PRS Demands License Fee To Play Music To Horses
An anonymous reader writes "A woman in Bushton, Wilts, has been told by the Performing Rights Society (PRS for Music) that she needs to pay an annual fee in order to play classical music from the radio to the horses in her stable, something that she has been doing for the past 20 years.
The PRS claims that it's not about the horses — rather, it's about her staff of over two people, which puts Mrs. Greenway in the same category as shops, bars and cafes.
'The staff are not bothered whether they have the radio on or not, in fact they don't particularly like my music and turn if off when I'm not around,' said Mrs. Greenway, 62. 'Especially on windy days I try to play it — it gives [the horses] a nice quiet atmosphere, you can only exercise one horse at a time so it helps the others to stay calm. We are right next to the RAF Lyneham air base so it dulls the noise from the aircraft as well.'"
Copyright laws do distinguish between the work, and the performance thereof.
// file: mice.h
#include "frickin_lasers.h"
She should simply stop. Get a buttload of dirt cheap CDs in the bargain basement bin for $0.99 each, or better yet, get a lot more stuff off a site such as Magnatune or an Internet radio station, and let the PRS rot in hell in total irrelevance.
The issue is not radio versus personally owned copy. The PRS appears to be claiming that this is a public performance (see that PRS stands for Performing Rights Society). In which case it doesn't matter how the music is acquired, only that the way she is playing it in a way that she is not licensed for.
When information is power, privacy is freedom.
There is more than enough public domain classical music (remember that in Europe it's only 50 years for performers). So find some Mozart recorded more than 50 years and tell them to go to hell.
Let's not forget the time the PRS sued the police! This is all getting rather silly.
In the case of classical music; the piece itself may no longer be subject to copyright, but the interpretation and any performances of it are. This is why many old classical pieces are not as freely available as you might think.
Of course, the original copy is not subject to copyright, but musical notation has changed a lot in the last 200 years.
It also raises the question of whether you should write England or UK. I was taught to write England as a child, but UK seems to be common these days.
"England" and "UK" are different things. And "Great Britain" is different again. The most general designation is "UK", or, to give it its full designation, "The United Kingdom of Great Britain and Northern Ireland", from which you'll be able to work out that "UK" includes Northern Ireland, "Great Britain" is the rest of the country. Great Britain is, in turn made up of England, Scotland and Wales. Calling somebody from Scotland "English" is likely to go down about as well as calling somebody from the deep south of the USA a "Yankee".
England and Wales have a common legal system; Scotland and Northern Ireland each has its own legal system. So when talking about legal matters, it's best to be specific and say "England", "Scotland" or whatever. When referring to the country, it's "UK". The term "Great Britain" seems only to exist to piss off the Irish, as, for instance, when we refer to our Olympic team as "Team GB" thereby ignoring the Northern Irish contribution.
Quidnam Latine loqui modo coepi?