unethical practices such as the returned rights grab at the same time that they were demanding ethical behavior from others.

      The RIAA made it socially acceptable to commit file sharing. People don't see the behavior as criminal, they don't see it as wrong.

      This should not suprise people, after all President Thumscrews is doing the same in Iraq, preaching to the world about the benefits of democracy while actively encouraging the use of torture.

      Hypocrisy has a corrosive effect on society.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
    15. Re:Great Works by Zeinfeld · · Score: 2, Insightful
      Man, I'm sick of this strawman argument. The only people who want everything free, forevah, are retarded 12-year olds. The rest of us just want to pay a fair price, which basically means premium price for new/popular stuff, and a lot less for everything else. You know, how the market works.

      It is the argument repeated time and again on Slashdot. Evul medja execs, blah, cheat artists, blah, get my movies from bit torrent via the Pirate Bay.

      The objective of the Priate Bay is not to make content available at a 'fair' price, it is to make the content available for free. Same for Napster 1.0. Its not a straw man argument, its the business model of the copyright busting companies whose activities are routinely justified and defended on Slashdot.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
    16. Re:Great Works by nEoN+nOoDlE · · Score: 2, Insightful

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.

      Not everyone just wants stuff for free (although that would be nice). Innovation and art is being stifled in the name of copyright and giving artists and execs more money for no work. It's a broken system when a person can make 1 song and live the rest of their lives without working a single day. I'm sorry, but no song is worth that much wealth, and receiving that much is a large incentive to not produce any more art and music. When an artist is threatened and actually has to keep producing for a living, that's when art is at its best. The talking point about how art will not be produced if an artist can't make "fuck you money" doing it is a flat out lie, as has been proven since the beginning of time before copyright. While 99% of the population has to struggle every day to get their day's worth of pay, artists can put in a few weeks worth of actual work and live comfortably for the rest of their lives. The music industry wants to make you think that they've got a monopoly on good music, but that's just untrue. Prince and the rest of the RIAA's artists are not the only people with good ideas for music. If they were forced to compete fairly with the rest of the musicians in this world who are struggling to get record contracts because the music industry has convinced them that's the only way to do it, then there would be a lot more music out there to listen to, and a lot more innovation and good music being produced.

      And I'm saying this as an artist. I work as an animator, something I've dreamed about since I was a little kid. I would be doing this even if I didn't get a paycheck for it.

      --
      Don't trust a bull's horn, a doberman's tooth, a runaway horse or me.
    17. Re:Great Works by TheVelvetFlamebait · · Score: 2, Insightful

      If you disagree with those arguments, that's fine. Misrepresenting people's views, strawman arguments, are never acceptable
      But he's not misrepresenting people's views! There are a lot of people out there who are in favour of abolishing copyright. They may not get modded to +5 Insightful very often, but they are there. Some of them are more passive than others, opting to wait and try to steer the market away from copyright. Others are a bit more forward about it, some of whom demand that copyright be abolished NOW! These people DO want to get stuff for free, although many of them wouldn't admit it if you ask them. However, as an entire movement, they've managed to convince me that it isn't primarily greed that's motivating them, rather the genuine ideological conviction that culture and information should be accessible and free to anyone who seeks it out. While I respect that, and I agree it would be nice, I just don't think it's feasible, so I'm constantly locking horns with them.

      Don't kid yourself, your "side" of the debate has its share of extreme views, and their influence on the debate is not insignificant.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    18. Re:Great Works by SonicSpike · · Score: 3, Insightful

      Actually the chance of a presidential veto with Ron Paul as president is quite high!

      --
      Libertas in infinitum
    19. Re:Great Works by TheVelvetFlamebait · · Score: 2, Interesting

      The RIAA made it socially acceptable to commit file sharing. People don't see the behavior as criminal, they don't see it as wrong.
      No, that's not quite true. Naturally, it's easy to get that impression from sites like Slashdot, but in the wider community AFAICT, people do feel guilty about piracy. One person, I kid you not, was actually relieved that a CD was copy protected, so that he wouldn't have to face the decision of a new CD + guilt, or nothing. What the RIAA has done is polarised the debate somewhat. They've all but jettisoned people on the fringes (i.e. Slashdotters, etc), and have piled the guilt onto people in the centre, so that they are more likely to pay for their music. I think it was probably the best way to go, since not prosecuting pirates would simply lead to piracy becoming acceptable nationwide or worldwide. With that kind of morality, first the small independent labels would go, working its way up to toppling the RIAA and other large copyright holders.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    20. Re:Great Works by ultranova · · Score: 2, Insightful

      Of course I understand your point, but my attempt at sarcasm was meant to indicate that you are making your point too broadly. "Corporations hate innovation" does not explain why so many corporations fund university research. Nor does it explain many corporations' participation in innovative schemes that bring them no immediate benefit, notably IBM's contributions to Linux.

      No, you don't seem to. Big corporations hate innovation. They fund university research to stay competitive against other big corporations and up-and-coming small corporations; however, the money put to this research doesn't actually increase profits, it simply prevents them from decreasing.

      Big corporations hate innovation precisely because it forces them to spend money to get as much of it as possible for themselves.

      As for IBM, it is simply defending its marketshare. Funding an open-sourced OS is more cost-effective than developing one by itself; however, if not for innovation in competing systems, IBM could slash this cost altogether and be more profitable.

      Big corporations hate innovation because it forces them to expend resources to keep up with it and threatens the status quo and therefore their position. Small corporations love innovation because it threatens the status quo and therefore opens up possibilities of advancement. When you're at the bottom, disruptions are good because you have little to lose and lots to gain; when you're at the top, disruptions are bad because you have little to gain and lots to lose. That's why it's in the best interests of big corporations to try to stiffle change - and that includes innovation.

      Anyway, you don't have to trust my theories on this. After all, the copyright extensions are known as "Mickey Mouse Protection Act" for a reason. The current copyright laws - and, I suspect, other IP laws as well - are the result of heavy lobbying by large corporations. They did not help those corporations to grow; the corporations became big before lobbying for those laws. Innovation preceeded draconian IP laws, so it really doesn't make sense to assume that draconian IP laws would be the cause of innovation.

      This is hardly surprising anyway: the whole point of innovation is to combine pre-existing things in new and surprising ways, and copyrights, patents and other forms of "intellectual property" exist precisely to stop anyone from doing this without explicit permission from patent/copyright/whatever holder. Add in submarine patents, eternal copyright term, horrible penalties from any infraction, and general FUD-mongering by the copyright holders, and it would take considerable amount of willing blindness to claim that the end result is beneficial for innovation.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    21. Re:Great Works by Tim+C · · Score: 2, Interesting

      The RIAA made it socially acceptable to commit file sharing. People don't see the behavior as criminal, they don't see it as wrong.

      I disagree. I think most people found it socially acceptable to copy stuff long before this whole debate got started. Ever since it was easy to copy stuff at home people have been doing it. Why do you think so many games back in the 80s used copy prevention measures? Back then there were no anti-file sharing crusades, no headline-making law suits, no fat-cat executives making easy targets of themselves.

      I'm not saying that the RIAA aren't their own worst enemy, or immoral, etc; I'm just saying that copying has been socially acceptable for much longer than the RIAA could be used as a convenient excuse. If nothing else, people have been copying stuff here in the UK for decades, and I'd never heard of the RIAA before I started reading slashdot.

    22. Re:Great Works by CRCulver · · Score: 2, Interesting

      No, that's not quite true. Naturally, it's easy to get that impression from sites like Slashdot, but in the wider community AFAICT, people do feel guilty about piracy.

      I spent a lot of time in countries where piracy is the norm (since legitimate media is not sold in stores). There is no guilt.

    23. Re:Great Works by DesScorp · · Score: 2, Insightful

      "Man, I'm sick of this strawman argument. The only people who want everything free, forevah, are retarded 12-year olds."

      Well, then Slashdot is dominated by retarded 12 year olds. Because the dominant ethos here is "I want it free, and if you don't give it to me, I'll steal it, and there's nothing you can do about it".

      --
      Life is hard, and the world is cruel
    24. Re:Great Works by Thing+1 · · Score: 2, Insightful

      However, as an entire movement, they've managed to convince me that it isn't primarily greed that's motivating them, rather the genuine ideological conviction that culture and information should be accessible and free to anyone who seeks it out.

      You might be interested in this site, Project Gutenberg, or perhaps for helping out the cause, it's companion site, Distributed Proofreaders.

      Short background: Project Gutenberg is a "digital printing press" for all works that have fallen into the public domain. (They will "soon" run out of material to digitize, since nothing has hit the public domain since 1923. "Soon" could be decades, but Eldred didn't win in the Supreme Court, so expect more copyright extensions...)

      I've read Einstein, Mark Twain, Leonardo DaVinci, Sun Tzu, Machiavelli, and many others without risking violating copyright while reading on my Palm. Highly recommend them! I now understand the two Theories of Relativity, which is no small feat. :) I recommend Plucker as the reader, it's also open source (GPL).

      --
      I feel fantastic, and I'm still alive.
  2. Damn! too late by Anonymous Coward · · Score: 5, Insightful

    I was going to comment making a prediction that someone would completely fail to spot the "what would become of the next Shakespeare, Michaelangelo, or da Vinci?" comment was meant to be ironic. Seems I was too slow.

    Slashdot can be depressingly predictable at times.

  3. Without copyright... by christurkel · · Score: 5, Insightful

    After all, without copyright, what would become of the next Shakespeare, Michaelangelo, or da Vinci?"

    Widely imitated styles that will help usher in a new Renaissance of learning, arts and science?

    --

    CDE open sourced! https://sourceforge.net/projects/cdesktopenv/
  4. Much weaker copyright by webmaster404 · · Score: 3, Interesting

    We need a much much much weaker copyright system. Already, due to "copyright infringement" the *IAA has managed to fine single mothers and college students outrageous amounts of money for supposedly "stealing songs" this has already harmed the emergence of P2P software as a way of distributing bandwidth better as simply a way of "illegally" distributing material. In technology, there is little innovation compared to what there should be due to software patents, outrageous licenses and copyright. We need to protect fair use and give the right to make backups and to share files and songs, without it, despite what the *IAA thinks, our economy of software, music and movies will collapse leaving the *IAA and artists without a penny. Our copyright system is broken, if it becomes hardly any stronger the USA will be right up there with China and other nations that are hostile to information sharing and become even more digitally shackled then we already are.

    --
    There is no "disagree" moderation, and troll, flamebait and overrated are not valid substitutes
    1. Re:Much weaker copyright by dosius · · Score: 4, Interesting

      The most I'll grant anyone respect for is 5-10 years for software and audiovisual media, 20-40 years for books.

      And I'm blatantly violating copyright laws all the time with my BT tracker, but am I bothered? Do I look bothered? I don't see anything wrong with "blatantly ignoring" a law I don't believe is right. We need so many people to "blatantly ignore" it that they have no choice but to concede (like that'll ever happen).

      -uso.

      --
      What you hear in the ear, preach from the rooftop Matthew 10.27b
  5. ZOMG Lobbying! by 4D6963 · · Score: 4, Funny

    Copyright Alliance Presses Presidential Candidates

    OMG! Special interest groups are pushing their agenda by pressuring politicians! We've never seen that before! But what will become of us!?!

    --
    You just got troll'd!
    1. Re:ZOMG Lobbying! by deniable · · Score: 2, Insightful

      Special interests in media. Modern politics is all about money and media. The two go together. Telling media special interests where to go would be a real smart move for a politician. He'd end up with fair and balanced reporting.

  6. Getting you money after you die... by Slashidiot · · Score: 5, Insightful

    Copyright is already far too long, as it lets you make more money while being dead. You are dead! You cannot be productive! No reason to pay you anymore! Because, no matter how well I did at my job, once I die I stop getting money.

    Copyright is supposed to exist to promote creating stuff, so you can profit of what you created. "As long as you live" should be long enough for anybody.

    I certainly will not be creating anything and thinking: "And when I die, my grandson will still be getting money for this!"

    --
    Tis women makes us love, Tis Love that makes us sad, Tis sadness makes us drink, And drinking makes us mad.
    1. Re:Getting you money after you die... by vux984 · · Score: 2, Interesting

      Ah, but that's the beauty of assigning copyright to a corporation. They don't have to die. They don't have to ever stop earning money.

    2. Re:Getting you money after you die... by Plunky · · Score: 2, Insightful
      The two problems with that are, one, corporations, and two, it's reasonable for an artist's dependents to be fed by his work for a little while even if he's hit by a bus one day.

      My employers will not continue paying my dependents for any significant amount of time after I die.

      Whats different for an 'artist' then??

  7. Time to Pull Out Your Glad-Hand by darkonc · · Score: 4, Insightful
    This is the time to start lobbying your presidental and congressional candidates and worker groups. If you get a handful of IT specialists and shop them around to the candidate who's attitude is most friendly to consumer issues in copyright, you'll really get their attention.

    Candidates don't just need money (that's good too). They also need volunteers, and -- if they see people lobbying for volunteers to support pro-consumer candidates, they'll react to that.

    This is where "Vote Early, Vote Often" actually applies.

    --
    Sometimes boldness is in fashion. Sometimes only the brave will be bold.
  8. Shakespear would not have happened by Phantom+of+the+Opera · · Score: 4, Informative
    Some of the Bard's work was based on the work of other artists. Romeo and Juliet come to mind. From Wikipedia :

    Romeo and Juliet belongs to a tradition of tragic romances stretching back to Ancient Greece. Its plot is based on an Italian tale, translated into verse as Romeus and Juliet by Arthur Brooke in 1562, and retold in prose in Palace of Pleasure by William Painter in 1582. Brooke and Painter were Shakespeare's chief sources of inspiration for Romeo and Juliet. He borrowed heavily from both, but developed minor characters, particularly Mercutio and Paris, in order to expand the plot. The play was probably written around 1595-6, and first published as a quarto in 1597. The text was of poor quality, and later editions corrected it, bringing it more in line with Shakespeare's original text. In such an idea ownership culture, those works would never have propagated and come to maturation.
  9. Methinks they need to read the Constitution by Rogerborg · · Score: 5, Insightful

    How would you promote the progress of science and creativity, as enumerated in the U.S. Constitution, by upholding and strengthening copyright law and preventing its diminishment?

    United States Constitution, Article 1: "To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;"

    So I guess the correct response would be to enact legislation:

    1. Prohibiting "work for hire" contracts, to ensure that the exclusive rights are secured for the author. According to the Holy Constitution, all authors should be freelance, not toiling on Massa Mickey's content plantation.
    2. Setting up a body to make subjective value judgements about whether an artwork is "useful" or not, as the Constitution mandates, with an assumption that it is not (otherwise why would the Unquestionable Constitution specify "useful" at all?).
    3. Repeal the Mickey Mouse Protection Act and "limit" the duration of copyright in order to promote "progress", rather than eternal milking of the same work.

    I think that about covers it. Any more that I missed?

    --
    If you were blocking sigs, you wouldn't have to read this.
  10. Penn and Teller need to do a show about this by rolfwind · · Score: 4, Informative
    From TFA:

    The introduction to the questionnaire states that "the livelihood of the next generation, and America's global competitiveness, will increasingly depend on the strong copyright protection that allows creativity to be rewarded."
    Quite the opposite. I don't quite see how the author's life + X amount of years rewards productivity.

    I know someone who is older, around 60, whose father wrote music for movies and TV shows between the 1930s-1950s. He still gets a very handsome check each month for every time one of those shows or movies are broadcasted. The son lived his entire without working, just resting on the fruits of his father's labor. No new music is being produced nor does it encourage anyone to make any.

    So I am left asking, what is this BS? This would encourage less productivity, not more.
    1. Re:Penn and Teller need to do a show about this by adam1101 · · Score: 2, Insightful

      Quoth the Oracle of Omaha:

      "[The perfect amount of money to leave children is] enough money so that they would feel they could do anything, but not so much that they could do nothing."

  11. How about FAIR copyright and FAIR use? by dananderson · · Score: 3, Insightful

    Instead of copyright law biased to the media companies, how about FAIR copyright? Current copyright has outrageously long terms lasting several decades (sometimes over a century). Copyright law has no provision for punishment for Copyright FRAUD where media companies claim copyright on public domain works. Fair use is intentionally vague. Let's level the playing field--both Republicans and Democrats in Congress are in the racket, passing ever-more biased copyright law.

  12. insightfull?? We're moderating ironically now? by Scrameustache · · Score: 4, Funny

    I refuse to believe Shakespeare, Michaelangelo, or da Vinci's works would be any less great despite their copyright status. Don't those works predate copyright? Yes they do, by hundreds of years, and that sarcastic point soared majestically high above your head, like a mighty eagle.
    --

    You can't take the sky from me...

  13. Part of my inaugural speech ... by Daniel+Dvorkin · · Score: 5, Interesting

    "My fellow Americans, today we face many pressing issues: the war in Iraq, assaults on traditional liberties at home and abroad, a difficult economy, climate change, and the list goes on. There's another issue I'd like to address today, and it may seem like it's not quite on the scale of those others. But it's an important one, and it has implications for everything I just mentioned, because the way we're going to solve those problems isn't just to ignore them and hope they'll go away; it's to use our heads and figure out solutions. More than two hundred years ago, the Founders of this great nation decided that one of the best ways to do that was to make sure that smart people who came up with important ideas were rewarded for their work, and I'd like to thank the Copyright Alliance for bringing this issue up.

    "Today, I am calling on Congress to fulfill their Constitutional duty to 'secure for a limited time' copyrights and patents. And limited time means limited time. It doesn't mean extending copyright every time Mickey Mouse might be due to enter the public domain. It doesn't mean sitting on patents for things that you didn't invent until someone else figures out how to make money off it, and then suing them out of the blue. When the Constitution was signed, it meant twenty years. If twenty years was good enough for James Madison, it's good enough for me. So I urge Congress to send me a bill restoring the terms of intellectual property law to their original forms, and making it clear that it's a civil matter, not a job for the FBI, because you know, Osama bin Laden is still out there and frankly I think the FBI has more important things to do."

    "Thank you, good night, and God bless America."

    But that's probably not the answer CA is looking for. ;)

    --
    The correlation between ignorance of statistics and using "correlation is not causation" as an argument is close to 1.
  14. Writer's strike by Scrameustache · · Score: 3, Insightful

    Copyright Alliance executive director Patrick Ross says he speaks "on behalf of the 11 million Americans employed in the creative industries," and asserts that piracy reduction is essential.
    "The future of our creative output in the United States is at stake in the 2008 presidential election," the letter to the candidates says. "It is critical not only for members of the creative community but also for the US economy to ensure that copyrights are respected and piracy is reduced. We are asking you to let us know what you would do to help preserve one of America's greatest strengths, its creative community." Would those lobbyist happen to represent the same corporations that are now denying the authors their right to be paid their share for the money that is made in new media?
    My, how 'uncharacteristically' hypocritical of them.
    --

    You can't take the sky from me...

  15. Re:Write your own questionaires by zotz · · Score: 2, Insightful

    Ask them if they think any crime of rape should carry a lesser punishment than any copyright infringement. And if so, which ones and why...

    all the best,

    drew

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
  16. There's an important priciple here. by Erris · · Score: 4, Interesting

    Way to try to justify your illegal activity, slashfags.

    Not that you care about either, AC, but laws should follow morals, not the other way around. Copyright laws are the result of corruption and following them is often immoral. They prevent the free flow of information more important than pop songs anyone can hear on the radio anyway. If the US is still a functional democracy, these initiatives will be defeated and bad laws like the DMCA will be rolled back. As is usually the case, private privilege has led to vast public harm.

    Copyright laws have gotten so bad that scientific and medical journals are restricted and hard to find. This is both against the author's intentions and a sever blow to the whole purpose of copyright law. Authors who publish seek the widest possible audience. They want anyone who's interested to have ready access to their findings and that's what publishing is supposed to be about. The purpose of US copyright and patent law expressed in the US Constitution is to "promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries." Any law that goes against that purpose requires a constitutional amendment. Again and again, prominent scientists and artist have stepped forward to complain.

    --
    DMCA, Hollings, Palladium. What might have sounded like paranoia is now common sense.
  17. The issue by edwardpickman · · Score: 3, Interesting

    The real point that should answer the questions is who owns the copyright the creator or the community at large? That really seems the debate. As a copyright holder I've already radically changed what work will be released to the public and how it will be released due to the weakness of the current copyright system. Electronic distibution and foreign markets that ignore copyright has seriously threatened the market and the ability of creators to make a living. Yes there's still money to be made but for how much longer? I have films based on my work in stores in Malaysia shortly after their release for a $1 a copy. South East Asia is already spoiled as a market with the largest potential market China being almost exclusively pirate. If the creator doesn't benefit from his/her work then why do it in the first place? Yes we'll still create but why release it to the public? I can make money off my lesser work so I decided to not release any of my favorite work to the public because of the current system. It's like a genie in the bottle and once it's released it will be copied endlessly. I'm a writer by preference and even if I strictly limit my work to printed text even then some one will likely scan it and post it. The point I'm trying to make is if I can make a living off what I consider lesser work and I want to avoid others exploiting work that is important to me then the world at large will never benefit from the better work. You can say who cares and I agree one artist may not be important but I do know of others quietly doing the same. As free distribution of material gets worse so will the restricting of material so in the end the community suffers. Many artists were mentioned like Shakespear. He's a perfect example. Let's say his work was strictly performed live and never published in any form. He would be completely unknown today. All artists especially writers have work that they never publish. What if they as a group decide to restrict their best work? Already there's been a noticable drop in the quality of the work available. It may not be the primary cause but I will say I know for a fact that some writers are no longer releasing their best work. An artists creation is very much like a child to them and it's at times like throwing your children to the wolves. In the past it was publishers and film studios that molested writers but now the community seems to feel they own our children so it might be time to start keeping our children in a closet. There are two sides to any situation. If the community at large feels they should be able to freely exploit an artists work then they may find one day they control smoke because there might not be much out there to exploit. We need to encourage the best people not punish them. Been to a movie lately? One of my passions is film and in the past I've been known to see three films in a single day in a theater. Now I rarely go and going to Blockbuster is a depressing experience. Dozens of films were released this week for the holiday rush and yet I found myself renting several older films. I'm hesitant to sell film rights anymore due to how poorly they are treated by most film makers these days. Anyone see The Mist? They turned one of Stephen's best stories into a tedious yawn fest. If our best work is going to be stolen and butchered whats the point? I'd rather restrict my favorite work to family and friends and my safe deposit boxes.

    1. Re:The issue by khallow · · Score: 2, Insightful

      As I see it, much of the best work in history has been ripped off from someone else. I can see the argument for copyright, but keep in mind that many of the best artists in history predate copyright. So we have a old counterexample to the claim that ending copyright will destroy artistic creation.

      Second, you seem to be complaining that copyright is weak and then only cite examples where copyright isn't supported? There's always going to be some place where they will copy your stuff for cheap. Is the point of your work to sell in Malaysia or China? I doubt it.

      Last I checked, the US automatically grants life plus 75 or 95 years copyright to any work you create. That's far too generous. My take make copyright less generous and get third world countries to respect copyright, then it'll be reasonable. Maybe make the time period 25-50 years after creation of the work no matter whether you live or die. Partly, I'm looking at this from an economic point of view. I think artists will put out for less than the current overly generous copyright terms. And we stop the abuse of long copyrights by large businesses.

  18. Re:Great Works in the case of Newton by Anonymous Coward · · Score: 2, Funny

    Without Newton, string theory would have been invented hundreds of years ago.

    And that is the very least of his great achievements.

  19. Fixed that by HalAtWork · · Score: 3, Insightful

    "After all, without copyright, what would become of the Copyright Alliance?"

    There, fixed that for ya. What is that, like the new RIAA & MPAA? All I know is if I were an artist that distributed copyrighted works, and I am, I wouldn't really see it necessary to make money off my works after I'm dead. I wouldn't really want to profit off my work more than it's worth either, that's for consumers to decide. I'm a productive member of society and I don't need to leech off of everyone to stay alive, I'm perfectly capable.

    Oh, ok, I see that The Copyright Alliance is a lobbying organization formed on May 17, 2007 by 29 companies and organizations including groups that represent songwriters, recording artists, film makers, authors, photographers and sports leagues (see members below). The group is led by Patrick Ross, who recently left the Progress and Freedom Foundation [The Progress & Freedom Foundation is a U.S. market-oriented think tank based in Washington, D.C. that studies the digital revolution and its implications for public policy.]

    With such members such as RIAA, MPAA, NBC, Major League Baseball, Disney, Viacom, Time Warner, NFL, so basically everyone who is a conduit for someone else's talent.

  20. Wait, wait wait by Almahtar · · Score: 2, Funny

    You have to translate these things so the troll can understand. Trolls have no use for your "facts" or "reason". I'll do the honors.

    "OMG no ur wrong fag.Lol."

  21. Stronger copyright laws create more piracy by Midnight+Thunder · · Score: 2, Insightful

    The reality that the members of the copyright alliance fail to recognise is that if you make fair use so difficult to achieve, then people will default to piracy. The reasoning behind this is that if laws are so absurdly stringent that no mortal being can follow, then they won't even bother.

    The other problem is that culture loses out when copryright still applies to works that the owner refuse to distribute due to 'economic reasons', but fail to allow the public domain to take over.

    With the strength of these fascist copyright holders, we need a fair use lobby with equally strong support. The sad thing is that when so many people fail to realise what they are losing, such counter-lobbies are unlikely to get much support or funding.

    --
    Jumpstart the tartan drive.
  22. More like "all". by k.a.f. · · Score: 2, Interesting

    Some of the Bard's work was based on the work of other artists.

    Actually, 35 of his 36 plays reuse plots from previously published works.

  23. Ron Paul won't bend to this nonsense! by SonicSpike · · Score: 4, Informative

    If you have not researched Ron Paul, then you should.

    He doesn't take money from lobbyists or large corporations. Over 99.999% of Dr. Ron Paul's donations are from individuals, not PACs or corporations. Lobbyists don't even bother to talk to him in Congress because he is known as "Dr. No".

    Contrast this to Fred Thompson who was a lobbyist for years.

    If you vote, consider voting for someone who is principled and honest.

    --
    Libertas in infinitum
  24. who pays to protect, for how long... Re:The issue by bukuman · · Score: 2, Insightful

    I agree with your characterization of the issue as being about community / author ownership. I think the original idea of copyright was that the author would have ownership / 'monopoly on reproduction' for 'enough' time to reap a reasonable reward and then the ownership would pass to the community. In exchange for the value to the community it would provide a legal framework that could be used to defenf the authors monopoly for that initial period.

    I'm a bit confused about who you want to be defended from though. Existing laws already protect against commercial piracy operations and even non-commercial distribution. It's just a case of enforcing them - the easy targets seem to be single mothers in the USA. Do the movie studio's steal work to make bad films? sue em under existing laws...

    It seems now the copyrighteous want not only to extend the period of protection (that the community 'funds' through having laws and courts to hear the cases) but also to increase how much the community directly funds the defence of the copyright holders monopoly. They want their cake and they want someone else to pay for it, oh the want it forever.

    The trick we are all faced with is finding a new balance between the author and the community under the new technical reality of zero cost copying and distribution.

  25. Copyright is too strong already. by CodeBuster · · Score: 2, Insightful

    Although I have made the case before it bears repeating here that copyright laws have already seen too many expansions and extensions during the last decades of the twentieth century with the the Copyright Act of 1976 and the even more notorious Copyright Term Extension Act (aka the Mickey Mouse Protection Act). Prior to the copyright act of 1976 the terms were 20 years plus another 20 year extension if the author filed for one. The term was extended in 1976 to life of the author plus 50 years or 75 years for a work of corporate authorship. The extension act (lobbied and pushed heavily by Disney among others) extended the terms again to life of the author plus 70 years and 120 years after creation or 95 years after publication, whichever is earlier, for works of corporate authorship.

    Now, the Consitution states that Congress may grant exclusive rights for a limited amount of time to their creators...they key word here is LIMITED. You don't have to be the sharpest tool in the shed to realize that most music, including the music of your youth, will not enter the public domain in your lifetime , so how does that give people an incentive to participate in the "bargain" of copyright? It is a bargain in the same way that the mob shakes down people for protection money, using their position of strength to muscle the average citizen or the honest business owner into paying them.

    The last thing we need is another extension of copyright. The founders did not mean "infinity minus one day" (as suggested by former MAFIAA chairperson Jack Valenti) when they said limited. Enough is enough or would be if the MAFIAA wasn't so damn greedy.

  26. Shoot whoever let this "journalism" through... by Garwulf · · Score: 2, Informative

    This piece of garbage actually made my head hurt. One of the things I do to help keep a roof over my head is edit the news stories for the Faculty of Law of the local university, and if one of my writers ever tried to pass me something like this, I would have their head on a plate.

    The first four paragraphs are fine. They state the facts, raise questions (which is always healthy), and everything is backed up. And then it descends into ranting and fear mongering.

    "It is ironic that the content industry invokes the Constitution to support their position."

    No, it isn't. In the face of acts by the FBI and the government that plainly are unconstitutional, this is a laughable statement. The intention of the American founding fathers, as has been mentioned many, MANY times, was to promote science, research, and art by providing some protection for the creators. The American Constitution, however, was built so that it could be amended, as the founding fathers were also smart enough to realize that things change over time. To call upon their intentions is hardly ironic, particularly since those same founding fathers passed the first legal extension to copyright law before the 18th century ended - so the history says that the founding fathers were flexible.

    "Recent changes to copyright law influenced by the content industry--most notably the egregious Digital Millennium Copyright Act and the Sonny Bono Copyright Term Extension Act--have undermined the balance by restricting fair use and expanding the length of copyright protection to preposterous durations."

    This is where the editorializing starts to get even less subtle, and the factual content pretty much disappears. The word "egregious" is a value judgment completely out of place in a news story, as is the statement that copyright protection has been extended to "preposterous durations." Lifetime plus seventy years is the author's lifetime, plus that of his/her children and grandchildren - in short, the people who knew him/her in life. It is far from unlimited. And just because some corporations have tried to abuse copyright law, that doesn't mean that fair use has disappeared - it hasn't. There is a great distinction between the content of a law and the abuse of that law.

    "The steady expansion of copyright law poses a grave risk to creativity and innovation because it threatens to further erode the public domain. Artistic creation will suffer gravely when the cultural heritage of America can be chained down and held ransom."

    This is a statement better suited for an op-ed, not the news section. Aside from which, history has already proven it wrong. The writer has conveniently forgotten that the United States has tended to lag decades, and sometimes generations, behind the rest of the world on copyright law. If expansion of copyright law to meet the European standard of length is so terrible, how is it that Europe and Canada, which have been functioning under those terms now for decades, have remained vibrant in their cultures, rather than becoming a literary and artistic wasteland?

    "When the public domain shrinks, the potential for modern adaptation of classic works is severely constrained. In the future, innovative companies that want to bring older content into new mediums will be deterred by excessive and unjustifiable licensing costs as a result of copyright expansion."

    Another unfounded statement. The public domain is NOT shrinking. In fact, the Sonny Bono act specifically stated that work that had already entered the public domain could not be brought out of it from the copyright extension. The Sonny Bono act also mandated that private letters and correspondences from public figures that had been kept out of the public domain due to lack of publication ("common copyright") would now enter the public domain, vastly INCREASING it.

    Aside from which, a cursory knowledge of copyright law leads you to understand that you CANNOT copyright an idea. You can only copyright the exact implementat

    --
    Robert B. Marks
    Author, Demonsbane in Diablo Archive
  27. Hover by sheer willpower. by DavidTC · · Score: 2, Insightful

    Arguing about the morality of copyright violations on the internet is a bit like arguing about the morality of gravity after you fall out of an airplane.

    You can't sit there and arguable about inevitable thing being 'good' or 'bad'. They just are. Digital data is instantly and infinitely copyable. It's not an argument, it's not a debate, there are no pros and cons to list and weighty questions to decide on, carefully balancing the rights of each side. Copyright with no barrier except legal to copying is meaningless. Poof, copyright just vanishes into thin air.

    So we have fallen out of the plane. We could, perhaps, use some sort of parachute to land slowly, or we could plummet to our death, but the plane ride is over and we are, indeed, going to end up on the ground.

    Notice I am, in no way, arguing this is a good thing, so don't respond with 'You're an amoral bastard who wants to steal everything from people'. We Are Outside the Plane and Falling. That is just how it is. It is not a choice. It was an unforeseen, inevitable result of the internet.

    And this may, indeed, be something entirely horrible that will destroy all artistic creativity forever, leaving us with nothing, or, worse, reality TV. I hope not. But the result of being outside the airplane and falling is not my fault, and I did not say I approved of what will happen, but, nevertheless, we are still there and still falling.

    Almost all discussion that goes on here about copyright is missing this one vital fact, and is instead arguing about the in-flight meal and how we're going to build our own meals instead of eating that crap. Come on, people, pay attention, we're supposed to be smart. Did you not feel the cabin depressurized when we collided with Napster?

    This is why I didn't really mind DRM. It was attempting to grab hold of the plane after we fell out, with a makeshift grappling hook build out of shoes. Not a really viable option, and obviously didn't work, but you have to give props that someone in the corporate world realized: We just fell out of the fucking airplane. Oh shit oh shit oh shit. Do something!

    This article, OTOH, is talking about an attempt to legislate us back into the airplane. It's somewhat sad.

    --
    If corporations are people, aren't stockholders guilty of slavery?