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RED's New Digital Stills and Motion Camera Pushing the Limits

rallymatte writes to mention that camera maker RED has announced a new digital stills and motion camera system that includes one model that can shoot up to 28K at 25 fps. The new system will come in three tiers: Scarlet, Epic, and their top of line model which won't be out until possibly 2010. Still image capture will range anywhere from 4.9 megapixels to an insane 261 megapixels. In addition to some impressive 'traditional' hardware, RED also announced a 3D camera.

5 of 219 comments (clear)

  1. Actual Red URL by xmas2003 · · Score: 5, Informative

    Here's the actual info & specs from Red themselves - be sure to scroll down to the bottom where they have the "Oh ... by the way - 3D" teaser. Crazy stuff (makes my Canon 40D look pokey) - we'll see if they deliver.

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    1. Re:Actual Red URL by sith · · Score: 4, Informative

      Wow. That's ... wrong.

      The RED has a CMOS sensor, as do a number of other fancy-pants video cameras these days.

  2. Re:28K what? by nattt · · Score: 4, Informative

    28,000 x 9,334 or 261mp.
    28k is the horizontal resolution, which is typically how frame sizes are measured in digital cinema.

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  3. Re:Vapor codewords... by MoonBuggy · · Score: 4, Informative

    Actually they've been shipping cameras for a while, these are just the next in the range. The Red One was considered vapour for a while by some people - they started taking pre-orders in April 2006 and actually shipped the first 25 units in August 2007. There is apparently still some wait time between ordering and receiving the camera, but they definitely exist.

    They announced the Scarlet and the Epic in April this year, and announced today they they've somewhat revised the design of them.

  4. Re:Beyond limits by pipatron · · Score: 4, Informative

    If you shoot at the resolution you are tend to project at, you can't modify the frames in any non-trivial way other than colour/contrast adjustments. Anything else will in practice degrade the resolution. Shooting at a higher resolution gives you a lot of headroom that can be used to for example cut away areas that you don't want to use, and zoom in interesting areas. Similar to when music studios record and work with 192kHz audio signals to give some headroom for processing, then resample to whatever resolution the end user wants, 44.1 and 48kHz for example.

    Other uses could be for reporters, journalists or nature photographers who can film at general areas of interest and then later cut out and scale up interesting areas.

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