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Warner Music Pushing Music Tax For Universities

An anonymous reader writes "Warner Music is pitching the idea of a 'music tax' for various top universities. The idea is that students would be free to file share, but the university needs to monitor and track everything, create a pool of money, hand it over to a recording industry entity that promises to distribute the proceeds fairly. In exchange, the university gets a 'covenant not to sue' from the music labels. It's not a full license, just a basic promise that they won't sue. It's also claimed that this is 'voluntary' but the Warner Music guy says that they need to include all universities and all ISPs to really make it work. It's basically a music tax, where the recording industry gets to sit back and collect money."

7 of 375 comments (clear)

  1. Music tax? by ScrewMaster · · Score: 4, Informative

    I hate these people. They're already getting a chunk of change from blank disc sales, and now they want Universities to hand over millions of dollars with the (ahem) "promise" that it will be fairly distributed. And it will ... amongst various record company executives and their cronies. Oh, and we probably won't sue you, either. But no guarantees.

    We need to stop taking them at their word when they say their going to give money to artists. They generally don't (unless the artist had a good lawyer, I suppose.) Actually, we need to stop taking them at their word.

    --
    The higher the technology, the sharper that two-edged sword.
  2. great timing! by theodicey · · Score: 5, Informative

    Now that the cost of higher education is falling and endowments are growing, universities will have lots of money to spend on music taxes!

    Alternatively, they could just give every student a free copy of PeerGuardian.

    1. Re:great timing! by Loadmaster · · Score: 5, Informative

      Check his links. The one linked from "growing" has the title "Harvard's Endowment Plunges 8 Billion." I think you've just restated his point.

  3. Re:Indie by Animaether · · Score: 4, Informative

    Your argument doesn't make sense...

    Note that I don't think that the RIAA's proposal here makes sense.. no more than do the levies on CDs and DVDs (and tapes, etc) in most European countries and I believe in Canada.. at least; both assume that you will be making copies of music/video that they hold the copyright 'policing' rights to -onto- those media. If you don't.. you only put, say, your own photos onto them.. tough luck, you're still paying the levy. You can get exemption, but.. you guessed it.. to get exemption status you need to pay a yearly fee. Ho-hum.

    But back to your argument, and it ties into something I said above... the RIAA looks after the copyrights and whatnot (yeah, I know, they look after their own wallet, blabla) of -their- members. If you are an indie artist, they don't much care about you (other than your diluting the market and such) or rather your copyrights.. as you are not a member.

    So if you have a problem with students (potentially) copying your works... hey, that's great... but it's not the RIAA's task to deal with it.. it is your own.. or whoever you signed with (unless you're truly indie and just do your own pressing/burning, distribution, etc.).. it falls onto you/them to have a similar 'I won't sue you' agreement with the university/ties in question.

    So yes.. it will never happen.. but the biggest reason why that wouldn't happen is because you are independent artist and simply don't deserve - technically, legally, etc. - any slice of such an agreement.

    Just to make this absolutely clear.. I don't think the RIAA deserves any slice of.. well.. whatever - a university's budget, I suppose - for hypothetical / assumed copyright infringing activities where copyrights they govern come into play. I firmly believe they should have to prove it.. of course the laws, regulations and technical aspects make it very difficult to prove who violated what copyright, while at the same time it's clear copyright violation -does- occur.. so if the RIAA wants to get this sort of agreement in action and a university agrees to it... then so be it. I'd frown upon the university but if they figure it's less of hassle / moneysink than is battling RIAA lawyers all the time, then I can't blame them for being pragmatic at least until the laws are more firmly on their side (which is slowly happening, so I wouldn't sign such an agreement just yet).

  4. Re:They can kiss my ass by timmarhy · · Score: 5, Informative
    "who trade in thousands of dollars of goods deserve to be charged (criminally) as thieves"

    wrong. there aren't any goods being stolen or traded. bits are not goods, they are a copy of other bits, which means they are infringing on a copyright. that is a civil matter not criminal. so unless you really believe government money,your tax money, should be spent fighting someone elses private court battles you are serioulsy misunderstanding the situtation.

    --
    If you mod me down, I will become more powerful than you can imagine....
  5. Re:Indie by ozmanjusri · · Score: 4, Informative
    However, slide 7 also claims that this approach is supported by the EFF and Public Knowledge. Is this true?

    Sort of.

    There was a white paper put out suggesting a superficially similar scheme. Unsurprisingly, the key word the RIAA have missed from the EFF proposal is "voluntary", which makes their claim that their tax is EFF supported highly misleading.

    The EFF have published a clarification titled Collective Licensing Good, ISP Tax Bad in case anyone is still uncertain.

    --
    "I've got more toys than Teruhisa Kitahara."
  6. Re:Indie by lysergic.acid · · Score: 5, Informative

    the sad thing is, this sort of music tax is already in effect. BMI and ASCAP already collect royalties from any public venue that has a jukebox or plays CDs/radio over a PA system. basically, if you operate a bar or club you have to pay them a yearly licensing fee, regardless of what kind of music you play or don't play. they have their own auditors that they send out regularly to check up on venues and operate in a similar fashion to the IRS.

    even if you play international music that is in the public domain, or music by indie artists that aren't members of their organization (meaning don't pay them a membership fee and thus don't receive their royalties), you still have to pay them. unfortunately, this system removes any incentive a venue owner might have to play music by indie musicians who actually want their music played in public for as many people to hear as possible. i don't know what gives them the right to collect royalties on music they don't hold the rights to (or have the copyright holder's permission to collect royalties on), but most bar/club owners just pay the licensing fee to avoid legal repercussions.