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Italian Parliament To Mistakenly Legalize MP3 P2P

plainwhitetoast recommends an article in La Repubblica.it — in Italian, Google translation here. According to Italian lawyer Andrea Monti, an expert on copyright and Internet law, the new Italian copyright law would authorize users to publish and freely share copyrighted music (p2p included). The new law, already approved by both legislative houses, indeed says that one is allowed to publish freely, through the Internet, free of charge, images and music at low resolution or "degraded," for scientific or educational use, and only when such use is not for profit. As Monti says in the interview, those who wrote it didn't realize that the word "degraded" is technical, with a very precise meaning, which includes MP3s, which are compressed with an algorithm that ensures a quality loss. The law will be effective after the appropriate decree of the ministry, and will probably have an impact on pending p2p judicial cases.

223 comments

  1. Calling all OiNK ex-admins! by Pojut · · Score: 1

    Are you reading this?

    1. Re:Calling all OiNK ex-admins! by hostyle · · Score: 2, Informative

      Er, wasn't oink's claim to fame that it served up non-degraded music, ie. the best quality possible?

      --
      Caesar si viveret, ad remum dareris.
    2. Re:Calling all OiNK ex-admins! by Pojut · · Score: 4, Insightful

      It was indeed...release a 320 bit rate MP3, and it still would technically be considered degraded...not to mention it would be more or less indistinguishable between it a loseless file...unless you are a stuck up audiophile that also believes a multi-thousand dollar cable makes a difference)

    3. Re:Calling all OiNK ex-admins! by somersault · · Score: 1

      So invert one of the bits near the start or end and you'll have degraded the quality (un-noticeably, but measurably!)

      --
      which is totally what she said
    4. Re:Calling all OiNK ex-admins! by edittard · · Score: 4, Funny

      This is an announcement: A long offtopic flamewar about how vinyl is (or isn't) so much better than any form of digital reproduction will be along momentarily. We now return to your scheduled programming.

      --
      At the bottom of the /. main page it says 'Yesterday's News'. Well they got that right.
    5. Re:Calling all OiNK ex-admins! by Pojut · · Score: 0, Offtopic

      And I will start it!

      I personally LOVE the sound of vinyl...provided you have a good turntable (I personally use an MK1200II) and a good cartridge/needle...Vinyl does have a very unique sound that no digital production can recreate.

      That being said, I would still prefer digital over vinyl for a few reasons:

      -Durability/longevity
      -Ease of storage
      -Cost
      -Dynamic range
      -Ease of backing up

      Amongst other things, of course.

    6. Re:Calling all OiNK ex-admins! by sm62704 · · Score: 2, Insightful

      No audiophile needed, nor any rediculously priced cables.

      I've made mix CDs for my car. Some of the tunes are 320 bit rate MP3s my daughter got somewhere (don't ask, don't tell) and some are straight bit for bit copies from the CD. It's a good six speaker system, but far from audiophile. And at 55 years old I hardly have "golden ears". But I can hear the difference between the MP3s and the straight CD rips.

      Now with your typical two little speakers and a "subwoofer" (we used to have bigger woofers, in fact my old non-audiophile JBLs have bigger woofers than what they now call "subs") you kids are using now, you may well not hear the difference.

      If you have a good car stereo, try this: Take your best factory CD and rip every other song to wav and every other song to MP3. Then burn a copy from those rips. You'll hear what I mean, especially since your ears are probably a lot better than mine.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    7. Re:Calling all OiNK ex-admins! by Pojut · · Score: 1

      I know there is a difference (and, naturally, the better the sound system the more you can tell) but still...320 bit rate MP3s still sound great, especially if you have a CD player that can read MP3s directly from a disc.

    8. Re:Calling all OiNK ex-admins! by orclevegam · · Score: 1

      To be far I've had some CDs with pretty crappy audio quality, in some cases so bad I was tempted to just throw away the CD in disgust. Without knowing the quality of the input audio those MP3s were ripped from you can't be a judge of them. A more valid experiment would be to take a CD, rip some of it's tracks to 320 bit MP3, and play the CD and ripped tracks through the same speaker system. It's important not to burn those MP3s back to CD because now you've done two conversions (CD->MP3->CD) and added more entropy to the data in so doing.

      --
      Curiosity was framed, Ignorance killed the cat.
    9. Re:Calling all OiNK ex-admins! by cheater512 · · Score: 3, Funny

      I've always wondered: Why dont they just play a record and record that on to a CD? :)
      You then get the Vinyl sound from a CD.

    10. Re:Calling all OiNK ex-admins! by Maxo-Texas · · Score: 0, Offtopic

      Vinyl is truly continuous like when you wipe waterpaint across a page.
      CD is like a 600dpi laser print of the same waterpainting from three feet away.

      It looks identical to most but there are gaps and some people can see that the printout is not a real watercolor.

      And even at full 25mb scale, the CD is still missing some information present in the vinyl. These come across as "warmth". The total harmonic picture if you will.

      It might be possible to get closer to vinyl by recording at a higher data rate. And there may be a point where the lost data is truly below human hearing resolution.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    11. Re:Calling all OiNK ex-admins! by mmcuh · · Score: 2, Insightful

      That is just silly.

      The only reason some people prefer vinyl over CD is that in many cases vinyl recordings are mastered differently - more dynamics etc, since mostly audiophiles buy them. There is no way that anyone can hear any improvement in actual recording quality in vinyl compared to a CD recording (16 bits per sample, 44100 samples per second). Just because vinyl isn't as easily quantised as digital data doesn't mean that it has infinite resolution.

    12. Re:Calling all OiNK ex-admins! by aesiamun · · Score: 2, Informative

      Burning an mp3 to a cd does no further conversion.

      Whether i read an mp3 from my ipod, my cd player or from a hard drive it's the same mp3, the only difference will be the decoder used.

    13. Re:Calling all OiNK ex-admins! by cheater512 · · Score: 2, Informative

      I understand the differences completely.
      It is however possible to capture the 'warmer' sound on CD.

      Its got nothing to do with data rates.
      Its the physical medium and the processing it goes through.

    14. Re:Calling all OiNK ex-admins! by toadlife · · Score: 1

      320 is pretty high, so the difference you were hearing *may* have had to do with the mp3 encoder or decoder. I did a comparison test a couple of years ago with Lame, vorbis and musepack and uses ~200kbps. The .mp3 and .mpc files sounded slightly different (the mp3 had elevated bass and the mpc had elevated midtones)than the original .wav while the .ogg file was indistinguishable.

      --
      I don't always use unix-like operating systems; but when I do, I prefer FreeBSD.
    15. Re:Calling all OiNK ex-admins! by ResidntGeek · · Score: 3, Interesting

      You can settle this once and for all. Smart guy like you, I'm sure you have a bitching sound card and A-D converter (if not, find someone with a Lunatec V3 you can borrow). Get your turntable and your best-sounding record and record it in 24/192 (at which setting even audiophiles can't claim to hear the difference), then downsample, upsample back to 24/192, put them both in audacity, reverse the phase of one, and whatever results is the difference between them. If it's a significant amount of data (personally, I'd be surprised if it were audible), then congratulations! You win, and you can show any doubters exactly what sound is in the "warmth" that CDs can't produce.

      --
      ResidntGeek
    16. Re:Calling all OiNK ex-admins! by Fast+Thick+Pants · · Score: 1

      Some of the tunes are 320 bit rate MP3s my daughter got somewhere (don't ask, don't tell)... I can hear the difference...
      Not really a fair test if you don't know where they came from. They could have been DRMed iTunes AACs that were burned to CD from iTunes and then re-ripped with a crappy MP3 encoder. The end bitrate doesn't tell the whole story.

      Personally, I can't detect the loss in quality from a CD to a LAME MP3 encoded with "-V0". (Tried it blind, with the same track randomly playing in one format or the other.) But that's with a so-so home stereo system, not a fancy car.
    17. Re:Calling all OiNK ex-admins! by Anonymous Coward · · Score: 1, Informative

      I liked the comment somewhere recently that said that given the groove width of vinyl, and the size of vinyl particles, that vinyl was no more than 12 bits of resolution, maybe a couple more to be generous.

      Make no mistake, people mistake dirt crackles and heat warping of the record as warmth.

    18. Re:Calling all OiNK ex-admins! by richlv · · Score: 1

      don't do this. he would either scream "can't hear you" with both his eyes and ears closed, or fall into depression forever.
      i mean, don't try to pass arguments into a debate about religion :)

      --
      Rich
    19. Re:Calling all OiNK ex-admins! by marcansoft · · Score: 1

      Furthermore, converting the MP3 back to WAV and burning it does no extra conversions either. It just makes the decoding take place in the computer instead of in the player.

    20. Re:Calling all OiNK ex-admins! by richlv · · Score: 1

      so it basically seems to be that you are claiming a capability of differing between 320b mp3 and wav (the original cd).
      well, ask your daughter to do a blind test on you. get some cds, ask her to rip wavs and mp3s with 320b quality. then do a blind test.
      really, if you will be able to tell the difference on all of them all the time, you will be a unique person ;)

      --
      Rich
    21. Re:Calling all OiNK ex-admins! by Maxo-Texas · · Score: 1

      You have mistaken me as a person who can tell the difference. I can't.

      However, my girlfriend can and has done this and hence she still buys some things on vinyl (despite also owning a hundred cd's). And I had a friend who could see the difference between 60 frames per second and 72 frames per second when we played Doom. To the rest of us both looked glass smooth.

      I've known enough people who could hear a difference when I couldn't that I trust that there is a difference.

      CD is a smaller subset of data than a vinyl recording is (which is itself a subset of a live performance and lacks some of the 3d positional clues for multi-instrumental songs).

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    22. Re:Calling all OiNK ex-admins! by pokerdad · · Score: 4, Insightful

      You can settle this once and for all.

      No, you can't because all the technical reasons for why one is better or both are equal is a smoke screen. The real arguments can be boiled down to this:

      1. I can hear a difference, and anyone who say otherwise is clearly deaf.
      2. I can't hear a difference, and anyone who says they can clearly is imagining it.

      Simply put, there is nothing that one side could say that would convince the other they are right because it has nothing to do with the tech and everything to do with the vinyl guys thinking the digitals are deaf, and the digitals thinking the vinyls are loons.

    23. Re:Calling all OiNK ex-admins! by krazytekn0 · · Score: 1

      This is what we call a self-fulfilling prophecy.

      --
      Not all life is cyber. Extra Income
    24. Re:Calling all OiNK ex-admins! by Anpheus · · Score: 1

      Name the brand of monitor that existed around the same era as DOOM that could actually show 72 full refreshes per second.

      No?

      They tell themselves they hear a difference. You're talking to a group of people who buy $400 wooden knobs for their stereo because the wood is supposed to... something or other blah blah blah warmer sounding.

      Throwing in words like "subset" incorrectly doesn't make your argument valid. CD and vinyl mastering is done however people want to do it, and they can even be mastered by the same recording studio to have different sounds (perhaps that's where the warmth comes from, I don't know.) What I do know, however, is that CDs have vastly superior audio quality over a vastly larger number of repeated plays, and that when converted to high quality MP3, FLAC or any of a number of audio formats, they can last indefinitely on a nice RAID array where I never have to worry about their integrity degrading. Or, if I'm particularly lazy, I'll store them in a massively mirrored peer network and retrieve them later at my leisure.

    25. Re:Calling all OiNK ex-admins! by Firethorn · · Score: 1

      Maybe not hear, but our hearing is not the sole sense that detects airwave patterns, especially the deeper ones.

      Going to a 32bit 48khz sample rate might help a few golden ears, as I understand the CD standard was something of a compromise. Still, you need a reallly good sound system to be able to tell the difference.

      --
      I don't read AC A human right
    26. Re:Calling all OiNK ex-admins! by philicorda · · Score: 4, Informative

      This is something that can, and has, been empirically tested.

      If you do a double blind test with the direct signal from the turntable compared to the same through 16bit 44.1KHz digital ad/da conversion, people cannot tell the difference. In any properly set up and level matched trial. Ever.

      The problem is that the vinyl believers cannot accept this, and either will not try it, or do not have the facilities to do a proper test themselves.

    27. Re:Calling all OiNK ex-admins! by werewolf1031 · · Score: 1

      Name the brand of monitor that existed around the same era as DOOM that could actually show 72 full refreshes per second. Daewoo 15" monitor I used in the late 90's, can't recall the exact model number (Google it yourself, I've long since handed that old monitor on to one of my nieces and don't feel like checking). At 640x480 or lower res, it could do 72Hz refresh. Also, you're assuming GP meant monitors at the time Doom was released, which he clearly did NOT specify, so your whole argument on that subject is pointless to begin with (just covering both bases here). And since refresh rates improve dramatically with lower resolutions on ANY monitor, at 320x240 res -- which was customary for Doom and other DOS games of the era -- 72Hz refresh wouldn't be unheard of for the time it was released.

      As for some hearing the "warmth" of vinyl vs. CD's, and some not, I'm sure you're aware that humans do not all hear (or see) at exactly the same frequencies. There is some slight difference from one person to another. Yeah, I can believe that one person can hear differences between one format and another.

      And for the record, I am one who can see the difference between 60fps and 70sps.
    28. Re:Calling all OiNK ex-admins! by AK+Marc · · Score: 2, Insightful

      it has nothing to do with the tech and everything to do with the vinyl guys thinking the digitals are deaf, and the digitals thinking the vinyls are loons.

      It isn't just that the $50,000 tube amp buying $1000 knob (to make the music "warmer") buying nuts think that digitals are deaf, but that the audiofools, I mean audiophiles refuse any tests. They won't compare the best of digital to the best of whatever they like. Double blind studies with good equipment on both sides *always* finds no difference. The audiofools claim that the equipment wasn't good enough so the results are bad, yet refuse to stage the test themselves. Audiofools formed a religion, not a science of better sound. They aren't interested in what's correct, but finding some exisential "truth" that doesn't exist. I have no doubt that the sound from my $50 soundblaster speakers hooked up to my computer is inferior to $20,000 speakers. But how many (if any) can tell the difference between $500 and $5000 speakers? Or $5000 and $20,000 speakers?

      So, using science can't convince the Pope that God doesn't exist, nor can proving scientific equivelence between two ways of storing music convince an audiofool that there isn't a difference.

    29. Re:Calling all OiNK ex-admins! by sm62704 · · Score: 1

      I won't argue with that, I rip CDs to MP3s and let XMMS play them randomly, they take a whole lot less disk space. They're good enough. But I won't burn a CD from an MP3 unless that's all I have.

      By the same token, back in the analog days I'd buy an LP and on the first play I'd record it to cassette, and keep the LP as pristine as possible. The cassette's quality wasn't as good as the LP it was recorded from but it was nearly as good, and good enough.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    30. Re:Calling all OiNK ex-admins! by sm62704 · · Score: 1

      That's a good point. I do know where one of them came from; it was ripped straight from the CD before the CD got ruined.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    31. Re:Calling all OiNK ex-admins! by Anonymous Coward · · Score: 2, Informative

      32bit resolution is only useful if you are listening in a vacuum.
      16bit is better than human hearing can resolve. 24bit is enough so that the Brownian motion of air molecules randomly hitting your ear drums becomes higher than the noise floor of the recording. Though admittedly, your heartbeat, the sound of the blood flowing round your body and the background hiss of your nervous system means you will never hear them.

      Go in an anechoic chamber one day and you will be surprised how noisy your ears are.

      Not that any real 24bit converters actually exist. Perhaps some of the cryogenic cooled ones can do 22 bits on a good day. (Real 22bit, not "Z-Weighted, perceptually adjusted to make the product sheet look good" bits)

    32. Re:Calling all OiNK ex-admins! by Kaenneth · · Score: 1

      CD's lack 'warmth' in the same way a photograph of a fireplace lacks warmth.

      the very high and very low frequencies that you can feel, but not hear/see.

      Just like you can't get a tan from a photograph of the sun.

    33. Re:Calling all OiNK ex-admins! by lazyl · · Score: 1

      The 'warmth' is just noise introduced by the crappy medium. If the artist needs this effect to make his music sound better then that's a sad comment on his music. I'd rather hear exactly what the artist recorded. If he actually wants that effect then he can create it intentionally and a digital recording will have no trouble capturing it.

      --
      Aw crap, ninjas!
    34. Re:Calling all OiNK ex-admins! by Lumpy · · Score: 1

      I can tell you right now what it is....

      Hissss, pop, hisss, pop, wow, click, pop, hissss, click click click, pop, hisssssss pop.

      Even a new record meticulously cleaned and played in a clean room AND had it's static discharged will do all of that. THAT is the warmness and superior sound.

      --
      Do not look at laser with remaining good eye.
    35. Re:Calling all OiNK ex-admins! by Anonymous Coward · · Score: 0

      Epic fail. Burning to a CD, as an audio CD (which is what a majority of CDs burned are, so we're assuming we're talking about normalcy here), decompresses the MP3 to raw audio first then burns to a CD. CD > MP3 > CD is much worse than just original CD.

      Think of it this way, you take your original sandwich, delicious and filling. Stuff it into a too-small box, requiring you to remove all of the turkey just to fit it. Then take it back out of that box, sans turkey, and eat it. It would be better (assuming you like turkey, that is) if you just ate it in the first place.

    36. Re:Calling all OiNK ex-admins! by Anonymous Coward · · Score: 0

      It also depends which program you use to rip. If you use the default WMP, it usually rips and uses volume leveling and lowers the volume of most. Rip using a better ripper, and you won't get the _same_ quality but you'll get better. I will agree with you, though. The MP3 format removes quite a bit of bass, that the human ear doesn't normally pick up (the woofer has to increase the effect).

    37. Re:Calling all OiNK ex-admins! by ResidntGeek · · Score: 1

      All right then, you've made your claim. Now follow the procedure outlined in my post, and give me a sound file of those high and low frequencies, that I may feel the warmth, or at least see a Fourier transform of it. I look forward to receiving your file.

      --
      ResidntGeek
    38. Re:Calling all OiNK ex-admins! by Maxo-Texas · · Score: 1

      As the other guy points out, this was in the late 90s at network lan parties. I know some were after 1998 (cause that's the year I bought my house and the lan parties were in my game room).

      CD has advantages- I'm not saying it doesn't. Jeez, why so emotional over the fact that vinyl sounds better to some people? Clearly you have some epenile issues over this issue. Let it go man.

      25mb of data just isn't the same as essentially infinite data on vinyl. Analog is infinitely variable- digital is not. And CD resolution is fairly low. Perhaps a DVD audio where they store a gigabyte of data per song would be enough to duplicate vinyl.

      Why is it that people go crazy insisting that HD is infinitely better than DVD (and it is basically just double the resolution in both directions) yet saying that increasing audio resolution by over 400% is unnoticable?

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    39. Re:Calling all OiNK ex-admins! by torkus · · Score: 1

      And to take it a step further:

      The frequency response curve from a 500 and 5000$ speaker is going to be DIFFERENT. You (meaning anyone) can argue till they turn blue which is "better" but "better" is entirely arbritrary once you stop trying to exactly reproduce sound. Sound freaks will go on and on about warmth (and a ton of other adjectives that really have nothing to do with music) but can not actually quantify what "warmth" is.

      If someone actually ever decides what the "perfect sound" is then i guarantee i can replicate it digitally.

      --
      You can get rich if you own a politician, but you have to be rich to buy one in the first place.
    40. Re:Calling all OiNK ex-admins! by Anonymous Coward · · Score: 0

      "But how many (if any) can tell the difference between $500 and $5000 speakers? Or $5000 and $20,000 speakers?"

      I think people could tell the difference between the $500 and $5000. With $500 speakers the materials cost for the cabinet is a factor, so you tend to get little ported designs with no real low end, or larger cabinets with crap drivers.

      But I think everyone should at least once in their life hear a set of the big PMC far field monitors in an acoustically tuned studio control room.

      The difference between that and any hifi equipment in a domestic environment is quite shocking. It's doubtful that $20,000 would even cover the acoustic treatment though, let alone the speakers.

    41. Re:Calling all OiNK ex-admins! by The+Great+Pretender · · Score: 1

      shusssssh! Don't say anything until after the final approval...

      --
      A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the effort.
    42. Re:Calling all OiNK ex-admins! by blind+monkey+3 · · Score: 1

      Disclaimer: I definitely do not have "discerning" hearing.
      I have heard two arguments that sound like they might have merit, one is binaural hearing (we listen with two ears for direction and location) - if you play a tone in one ear and play the same tone in the other ear slightly delayed humans can discern 10-15 microsecond delay (some as low as 2 - 3 microseconds) and with sampling 44khz this equates 20 micro seconds per sample, at 96khz it is 10 micro seconds per sample, hence you can hear a difference.... I would have thought you would need a headset and am not sure you would neccessarily prefer the 96khz reproduction.
      The other is the one where higher frequencies interact with the lower frequencies and the harmonics alter the wave forms - which they do (why a piano sounds like a piano and a guitar sounds like a guitar... they call it "warmth" I believe).With a higher sampling rate and bit rate (dynamics), it more accurately forms the shape of these altered waves hence a "warmer" reproduction. I would think you would need a great sound sytem and a room built for "listening" to have any hope of picking up differences (and I don't think rock music would really be an ideal test subject) but....
      I can't hear things other people can definitely hear (too many concerts) so I can't judge one way or another but the big plus for me is I don't have to worry about an expensive sound system - just a SUPER LOUD ONE!!

      --
      BM3
    43. Re:Calling all OiNK ex-admins! by Ambiguous+Puzuma · · Score: 1

      Analog is infinitely variable

      I don't think that's the case. If I remember right, the Planck length is the smallest distance that can be measured in principle, which should set an upper bound on the amount of information that can be encoded in the physical arrangement of a fixed number of atoms (however many atoms make up a vinyl record).

      I suppose you could argue that an arbitrary number of atoms could be crammed into an object with the shape of a vinyl record, but eventually the object would become so massive that it would collapse and form a black hole, by which point it would no longer meet the definition of a vinyl record.
    44. Re:Calling all OiNK ex-admins! by Maxo-Texas · · Score: 1

      You have an excellent point!

      So Vinyl is really also digital data with a much higher resolution than a typical CD.

      Somewhere above our current CD data amount (700mb) and below Vinyl (? GB?) would probably be good enough that even those with exceptional hearing could not tell a difference.

      Would a live performance have more data than the vinyl recordining? Probably so- because you'd have reflections off of everything in the room coming at your ears from different directions.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    45. Re:Calling all OiNK ex-admins! by rikkards · · Score: 1

      Still, you need a reallly good sound system to be able to tell the difference.
      So you are saying that I need to spend oodles of money just so that I can detect something that when you get right down to it, unless you have a room with no external sound interference, the cymbals may not sound quite as nice?

      So who should I envy? The guy who is happy with his $400 stereo system with his ipod hooked up through the headphone jack with an RCA connector to the Aux-in or the guy who has probably spent over $100k on a system with wooden knobs and cables that make music more dancable?

      Personally I would prefer to be a cheap drunk as it is easier on the pocket book. I think the golden ear is given too much credit.

    46. Re:Calling all OiNK ex-admins! by Firehed · · Score: 1

      I fail to see the practical value of vinyl's "bitrate" (if you will), but while not certainly infinite it's certainly above that of a CD. Provided the recording and production equipment are both reliable and up to par, anyways. Even if they had a recording with an infinite sample rate, there's still a practical limitation of how accurately and consistently you can reproduce that in grooves in plastic (as compared to grooves in a sheet of metal on plastic).

      --
      How are sites slashdotted when nobody reads TFAs?
    47. Re:Calling all OiNK ex-admins! by Mr2001 · · Score: 2, Informative

      Jeez, why so emotional over the fact that vinyl sounds better to some people? Because they don't just say "this sounds better to me", they say "this is better technology", a claim which is at odds with reality, and some people have an emotional response to bullshit.

      25mb of data just isn't the same as essentially infinite data on vinyl. Analog is infinitely variable- digital is not. Analog isn't "infinitely variable", it's just limited by factors that are harder to measure. Instead of nice, solid numbers like "16 bits per sample" and "44,100 samples per second", you have to look at materials, noise levels added by every analog component in the system, etc. But just because those limiting factors are hard to measure doesn't mean they don't exist.

      Why is it that people go crazy insisting that HD is infinitely better than DVD (and it is basically just double the resolution in both directions) yet saying that increasing audio resolution by over 400% is unnoticable? Because the human senses of hearing and vision both have limits, and the quality of CD audio is already around that limit, while the quality of DVD video is not.
      --
      Visual IRC: Fast. Powerful. Free.
    48. Re:Calling all OiNK ex-admins! by Mr2001 · · Score: 1

      CD > MP3 > CD is much worse than just original CD. Yes, but the GP was responding to this: "It's important not to burn those MP3s back to CD because now you've done two conversions (CD->MP3->CD) and added more entropy to the data in so doing." ... which is bullshit. CD->MP3->CD is no worse than CD->MP3.

      (BTW, saying "epic fail" makes you look like an idiot in general, but even more so in this case since you're the one who missed the point.)
      --
      Visual IRC: Fast. Powerful. Free.
    49. Re:Calling all OiNK ex-admins! by ArAgost · · Score: 1

      Disclaimer: I definitely do not have "discerning" hearing.
      I have heard two arguments that sound like they might have merit, one is binaural hearing (we listen with two ears for direction and location) - if you play a tone in one ear and play the same tone in the other ear slightly delayed humans can discern 10-15 microsecond delay (some as low as 2 - 3 microseconds) AFAIK human hearing is capable of differences in the milliseconds magnitude, not microseconds.
    50. Re:Calling all OiNK ex-admins! by ArAgost · · Score: 1

      I'd rather hear exactly what the artist recorded. But that's quite difficult. The only way to do it would be following the musician while recording (quite unpractical), but even having access to the closest version possible (ie the master) you should hear it on reference speakers, not hifi.... ;)
    51. Re:Calling all OiNK ex-admins! by Anpheus · · Score: 1

      Don't interpret a remark saying that the finest resolution you can get is the planck scale as saying that Vinyl has more data than a CD. It doesn't.

      As other people have proposed, get your best turntable and your best, warmest vinyl album. Use your turntable to record it in the highest quality you can, convert it to CD-quality audio. Reverse the phase on the two and listen to them simultaneously.

      Do you hear anything?

    52. Re:Calling all OiNK ex-admins! by X0563511 · · Score: 1

      Wrong. Your CDR drive has to convert that digital signal coming from the rest of the computer into an analog signal. Add into that jitter, noise, vibration, and any number of other sources of entropy that play in CD burning, and you do NOT have an exact burn.

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
    53. Re:Calling all OiNK ex-admins! by brassman · · Score: 1

      "If you do a double blind test with the direct signal from the turntable compared to the same through 16bit 44.1KHz digital ad/da conversion, people cannot tell the difference."

      Well, of course not! You've run the warm, life-infused analog through a devil-spawn digital thingie, so of course it will become just as soulless as the evil MP3. ~

      --
      "Ain't no right way to do a wrong thing."
    54. Re:Calling all OiNK ex-admins! by rtb61 · · Score: 1

      Technically speaking, the arrangement of the sub atomic elements with in the structure, will also affect the way in which the needle and the vinyl surface interact, both in rebound and impact, as well as variations with in gravity subject to orbit and the nett weight of the needle on the vinyl, in addition ambient temperature will also add a layer of variation. So in human scaleable and measurable terms, not only infinite but also containing a level of random variance ;).

      --
      Chaos - everything, everywhere, everywhen
    55. Re:Calling all OiNK ex-admins! by Anonymous Coward · · Score: 0

      It's not about spending money really.
      There is crap cheap hifi and good cheap hifi.

      The crap stuff has a million lights and buttons on it, mega bass, disaster bass, x-surround, speakers that look like they are melting and sounds bad.

      The good stuff is whatever end of line discounts you can get on a separate CD player, amp and speakers. There are loads of discount hifi stores around.

    56. Re:Calling all OiNK ex-admins! by Anonymous Coward · · Score: 0

      You have not actually done this, have you?

      You will hear loads of stuff if you do this. Too many random variables. Even the tiniest phase shift from the platter and motor speed wobbling or resonances causes weird stuff in the null summed result. Lots of surface noise too.

      I never managed to get good cancellation anyway.

    57. Re:Calling all OiNK ex-admins! by ancientt · · Score: 1

      Warmth is the part of the sound that makes the music seem more real to the listener. To an audiophile with a preference for vinyl, it may be the random variations introduced by the media and equipment. If this is the case, it isn't about a better reproduction as in accuracy, but better as in feeling more realistic due to the slight variations from played instance to instance, even from second to second. Vinyl may also have a slightly different sound, again not from superior accuracy, but due to the actual sounds and vibrations produced by the equipment playing it. As was pointed out already, not all of what we call sound is simply what reaches our ears, but some is also what we physically feel as vibrations. Of course even this can be reproduced, but a spinning CD produces different vibrations from a spinning record. If the vinyl preference is tied to the nostalgic feelings that come from the subtle vibrations of the turntable, it will produce a sound they find more comforting, perhaps even term "warmer."

      Accuracy isn't necessarily what makes something seem to be of higher quality. I'm not tone deaf, but I'm no audiophile either. Today I listened to a youtube video of a chick singing and really enjoyed it, not because of the performance itself, but because of the subtle things of which it reminded me. It took me trying to explain why I liked it to a co-worker (who did not share my appreciation) for me to understand it myself. The music and sound she produced vaguely reminded me of times in my life that were pleasant. For me it was a subliminal appeal to remember coffee-house college days and high school, new car independence. Warmth I felt from the music, for me, came not from the quality of the reproduction, but from the non-music portions of the performance.

      --
      B) Eliminate all the stupid users. This is frowned upon by society.
    58. Re:Calling all OiNK ex-admins! by Oktober+Sunset · · Score: 1

      If you do a painting of a bowl of fruit, and you take a digital photo of the same bowl of fruit and print it out, which is going to be most accurate?

    59. Re:Calling all OiNK ex-admins! by Headcase88 · · Score: 1

      Most CDs and hardly any vinyls are victim to loudness war, which might explain the difference here.

      The basic idea is "quiet" songs are more nuanced because only the sounds meant to be loudest are actually loudest. "Loud" songs play even subtle instruments at max or near-max volume.

      In a mix of loud and quiet songs, you'll notice the loud ones are "too loud, let's lower the volume", but the quiet ones will be mistaken for "sucks" rather than "too quiet, pump the volume". At least that's my understanding of it.

      --
      "When the atomic bomb goes off there's devastation...but when the atomic bong goes off there's celebraaaaation!"
    60. Re:Calling all OiNK ex-admins! by blind+monkey+3 · · Score: 1

      human hearing is capable of differences in the milliseconds magnitude, not microseconds.
      One source I found on this: Jamminpower there were other sources, are we talking the same thing? I understand it as the difference in time between ears hearing the same sound, not time difference between different notes/sounds (i.e. strumming a chord on a guitar)....

      --
      BM3
    61. Re:Calling all OiNK ex-admins! by Achromatic1978 · · Score: 1
      Speaking of wrong...

      Add into that jitter, noise, vibration, and any number of other sources of entropy that play in CD burning

      Huh? Tell me how jitter and vibration are encoded in digital? The signal is burnt in digital. From a digital source. When played it's converted to analog, and may have issues of noise and interference, but, unless you have the shittiest of shittiest CD drives, it does digital audio output, not those two crappy little cables. Digital bit encoding/decoding of the bits written on the CD, to a computer, which digitally transforms to MP3 by reproducible algorithm. Said data decoded from said algorithm into PCM data and shuffled back onto disc.

      Your argument makes no sense, as written. Simple proof would be the fact that most data CDs are not coasters due to "jitter, noise, vibration" affecting the bits written to disc. At its lowest level it is a bit stream, no more, no less.

    62. Re:Calling all OiNK ex-admins! by Achromatic1978 · · Score: 1
      One only has to read this review (unfortunately not April Fool) to determine exactly how much credence to give these guys (he is quoted on the cable site):

      The pen is an ordinary red overhead projector pen manufactured by Staedtler under the name Lumocolor. I had several of these pens in my desk at school, but the ones I had contained non-permanent ink, and you need permanent ink. Also, getting the pen directly from Belt is beneficial because it has undergone treatment ...

      I scoured my CD collection, and found a CD I have two copies of, the La Femme Nikita soundtrack. Prior to altering either of them, I listened to both to determine if they sounded the same, and they did. I set one aside, and wrote my signature followed by "> o.k." on the case of the second one.

      When I listened to both copies of the CD again, the results were so startling that I wrote detailed notes. Vocals on the unsigned copy were hard and plastic sounding, and the high notes were razor sharp. I found myself totally distracted, wishing for the song to end. The treated CD, on the other hand, provided beautiful, mellow-sounding vocals. The high notes throughout were subdued, which enabled me to concentrate on the music.

      I could go on and on. Obviously there's the 'quantum' joke, but these folk are serious, scarily so.
    63. Re:Calling all OiNK ex-admins! by ArAgost · · Score: 1

      My source [Tomatis, 1977] states that there is a "built-in" delay (which of course gets compensated) in the two routes. I was not thinking about the precision you need for good localization in space, sorry

    64. Re:Calling all OiNK ex-admins! by mcvos · · Score: 1

      Wrong. Your CDR drive has to convert that digital signal coming from the rest of the computer into an analog signal.

      We're talking about burning to CD, not burning to vinyl, so there's no conversion to analog. That conversion happens in the amplifier (just like if you were playing the MP3 directly or even the original CD), and only after that will your standard analog loss kick in.

      (This gives me a great idea to make more money from audiophiles: a vinyl burner for your PC, so you can magically add "warmth" to your downloaded MP3s!)

    65. Re:Calling all OiNK ex-admins! by X0563511 · · Score: 1

      ... there is plenty of "analog" going on. The disc spins. It wobbles a little bit, the track spiral isn't exactly center, your whole drive is vibrating from the 15 120mm fans you have hooked in, all these will let the laser linger too long or too short on a "pit", weakening some spots and strengthening others.

      The whole reason we have that whole mess of Reed-Solomon, parity, and various other error correction/detection mechanisms in play is because of that whole mess.

      I suggest some reading. Clue in, or get out.

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
    66. Re:Calling all OiNK ex-admins! by X0563511 · · Score: 1

      Read my reply to the other (above) poster...

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
    67. Re:Calling all OiNK ex-admins! by mcvos · · Score: 1

      ... there is plenty of "analog" going on. The disc spins. It wobbles a little bit, the track spiral isn't exactly center, your whole drive is vibrating from the 15 120mm fans you have hooked in, all these will let the laser linger too long or too short on a "pit", weakening some spots and strengthening others.

      And yet all of that has nothing to do with converting the music to analog. The machine may be a big rotating, vibrating, tumbling mess, but the data is digital, whether it is in MP3 or on CD. And assuming your CD writer isn't a crappy piece of junk, it will manage to get that digital data onto the CD. And no matter how much it wobbles, vibrates or lingers, the quality of the music will be unchanged because it is digital. That's the entire point.

    68. Re:Calling all OiNK ex-admins! by Anpheus · · Score: 1

      Did you hear the warmth loud and clear or just a bunch of crackles, pops, and other problems with either your turntable or album?

    69. Re:Calling all OiNK ex-admins! by ResidntGeek · · Score: 1

      That's the whole point of digital. You can store data on an analog medium (the individual pits can have continuous variation of reflectivity, and are themselves continuous in space), such that any data you extract is an exact copy of the original. With digital, you get an exact signal or nothing. The CD drives are designed such that the jitter, track spiral, and all the other sources of error are too small to fatally corrupt the reading - and if they do, you'll get nothing instead of degraded audio.

      --
      ResidntGeek
    70. Re:Calling all OiNK ex-admins! by blind+monkey+3 · · Score: 1

      No, thanks for your input, I just learnt something.

      --
      BM3
    71. Re:Calling all OiNK ex-admins! by torkus · · Score: 1

      If you can quantify it, I can duplicate it. You did not.

      Vibrations that you physically feel? That's still sound, just pehaps out of your hearing range (though most speakers don't do much outside of audible ranges). I can duplicate it.

      Saying music sounds better because of an arbritrary connection you had with the video is like saying that $400 wooden knob makes music sound better because it cost you more.

      --
      You can get rich if you own a politician, but you have to be rich to buy one in the first place.
    72. Re:Calling all OiNK ex-admins! by jonaskoelker · · Score: 1

      the cymbals may not sound quite as nice?
      Who gives a shit, the occasional slightly-less-than-perfect cymbals drown in my quite-a-far-cry-from-perfect singing along ;)
    73. Re:Calling all OiNK ex-admins! by ancientt · · Score: 1

      To clarify slightly: the point I was making about warmth, is that it cannot usually be quantified, despite the fact that it can be appreciated. The lack of the ability to quantify what makes the sound better, and the logical following lack of an ability to reproduce it is what makes a rabid vinyl fanatic.

      Yes, music sounds better if the listener has an emotional connection. It sounds better to the listener, not because the sound is better, but because the feelings they have are better.

      If you can make the connection by supplying what the listener appreciates but cannot quantify, then you'll make a bundle. Heck, if you even think you might be able to manage it, I'd consider investing in your company, even if you package it as a wooden knob.

      --
      B) Eliminate all the stupid users. This is frowned upon by society.
  2. In other news by blind+biker · · Score: 5, Funny

    Pirate Bay is rumored to move its operations to Italy.

    --
    "The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
    1. Re:In other news by Constantine+XVI · · Score: 1

      No, they couldn't share software or FLAC

      --
      "I think an etch-a-sketch with an ethernet port would beat IE7 in web standards compliance."
    2. Re:In other news by KublaiKhan · · Score: 3, Funny

      True enough, but this does raise some interesting possibilities--Italy may end up with a large number of folks deciding to pay to host their 'educational' mp3 collections (say, for their correspondence 'music appreciation' course) in Italy, thus providing employment, et al.

      The key is to get the Mafia supporting this, so that they can view the RIAA as a threat to the business, and treat 'em accordingly. ;-p

      --
      In Xanadu did Kubla Khan
      A stately pleasure dome decree
    3. Re:In other news by Anonymous Coward · · Score: 0

      The key is to get the Mafia supporting this, so that they can view the RIAA as a threat to the business, and treat 'em accordingly. ;-p

      The law says for free so they'd have problems making very much money from it.

    4. Re:In other news by Firehed · · Score: 1

      They distribute album art in jpg, not tiff. I think there's still a loophole with FLAC!

      --
      How are sites slashdotted when nobody reads TFAs?
    5. Re:In other news by Anomolous+Cowturd · · Score: 5, Funny

      I can just see it now: Mafia versus MAFIAA.

      (Music And Film Industry Association of America)

      --
      Software patents delenda est.
    6. Re:In other news by eiapoce · · Score: 1

      Don't rate the parent funny, insightful is better:
      A italian judge has recently dropped charges against 3 link share websites (Ranging from edonkeyitalia to Bittorrent.com) because linking to copyrighted material is not the same as distributing copyrighted matierial and does not infringe the law. The IFPI immediatly stated that this does not affect end users that are still accountable, and that's partly true: Here the law states that downloading for personal use and without profit is not a felony so you can get sued for doing so only in a civil court. But you also know that your data will not be divulged by the authorities/ISP until a judge orders it, which in turn is very unlikely to happen under these charges.

      The greens last elections proposed legalization of P2P, while being part of a coalition that laking anything except absolute incoerence had one of his members (now in the PD- Partito Democratico) write and push the IPRED2 at the europarlament.

      In conclusion: unlike Swedes we don't have a sense of pride, I think things are going to change for the worse once we will have again a government... (6-20 months)

    7. Re:In other news by sm62704 · · Score: 1

      Isn't the Music And Film Association of America originally from Italy? Wasn't it spun off from the Los Angeles Cinema Organization Screen Association / National Orginization Screening Reserve Association?

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    8. Re:In other news by beckerist · · Score: 1

      http://www.eztv.it/ EZTV already did...

    9. Re:In other news by Anonymous Coward · · Score: 0

      Why a correspondence music course? I'd have thought that a study of the properties of P2P networks where there is large demand for data, and how they can be adapted, would count as scientific research. You'd also research how to spot and avoid contamination by people like the RIAA.

      I can't see this lasting long though. Enough political lobbying or a bit of leaning on by America would change things - unfortunately in general though in this case probably correctly.

      It's an interesting idea even with the original intent though, that notably-degraded content publishing for science and education would be classed as fair use. You could put up a low res scan of any text book or excerpts from it for your students. A law like this would be a huge investment in education at quite large cost to the people who'd rather all the students on the course bought the books.

    10. Re:In other news by Anonymous Coward · · Score: 0

      The key is to get the Mafia supporting this, so that they can view the RIAA as a threat to the business, and treat 'em accordingly. ;-p


      Unfortunately here in Italy the Mafia, the government, the Vatican and all bigger businesses are four faces of the same head.
      You'll never see the Italian government doing anything real against our organized crime, taking the people's side against abusive corporations or the daily messing in civil and political matters by the Vatican, which violates our constitution, because they're basically the same thing.
    11. Re:In other news by Anonymous Coward · · Score: 0
      ...once we will have again a government...

      What do you mean again?

    12. Re:In other news by Cecil · · Score: 1

      Have you seen most pirated software rips? I think they more than qualify as "degraded".

    13. Re:In other news by blind+biker · · Score: 1

      I love this post. I laughed so hard when I read the last part. And it's so true! I am half italian and this part of italian mentality is very well known to me. See Napoli these days: succumbing under a pile of trash, people protest and burn the junk, but then pretty soon they go home for dinner and eat a nice plate of pasta ca pummarola n'coppa and all is fine and dandy, and nothing will improve.

      Imagine trash on the streets of Finland or Japan. Hard, isn't it?

      --
      "The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
    14. Re:In other news by eiapoce · · Score: 1

      The government collapsed a week ago. Despite the mess they are trying to avoid elections since to obtain a pension they have to be in charge around another year... So that's what I meant "when we will have a government once again". In the meanwhile the people in the chambers will avoid doing anything inpopular which mean literally DO NOTHING in fear of hurting part of the electorate.

  3. Mistakenly? by nurb432 · · Score: 5, Interesting

    Perhaps it wasn't a mistake and was intentional.

    --
    ---- Booth was a patriot ----
    1. Re:Mistakenly? by TubeSteak · · Score: 4, Insightful

      Perhaps it wasn't a mistake and was intentional. Your statement makes me wonder how much you know about:
      A) Italy's government
      B) The knowledge of 50+ yr old career politicians w/regards to technology
      --
      [Fuck Beta]
      o0t!
    2. Re:Mistakenly? by yorugua · · Score: 4, Funny

      B) The knowledge of 50+ yr old career politicians w/regards to technology


      And what about the marketing/mafia/legal knowledge of the NASA technology experts radiating "across the universe" from The Beatles to the whole Universe? I sense a massive URIAA (universal Riaa) and his legal team from Omicron IV to beat the hell out those NASA nerds. Or is it going to be transmitted with DRM? The amount of cease-and-desist-letters rain coming from outer space will make the leonids a picnic. Just imagine, we discover an extraterrestrial life form represented by: their lawyers. We could be starting a war here. The rammifications are endless.

      http://gizmodo.com/351542/space-aliens-first-to-get-drm+free-beatles-music

      TFA:
      You may have heard that at 7pm EST on Feb. 4, NASA plans to blast The Beatles' song "Across the Universe" into deep space in order to serenade otherworldly beings hundreds, thousands or millions of light years away with our very best pop music. I have several problems with this.

      For starters, NASA: You got the choice of the entire Beatles catalog, and you pick a song only because it contains a relevant metaphor? I mean, have you ever listened to Revolver? Wait, actually, you clearly must've, since Paul McCartney performed "Good Day Sunshine" in Nov. 2005 for the astronauts aboard the International Space Station. If you're aiming at aliens, why not choose something a little less intelligible, like "Dig a Pony," "Come Together" or "Tomorrow Never Knows." If those weren't written for space aliens, I don't know what.

      Next on my shitlist: EMI and Apple Corp. WTF???? I've been a lifelong fan of your stupid Fab Four, but you're giving six billion purple globules from the Crab Nebula a shot at digitally retrieving The Beatles before I get one single measly 99-cent download? How is that fair? (Of course, the complete Beatles catalog is already on my iPod, but still!)

      And finally, a message to the Crab people: Don't trust these downloads. You'll see the file streaming into your antenna array and you'll be like, "Sweet! Free music!" But then you open the file, and you get this message on your Crab Nebula equivalent of Windows Media Player 11, saying that in order to enjoy this track, you need to get authorization from a central server. You click okay, and the message has to travel back to earth, taking another 50,000 years or so. Which may seem worth the wait, only the track itself expires in 30 days.

      So good luck to you, purple Crab people. And GFY, recording industry. You have dissed me for the last time. [Network World via The Inquirer]

    3. Re:Mistakenly? by Anonymous Coward · · Score: 0

      Umm, if the RIAA/MPAA/MAFIAA get their bill, PRO-IP, passed that $100,000-per-track could be raised to 1.5 million per track. Just goes to show how shallow and vindictive a dying elephant can be when it can't or doesn't want to change its business model.

  4. Meaning of words by pthor1231 · · Score: 3, Insightful

    IANAL, but just because something has a technical definition doesn't mean it can't a completely different meaning when used in a legal context. Besides, you would still have to argue that listening to the latest Crappy McPop artist is educational or scientific in use.

    1. Re:Meaning of words by rakuen · · Score: 4, Funny

      Oh that's easy. We're simply studying how the combination of 0s and 1s can result in the most horrid sounds known to humanity.

    2. Re:Meaning of words by techpawn · · Score: 1

      Besides, you would still have to argue that listening to the latest Crappy McPop artist is educational or scientific in use.
      I have a large variety of MP3 files to better understand the file format for possible future creation of my own codec... Does that work for ya?
      --
      Ask not what you can do for your country. Ask what your country did to you
    3. Re:Meaning of words by Kenoli · · Score: 4, Insightful

      The intentionally misinterpreted version of a definition is the only version that really matters.

    4. Re:Meaning of words by dasbush · · Score: 2, Interesting

      Do you have any development documentation to prove that?
      Is it up to date? Is it progressive VS any other codec out there? Do you need GBs of music to better understand the format, or only maybe one song at every different combinations of encoding?

    5. Re:Meaning of words by srussia · · Score: 1

      Copyright law has always begged the question of what constitutes a "copy". Such laws don't even have a well-formed definition of a "work".

      --
      Set your phasers on "funky"!
    6. Re:Meaning of words by paeanblack · · Score: 3, Informative

      I have a large variety of MP3 files to better understand the file format for possible future creation of my own codec... Does that work for ya?

      Not when you can accomplish the same thing without violating copyrights.

      http://en.wikipedia.org/wiki/Wikipedia:Sound/list
      http://www.digitalpreservation.gov/formats/fdd/fdd000012.shtml
      http://www.id3.org/mp3Frame
      http://www.dv.co.yu/mpgscript/mpeghdr.htm

    7. Re:Meaning of words by Bogtha · · Score: 4, Insightful

      just because something has a technical definition doesn't mean it can't a completely different meaning when used in a legal context.

      Sure, but if the word is being used with a different meaning to how it is commonly used, then the law has to define that meaning. Does this law do that?

      Also, I don't speak Italian, but as far as English is concerned, it's not merely a "technical" definition, the common meaning of the word "degraded" applies to the MP3 encoding process. The mistake, if any, isn't that the word was used incorrectly, it's that they didn't define the level of degradation necessary.

      --
      Bogtha Bogtha Bogtha
    8. Re:Meaning of words by KillerBob · · Score: 1

      And I suppose the most important question to ask: can your needs be settled by the publicly and freely available technical writeups out there? Why reverse-engineer something that's open?

      --
      If you believe everything you read, you'd better not read. - Japanese proverb
    9. Re:Meaning of words by plainwhitetoast · · Score: 1

      In general yes, a technical definition can have a completely different meaning when used in a legal context. But in this case it seems that those words, in the LEGAL CONTEXT of that law, of italian laws in general, and of italian constituition, will have the effects described in the article...

    10. Re:Meaning of words by techpawn · · Score: 1

      Ya know? A simple "No" would have worked as an answer to my rhetorical question...

      --
      Ask not what you can do for your country. Ask what your country did to you
    11. Re:Meaning of words by Anonymous Coward · · Score: 0

      IANALE(ither), but usually a word's meaning is precise when used in a legal context; otherwise, the law can have interpretations that vary from judge to judge and from jury to jury. Because everyone is supposedly equal before the law, the wording must be strict and precise to remove any room for ambiguity, which is why it's hard for laypeople to simply read and understand the law.

      When a court brings in a technical expert, it applies the same standard to the meaning of technical jargons. Any lossy compression results in a degraded quality from the original. There is no 'but' about it.

    12. Re:Meaning of words by harry666t · · Score: 4, Insightful

      > Not when you can accomplish the same thing without violating copyrights.

      Taking into account the new Italian copyright law, you're actually not violating any copyrights anyway.

    13. Re:Meaning of words by contraba55 · · Score: 1

      Say you're hosting it for a music theory class. Anyone listening it can transcribe it (chords, lyrics, whatever). That should just about cover everything.

    14. Re:Meaning of words by Anonymous Coward · · Score: 0

      So what you've done is point to a list of OGG files, some sparse mp3 specs and claim that that's sufficient to test a new codec with? Right...

    15. Re:Meaning of words by tindur · · Score: 1

      Besides, you would still have to argue that listening to the latest Crappy McPop artist is educational or scientific in use.
      But you can't degrade the music by Crappy McPop.
    16. Re:Meaning of words by Anonymous Coward · · Score: 0

      It strains credulity to the breaking point to think that, in common usage, "degraded" could reasonably refer to a process which renders a result indistinguishable to trained listeners. (320 kbps mp3)

    17. Re:Meaning of words by digitig · · Score: 1

      Maybe they're learning what the latest Crappy McPop artist sounds like?

      --
      Quidnam Latine loqui modo coepi?
    18. Re:Meaning of words by torkus · · Score: 1

      Forget all that. I'm interested in music and want to study the differences between many different songs to try to determine what makes songs suck.

      Or i love to sing. I intent to embark on a self-study of singing and regurlarly work on my own abilities. Anyone who questions this can stand outside the bathroom while i shower.

      As for the amount of music I might procure for this, that's entirely arbritrary. Even if someone obviously has far more than they need for a given project it is *obviously* just a case of resource mis-management. You've never worked on a project that had far too many or too few of something? That's bad business but hardly a crime :)

      --
      You can get rich if you own a politician, but you have to be rich to buy one in the first place.
  5. Legal actions by Fri13 · · Score: 4, Insightful

    "for scientific or educational use, and only when such use is not for profit."

    And what is educational use? I think there is somewhere a law what tells it is for education when it is used on schools or any other official educational usage. But not on personal usage, what would still be illegal.

    1. Re:Legal actions by autophile · · Score: 1

      Nice... and what if the scientific research requires the use of undegraded (i.e. lossless) source files?

      --Rob

      --
      Towards the Singularity.
    2. Re:Legal actions by jadin · · Score: 3, Funny

      for scientific or educational use, and only when such use is not for profit. Italy reports the number of people taking guitar lessons is up 5000%.
  6. Educational / Scientific Use? by dasbush · · Score: 1

    If one was to download an mp3, would one need to prove that it is being used for Educational or Scientific use?

    1. Re:Educational / Scientific Use? by Kenoli · · Score: 1

      You know, not all .mp3 files contain copyrighted content, and, shockingly, it is possible to legally own copyrighted content.

    2. Re:Educational / Scientific Use? by dasbush · · Score: 1

      I guess I thought it would be reasonable to assume we were talking about copyrighted content considering the context. Seems I was wrong...

    3. Re:Educational / Scientific Use? by dave420 · · Score: 1

      No, the prosecution would have to prove it's not for either, before you'd get in trouble.

    4. Re:Educational / Scientific Use? by plainwhitetoast · · Score: 2, Interesting

      According to the interviewed lawyer this law, written as it is, would for example permit to make a websites that publishes the entire discography of an author for review and comment purpose, or to make a p2p public network of public academies that bring music available to students for study purpose. And so on (use your imagination).
      I hope he's right! :)

    5. Re:Educational / Scientific Use? by geeper · · Score: 0

      You are planning on learning to play guitar, sax, piano, etc right?

      --
      Error reading device 'Signature'. (A)bort, (R)etry, (F)ail?
    6. Re:Educational / Scientific Use? by RiotingPacifist · · Score: 1

      Wouldnt simply downloading a music analyzing program ( something like a renormalizer that gives you the noise level on a track ) and claiming you were collecting music, to perform a study on noise levels used by different artists, or something, count as scientific use!

      further questions could be answered by saying you didnt want a formal plan so you didnt introduce a known bias into the music database you were compiling.

      Hell you could even form a group and do it for real!

      --
      IranAir Flight 655 never forget!
  7. This is wonderful by Bluewraith · · Score: 1, Funny

    Force degrading the music beyond the mp3 compression issue! I've been waiting for the day I can listen to current-day music with pops and scratches just like my old vinyl collection! I just can't get audacity to bring out the "spilled coffee on my 7 inch" sound realistically enough. Metallica always sounds better with a little sugar and creamer.

    1. Re:This is wonderful by KublaiKhan · · Score: 0, Redundant

      I need liquor, myself, for them to sound good. ...in me, not on the record.

      --
      In Xanadu did Kubla Khan
      A stately pleasure dome decree
    2. Re:This is wonderful by vtscott · · Score: 1

      William Shatner, is that you??? KublaiKhhhhhhhhhaaaaaaaaaaaaaaaaaaannnnnnnnnnnnnn

    3. Re:This is wonderful by boristdog · · Score: 3, Funny

      "spilled coffee on my 7 inch"

      I hear you can sue McDonalds for a lot of $$$ if you do that!

    4. Re:This is wonderful by sm62704 · · Score: 4, Interesting

      I already have CDs like that. And oddly (ok not that odd), the MP3s actually make the pops louder.

      If you isten to the KISS vinyl album with the song "Mister Speed" on it (the album cover just says "kiss") you can hear bleedthrough on the master tape on one tune, and if you listen to the first Aerosmith album on vinyl you can hear tape hiss. Pink Floyd fired their first label for that kind of crap!

      But if you make a CD of Led Zeppelin's "Presence" or Boston's first vinyl albums with a good enough turntable, your home made CD will have more dynamic range and better frequency response than the store-bought CD.

      -mcgrew

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  8. Is music appreciation not educational??? by Anonymous Coward · · Score: 0

    It is a fair point...is it not?

    1. Re:Is music appreciation not educational??? by pthor1231 · · Score: 1

      I would imagine it depends on what their definition of "educational" boils down to. Sure, there is something to be said about music appreciation, but is 100 gigs of the latest shit entirely necessary for it? What genres of music are covered under music appreciation? Is there a time limit on determining "appreciation" and just listening to the new release of some artist?

    2. Re:Is music appreciation not educational??? by dasbush · · Score: 1

      At first, I disagreed with you. But on comparing this with another medium on the internet (Visual Art) I see an interesting correlation.

      Art Gallery is to Radio
      Actual Painting is to CD/Non-Degraded format
      High Resolution Picture on the Net is to mp3s

      If someone scans a painting and puts it on the internet in a viewable, but degraded, fashion is it legal? If so this law might actually make sense. The only issue I see is proving that listening to Soulja Boy is educational...

  9. Who cares? by Otter · · Score: 5, Funny

    As a pompous audiophile, this does me absolutely no good whatsoever. On the other hand, the crown icon has given me an excellent idea for enhancing the performance of my 24 karat gold speaker cables by encrusting them with gems.

    1. Re:Who cares? by darkmeridian · · Score: 1

      If you're a pompous audiophile, go buy your own goddamn CDs and leave the pirating to us poors!

      --
      A NYC lawyer blogs. http://www.chuangblog.com/
    2. Re:Who cares? by should_be_linear · · Score: 1

      this must be a joke because 24 karats is enough for mainstream radio-quality pop songs. However, try playing SACD jazz on that!

      --
      839*929
    3. Re:Who cares? by B3ryllium · · Score: 5, Funny

      Ah yes, the good old Faraday-Fabergé Cage configuration.

    4. Re:Who cares? by Red+Flayer · · Score: 1

      The big question is how many carat-watts his Pièce de résistance (or perhaps Pièce de impedance?) can carry.

      --
      "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
    5. Re:Who cares? by ivan256 · · Score: 1

      You fail as an audiophile. Those gems have much too high a cost:profit ratio for high quality audio reproduction. Try silicon crystals, or some other common but under appreciated mineral. That should enrich your cable supplier sufficiently to have a chance at delivering that sound quality you crave.

  10. Makes sense: share MP3, but not WAV from CDs by Anonymous Coward · · Score: 5, Insightful

    TFA suggests that the proponents didn't understand "degraded", but actually the lawmakers got it very right.

    This will keep ordinary people happy in Italy and allow the community sharing that comes naturally, while ensuring that the *ACTUAL* music product of the labels (CDs of uncompressed WAV data) are excluded and therefore protected from sharing, or er ... "piracy".

    Note that music fans will continue to buy the CDs of the favorite bands regardless of file sharing --- that's what fans do. The sharing is really just free promotion.

    Of course, the labels will hate it, but then they hate anything other than open access to peoples' wallets.

    1. Re:Makes sense: share MP3, but not WAV from CDs by AcidPenguin9873 · · Score: 1

      You've got to be kidding. Were you around in 1999-2001? People in college dorms would fire up Napster, download music as crappy 128kbps MP3s - you know, where high-frequency stuff like cymbals and hi-hats sound like hissing snakes - and blast the music at parties and in the common areas. No one bought a single CD.

    2. Re:Makes sense: share MP3, but not WAV from CDs by jwietelmann · · Score: 1

      Note that music fans will continue to buy the CDs of the favorite bands regardless of file sharing --- that's what fans do. The sharing is really just free promotion.

      I'm certainly no defender of the music industry, but the reality of the matter is that a very significant slice of the population, who would otherwise buy CDs, is perfectly happy with downloaded MP3s. Sharing is not free promotion. It has an opportunity cost associated with the CDs that aren't sold. We all know that the particular dollar amount the RIAA claims is absurd, but there is a loss of potential revenue.

      That all said, I would love to see any industry model in which creators, rather than marketers, win. If freely-distributed digital music accompanied by full-quality CDs for sale and extensive touring proves to be a sustainable model, then I'll be all for it. I don't think we know that for certain yet, but it shouldn't be too long before we find out.

    3. Re:Makes sense: share MP3, but not WAV from CDs by edwdig · · Score: 1

      People in college dorms would fire up Napster, download music as crappy 128kbps MP3s - you know, where high-frequency stuff like cymbals and hi-hats sound like hissing snakes - and blast the music at parties and in the common areas. No one bought a single CD.

      I can't speak for you, but most people I knew ended up buying a lot more CDs when Napster was around than they did after. Download a few songs, realize you like the band / album, then go out and buy it. The people who weren't buying more CDs were the people who wouldn't have bought any even without Napster.

    4. Re:Makes sense: share MP3, but not WAV from CDs by Anonymous Coward · · Score: 0

      No one bought a single CD.

      Remember that pop music is 99% crap, by everyone's judgment including chart fans. Only 1% of it is worth buying, if that. The 99% remainder is worth sharing, whistling to on the way to work, even dancing to it, but not buying. Why would anyone want to buy crap?

      That's what the labels don't understand --- they think that the 99% crap should be purchased as well. The buying public disagrees.

    5. Re:Makes sense: share MP3, but not WAV from CDs by philicorda · · Score: 0, Troll

      If it's crap, why are people downloading it, sharing it, whistling and dancing to it?

      Your argument boils down to 'because I can get it illegally for free, it's not worth paying for'.

      People can live perfectly well without pop music. You don't have a divine right to download as much music as you like just because you feel your tastes are superior to other people's, so refined that only the very very best deserves your unwilling patronage.

    6. Re:Makes sense: share MP3, but not WAV from CDs by Anonymous Coward · · Score: 0

      If it's crap, why are people downloading it, sharing it, whistling and dancing to it?

      For the same reason why people watch and discuss other crap media (awful telly for example): it's part of popular culture, and something for people to talk about. Sharing music between youngsters is no different to neighbors talking about gardening or the weather, it's a normal social pastime for the generation.

      That doesn't mean that people want to buy it. Nobody would buy those crap telly programmes that they watch either. Unless of course they're devoted fans of the programme, in which case they'll buy the box set one day.

      And so will the kids buy the albums one day (maybe 10 years later when they have money), but only for that tiny subset of the shared music which found a place in their soul. The rest is just social noise, and if it gets no sales then that reflects its value precisely.

    7. Re:Makes sense: share MP3, but not WAV from CDs by chmod+a+x+mojo · · Score: 1

      I'm certainly no defender of the music industry, but the reality of the matter is that a very significant slice of the population, who would otherwise buy CDs, is perfectly happy with downloaded MP3s.

      There is a fallacy in your statement. Probably 90% of people who download a song WOULD NOT BUY IT ANYWAYS.
      The recording industry doesn't want that to come to light since it would really cut down on their ridiculous claims of "loss". How can they "lose" a sale that would never have happened?
      --
      To err is human; effective mayhem requires the root password!
    8. Re:Makes sense: share MP3, but not WAV from CDs by philicorda · · Score: 1

      Just because something is popular it does not mean that it's creators should not be rewarded for it.
      If someone has created a work of art that is liked enough to become popular culture, and interesting enough that people want to discuss it, why should that mean it is worthless?
      It's not as though it's any cheaper to produce just because it's low brow entertainment. Quite the opposite most of the time.

      I still think you are being snobbish. Many people spend their entire lives only enjoying art that you might consider crap, but their lives are enriched by it.

      Should there be a cultural referendum where art is divided into 'crap' and 'good' and only the good stuff charged for? It would be impossible as peoples tastes vary so much. Also, much popular entertainment that is considered 'good' nowadays was considered 'crap' when it's creators were alive. Populist throwaway entertainment like the Beatles, Stones, Tshaikovsky etc is often only recognised for it's qualities years later.

      "And so will the kids buy the albums one day (maybe 10 years later when they have money), but only for that tiny subset of the shared music which found a place in their soul."

      Whaddya mean 'when they have money'. Kids spend ridiculous amounts on computer games, clothes, DVDs, mobile phones etc. The only reason they don't spend the same on music is because they can get it for free, not because they don't think it has value to them.

    9. Re:Makes sense: share MP3, but not WAV from CDs by Anonymous Coward · · Score: 0

      There is a fallacy in your statement. Probably 90% of people who download a song WOULD NOT BUY IT ANYWAYS.

      Very true. Although at 10%, you severely overestimate the number of potential sales.

      It might have been 10% back in the 70's or 80's before the digital revolution, because people were able to share only relatively few tapes with their friends, so the sharing was directed by taste (you rarely gave friends *all* your albums). But now they're sharing 10 or even 50 times as many as before and very clearly it's not directed at all, so the 10% of back then now drops to 1% or 0.2% sales or even less.

      On top of that, RIAA pseudo-mathematics of potential sales loss assumes that file sharers have infinite pockets, so that if they weren't able to download thousands for free then they would buy thousands at market rate. Needless to say, that's ludicrous. The family budget for entertainment items like music is normally quite constrained except in a very small proportion of rich families, so the maximum potential sales loss to the typical file sharer could never be more than the pocketmoney allowance for kids or normal self-imposed entertainment limits for adults. Well, adults rarely buy more than a couple of albums a week on average simply because there isn't TIME to listen properly to more, even if the money allowed. And kids generally don't have the pocketmoney to buy more anyway.

      So, even if the proportion of shared music that WOULD have been purchased were as high as 1% - 0.2%, the alleged sales loss figures are completely fictitious since they don't factor in home budgetary limits. A "potential" sale has no potential if the money doesn't exist.

    10. Re:Makes sense: share MP3, but not WAV from CDs by SanityInAnarchy · · Score: 1

      Nobody would buy those crap telly programmes that they watch either.

      Yes they do. Unless you're talking about shows distributed via BitTorrent, you're talking about people who have some sort of subscription to some sort of TV service. In addition, they see ads, and if it's a government-sponsored show, they pay taxes.

      That's more analogous to the radio than it is to Internet piracy, unless you're going to argue that Internet piracy is really analogous to radio.

      --
      Don't thank God, thank a doctor!
    11. Re:Makes sense: share MP3, but not WAV from CDs by rtb61 · · Score: 1
      College students represent a unique subset, the majority have very little income whilst building up a substantial debts, severely limiting the amount of money they could spend on luxuries, like cds, the latest fashions, or even healthy organic foods. Of course from the pigopolists point of view those buggers should starve and go naked before listening to some music for free, how dare they not enrich the parasitical publishers or some drunken drugged minstrels, both of whom contribute (sic) far more to society (extreme satire) than say, doctors, teachers, physicist, chemists, engineers or even 'eww' computer programmers.

      Everybody should know the difference between good quality and poor quality music. Good quality is the stuff that is shared live with other people, a living experience, a celebration of life. Poor quality is any recorded stuff that is generally only background to other activities and that some times enables the shallow recall of good quality music, if it ain't live, it is dead and hence every recording ever made is a substantially and emphatically degraded copy of the original ;).

      --
      Chaos - everything, everywhere, everywhen
  11. Legal / Illegal by Anonymous Coward · · Score: 0

    Not like anyone would change their pirating habits if that law change happened here*.

    *Here being where you live.

  12. mafIAA by davidwr · · Score: 5, Funny

    I thought the RIAA and MPAA were wholly-owned indirect-through-a-dozen-shell-compay subsidiaries of the Mafia. Or did I get that backwards?

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
    1. Re:mafIAA by Daimanta · · Score: 4, Funny

      Yes, but they are the American mafia, so they are direct competitors. And everone knows what the mafia does with competitors.

      --
      Knowledge is power. Knowledge shared is power lost.
    2. Re:mafIAA by KublaiKhan · · Score: 1

      Oh, well, if that's the case, then the Mafia'd realize that they can get a lot more money from hosting companies than from frivolous lawsuits. Sure, they'll want "a little consideration to make sure your songs stay safe" but that'd be much less of a hassle in the end, wouldn't it?

      --
      In Xanadu did Kubla Khan
      A stately pleasure dome decree
    3. Re:mafIAA by Corporate+Troll · · Score: 1, Troll

      And everone knows what the mafia does with competitors.
      No, I don't... I haven't seen any competitors to the mafia in ages... there used to be some. Where have they gone? Last time I heard something about fishes, but a fishing trip can't last that long, eh?
    4. Re:mafIAA by skeeto · · Score: 4, Funny

      Yes, it would be a shame if something were to happen to the RIAA's knees.

    5. Re:mafIAA by ShieldW0lf · · Score: 1

      No, I don't... I haven't seen any competitors to the mafia in ages... there used to be some. Where have they gone? Last time I heard something about fishes, but a fishing trip can't last that long, eh?

      Yakusa? They make the mafia look like schoolchildren.

      --
      -1 Uncomfortable Truth
    6. Re:mafIAA by sheph · · Score: 1

      They must have forgotten to pay their dues.

      --
      I don't believe in karma, I just call it like I see it.
    7. Re:mafIAA by Valdrax · · Score: 3, Funny

      No it wouldn't.

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    8. Re:mafIAA by Anonymous Coward · · Score: 0

      > Yes, it would be a shame if something were to happen to the RIAA's knees.

      No. Not really.

    9. Re:mafIAA by tgd · · Score: 1

      Yeah, I learned when I downloaded that torrent of the Sopranos finale.

    10. Re:mafIAA by Anonymous Coward · · Score: 0

      Fucking ignorant Japanophiles.

  13. Science Project by saxonw12 · · Score: 4, Funny

    If I were an Italian kid I know what my school science project would be. I'd be researching the effects of popularity on the speed of music downloads in certain p2p protocols...

    1. Re:Science Project by KillerBob · · Score: 1

      See... you can study that without retaining the data once it's downloaded... what you really need to study are the long-term effects on consumer electronics from the frequent downloading/listening to of music, and the economics of long-term storage of said data.

      --
      If you believe everything you read, you'd better not read. - Japanese proverb
  14. Lost in translation... by EvilGrin5000 · · Score: 5, Informative

    Reading the original article and then the translation, I noticed that the translation unfortunately could not comprehend some of the key terms that make the article more succulent to the reader.

    The important caveat is that although the lawyer (Monti) says that this was a mistake, it will not pose too many problems while it gets fixed. He says that while in the mean time, the law be enforced in such a way that only websites that belong to scientific or academic institutions will be allowed to host these mp3s and it will not even cover websites from professors or scientists even if for scientific or teaching purposes. This was said despite the fact that the Italian law allows anyone to make a website that accomplishes the same things (teach or do research or whatever). Monti said that it will be easier to regulate it in this fashion while the bill gets changed.

    The previous example cited was kind of butchered from the translation as well. It said that in 2000 another mistake in the use of technical jargon created a law that legalized all pirated satellite TV decoder cards. Although the law was eventually changed, all charges had to be dropped on current pirates of said cards in the mean time.

    They expect the same to happen while they fix this new mishap.

    Being Italian myself and seeing the current state of the government (what government) I'm not entirely sure that this didn't happen on purpose to allow current charges to be dropped and so on and so forth...Call me paranoid, but if you've lived in Italy as a citizen, then you'll know what I mean.

    My two euros.

    --
    A black cat crossing your path signifies that the animal is going somewhere. -- Groucho Marx
    1. Re:Lost in translation... by Petrushka · · Score: 1

      My two euros.

      Hell's bells, you charge a lot for thoughts in Italy.

      (Other than that, thanks for clarifying practically everything about the story)

    2. Re:Lost in translation... by cricek · · Score: 1

      Why would charges be dropped? The law was broken, no matter what the new law says.

  15. Why did they have to let the cat out of the bag? by scubanator87 · · Score: 1

    The reporters could have waited just a little longer to make sure the law actually goes into effect that way it would take more effort to repeal it or something of the sort. Oh well.

  16. Higher authorities by Anonymous+Brave+Guy · · Score: 4, Insightful

    The law will be effective after the appropriate decree of the ministry, and will probably have an impact on pending p2p judicial cases.

    ...Which will shortly be reversed when higher courts at European level find that such a law in Italy is in conflict with the relevant European directives.

    Sorry to rain on your parade, but this will last about as long as the shenanigans in France a few years ago.

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    1. Re:Higher authorities by sm62704 · · Score: 3, Funny

      Sorry to rain on your parade, but this will last about as long as the shenanigans in France a few years ago.

      I thought the Irish had a monopoly on shenanigans? Don't the French have their own silly word?

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    2. Re:Higher authorities by Anonymous Coward · · Score: 0

      Escroquerie?

    3. Re:Higher authorities by SkyFalling · · Score: 1

      They have their own silly language...

  17. Hosting Services in Italy by Anonymous Coward · · Score: 0

    Please reply with hosting services located in Italy. Sure would be nice to set up my new scientific and educational virtual server.

  18. Right... by thePowerOfGrayskull · · Score: 1

    ... so we'll just spread the word as far and wide as possible before it's done. Surely nobody in Italy reads Slashdot (or the news), so they'll never clue in and act to prevent this...

  19. Definition by DrYak · · Score: 4, Interesting

    IANAL, but just because something has a technical definition doesn't mean it can't a completely different meaning when used in a legal context.


    That would have required that the law exactly defined the meaning "a bassa risoluzione o degradate" (it:low resolution or degraded). See for example how copyright law functions in most countries (except in country that killed their Fair Use like the US) : "fair use" allows you to ignore the interdiction to copy, and then the law usually explain with great details what constitutes faire use and what not (backup, format-shift, quotes/citations, etc...)

    It's not the case with the Italian law, it just says "low res or degraded". So normally one would expect to reasonably interpret the law. Now most of the data you find on P2P networks are recompressed, using lossy algorithm. You can mathematically prove in an indisputable way that this step degrades the data by introducing artefacts and approximations (the strategy by which lossy algorithms actually manage to compress data). You can also show that a lot of movie may have a lower resolution (16:9 widescreen 720x576 to square pixel 640x360 is a common conversion, lower PDA- and handheld-console compatible resolution are also found).

    Thus how the law will be interpreted is : "lossy MP3, OGG/Vorbis and X264 repacks non-for-profit are OK ; WAVs, FLACs, straigh-ripped 8GB ISO or for profit are NOT".

    If the local antenna of MPAA is unhappy, this interpretation will have to be challenged in court and set a precedent. But as I said before, the degradation induced by repacking using lossy compression is mathematically provable and the corporation will have a hard time trying to prove that exchanging MP3 on a P2P network infringes on this law.

    Corporation will probably settle for the more easy route exploiting "The Pirate Bay" hole, trying to prove that during the operation some profit was made and thus the sharer are infringing on the "not for profit" part of the law.

    Or will push around to force distributors to use copyrighted media into already already converted into lossy format (selling DRMed lossy music files instead of CDs, or moving the DVB-T transmission to MPEG-4/H263 and AVC/H264 so people won't need to recompress from MPEG2), so that either the p2p user will exchange the same files as the copyrighted material (and break the law) or that the p2p users will have to further compress the files (introducing additional degradation and lowering the quality to the point that legally authorised p2p won't be interesting).

    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
    1. Re:Definition by TubeSteak · · Score: 1

      If the local antenna of MPAA is unhappy, this interpretation will have to be challenged in court and set a precedent. And this is one of the things I hate about politicians.

      They have, in their heads, an understanding of what they want the law to mean & how/where it should be applied.... then they generally write the broadest possible language and will actively refuse to narrow it down to whatever their original intentions are.[/pet peeve]

      This is the legislative equivalent of "Bank Error In Your Favor", but more often than not, the error constricts the public's actions.

      --
      [Fuck Beta]
      o0t!
    2. Re:Definition by Anonymous Coward · · Score: 0

      FYI - Italian Courts do not use precedent. Like most of Europe, they use a derivative of the Napoleonic Code, which instead of resorting to the Anglo-American principle of stare decisis (let the decision stand - precedent) - each permutation of a situation is accounted for according to the specific law.

    3. Re:Definition by poot_rootbeer · · Score: 1

      most of the data you find on P2P networks are recompressed, using lossy algorithm. You can mathematically prove in an indisputable way that this step degrades the data by introducing artefacts and approximations

      But which is the more reasonable interpretation of "degraded": a mathematically demonstrable change in the data, or an audibly perceptible change?

      If a typical listener cannot distinguish between a CD audio track and a 256kbps MP3 rip of the same track in a blindfold test, can the latter really be considered degraded?

    4. Re:Definition by Firethorn · · Score: 1

      Keeping in mind that the law is in Italian, if 'degraded' is an accurate translation than any degredation could meet the requirements - even if imperceptable. Like a radio signal, for example.

      In audio and video, especially in pre-processing/recording you record much more information than what's perceptable, gives you more room for editing before artifacting becomes perceptable.

      Think of it like amplifying a quiet instrument so you can hear tones that would otherwise be imperceptable, or zooming in on an image to display only a part of it during a shot. What would be thrown out by 'final product' standards are kept 'just in case' by authoring standards.

      --
      I don't read AC A human right
    5. Re:Definition by DMiax · · Score: 1

      All correct, except that in Italy we have Civil Law, instead of Common Law. We do not change the laws by court decision, and the concept of precedent has no meaning. So the only way to change this is by approving a new law correcting the first.

  20. Any sufficiently advanced bug by n6kuy · · Score: 1

    .... is indistinguishable from a Feature!

    --
    If you disagree with me on social issues, then it's pretty clear that you are a narrow-minded bigot.
  21. Wouldn't it be tricky... by Icarium · · Score: 1

    ... to convince a judge that you put your mp3 collection up for educational or scientific purposes?

    For some reason most people seem to be missing this little tidbit when reading even the summary.

    1. Re:Wouldn't it be tricky... by calebt3 · · Score: 1

      Do a study on access patterns to a torrent or something like that.

    2. Re:Wouldn't it be tricky... by Anonymous Coward · · Score: 0

      not really. The burden would be to prove you posted them with a non-educational or scientific purpose. What other reason would there be?

  22. Mistakenly? by sm62704 · · Score: 3, Interesting

    In related news, last decade the US Congress mistakenly passed the DMCA.

    In other related news, Springfield's paper is reporting (DOH!) that "Two men were caught Wednesday night with hundreds of DVDs and compact discs, packaged for illegal resale, inside their car... A police report indicated one of the men was arrested; however, a check of jail records showed he was not booked in."

    Good thing those guys were just selling 500 bootleg DVDs and 500 bootleg CDs. If they'd ripped them to (degraded) MP3 and posted them for free on the internet, lets do the math here at $100,000.00 per track...

    --
    mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  23. M.A.F.I.A. by tepples · · Score: 3, Funny

    What you're thinking of is the Music And Film Industry Association, the international division of the Music And Film Industry Association of America.

  24. Waiting for ministry's decree... by plainwhitetoast · · Score: 1

    The law wouldn't be effective until ministry's decree... the lawyer says that the only hope for politicians to correct the mistake would be to slow down the decree's process and meanwhile hurry up to amend the law (but italian parliament is currently in turmoil for government's crisis), FIMI guys (Federation of the Italian Music Industry) say they are unalarmed because the decree would limit "educational and scientific purpose" to those websites that deal officially with didactics, like those of academic institutions and universities.
    But the lawyer says such a decree would be impossible to apply because the Italian Constitution authorizes every citizen to make educational and scientifical divulgation.

    Who is right?
    I hope (and I would bet) the lawyer is... Anyway if all politicians agree that a law must be changed they usually do that, sooner or later, but if they won't be able to correct their mistake in time for the law to become effective, it would be very funny to see the consequences... also if they'll last only until they change the law again... :)

  25. For an MP3 enhancement filter? by tepples · · Score: 1

    And I suppose the most important question to ask: can your needs be settled by the publicly and freely available technical writeups out there? Not if one is developing a post-processor designed to restore fake detail to a badly compressed MP3 file. I'm not aware of any freely available technical writeups that describe the characteristics of the artifacts produced by specific encoders.
  26. Italy is a latin country by protomala · · Score: 1

    And as a latin country produces a *lot* of funny and wrong laws :)
    Gladly in Brazil there is not this quality restriction, we are free to share (without any money involved) from user to user.
    But people selling those can go to jail (even that I bet no one so far ever did).

    1. Re:Italy is a latin country by marcosdumay · · Score: 1

      "we are free to share (without any money involved) from user to user."

      Are we? I didn't know that.

      A few years ago there were news of some people that got into legal problem for sharing music, but I've never saw the results.

    2. Re:Italy is a latin country by protomala · · Score: 1

      Yes it is. The case is that when you read those advertising saying the copying copyrighted material you are just looking for a part of the law, not it's full glorty :) You can have more details in the following links (portuguese):
      http://pt.wikipedia.org/wiki/Pirataria_moderna

      Not even buying pirated material is a crime in brazil, but selling one is. So if you just give way, share with your friends or even put it into the web, it's not crime.

      Don't forget even president Lula watched a pirated version of Tropa de Elite in his presidencial airplane :)

    3. Re:Italy is a latin country by Anonymous Coward · · Score: 0

      Not like Lula is a standard of morality or anything...

  27. Quiet you fools! by FriendlyPrimate · · Score: 1

    Quiet you fools! Wait to point this out until AFTER the legislation passes! :-)

  28. Which /. editor approved of this? by G3ckoG33k · · Score: 1

    Which /. editor approved of this article?

    Did that editor realize he was giving some unwanted a hint?

  29. Re:Why did they have to let the cat out of the bag by calebt3 · · Score: 1
    I think it has been passed already and is just waiting to go into effect.

    The new law, already approved by both legislative houses...
  30. Wise to share this info now? by houghi · · Score: 3, Insightful

    Is it wise to share the information now? ASs the law is not in effect, it still can be stopped.

    --
    Don't fight for your country, if your country does not fight for you.
  31. But it's not degraded... by jgoemat · · Score: 4, Interesting

    You are thinking it's degraded from 44khz WAV files, and that's true. However since MP3s are actually being sold now through online music stores, you would have to argue that these are degraded compared to the actual product being sold. Look at your DVD analogy. You say you couldn't upload an 8gb ISO of a DVD, but isn't that 'degraded' from the original masters or even the HD-DVD version? Certainly if you bought a 256kbit MP3 from Amazon and shared it you wouldn't consider that 'degraded' since it is exactly what you purchased, right?

  32. Back in the day.... by Anonymous Coward · · Score: 2, Interesting

    Bootleg recording collectors will remember that Italy was the source of many "Recordings of Indeterminate Origin". IIRC the law was that the bootleg producer would open up a bank account and deposit a small royalty for each copy produced. The money was made available to the artist to claim (thus legitimizing the bootleg).

  33. "when such use is not for profit" by ArcadeX · · Score: 1

    use of the 'degraded' works aside, how do you define 'not for profit' when administrators of charity organizations drive around in cars worth more than my annual salary? You could say the pirate bay is not for profit, the money generated by adds is used to pay themselves for thier time, bandwidth, costs, etc, but so long as they don't go public, and are willing to do a little creative accounting...

    --
    An I.T. motto in the hands of an idiot is a dangerous thing...
  34. reminds me of the English non smoking law. by oliverthered · · Score: 1

    Your not allowed anything that can be smoked and is lit.

    by not defining smoked or lit this law bans things like cheese and fish in a shop that has lights since they can be smoked and are lit.

    --
    thank God the internet isn't a human right.
    1. Re:reminds me of the English non smoking law. by Anonymous Coward · · Score: 0

      Don't give the 'enforcement' officers any ideas, I get enough hassle taking my salmon to the pub as it is.

    2. Re:reminds me of the English non smoking law. by Anonymous Coward · · Score: 0

      Don't you have a fish licence?

  35. Technical or layman definition? by brouski · · Score: 1

    What is the tradition in Italian law for terms such as this? Is the technical definition used, or is it customary to accept the layperson definition? Chalk me up to the group that can't tell any appreciable difference between a decent bitrate MP3 and a lossless format.

    --
    Proud member of the American Non Sequitur Society. We might not make much sense, but boy do we love pizza!
  36. Is it retroactive? by Comboman · · Score: 1
    The law will be effective after the appropriate decree of the ministry, and will probably have an impact on pending p2p judicial cases.

    Unless their legal system works differently from ours, new laws are generally not retroactive, so pending cases would be bound by whatever law was in effect at the time the offense was committed. Of course, IANAL.

    --
    Support Right To Repair Legislation.
    1. Re:Is it retroactive? by plainwhitetoast · · Score: 2, Informative

      IANAL but AFAIK here in Italy, if with a new law something BECOMES illegal, then that law can't be retroactive and you can't be judged for what you did BEFORE the law came out.
      But if with a new law something that was illegal becomes legal, then in pending judicial cases defendants are acquitted because "the fact isn't offence anymore".

  37. My attempt to get rated +5 interesting by SeePage87 · · Score: 1

    or was it?

  38. Videos by rdradar · · Score: 0

    Since images are allowed too, would it include video too? So the law would quite much allow music and movies too. Now just add it to games aswell!

  39. Tech Ignorance Breaks The Other Way Once by Bob9113 · · Score: 2, Interesting

    Interesting, so on the tails of 15 years of technically ignorant Internet legislation having unintended consequences prohibiting various legitimate behavior, there is one law that might pass in one country on the face of the Earth where they might accidentally reduce the scope of executive power in a technical field depending on the court's interpretation of "degraded". Fascinating.

    I think it serves best as the exception that proves the rule; ignorance in the legislative, executive, and judicial processes tends to lead to oligarchy designed by moneyed (or otherwise potent) special interests.

  40. Copyright law only concerns the source of the copy by DrYak · · Score: 2, Insightful

    However since MP3s are actually being sold now through online music stores, you would have to argue that these are degraded compared to the actual product being sold.

    On the other hand, when some user converts the CD tracks into MP3 and puts them on P2P, and the MP3 found on webstores aren't the same product. At all.
    That would be claiming copyright infringement on some picture you took with your camera of some public monument - on the ground that an artist is selling a poster of the same monument and your photograph infringes the artist's copyright because they both depict the same monument. It doesn't work this way.
    What is important is not what the piece of work represents. What is important is what you duplicated. Which was the "source" of your data. The colour of the bits which compose the data file.
    Your photograph isn't related to the artist's poster. You took picture of some monument, your photograph is related to it and as the monument is public, you can take pictures of it.

    To go back to MP3 : you took a CD, you ripped it and compressed it to MP3. Those MP3s are descendant of the CD - the CD was the source of data of which you made a copy. The MP3s aren't bit for bit identical to the original material that you duplicated. They are degraded. You're safe.

    The fact that some MP3 exists on some on-line store have nothing to do with the copyright law. The copyright law is only about duplicating content and at no point in time in this exemple the online store did come into play. The duplicated thing was a CD, copyright law concerns it.

    You say you couldn't upload an 8gb ISO of a DVD, but isn't that 'degraded' from the original masters or even the HD-DVD version?

    Again, doesn't matter. You are *NOT* making a copy of the master or the HD-DVD. the bit that you convert aren't colored from those.
    What you make a copy of is your DVD.
    When proprely done, a 8GB ISO of ripped DVD is supposed to be bit-for-bit equivalent (at least regarding the multimedia content that is protect by copyright law - the file header and other metadata might change, but the data that will ultimately be sent to the screen is kept un-changed).
    As opposed, for example, to shrinking (using K9Copy or something similar) the movie to fit a 4GB disc (in that case, the quality was decreased to fit in a tighter place).
    Or for example, recompressing it using X264 - the conversion is lossy and it mathematically provable that degradation has resulted.

    The fact that the 8GB iso is degraded when compared to some master copy at the studio that you don't have access to doesn't count. What count is the source that was used in the process of copying.
    Exact copy is "no no!", degraded using lossy process is tolerated.

    Certainly if you bought a 256kbit MP3 from Amazon and shared it you wouldn't consider that 'degraded' since it is exactly what you purchased, right?

    Exactly, in that case it won't be considered 'degraded' because what you are making and distributing copies of it the exact data as you received it (no matter what exists on some other CD that wasn't involved in the current copying).

    That's what I meant in the end of my previous posting :
    - If companies continue to distribute music in CDs and movies as DVDs (or not-much compressed MPEG2 streams on digital boardcast networks), people have an incentive to make degraded copies using lossy compressors (to make data use less space). And those copies could be tolerated on P2P network under Italian law (as long as done not-for-profit).

    - If companies switches their distribution channels to MP3s and more compressed digital broadcast (H264), the situation change.
    There's no incentive for people to re-compress the media : what they got is already compressed.
    But they don't have the right to distribute these files under any copyright law (except so

    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
  41. The Supreme Court says the Tomato is a vegetable by Anonymous Coward · · Score: 0

    But we all know it's a fruit. Why? Because then they can count ketchup towards federal dietary standards.

  42. Degraded from SOURCE - can't copy it by Anonymous Coward · · Score: 0

    I'd like to see the complete text, especially as related to "degraded". Maybe the MP3 just has to be tied up, and have naked pictures taken of it?

    *baddum bump*

    Seriously folks, I'm curious about technicalities of the wording. For example, I can see how one creating an MP3 from a CD track is creating a degraded copy, but what if Joe got the MP3 from some other source? He would not be allowed to copy that MP3 and publish it, because it will be of the SAME quality as the original he got. In fact, even if you create an MP3 from a CD track, technically, uploading it somewhere is creating a copy of the same quality. So it would seem maybe the law only protects fair use at home. (But mention of publishing and internet confuse that whole angle).

  43. eDonkey Network by Anonymous Coward · · Score: 0

    Hmmm.....so that's why one sees so many Italian flags next to users in eMule.

  44. So true! by MarcoPon · · Score: 1

    Italian legislators screw things so much that sometimes, by pure chance, they actually develop some good laws!

    Ciao!

    --

    SeqBox
  45. Too Little Too Late by vga_init · · Score: 1

    This would be fantastic news if I were still downloading MP3's on a dialup connection. Nowadays the Internet is faster, hard drives are bigger, and I want FLAC. I don't think this law is going to help FLAC users.

  46. is striping the data considered to be lossy? by un1xl0ser · · Score: 1

    The way I figure it, you have two sites. OinkA and OinkB. OinkA has the even bits, a UUID and the sha1sums, OinkB has the odd bits, a matching UUID and thesha1sums. Someone writes a very simple merge script.

    i can has a loophole?

    --
    v4sw6PU$hw6ln6pr4F$ck 4/6$ma3+6u7LNS$w2m4l7U$i2e4+7en6a2X h
  47. P2P still illegal for most in Italy by pbjones · · Score: 1

    the curve ball, yes you can share, but only for scientific or educational purposes. While you sit in the courtroom, YOU have to prove that your open P2P connection was for 'educational' purposes. Good Luck.

    --
    There was an unknown error in the submission.
    1. Re:P2P still illegal for most in Italy by AlgorithMan · · Score: 1

      I know this sounds crazy to americans, but in countrys that respect the human rights, you are innocent until proven otherwise.

      this means that you don't have to prove the use was educational - the music industry has to prove it wasn't.

      --
      The MAFIAA is a bunch of mindless jerks who will be the first up against the wall when the revolution comes
  48. Well done by themadplasterer · · Score: 1

    Bravo!

  49. Typical of Italian legislative stupidity by Anonymous Coward · · Score: 0

    Either last year or the year before, Italian Parliment passed a law which banned all electronic games. Their intent was to stop online gambling... but their effect was to outlaw Minesweeper, Pac-Man, every cell phone which shipped with a game on it, etc.

    Yes, they certainly give a lot of deep thought to the results of their laws. Almost as much as US conservatives!

    1. Re:Typical of Italian legislative stupidity by Cambriaman99 · · Score: 1

      This is reminiscent of our consortium's difficulty in 1967 in negotiating a contract with the Italian Ministry of Defense because there was no word in Italian at that time for "software". Considerable energy and time was wasted while lengthy written explanations were forwarded trying to communicate the concept to a bunch of Fiat pilots.

      --
      From the Beautiful Central California in the Pines
  50. Legislative intent? by mrbrown1602 · · Score: 1

    I can see a court striking this down real quickly - it was obviously not the legislative intent for the word "degrade" to be used in this most technical sense. Italy, being a Civilian country, likely has on the books an article which states, "All words and phrases will be subject to their most common meaning and interpretation if such interpretation does not lead to absurd consequences."

    I'm sorry, its just the future lawyer in me.