Slashdot Mirror
A Look at The RIAA's War Against College Students
NewYorkCountryLawyer writes "p2pnet.net has put together a fascinating retrospective on the RIAA's war against college students, commenced February 28, 2007. The campaign is described as one to 'force "consumers" to buy what they're told to buy — corporate "content," as the Big 4 call their formulaic outpourings.' In a scathing indictment not only of the major record labels, but of those schools, administrators, and educators who have yet to take a stand against it, Jon Newton reviews a number of landmark moments in the 11-month old 'reign of terror'. They include the announcement of the bizarre 'early settlement' sale, the sudden withdrawal of a case in which a 17 year old Texas high school student had been subpoenaed while in class during school hours to attend a deposition the very next day during his taking of a standardized test, the call by Harvard law professors for the university to fight back when and if attacked, and the differing reactions by other schools."
More and more, corporate America has been ready and willing to screw over the "consumer" in order to make more money. The media industry's stranglehold on their particular market is a stockholder's dream come true.
As long as people are willing to shell out the $$ for the crap they keep shoveling out, not much is going to change.
"The campaign is described as one to 'force "consumers" to buy what they're told to buy -- corporate "content," as the Big 4 call their formulaic outpourings.' "
If it's really crap like you say, is it really worth listening to at all? Why even download it "for free" if you think it's crap? It just sounds like a sad excuse to download. There are alternatives to "Big 4" music, unfortunately, sometimes the anti-RIAA crowds neglect to mention them.
The way I see it is: If the content is so terrible, don't download it. As you will not be infringing on anyone's copyright, you will not get sued.
If the content is good enough that you want access to it, you either have to pay for it, or accept a small but nonzero chance of being sued and fined for copyright infringement.
I also don't see that universities need to cover for students engaging in copyright infringement. If you connect to a torrent of 'Heroes' or 'House' or whatever, your IP address gets recorded, and the copyright holders subpoena the university to know what user had that IP address at that time, why does the university need to 'take a stand against it'?
Now, I'd certainly agree that some stories on slashdot talk about inexplicably large fines being requested. And certainly innocent people who are wrongly accused should be entitled to reclaim reasonable costs for their defence. But to say students are being forced to buy record labels' music, or to say that universities have a responsibility to cover up lawbreaking by their students, doesn't really make sense to me.
In other words I found the article less 'scathing' and more 'worded emotively'.
Just my $0.02.
"Goodness me, how unlike the FBI to abuse the trust of the American public." -- The Onion
This is nothing more than a mere glance at the true extend of the RIAA's campaign. The number of students the RIAA has sued, most of whom couldn't hope to pay off a settlement or a lawyer to bring the case to trial, numbers way into the thousands. The truly insidious part is just that: the RIAA has billions of dollars available to sue people, and could keep the cases in litigation until the defendant just runs out of money and is forced to settle. There is no due process here, there never could be in cases like these.
Palm trees and 8
How something is 'described' by someone else with an agenda matters very little (unless a lot of people fall for it). It's just as reasonable to 'describe' millions of college students as "people who want to force their favorite artists to provide them with entertainment for free." Which is more accurate? That performers, and the studios they work with, want to actually "force" someone to buy something, or that many people who swear they love a particular performer or recording artist are none the less happy to rip of that person's work, despite the wishes of the very performer they claim to respect?
Neither description covers everyone. But saying that a recording artist wants to "force" people to pay for the entertainment they're providing is a lot like saying that a movie theater wants to force people to actually pay for a ticket on their way in to see a movie. It's absurd. No one is forcing you to listen to a recording, and no one is forcing you to see or hear any other performance, either. Don't be a consumer of it, and no need to pay for it. Except, of course, those countries that are insane enough to think it's reasonable to levy taxes (and thus, literally force people to pay) which are then spread around to artists - whether or not the people paying the taxes would ever want to be entertained by those artists or not. That's the only "forced to pay for entertainment" that it's worth talking about. Otherwise we may as well talk about how grocery stores are forcing their customer to pay for what they want, or how a chef is forcing his customers to pay for the creative services she provides.
Don't use the word "force" when it doesn't apply. Don't want to pay for Bruce Springteen's latest recording? Then don't acquire it, unless HE chooses to give it to you.
Don't disappoint your bird dog. Go to the range.
This coming from the same guy who complained that only 1 in 5 people who downloaded Saul William's album, which he produced, chose to pay for it. I find that to be a pretty good ratio considering they didn't even offer a way to sample the album without downloading the entire thing.
Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
So this morning I got up and waged war on eye crud. I followed shortly after with a war on two fronts. A war on full bladders and a war on clean toilets. Next I waged war on not being at my computer. Then I went to war on dark monitors. Then I declared war on Firefox.exe. Then I went to war with slashdot's servers and blank Firefox pages. Then slashdot's text had the audacity to wage photon based war on my retinas! In retaliation, I counterattacked with a covert war on the Reply button, then followed up with a brief war on empty subject text boxes. Then I engaged in a somewhat protracted war on empty comment boxes. Now in closing, I'll stage a blitzkrieg on the submit button and preemptively declare victory.
Question everything
"why can't anonymous declare war on the RIAA, they are a far bigger threat to society than Scientology."
Scientologists get angry, real angry. makes for better lulz. as they say...
10 rant against RIAA
20 generic comment that piracy is still wrong
30 tangent about DRMs originating in Nazi Germany
40 someone yells Godwin's law
50 next RIAA article is posted
60 goto 10
http://greenobyl.com/ please.... think of the children!!
The media and entertainment companies' stranglehold on a dying business model is hardly a stockholders' dream.
Warner Music (WMG) stock, 2006: ~$30, Today, ~$8.00; DreamWorks SKG (DWA), 2005: ~$40, Today, ~$25; CBS Broadcasting (CBS) 2000: ~$45, Today: ~$25.
The market conditions surrounding the film, music and broadcasting industries are incredibly volatile right now. I'll grant you that they're pursuing mostly counterproductive strategies in their efforts to stabilize themselves, and DRM + consumer abuse is hardly helping matters. Still in all, mere perception that (Is Media Corporation) == (Rolling in Money and Laughing Maniacally) is a gratifying mental image, but it isn't exactly the case.
Pi Ran Out
Because, of course, you would be dead...
Flappinbooger isn't my real name
I must say, he really swings from one extreme - "steal, steal
These guys made $140,000 in three months. If they used opportunities like the interview you linked to put out a positive message, those numbers could grow, maybe to the point where they could "cover the costs and perhaps make a living doing it." Hell, they could even partner with one of those evil record labels at a later data and release a physical CD ala In Rainbows.
Whining to interviewers that four fifths of the people who downloaded the album you put on your website "stole" it and proposing to tax everyone - even those who don't listen to pop music - doesn't entice me to buy - or steal - his album.
I don't care why you're posting AC
Umm, if you could copy cigarettes would you consider it necessary to invent a law to prevent it or would you consider that an insane law that could only exist if the government were corrupt and taking bribes from cigarette manufacturers?
How we know is more important than what we know.
Perhaps 'cause:
Sure, I use to buy music when I was younger, but I don't buy much anymore -- nor have I ever downloaded anything. I've purchased 3 CDs in the last 10 years. What I already have is either better than what's new, or I'm simply just happy with it. In the car, I either listen to a CD or NPR; commercial radio is crap.
Great music never goes out of style. Perhaps some of the younger crowd have music from their parents :-) I mean, would you really want to listen to "Oops, I did it Again" over anything in your parents collection? How about instead of a baby whining on an airplane - oh, wait, that could be Britney too.
It must have been something you assimilated. . . .