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While My Guitar Gently Beeps

theodp writes "As the world prepares to meet the Beatles all over again on 9-9-9, the NY Times Magazine takes a look at the making of The Beatles: Rock Band, and asks a Fab Four tribute band to take the game for a test drive. (Not surprisingly, they fare well.) 'As huge as Guitar Hero and Rock Band have been over the past few years,' says Harmonix Music Systems co-founder Alex Rigopulos, 'I still think we're on the shy side of the chasm because the Beatles have a reach and power that transcends any other band.' The Beatles: Rock Band follows the group's career from Liverpool to the concert on the roof of Apple Corps in London in 1969 (trailer). The first half of the game recreates famous live performances; the second half weaves psychedelic dreamscapes around animations of the Beatles recording in Studio Two. 45 songs deemed the most fun to play, rather than the band's most iconic numbers, come with the game."

9 of 140 comments (clear)

  1. Paranoid about control by andi75 · · Score: 5, Insightful

    From the article:

    > Apple's preoccupation with security meant that the high-quality audio "stems" he created never left Abbey Road.
    > If the separated parts leaked out, every amateur D.J. would start lacing mixes with unauthorized Beatles samples.
    > Instead, Martin created low-fidelity copies imprinted with static for the Harmonix team to take back to the States -- in their carry-on luggage.

    And why would that be such a terribly bad thing? It's exactly this kind of gone-out-of-control control-thinking that makes me respect the idea of copyright less and less. I believe that trying to 'make a quick buck' from the work of others is unethical. But creatively extending someone else's work is art.

    On a unrelated note: Has someone already managed to rip the individual tracks off the Guitar Hero / Rock Band games? I assume they're not just simply there as .wav files on the CD :-)

    1. Re:Paranoid about control by daid303 · · Score: 4, Informative

      For the Guitar Hero and Rock Band songs, look on the FretsOnFire user forums. Or on your favorite torrent site (search for FretsOnFire).

    2. Re:Paranoid about control by sapphire+wyvern · · Score: 5, Interesting

      I find that quote particularly poignant when compared to this quote:

      McCartney sees the game as âoea natural, modern extensionâ of what the Beatles did in the â(TM)60s, only now people can feel as if âoethey possess or own the song, that theyâ(TM)ve been in it.â

      So, people can feel as if they possess or own the song - but Apple Corp, the owners of the Beatles' music (including McCarney), can't tolerate the thought of anyone getting ambitious and wanting to actually do something creative with it, like recombine elements of the Beatles' work into something new! This is a thin and watery form of ownership indeed.

    3. Re:Paranoid about control by Opportunist · · Score: 4, Insightful

      The ironic part is that this thinking is exactly what copyright was supposed to combat. Before the days of copyright, playwriters had bodyguards for the scripts they passed out to their actors because they feared if they took it home it could be copied. Opera composers went out of their way to make sure their new libretti were not heard before the big premiere (there's stories of opera singers practicing on boats on the sea so nobody could hear them).

      And now we're there again. Content creators going to lenths and putting people through hardships as if copyright didn't exist. Forcing performers and audience alike to jump through hoops and swallow poor quality in an attempt to protect their precious works.

      Why again did we have copyright in the first place?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  2. Beatles and their drug use by Anonymous Coward · · Score: 5, Informative

    The article says that: "In many respects, Martin and the Harmonix developers obsessed over creating an accurate portrayal of the Beatles. (They were never without teacups in the studio!)". So, do we get to see Lennon take LSD and trip during the recordings ? According do a interview (http://taz4158.tripod.com/johnint.html): "It went on for years, I must have had a thousand trips. Literally a thousand, or a couple of hundred? A thousand - I used to just eat it all the time." Probably not. Not a good idea to let the youth of the nations know that their heroes ate LSD like candy back in the days.

    1. Re:Beatles and their drug use by ragefan · · Score: 4, Insightful

      "See I think drugs have done some good things for us. If you don't think drugs have done good things for us then do me a favor. Go home tonight and take all of your records,tapes and all your CD's and burn them. Because, you know all those musicians who made all that great music that's enhanced your lives throughout the years? Rrrrrrrrrrrrrrrrrrrrrrrrrrreal fucking high on drugs, man."

      - Bill Hicks

  3. Big news... by goodmanj · · Score: 5, Insightful

    The most newsworthy part of this article from a Slashdot perspective isn't that Rock Band Beatles is coming out. We already knew that.

    It's that the New York TImes, the old grey lady, published a *nine page* video game review.

  4. Re:I find beatles music increidbly boring by Opportunist · · Score: 5, Informative

    Because they were the first.

    Yes, today that's easy listening. At least some of their songs, if not most, are mainstream vanilla pop. But that was new back then. They created a style that wasn't heard before, that was new and rebellious, their music, their style, their everything. You have to understand that in those days, even this rather tame beat was rebellious and quite suitable to drive your parents nuts. More than Marilyn Manson could today.

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  5. Re:Not exactly by quantumplacet · · Score: 5, Informative

    Ummm, I hate the Beatles and even i know you're completely wrong. While My Guitar Gently Weeps was on the White Album, which I'm fairly certain was a Beatles album not a George Harrison album. He did write it, and Clapton did play lead guitar on the studio version, but it was still a Beatles song.