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Warner Music Forces Lessig Presentation Offline

An anonymous reader writes "Larry Lessig, known (hopefully) to everyone around here as a defender of all things having to do with consumer rights and fair use rights when it comes to copyright, is now on the receiving end of a DMCA takedown notice from Warner Music, who apparently claimed that one of Lessig's famous presentations violated on their copyright. Lessig has said that he's absolutely planning on fighting this, and has asked someone to send Warner Music a copy of US copyright law that deals with 'fair use.'" Reader daemonburrito notes that the (rehosted) "video remains available at the time of this submission."

34 of 196 comments (clear)

  1. Whooooh! They picked the WRONG guy for this one! by gilgongo · · Score: 5, Insightful

    Lessig is probably the most knowledgeable person on the planet when it comes to US law on fair use.

    Ooooh they're gonna get creamed. And I will be laughing like a drain!!

    --
    "And the meaning of words; when they cease to function; when will it start worrying you?"
  2. Per Mr. Lessig's request, copy and paste: by UnCivil+Liberty · · Score: 5, Informative

    WMG contact form: http://www.wmg.com/contact
    ----

    Sect. 107. Limitations on exclusive rights: fair use

    Notwithstanding the provisions of sections 106 and 106A [17 USCS Sects. 106, 106A], the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include--

    (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;

    (2) the nature of the copyrighted work;

    (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and

    (4) the effect of the use upon the potential market for or value of the copyrighted work.

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  3. Re:Whooooh! They picked the WRONG guy for this one by QuantumG · · Score: 5, Informative

    Yeah, and he's already had his ass handed to him court at least once.

    Difference between theory and practice and all.

    --
    How we know is more important than what we know.
  4. It's Like Steve Irwin Poking a Stingray! by eldavojohn · · Score: 3, Funny

    Too soon?

    --
    My work here is dung.
  5. Pick Your Battles Wisely by eldavojohn · · Score: 5, Informative

    He uses a 50 second clip of The Muppet Show's "Ma Na Ma Na" which is a very short skit track of about 2:29 minutes. He shows it being set to an Anime Music video mash up of Vampire Hunter D Blood Lust. I can't seem to track down who would be the rights holder of this track but I'm guessing it's Warner. I have only seen 15 minutes of his presentation so it's possible there are other violations.

    Larry: Non-free Audio Fair Use for music constitutes 10% or 30 seconds of a song (which ever is shorter) and it must be in a low enough quality (didn't investigate the audio on this video to find out if it satisfied Ogg quality of 0 rule). For the rest of the 15 minutes I saw you looked fine but this stuck out at me. Pick your battles wisely and adhere to this rule next time.

    --
    My work here is dung.
    1. Re:Pick Your Battles Wisely by EvanED · · Score: 5, Insightful

      Larry: Non-free Audio Fair Use for music constitutes 10% or 30 seconds of a song (which ever is shorter) and it must be in a low enough quality (didn't investigate the audio on this video to find out if it satisfied Ogg quality of 0 rule).

      [Citation needed].

      It's certainly case law if that's even true, and I'm skeptical that it's a universal rule even if true. The statues place no such requirements, and, in fact, there are many times when using an ENTIRE work would be considered fair use.

    2. Re:Pick Your Battles Wisely by flaming+error · · Score: 4, Funny

      "Ma na ma na" is one of those songs that just really stick in your head. It plays and re-plays, over and over again. Probably by the time this Warner stooge finished thinking about Lessig's presentation he had already listened to it in his head for at least 30 minutes. That's an unlicensed full-length (and then some) copy.

    3. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 3, Insightful

      Pick your battles wisely and adhere to this rule next time.

      What rule? The Copyright Act of 1976, 17 U.S.C. 107 makes no mention of any kind of 30 second rule.

    4. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 5, Informative

      Firstly, IANAL.

      However,
      From my own analsys of the codified fair use doctrine, the proportion of the copyrighted work that is used for a fair use purpose is not explicitly stated excepting that it must not be in it's entierety, and should therefor satisfy as long as the proportion is not "In it's entierety"- Since the copyrighted work is a clip from the original muppet show, and the muppet show episode being longer than 2:29 minutes, I fail to see the reason why this is not fair use.

      Additionally,
      There is not a qualifier for quality in the codified body concerning fair use, thus the quality argument is insubstantiated as far as I can tell.

    5. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 4, Insightful

      Wrong.

      What is fair use and what is not fair use is determined based on the facts of each individual case. Something that is fair use in one instanceâ"say a parodyâ"might well not be fair use in another like a movie review.

      There are guidelines, much like the one quoted. However they are only guidelines and are in no way binding on courts unless they have been cited in a superior court case.

    6. Re:Pick Your Battles Wisely by eldavojohn · · Score: 3, Informative

      Ugh, very well. They're referred to as "portion limits" and the safe range has always been 10%-ish. Check out what Stanford advises it's students (and this is in academia, mind you):

      up to 10% or 1,000 words, whichever is less, of a copyrighted text work. For example, an entire poem of less than 250 words may be used, but no more than three poems by one poet, or five poems by different poets from any anthology.

      up to 10%, but in no event more than 30 seconds, of the music and lyrics from an individual musical work.

      up to 10% or three minutes, whichever is less, of a copyrighted motion media work (for example, an animation, video or film image).

      a photograph or illustration may be used in its entirety but no more than five images by an artist or photographer may be reproduced. When using photographs and illustrations from a published collective work, no more than 10% or 15 images, whichever is less. Or,

      up to 10% or 2,500 fields or cell entries, whichever is less, from a copyrighted database or data table may be reproduced. A field entry is defined as a specific item of information, such as a name or Social Security number in a record of a database file. A cell entry is defined as the intersection where a row and a column meet on a spreadsheet.

      I'm sorry but what Mr. Lessig did from 11:00-11:49 was in my mind a ballsy use of a song ... about 35% of that song was used. That's a big warning bell to me.

      Good luck to him, I hope there aren't other infractions later on. Wikipedia uses the 10% rule, that's how I know about it. I'm not a lawyer and I'll punch you if you call me one but I fear he's going to run into trouble on this one.

      Best of luck to you Larry.

      --
      My work here is dung.
    7. Re:Pick Your Battles Wisely by random+coward · · Score: 4, Informative

      In this section we discuss academic use guidelines that have been discussed and proposed, but have never been formally approved.

      PROPOSED Academic guidelines from Stanford University are not the Law of this land. Good thing you're not a lawyer. If you were your clients would be suing you for malpractice.

      I still have my soul, IANAL, etc...

    8. Re:Pick Your Battles Wisely by sqlrob · · Score: 5, Funny

      Very good catch. Maybe Lessig should Talk with this Stanford law professor about the rules and get some clarification.

    9. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 3, Interesting

      That's nothing more than a safe harbor. To really find out whether something is fair use, you have to evaluate all four factors.

      http://en.wikipedia.org/wiki/Fair_use

      Only one of the elements is how much was taken.

      I'm not going to do a full analysis. Indeed, even if I did, a court's analysis would probably look much different.

      The truth is that most people cannot afford to pay the lawyers to go to court and make the fair use argument to find out whether something is fair use or not.

      So most people stick with the safe harbors.

      In this case, Warner Brothers picked on the wrong guy. Lessig has both the resources and the inclination to go into court and make a fair use argument.

      I would love to see that case. Unfortunately Warner Brothers is going to cave very quickly and there will never be a court case.

      The RIAA / MPAA will make sure that when they go to court, they have a defendant who will not garner public sympathy.

  6. Lessig by Anonymous Coward · · Score: 3, Insightful

    Larry Lessig, also known as the guy who defended Obama's vote on the FISA bill, saying, among other things:

    He voted to strip immunity from the FISA compromise. He has promised to repeal the immunity as president. His vote for the FISA compromise is thus not a vote for immunity. It is a vote that reflects the judgment that securing the amendments to FISA was more important than denying immunity to telcos. Whether you agree with that judgment or not, we should at least recognize (hysteria notwithstanding) what kind of judgment it was. The amendments to FISA were good. Getting a regime that requires the executive to obey the law is important. Whether it is more important than telco immunity is a question upon which sensible people might well differ.

    (emphasis mine)

    I'm afraid I lost a lot of the (considerable) respect I had for the guy up until that point.

  7. Lessig is a moderate by QuantumG · · Score: 5, Interesting

    Lessig is not against copyright. He's a fundamental advocate of copyright, "especially in the digital era", he just thinks it is "out of sync" and "needs an update".

    Whereas people like me are advocates of just scrapping the whole damn thing because the potential benefits of doing so are way more interesting than the deprecated business models that it will finally put to bed.. and because I believe it is fundamentally the right thing to do, from a "you don't tell me what I can and can't do and I'll do the same" sense of what right means.

    --
    How we know is more important than what we know.
    1. Re:Lessig is a moderate by DragonWriter · · Score: 5, Insightful

      This is fundamental misthinking about copyright. Copyright doesn't exist to protect corporate interests. It exists to protect authors...

      This is fundamental misthinking about copyright. Copyright (in the United States) doesn't exist to protect authors, it exists to "promote the progress of science and the useful arts." (U.S. Const., Art. I, Sec. 8) To the extent it fails to do that -- or, a fortiori, impedes such progress -- it is because the rules of copyright are poorly crafted from the perspective of the Constitutional basis of Congress's power to grant copyrights in the first place, and need to be reformed to serve that purpose.

    2. Re:Lessig is a moderate by VGPowerlord · · Score: 4, Insightful

      Copyright might work if the section after the part you quoted was applied ("by securing for limited times").

      --
      GLaDOS for President 2016! "Well here we are again. It's always such a pleasure." -- GLaDOS, 2011
    3. Re:Lessig is a moderate by Anonymous Coward · · Score: 4, Insightful

      Why would an amount of time that was deemed sufficient protection over 200 years ago when the printing press was a novel creation be ANYWHERE CLOSE to what protection is needed today?

      Two or three times what it was then? Try 1/3 to 1/10 of the original time. We now have bestsellers that, in their first week, sell into the seven digit numbers - not of profit - but of units. Five years of protection would arguably be too much with modern technology and distribution methods.

      Anything more - ANYTHING - and you're caving into the mindset that the xxAA wants you to be in. Our goal should not be parity with the original length of protection, but significant shortening thereof.

  8. Re:Whooooh! They picked the WRONG guy for this one by rackserverdeals · · Score: 3, Funny

    Lessig is probably the most knowledgeable person on the planet when it comes to US law on fair use.

    But apparently not good at communication?

    and has asked someone to send Warner Music a copy of US copyright law that deals with 'fair use.'

    Did they take down his email, fax line and ban him from the post office too?

    --
    Dual Opteron < $600
  9. How Lessig Lost the Big One by Bruce+Perens · · Score: 5, Informative
    1. Re:How Lessig Lost the Big One by Bruce+Perens · · Score: 5, Informative

      Isn't most of this article obsolete, since Gonzales v. Raich in 2005 pretty much overturned the 1995 United States v. Lopez ruling anyway?

      The commerce clause and the copyright clause are two of the enumerated powers. The cases you cite deal with the commerce clause. So, I don't see how.

  10. Re:Whooooh! They picked the WRONG guy for this one by QuantumG · · Score: 5, Informative

    http://news.cnet.com/Supreme-Court-nixes-copyright-challenge/2100-1023_3-980792.html

    Lessig argued that repeated extensions were unconstitutional because they ran afoul of the Constitution's "limited times" requirement and also conflicted with the First Amendment's guarantees of freedom of speech.

    But just moments into Lessig's opening remarks, Justice Sandra Day O'Connor interrupted and noted Congress had repeatedly extended the duration on copyrights, with no intervention before by the Supreme Court. What, O'Connor asked, is different about this case?

    Lessig then continued to ramble on and the supremes continued to roll their eyes and wonder what the hell he was on about. He later said that, in retrospect, he should have shut up at that point and addressed the point made.

    --
    How we know is more important than what we know.
  11. Copyright Warzone by Anonymous Coward · · Score: 3, Funny

    So now we're officially at war -- Copyright vs. Fair Use vs. Piracy or Lobbies vs. People vs. Pirates. Oh boy, this is going to be good. I wish I had popcorn. Free popcorn.

  12. Automatic claiming? by no_opinion · · Score: 3, Interesting

    There's a really good chance this resulted from automatic claiming tools that make use of things like acoustic fingerprints. YouTube or a filtering partner will have a catalog of Warner tracks that new uploads are checked against. Warner may not even have known about this until it blew up. I'm sure we'll find out soon enough.

    1. Re:Automatic claiming? by boyko.at.netqos · · Score: 4, Insightful

      I got hit with that once, doing a documentary on Austin's air-guitar competitions. I thought that 10-15 second clips, recorded through an analog hole - a microphone placed not near the speakers, but near the air guitar stage (I was more interested in capturing the grunting and movement of the performers than a picture-perfect rendition of old 80s tunes) ... point is, I thought that'd be fine.

      Time Warner, as a whole, just doesn't get technology. CNN thinks "holograms" are a great way to tell the news, they want to put caps on broadband, and they are so worried about protecting "their copyrights" that they don't understand how or why people buy music, and what they use it for.

      Every business that they run that has any technological background at all is running itself into the ground because they want to sell you something first, then TELL you how THEY want you to use it, and are willing to go to absurd lengths to make sure that you only use it in the manner that they wanted you to - not the reason you bought it in the first place.

      This is why they'll sue auto repair companies playing CDs for employees to listen to at work, why they'll knock on people doing anime fun conversions, why they'll knock on air guitar guys.

      It's also why they'll offer broadband but put in caps so people can't use it, why they'll offer news programs but only present one or two sides of a multifaceted issue...

      What can I say? They're crappy.

      --
      I used to work for NetQoS. I no longer do, but want to keep the excellent karma attached to this account.
  13. Re:Whooooh! They picked the WRONG guy for this one by Anonymous Coward · · Score: 5, Insightful

    I don't blame Lessig for ignoring her though, when reading the minutes of the case, I think its pretty cleat Sandra was attempting to derail his argument with a tangent.

    Further more, if what you said was true, this just shows that judges had already made up their mind on the case and never cared about Lessig's argument to begin with.

  14. look harder...dig deeper...find FACTS... by Archfeld · · Score: 4, Interesting

    FYI... The 'ma na ma na' song IS NOT MUPPETS, or JIM HENSON, but was written in 1968 for an Italian Porn movie and has been in several movies since then. The muppets used it LOOOOONG after its creation, while that does not ensure that Warner doesn't own it now.

    http://www.geocities.com/pieroumiliani/

    --
    errr....umm...*whooosh* *whoosh* Is this thing on ?
  15. Re:Whooooh! They picked the WRONG guy for this one by layer3switch · · Score: 5, Funny

    Lessig then continued to ramble on and the supremes continued to roll their eyes and wonder what the hell he was on about.

    then the supremes said; "Stop! In the name of love, before you break my heart. Think it over."

    I believe that part was removed from the official dialogue on the record.

    --
    "Don't let fools fool you. They are the clever ones."
  16. Thanks for the law text by Lonewolf666 · · Score: 3, Insightful

    According to TFA, the presentation has been reposted here: http://blip.tv/file/1937322

    After watching the first three minutes, my impression is that

    (1) Should be clearly in favor of Mr. Lessig. Nonprofit, political speech, should have pretty strong First Amendment protection. One can argue if he really needs the photos (see point 2), but the character of the use doesn't get much more fair.

    (2) He uses photographs that are probably copyrighted as backdrops for his lecture

    (3) Depends on the source(s) - many small samples or all from one source?

    (4) I don't see how the use of some photos in this lecture can substantially hurt the sale of the original collections. Especially since the "subtitles" get in the way of reusing the photos from the lecture elsewhere.

    --
    C - the footgun of programming languages
  17. -1 Redundant by Bob9113 · · Score: 4, Interesting

    Reader daemonburrito notes that the (rehosted) "video remains available at the time of this submission."

    What I'm about to say is, I'm sure, redundant. I'm saying it anyway:

    Warner,

    I am pulling a copy right now. It's going in my mystical hidden repository of stuff fools think they can stop me from seeing.

    Here's how this rule works: You try to suppress it, I will get it, and I will keep it forever. That is possible because we are better at this than you are. We will always be better at this than you are. The best among us will never work for you, so you will always epic fail. You cannot stop us. Every time you try to kick us, you are going to get a couple broken toes, and we will just get more ornery.

    You know, I don't violate copyright because I haven't made up my mind about it yet. I gotta tell you though, it gets more tempting every time you pull some shit like this.

    And if you think you can stop me (let alone the next generation of tech naturals) from watching whatever we want, whenever we want, on whatever platform we want, well, you are really stupid. The more you fight, the more practice we get, and the harder we laugh when we pee on your leg.

    Try being nice to your customers some time. It might not do you much good, but it won't do you as much harm as what you're doing now.

  18. Re:Whooooh! They picked the WRONG guy for this one by Martin+Blank · · Score: 5, Informative

    Justices have for decades attempted to derail arguments with tangents, and they do it to both sides. Liberal justices will demand justification from attorneys representing a liberal side just as conservative justices will do with those representing a conservative point, and all question^W grill the representatives on the points while bringing up seemingly unrelated points, interrupting them at their pleasure. It takes nerves of steel to stand up in front of the Supreme Court, because they do know what they're talking about and they absolutely will cut off the unprepared at the knees, and continue moving up until there's nothing left, and woe unto the attorney who gets combative with the justices.

    Remember that the justices have already read a great deal of case information by the time that oral debates have started, so they are often already leaning in one direction or another. However, there's also a great deal of work that goes on afterward as the justices debate the case internally, one of the reasons that the opinions take so long to come out in most cases. This is mostly a secret process, but there have been indications from some justices that a few debates have escalated to serious arguments with logic sometimes being tossed out the window. Traditions have developed over time to deal with those circumstances and allow the justices to at least end each term with civility, if not going home each night or weekend with some friendliness.

    --
    You can never go home again... but I guess you can shop there.
  19. Re:Whooooh! They picked the WRONG guy for this one by KevinKnSC · · Score: 5, Funny

    I believe that part was removed from the official dialogue on the record.

    After a DMCA takedown request, no doubt.

  20. What if Lessig did want the notice by Vapula · · Score: 3, Interesting

    His presentation may be willingfully at the fringe between Fair Use and Copyright violation.
    He may want to have this case brought to court and use the opportunity to show his whole presentation to the court in order to educate the judges.