RIAA Sued For Fraud, Abuse, & "Sham Litigation"
NewYorkCountryLawyer writes "It's been a rough week for the RIAA as massive layoffs are about to cost many employees their job. On top of that, the anti-piracy outfit is being sued in North Carolina for abusing the legal system in its war on piracy, particularly for civil conspiracy, deceptive trade practices, trespassing and computer fraud in SONY BMG Music Entertainment v. Moursy. Named along with the record companies as defendants on the counterclaims are Safenet (formerly known as MediaSentry) and the RIAA. This case first started out as 'LaFace Records v. Does 1-38' until the court required the RIAA to break it up into 38 separate cases, at which point it morphed into 'SONY BMG Music Entertainment v. Doe.' Only after the RIAA finally got its 'expedited' discovery did it become SONY v. Moursy. And from the looks of things, it has a long, long way to go. The RIAA hasn't even filed its answer to the counterclaims yet, but is making a motion to dismiss them on the grounds of legal insufficiency. Sound like a good investment of record company resources, anyone?"
Ehud
Before anybody starts in on the "Yay, less employees!" style rant, please remember that there are GOOD people who work at bad companies... not everyone is an evil backstabbing conniving shrew with the goal of proving that everyone is evil and owes them billions of dollars.
Of course, I have no proof of this "decent people" there, but one can only assume there would be.
When all else fails, use fire.
I live with artists, and I will gladly pay for worthwhile music. That means the guys I see in bars. That means the guys I see at concerts. You think we treat artists like slaves? You realize that to this day not a single filesharing case settlement has actually been shared with a SINGLE recording artist? The artists are slaves, but not to us. Fuck the RIAA.
Absolutely. How are large record companies even useful nowadays? It used to be that it was expensive to record and reproduce music, and distribution involved getting physical product out on shelves. Since shelves = floor space = rent, stores had to move as much product as possible, so there was value in having the music they were selling promoted by big companies with a lot of advertising money and a stranglehold on commercial radio.
The landscape has changed dramatically over the last decade. Recording is so cheap that it can be done reasonably well with equipment costing a few thousand dollars or less. That means it's pretty much accessible to everyone. For $10/month you can sign up with a digital music distributor who will put your mp3s on Amazon.com, itunes, etc. Set up a myspace page for your band or register a domain and get an inexpensive web host and you've got a web presence. It's up to you to get your music heard and purchased, but when you do you'll get most or all of the proceeds.
Seriously, what has the music industry given us lately except bland, pretty pop stars with little musical talent?
How are large record companies even useful nowadays?
Well they provide quite a bit of employment to some otherwise unemployable lawyers. Doesn't that count for something.
Ray Beckerman +5 Insightful